Songs like Two Doors Down by Roy Lee Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Roy Lee Johnson
Two Doors Down
71 bpm • C Maj • 02:52 • -4.15db
0% Popularity • 38% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 38% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Art Neville
I'm A Fool To Care
71 bpm • D# Maj • 02:18 • -9.93db
12% Popularity • 39% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 39% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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The Hollywood Flames
Let's Talk It Over
72 bpm • C# Maj • 02:00 • -12.95db
11% Popularity • 48% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 48% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Fats Domino
Before I Grow Too Old - Remastered 2002
72 bpm • F Maj • 02:32 • -5.47db
8% Popularity • 36% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 36% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Joe Pesci
Let's Stop Fooling Ourselves
73 bpm • C min • 03:33 • -13.19db
8% Popularity • 40% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 40% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Danny Williams
Nature Boy - Remastered
73 bpm • B min • 01:57 • -8.4db
30% Popularity • 38% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 38% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Roy Lee Johnson
Two Doors Down
70 bpm • C Maj • 02:53 • -8.1db
0% Popularity • 43% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 43% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Betty Harris
Trouble with My Lover
73 bpm • F# Maj • 02:39 • -11.6db
8% Popularity • 63% Danceability • 31% Energy • 10% Liveness
38% Instrumentalness • 61% Positiveness
8% Popularity • 63% Danceability • 31% Energy • 10% Liveness
38% Instrumentalness • 61% Positiveness
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Bill Haley & His Comets
Framed
69 bpm • A Maj • 03:04 • -12.81db
11% Popularity • 45% Danceability • 59% Energy • 91% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 45% Danceability • 59% Energy • 91% Liveness
0% Instrumentalness • 68% Positiveness
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Joe Simon
Just Like Yesterday
74 bpm • C min • 02:32 • -8.35db
9% Popularity • 48% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 48% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Little Johnny Taylor
Somewhere Down the Line
69 bpm • F Maj • 02:09 • -11.06db
16% Popularity • 53% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 53% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
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Ray Charles
(Night Time Is) The Right Time
68 bpm • D# Maj • 03:43 • -5.54db
25% Popularity • 50% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 50% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Earl Connelly King
Don't Take It So Hard
74 bpm • G# Maj • 02:42 • -11.7db
8% Popularity • 66% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 66% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Trade Martin
You Are My Hiding Place
75 bpm • B min • 02:59 • -8.27db
18% Popularity • 16% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 16% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Art Neville
Zing Zing
67 bpm • G Maj • 02:01 • -9.27db
30% Popularity • 71% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 71% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Buddy Ace
Screaming Please
67 bpm • E min • 02:35 • -11.1db
9% Popularity • 47% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 47% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmy Brown
Always Good To Me
76 bpm • A# Maj • 02:42 • -6.84db
8% Popularity • 58% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 58% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Ray Charles
Hide Nor Hair
74 bpm • A Maj • 03:00 • -6.35db
17% Popularity • 66% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 66% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Mickey Baker
Riverboat
76 bpm • C Maj • 02:32 • -6.76db
14% Popularity • 44% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 75% Positiveness
14% Popularity • 44% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 75% Positiveness
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Nina Bundy
Bye Bye Blackbird
77 bpm • A min • 02:07 • -3.05db
9% Popularity • 52% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 52% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Joe Simon
Can't Find No Happiness
78 bpm • G min • 02:40 • -13.44db
8% Popularity • 53% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 53% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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The Fury's
I'm Satisfied with You
78 bpm • A Maj • 02:12 • -10.12db
10% Popularity • 51% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 51% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Barbara Lynn
Teenage Blues
77 bpm • A Maj • 01:46 • -9.81db
12% Popularity • 65% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 65% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Clarence "Frogman" Henry
You Can Have Her
78 bpm • D# Maj • 02:53 • -13.08db
9% Popularity • 56% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 56% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Ohio Players
You Don't Mean It
79 bpm • B min • 02:40 • -9.71db
9% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Lil Murray & The Soul Exciters
Open The Door To Your Heart
79 bpm • C Maj • 02:20 • -11.53db
9% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Art Neville
Heartaches
79 bpm • B Maj • 03:33 • -12.12db
15% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Sam Frazier Jr.
