Songs like Two of Us by Louis Tomlinson
Based on a tempo of (+/- 10%) and a similar genre
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Etham
Running Out - Stripped
127 bpm • C min • 03:33 • -7.33db
33% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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James TW
You & Me
127 bpm • B Maj • 03:51 • -6.33db
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Louis Tomlinson
Two of Us
127 bpm • C Maj • 03:37 • -5.63db
58% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Olly Murs
Excuses
127 bpm • C# Maj • 04:06 • -4.78db
38% Popularity • 42% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 42% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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SHAED
Trampoline
127 bpm • G min • 03:04 • -5.78db
68% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
68% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Dean Lewis
Be Alright
126 bpm • B Maj • 03:16 • -7.6db
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Christian Leave
Can't Help Falling in Love
126 bpm • C Maj • 02:15 • -7.2db
52% Popularity • 61% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 61% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Harry Styles
Ever Since New York
128 bpm • A# Maj • 04:13 • -6.76db
64% Popularity • 39% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
64% Popularity • 39% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Louis Tomlinson
She Is Beauty We Are World Class
128 bpm • B min • 03:39 • -6.47db
53% Popularity • 53% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 53% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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One Direction
Fool's Gold
128 bpm • F# Maj • 03:30 • -4.85db
65% Popularity • 52% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 52% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Martin Garrix
Scared to Be Lonely - Acoustic Version
128 bpm • E Maj • 04:17 • -10.97db
54% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Dean Lewis
Be Alright - Acoustic
126 bpm • A Maj • 03:17 • -9.02db
57% Popularity • 68% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 68% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Maggie Lindemann
Couple of Kids
128 bpm • E Maj • 03:42 • -4.53db
49% Popularity • 62% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 62% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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James TW
When You Love Someone
126 bpm • G Maj • 03:36 • -6.09db
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Louis Tomlinson
Two of Us - Acoustic
126 bpm • C Maj • 03:46 • -8db
42% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Lewis Capaldi
Lost On You
126 bpm • A# Maj • 03:17 • -8.23db
62% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Dean Lewis
Lose My Mind
128 bpm • G# Maj • 03:20 • -6.64db
54% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Zac Efron
Rewrite The Stars
125 bpm • A# Maj • 03:37 • -7.01db
73% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
73% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Dua Lipa
Boys Will Be Boys
125 bpm • D# Maj • 02:46 • -5.95db
56% Popularity • 77% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
56% Popularity • 77% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Louis Tomlinson
Headline
125 bpm • G Maj • 02:53 • -3.64db
54% Popularity • 64% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
54% Popularity • 64% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Zara Larsson
Ruin My Life
125 bpm • B Maj • 03:10 • -5db
63% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
63% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Lewis Capaldi
Hollywood
125 bpm • A# Maj • 03:11 • -4.9db
55% Popularity • 72% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 72% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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ZAYN
PILLOWTALK
125 bpm • B Maj • 03:22 • -4.28db
78% Popularity • 58% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
78% Popularity • 58% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Maggie Lindemann
Pretty Girl
125 bpm • A# Maj • 03:39 • -3.58db
61% Popularity • 46% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 46% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Olivia Rodrigo
I Think I Kinda, You Know - Duet
129 bpm • C Maj • 02:52 • -7.66db
56% Popularity • 78% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 78% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Etham
Before I Lose My Mind - Stripped
125 bpm • C min • 03:46 • -11.14db
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Zara Larsson
Ruin My Life - Piano Version
125 bpm • B Maj • 03:10 • -7.2db
39% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Julie and the Phantoms Cast
Wake Up
130 bpm • F Maj • 03:37 • -4.73db
59% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Bella Thorne
Walk with Me (Single from the Midnight S...
