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Two To Two Step
Songs like
Two To Two Step
by
Midland
Based on a tempo of (+/- 10%) and a similar genre
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HIXTAPE
Break Your Own Damn Heart
118 bpm • G Maj • 03:26 • -4db
38% Popularity • 60% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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Casey Donahew
Kiss Me
118 bpm • E Maj • 03:28 • -4.59db
47% Popularity • 58% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Koe Wetzel
Good Die Young
118 bpm • B Maj • 02:45 • -5.63db
66% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Midland
Every Song’s A Drinkin’ Song
118 bpm • G Maj • 03:56 • -4.97db
35% Popularity • 56% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Dierks Bentley
I Hold On
118 bpm • C Maj • 04:39 • -6.45db
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Silverada
You Look Good in Neon
118 bpm • G Maj • 04:00 • -9.54db
47% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Clay Walker
What's It to You
118 bpm • D Maj • 02:46 • -13.22db
58% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Kenny Chesney
No Shoes, No Shirt, No Problems
118 bpm • G Maj • 03:29 • -10.24db
60% Popularity • 72% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
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Luke Combs
Lovin' On You
119 bpm • E Maj • 03:14 • -4.87db
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Midland
East Bound And Down
118 bpm • G Maj • 02:57 • -4db
42% Popularity • 62% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Neal McCoy
Wink
118 bpm • E Maj • 02:42 • -6.18db
58% Popularity • 71% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
64% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Randy Rogers Band
Interstate
120 bpm • C Maj • 04:41 • -5.64db
46% Popularity • 60% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Trace Adkins
Ladies Love Country Boys
116 bpm • G Maj • 03:41 • -4db
61% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Midland
Two To Two Step
118 bpm • G# Maj • 03:20 • -6db
36% Popularity • 56% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Chris Stapleton
Fire Away
116 bpm • A Maj • 04:04 • -9.07db
71% Popularity • 56% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
65% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Eric Church
Heart On Fire
120 bpm • G# Maj • 04:18 • -5db
58% Popularity • 65% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Easton Corbin
Roll With It
120 bpm • F Maj • 03:27 • -8db
58% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Trace Adkins
(This Ain't) No Thinkin' Thing
116 bpm • A min • 04:02 • -6.3db
53% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Midland
Gettin’ The Feel
120 bpm • G Maj • 04:33 • -4.83db
32% Popularity • 58% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Blake Shelton
Sangria
116 bpm • A Maj • 03:53 • -6.96db
63% Popularity • 65% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Rodney Atkins
If You're Going Through Hell (Before The...
116 bpm • A Maj • 03:36 • -3.66db
63% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Pecos & the Rooftops
This Damn Song
120 bpm • C Maj • 04:40 • -6.74db
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Midland
Out Of Sight
119 bpm • G Maj • 04:21 • -5.78db
52% Popularity • 58% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
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Blake Shelton
Some Beach
116 bpm • C Maj • 03:24 • -6.33db
62% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Craig Campbell
Outskirts of Heaven
116 bpm • C Maj • 04:04 • -5.73db
55% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Brooks & Dunn
Play Something Country
115 bpm • G Maj • 03:14 • -3db
60% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Billy Currington
That's How Country Boys Roll
121 bpm • D Maj • 03:44 • -3.01db
49% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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John Michael Montgomery
Sold (The Grundy County Auction Incident...
116 bpm • D Maj • 02:32 • -7.37db
71% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
64% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Brothers Osborne
Rum
121 bpm • D# Maj • 03:33 • -6.01db
54% Popularity • 83% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Alex Key
The Fool That I Am
115 bpm • F min • 03:18 • -5.71db
41% Popularity • 68% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Josh Ward
Change My Mind
115 bpm • G Maj • 03:34 • -6db
45% Popularity • 59% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
65% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Gary Allan
Smoke Rings In The Dark
115 bpm • D Maj • 04:17 • -7.15db
54% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Midland
Texas Is The Last Stop
115 bpm • F Maj • 03:00 • -5.82db
37% Popularity • 72% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Brooks & Dunn
Cowgirls Don't Cry
115 bpm • A Maj • 03:39 • -5.25db
58% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Clint Black
Killin' Time
121 bpm • G Maj • 02:47 • -10.32db
62% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Shenandoah
Two Dozen Roses
121 bpm • E Maj • 03:24 • -9.14db
71% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Hailey Whitters
Everything She Ain’t
122 bpm • D Maj • 02:31 • -6.13db
65% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Gary Allan
Songs About Rain
121 bpm • G Maj • 04:25 • -5db
49% Popularity • 57% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Scotty McCreery
In Between
122 bpm • B Maj • 03:41 • -5.4db
52% Popularity • 59% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
66% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Midland
Electric Rodeo
114 bpm • C Maj • 03:18 • -5db
40% Popularity • 56% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Miranda Lambert
Tequila Does
114 bpm • C Maj • 04:01 • -6.97db
55% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Wade Bowen
Who I Am
122 bpm • A Maj • 04:35 • -4.2db
49% Popularity • 57% Danceability • 68% Energy • 94% Liveness
0% Instrumentalness • 45% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Brothers Osborne
It Ain't My Fault
123 bpm • A Maj • 03:36 • -5.9db
65% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
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Midland
Fast Hearts And Slow Towns
114 bpm • G Maj • 03:19 • -5.91db
36% Popularity • 57% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Wade Bowen
Who I Am
114 bpm • A Maj • 04:35 • -7.18db
39% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Chris Stapleton
Parachute
113 bpm • F# Maj • 04:13 • -7.41db
76% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Clay Walker
She Won't Be Lonely Long
113 bpm • G Maj • 03:29 • -6db
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Pardi
When I've Been Drinkin'
113 bpm • B Maj • 03:17 • -6.08db
57% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Midland
Worn Out Boots
113 bpm • D Maj • 03:01 • -7.04db
31% Popularity • 55% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Jerrod Niemann
Lover, Lover
112 bpm • G Maj • 03:13 • -6.51db
59% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Travis Tritt
Here's a Quarter (Call Someone Who Cares...