I Got To Tell Somebody
79 bpm • G# Maj • 03:31 • -10.79db
13% Popularity • 32% Danceability • 60% Energy • 20% Liveness
54% Instrumentalness • 66% Positiveness
13% Popularity • 32% Danceability • 60% Energy • 20% Liveness
54% Instrumentalness • 66% Positiveness
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Baby Washington
I've Got A Feeling
79 bpm • G# Maj • 02:54 • -11db
30% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Ernie K-Doe
Wanted $10,000.00 Reward
79 bpm • G# Maj • 02:09 • -9.83db
13% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Gino Parks
For This I Thank You
80 bpm • F# Maj • 02:34 • -8db
15% Popularity • 54% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 54% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 91% Positiveness
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Eddie Bo
I Love to Rock & Roll - Remastered
81 bpm • F Maj • 02:27 • -6.27db
4% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
4% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy Soul
Hands Off
80 bpm • G min • 02:23 • -6.62db
15% Popularity • 45% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 45% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Roy Lee Johnson
Busybody
81 bpm • E Maj • 02:42 • -7.38db
1% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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George Jackson
Talking In Your Sleep
81 bpm • D# Maj • 02:42 • -6.7db
8% Popularity • 64% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 64% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Louis Jordan
Bills
81 bpm • C min • 02:20 • -9.76db
14% Popularity • 64% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 64% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Lula Reed
Rock Love
82 bpm • F min • 02:08 • -7.88db
9% Popularity • 82% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
9% Popularity • 82% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Jimmy "Bo" Horne
Street Corners
82 bpm • F Maj • 02:12 • -7.17db
18% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Little Willie John
Don't Play With Love
82 bpm • G# Maj • 02:46 • -4.84db
9% Popularity • 53% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 53% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Baby Washington
Move On
82 bpm • A# Maj • 01:59 • -7.3db
16% Popularity • 67% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 67% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 88% Positiveness
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Inez & Charlie Foxx
Hurt By Love
82 bpm • A Maj • 02:19 • -6.11db
8% Popularity • 65% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 65% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Buster Brown
Sugar Babe
82 bpm • E Maj • 02:27 • -7.74db
11% Popularity • 58% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 58% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny "Guitar" Watson
That's The Chance You've Got To Talk
83 bpm • D# Maj • 03:08 • -12.03db
8% Popularity • 53% Danceability • 35% Energy • 43% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 53% Danceability • 35% Energy • 43% Liveness
0% Instrumentalness • 41% Positiveness
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Café Canela
Stuck In Love
83 bpm • G Maj • 03:41 • -7.61db
10% Popularity • 66% Danceability • 35% Energy • 11% Liveness
44% Instrumentalness • 61% Positiveness
10% Popularity • 66% Danceability • 35% Energy • 11% Liveness
44% Instrumentalness • 61% Positiveness
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Doris Troy
You Tore Me Up Inside - 2010 Remaster
83 bpm • D Maj • 02:32 • -9.68db
8% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Irma Thomas
Look Up - Remastered
84 bpm • A# Maj • 02:32 • -15.92db
11% Popularity • 52% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 52% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The jimmy Hanna Band
Leaving Here
85 bpm • D# min • 02:26 • -5db
10% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Amen Corner
Feel So Good
85 bpm • G# Maj • 01:50 • -5.48db
26% Popularity • 55% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 55% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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The Platters
You Don't Say
85 bpm • C Maj • 02:45 • -6.96db
18% Popularity • 52% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 52% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Mel Turner
Blankenberge In Winter
85 bpm • C Maj • 02:31 • -19.8db
26% Popularity • 60% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 60% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Sugar Pie DeSanto
Nickel and a Dime - Remastered
85 bpm • G min • 01:49 • -6.24db
12% Popularity • 63% Danceability • 66% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 63% Danceability • 66% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
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Rod Andrea
I Couldn't Leave You
85 bpm • A# Maj • 01:58 • -5.23db
8% Popularity • 51% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 51% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Trade Martin
Masters Of War
85 bpm • A Maj • 05:13 • -4.28db
18% Popularity • 34% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 34% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Slim Harpo
There Goes A Girl
85 bpm • A min • 03:16 • -7.29db
10% Popularity • 56% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 56% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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William Bell