130 bpm • C Maj • 03:24 • -8.49db
42% Popularity • 70% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
42% Popularity • 70% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Olivia Rodrigo
Wondering
129 bpm • F# Maj • 03:45 • -7.06db
61% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Louis Tomlinson
All This Time
130 bpm • B min • 02:55 • -6db
56% Popularity • 65% Danceability • 80% Energy • 26% Liveness
1% Instrumentalness • 70% Positiveness
56% Popularity • 65% Danceability • 80% Energy • 26% Liveness
1% Instrumentalness • 70% Positiveness
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One Direction
18
124 bpm • F# min • 04:08 • -7.76db
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Niall Horan
On The Loose
124 bpm • B min • 03:43 • -7db
62% Popularity • 72% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
62% Popularity • 72% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Joshua Bassett
Set Me Free
130 bpm • D Maj • 04:02 • -8.26db
53% Popularity • 45% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
53% Popularity • 45% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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OneRepublic
Didn't I
124 bpm • E Maj • 03:27 • -6.75db
49% Popularity • 61% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 61% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Zendaya
Neverland
124 bpm • D Maj • 03:44 • -9.09db
50% Popularity • 48% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 48% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Louis Tomlinson
Written All Over Your Face
124 bpm • C Maj • 02:40 • -4.54db
62% Popularity • 75% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 75% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Sody
What We Had
124 bpm • G Maj • 03:02 • -7.44db
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Sleeping At Last
Already Gone
131 bpm • D# Maj • 04:03 • -10db
67% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Zara Larsson
I Can't Fall in Love Without You
131 bpm • E Maj • 03:00 • -9.24db
61% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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One Direction
You & I
131 bpm • C# Maj • 03:57 • -6.83db
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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HÆRT
Erasing You
132 bpm • F# Maj • 03:43 • -8db
21% Popularity • 59% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 59% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Louis Tomlinson
Lucky Again
124 bpm • D Maj • 03:27 • -4.69db
57% Popularity • 71% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 71% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Sody
Let You Know
124 bpm • E min • 03:10 • -6.71db
39% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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The Script
The Last Time
132 bpm • F Maj • 03:16 • -3.42db
53% Popularity • 52% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 52% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 15% Positiveness
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Hailee Steinfeld
Afterlife
122 bpm • C# min • 03:29 • -4.73db
55% Popularity • 67% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 67% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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One Direction
Infinity
132 bpm • E Maj • 04:09 • -6.07db
64% Popularity • 54% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
64% Popularity • 54% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Sasha Alex Sloan
House With No Mirrors
122 bpm • D Maj • 03:47 • -12db
48% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Madilyn
Red Ribbon
122 bpm • F# min • 03:23 • -8db
39% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Liam Payne
Say It All
122 bpm • F# Maj • 03:27 • -4.69db
37% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Sebastian Javier
Summer 16'
132 bpm • G Maj • 02:48 • -7db
17% Popularity • 60% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 60% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 35% Positiveness
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Isak Danielson
Hold My Hand
122 bpm • G min • 03:21 • -9.58db
46% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Kat Dahlia
I Think I'm In Love
122 bpm • G Maj • 03:22 • -6.73db
67% Popularity • 63% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
67% Popularity • 63% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Conan Gray
Lookalike
122 bpm • A# Maj • 03:40 • -10.12db
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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ZAYN
Tonight
122 bpm • A# Maj • 03:40 • -5db
50% Popularity • 64% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 64% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Astrid S
Favorite Part Of Me
122 bpm • C# Maj • 03:18 • -6.27db
51% Popularity • 60% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 60% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Louis Tomlinson
High In California
133 bpm • D# min • 03:04 • -10.58db
53% Popularity • 70% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
53% Popularity • 70% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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WALK THE MOON
Lost In The Wild
133 bpm • F# min • 03:55 • -4.83db
62% Popularity • 48% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 48% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Christopher
My Heart
133 bpm • D Maj • 03:16 • -6db
50% Popularity • 73% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 73% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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One Direction
Love You Goodbye
133 bpm • C# Maj • 03:16 • -4.79db
63% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
63% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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OneRepublic
Rescue Me
121 bpm • B min • 02:39 • -7.74db
72% Popularity • 76% Danceability • 61% Energy • 57% Liveness
0% Instrumentalness • 65% Positiveness
72% Popularity • 76% Danceability • 61% Energy • 57% Liveness
0% Instrumentalness • 65% Positiveness
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Harry Styles
Fine Line
121 bpm • D Maj • 06:17 • -8.5db
79% Popularity • 31% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
79% Popularity • 31% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
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Sasha Alex Sloan
Too Sad To Cry
120 bpm • A# Maj • 03:28 • -9.94db
57% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Louis Tomlinson
Kill My Mind
134 bpm • A# Maj • 03:41 • -3.26db
55% Popularity • 52% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 52% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Clara Mae
Sorry for Writing All the Songs About Yo...