112 bpm • G Maj • 02:32 • -7db
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Brothers Osborne
Weed, Whiskey And Willie
124 bpm • E Maj • 04:20 • -9db
49% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Tim McGraw
I Like It, I Love It
124 bpm • C Maj • 03:25 • -5.3db
71% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Midland
At Least You Cried
124 bpm • G Maj • 02:38 • -5.05db
41% Popularity • 54% Danceability • 85% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Billy Currington
I Got A Feelin'
112 bpm • D Maj • 03:13 • -5.4db
59% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Randy Houser
Boots On
112 bpm • G# Maj • 02:50 • -5db
61% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Brothers Osborne
21 Summer
112 bpm • D Maj • 03:34 • -6.99db
57% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Riley Green
Same Old Song
112 bpm • F# Maj • 03:08 • -5.29db
57% Popularity • 66% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Rhett
Half Of Me
112 bpm • G Maj • 03:03 • -5.06db
68% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Midland
Champagne For The Pain
124 bpm • F Maj • 03:19 • -6.34db
36% Popularity • 60% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Kenny Chesney
Somewhere With You
112 bpm • C# min • 04:03 • -6.48db
60% Popularity • 68% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Josh Abbott Band
The Highway Kind
112 bpm • G Maj • 03:59 • -4.33db
48% Popularity • 58% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Cross Canadian Ragweed
17
124 bpm • G Maj • 05:19 • -5.24db
48% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Gary Allan
Man To Man - Album Version/Remix
112 bpm • A# Maj • 03:43 • -6.4db
46% Popularity • 59% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Midland
More Than A Fever
112 bpm • F Maj • 03:42 • -6.77db
48% Popularity • 70% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Kenny Chesney
How Forever Feels
125 bpm • G Maj • 03:08 • -7.43db
61% Popularity • 72% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Southall
Why
125 bpm • C Maj • 03:17 • -8.03db
68% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Dusky
Resin - Midland Reshape
125 bpm • D Maj • 06:43 • -8.95db
2% Popularity • 69% Danceability • 80% Energy • 21% Liveness
78% Instrumentalness • 22% Positiveness
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Dylan Wheeler
Broke Ass Kid
111 bpm • F# Maj • 04:02 • -4.17db
60% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Billy Currington
Let Me Down Easy
125 bpm • C# Maj • 03:48 • -5db
59% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Midland
Paycheck To Paycheck
112 bpm • D Maj • 02:56 • -3.82db
34% Popularity • 57% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Thomas Rhett
Beer Can’t Fix
111 bpm • G Maj • 03:29 • -4.07db
69% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Brooks & Dunn
My Maria
126 bpm • D# Maj • 03:28 • -4.63db
68% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Dwight Yoakam
Fast as You
126 bpm • E Maj • 04:45 • -7.93db
64% Popularity • 63% Danceability • 80% Energy • 40% Liveness
9% Instrumentalness • 84% Positiveness
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Aaron Lewis
That Ain’t Country
126 bpm • F# Maj • 04:02 • -4db
53% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Morgan Wallen
Neon Eyes
126 bpm • B min • 03:46 • -5.26db
65% Popularity • 58% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Midland
This Old Heart
125 bpm • E Maj • 03:13 • -5.19db
41% Popularity • 63% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Tim McGraw
Redneck Girl
126 bpm • A Maj • 03:43 • -4.65db
19% Popularity • 54% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Hank Williams, Jr.
Family Tradition
126 bpm • E Maj • 04:02 • -12.07db
68% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Young
Aw Naw
110 bpm • D Maj • 03:08 • -3.75db
62% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Easton Corbin
Lovin' You Is Fun
110 bpm • G# Maj • 03:19 • -3.03db
55% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Morgan Wallen
More Than My Hometown
126 bpm • F# Maj • 03:36 • -5.48db
79% Popularity • 62% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Midland
Cheatin’ Songs
110 bpm • E Maj • 03:35 • -6db
58% Popularity • 72% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Tim McGraw
Indian Outlaw
110 bpm • A Maj • 03:02 • -7.23db
64% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Randy Houser
What Whiskey Does
127 bpm • D Maj • 03:45 • -5.03db
44% Popularity • 69% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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John Anderson
Seminole Wind
127 bpm • D Maj • 03:58 • -11.1db
57% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
67% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Two To Two Step