‘Till My Back Ain’t Got No Bone
86 bpm • G# Maj • 03:05 • -12.44db
16% Popularity • 57% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 57% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ben E. King
Young Boy Blues
87 bpm • F Maj • 01:58 • -11.73db
8% Popularity • 40% Danceability • 37% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 40% Danceability • 37% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
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Sugar Pie DeSanto
Nickel and Dime
85 bpm • D# Maj • 01:52 • -6.65db
11% Popularity • 61% Danceability • 75% Energy • 6% Liveness
4% Instrumentalness • 87% Positiveness
11% Popularity • 61% Danceability • 75% Energy • 6% Liveness
4% Instrumentalness • 87% Positiveness
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Clarence "Frogman" Henry
Cheatin' traces
88 bpm • G Maj • 02:37 • -14.74db
16% Popularity • 50% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 50% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Huey "Piano" Smith
Everybodys Whalin'
88 bpm • A# Maj • 02:42 • -7.23db
10% Popularity • 57% Danceability • 88% Energy • 8% Liveness
95% Instrumentalness • 86% Positiveness
10% Popularity • 57% Danceability • 88% Energy • 8% Liveness
95% Instrumentalness • 86% Positiveness
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Irma Thomas
I Did My Part
87 bpm • G# Maj • 02:35 • -7.1db
9% Popularity • 69% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 69% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Johnny Thunder
Baby, I Dig Love
89 bpm • E Maj • 02:18 • -9.96db
17% Popularity • 70% Danceability • 69% Energy • 74% Liveness
12% Instrumentalness • 97% Positiveness
17% Popularity • 70% Danceability • 69% Energy • 74% Liveness
12% Instrumentalness • 97% Positiveness
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Eddy Giles
I Got the Blues
90 bpm • F# min • 02:35 • -9.98db
13% Popularity • 56% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 56% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Jimmy Hughes
Midnight Affair
90 bpm • C# Maj • 02:30 • -8.02db
17% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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George Perkins & The Silver Stars
Cryin' In The Streets - Pt. I
90 bpm • A Maj • 03:20 • -8.84db
7% Popularity • 61% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 61% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Duffy Power
Dollar Mamie
90 bpm • G Maj • 01:59 • -8.75db
9% Popularity • 60% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 60% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Barry White & The Atlantics
Tracy (All I Have Is You)
91 bpm • C min • 02:12 • -8.49db
13% Popularity • 59% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 59% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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The Pyramids
Carol Ann
90 bpm • A# Maj • 01:50 • -8.62db
11% Popularity • 59% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 59% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Gino Parks
Same Thing - Single Version
91 bpm • G# Maj • 02:21 • -5db
14% Popularity • 62% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 62% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Jessie Mae
Don't Freeze on Me
92 bpm • F Maj • 02:18 • -5.16db
9% Popularity • 62% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 62% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Roy Lee Johnson
Busy Body
92 bpm • B Maj • 02:05 • -8.11db
1% Popularity • 49% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 49% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Ann Cole
Each Day
92 bpm • D min • 02:20 • -7.81db
11% Popularity • 62% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 62% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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The Informers
Hard Way to Go
92 bpm • D Maj • 01:59 • -5.16db
11% Popularity • 58% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 58% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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John T. Webster 111
Gotta Make Love to You
92 bpm • G# Maj • 01:45 • -9.03db
10% Popularity • 55% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 55% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Sugar Pie DeSanto
I Still Care
93 bpm • G min • 02:24 • -8.2db
26% Popularity • 66% Danceability • 38% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 66% Danceability • 38% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
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Roy Milton
One Zippy Zam
93 bpm • G# Maj • 02:43 • -8db
12% Popularity • 56% Danceability • 66% Energy • 14% Liveness
7% Instrumentalness • 80% Positiveness
12% Popularity • 56% Danceability • 66% Energy • 14% Liveness
7% Instrumentalness • 80% Positiveness
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Roy Lee Johnson
Black Pepper Make You Sneeze
93 bpm • C# Maj • 01:50 • -8.87db
1% Popularity • 57% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
1% Popularity • 57% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Johnny Jones and The King Casuals
Chip Off The Old Block
94 bpm • B Maj • 02:02 • -7.57db
14% Popularity • 64% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 64% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Bobby Hebb
Atlanta G.A.