120 bpm • G Maj • 03:26 • -7.03db
36% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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One Direction
Story of My Life
121 bpm • D# Maj • 04:05 • -5.8db
84% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
84% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Alec Benjamin
Water Fountain
134 bpm • G# Maj • 03:38 • -5.57db
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Steve Aoki
Just Hold On - Rain Man Remix
120 bpm • B Maj • 03:09 • -4.79db
23% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Platt
RAIN
120 bpm • D Maj • 03:33 • -5db
44% Popularity • 77% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 77% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Louis Tomlinson
That's The Way Love Goes
120 bpm • F# Maj • 02:30 • -6.27db
53% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Schulte
Someone
120 bpm • A# Maj • 03:37 • -4.36db
38% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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FINNEAS
Shelter
120 bpm • D# min • 03:07 • -10.04db
48% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Laura Marano
Let Me Cry
120 bpm • C Maj • 03:30 • -5db
29% Popularity • 67% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 67% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Steve Aoki
Just Hold On - TJH87 Remix
120 bpm • B Maj • 04:56 • -5.31db
24% Popularity • 55% Danceability • 84% Energy • 14% Liveness
3% Instrumentalness • 12% Positiveness
24% Popularity • 55% Danceability • 84% Energy • 14% Liveness
3% Instrumentalness • 12% Positiveness
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Liam Payne
Depend On It
134 bpm • C min • 02:51 • -9db
41% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Harry Styles
Sign of the Times
120 bpm • F Maj • 05:40 • -4.63db
84% Popularity • 52% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
84% Popularity • 52% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Mokita
London
120 bpm • B Maj • 02:40 • -8.72db
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Louis Tomlinson
Change
120 bpm • E Maj • 04:42 • -10.36db
53% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
53% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Liam Payne
Bedroom Floor
120 bpm • C# Maj • 03:08 • -7.15db
51% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Anne-Marie
Her
120 bpm • A# Maj • 02:57 • -5.57db
60% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ashe
Moral of the Story
120 bpm • A# Maj • 03:21 • -8.62db
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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FINNEAS
Lost My Mind
135 bpm • G min • 02:49 • -11.04db
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Lewis Capaldi
Rush
120 bpm • C# Maj • 03:18 • -7.39db
61% Popularity • 63% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 63% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Elina
Champion
120 bpm • F# Maj • 02:53 • -9.01db
50% Popularity • 65% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 65% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jordan Smith
Only Love
135 bpm • F min • 04:04 • -6.28db
43% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Luke Hemmings
Starting Line
120 bpm • D Maj • 04:30 • -5.31db
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Louis Tomlinson
Perfect Now
135 bpm • D Maj • 03:06 • -8.5db
51% Popularity • 62% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 62% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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ZAYN
Common
135 bpm • D min • 03:52 • -5.86db
53% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
53% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Ashley Tisdale
Voices in My Head
135 bpm • D Maj • 03:19 • -5db
30% Popularity • 68% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 68% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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New Rules
24 Hours
135 bpm • B min • 03:06 • -4db
43% Popularity • 66% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 66% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Charlie Puth
Through It All
119 bpm • E Maj • 03:26 • -8.54db
46% Popularity • 56% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 56% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Meghan Trainor
Workin' On It
136 bpm • C# min • 03:01 • -7.92db
42% Popularity • 63% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 63% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