94 bpm • E Maj • 02:33 • -7.06db
11% Popularity • 50% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 50% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Little Ann
I Got to Have You
95 bpm • C Maj • 02:23 • -9.35db
11% Popularity • 62% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 62% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Buster Benton
Erase My Name
95 bpm • F Maj • 02:42 • -15.06db
8% Popularity • 45% Danceability • 36% Energy • 10% Liveness
72% Instrumentalness • 36% Positiveness
8% Popularity • 45% Danceability • 36% Energy • 10% Liveness
72% Instrumentalness • 36% Positiveness
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Art Neville
Oooh-Whee Baby - Saxophone Solo
95 bpm • D# Maj • 02:09 • -11.18db
8% Popularity • 46% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 46% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Roy Lee Johnson
Black Pepper Will Make You Sneeze
94 bpm • F# Maj • 01:52 • -7.85db
6% Popularity • 59% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
6% Popularity • 59% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Lil' Bob & the Lollipops
Who Needs You So Bad
95 bpm • F Maj • 03:00 • -6db
9% Popularity • 63% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 63% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Earl Gaines
The Best Of Luck To You
96 bpm • A# min • 02:44 • -10.13db
9% Popularity • 46% Danceability • 47% Energy • 13% Liveness
2% Instrumentalness • 48% Positiveness
9% Popularity • 46% Danceability • 47% Energy • 13% Liveness
2% Instrumentalness • 48% Positiveness
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Little Ann
I Gotta Have You - Alternative Take
95 bpm • C Maj • 02:24 • -8.67db
10% Popularity • 69% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 69% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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The Champs
Bright Lights, Big City
96 bpm • C# min • 02:16 • -7.95db
9% Popularity • 60% Danceability • 45% Energy • 7% Liveness
84% Instrumentalness • 64% Positiveness
9% Popularity • 60% Danceability • 45% Energy • 7% Liveness
84% Instrumentalness • 64% Positiveness
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George Jackson
Darkest Hour Is Before Dawn
96 bpm • C Maj • 02:08 • -8.03db
11% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Roy Lee Johnson
Stanback Headache Powder
94 bpm • E Maj • 02:15 • -7.57db
0% Popularity • 49% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 49% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Joe Simon
Bring It on Home To Me, Pt. 1
96 bpm • A# Maj • 02:53 • -13.14db
11% Popularity • 54% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 54% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Lil' Bob & the Lollipops
Sweet Soul Music
96 bpm • C# Maj • 02:16 • -6.67db
7% Popularity • 72% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
7% Popularity • 72% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Snooks Eaglin
Groove Me
96 bpm • F min • 04:26 • -8.19db
19% Popularity • 82% Danceability • 45% Energy • 75% Liveness
1% Instrumentalness • 80% Positiveness
19% Popularity • 82% Danceability • 45% Energy • 75% Liveness
1% Instrumentalness • 80% Positiveness
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Fenton Robinson
Leave You In The Arms Of Your Other Man ...
96 bpm • G min • 02:38 • -8.3db
15% Popularity • 59% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 59% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Thunder
Teach Me Tonight
97 bpm • D Maj • 02:31 • -11.22db
14% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Roy Lee Johnson
Come Here Baby
95 bpm • G Maj • 02:03 • -5.37db
0% Popularity • 67% Danceability • 49% Energy • 46% Liveness
0% Instrumentalness • 95% Positiveness
0% Popularity • 67% Danceability • 49% Energy • 46% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy Clanton
I Wanna Go Home
96 bpm • F Maj • 02:50 • -10.27db
9% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Ruby Winters
Teach Me Tonight
97 bpm • D Maj • 02:34 • -8.53db
8% Popularity • 66% Danceability • 46% Energy • 19% Liveness
2% Instrumentalness • 77% Positiveness
8% Popularity • 66% Danceability • 46% Energy • 19% Liveness
2% Instrumentalness • 77% Positiveness
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Barbara Lynn
Can't Buy My Love
97 bpm • G Maj • 01:55 • -7.02db
16% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Willie Charles Gray
I've Really Got Something to Be Proud of
97 bpm • G# Maj • 02:58 • -6.94db
13% Popularity • 44% Danceability • 53% Energy • 21% Liveness
9% Instrumentalness • 69% Positiveness
13% Popularity • 44% Danceability • 53% Energy • 21% Liveness
9% Instrumentalness • 69% Positiveness
