Songs like Two Weeks with Love (1950) Aba Daba Honeymoon by Debbie Reynolds
Based on a tempo of (+/- 10%) and a similar genre
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The Ames Brothers
Undecided
135 bpm • G# Maj • 02:59 • -8.91db
27% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Bob Hope
Road To Morocco: Ain't Got a Dime To My ...
135 bpm • C min • 02:14 • -12db
17% Popularity • 72% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 64% Positiveness
17% Popularity • 72% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 64% Positiveness
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Shirley Temple
Early Bird
135 bpm • G# Maj • 02:02 • -21db
14% Popularity • 53% Danceability • 14% Energy • 56% Liveness
92% Instrumentalness • 47% Positiveness
14% Popularity • 53% Danceability • 14% Energy • 56% Liveness
92% Instrumentalness • 47% Positiveness
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Gene Kelly
Singin' In The Rain
136 bpm • F Maj • 04:54 • -13.81db
54% Popularity • 35% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
54% Popularity • 35% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Wilfrid Hyde-White
The Rain In Spain - Voice
135 bpm • F Maj • 02:11 • -14db
26% Popularity • 51% Danceability • 24% Energy • 63% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 51% Danceability • 24% Energy • 63% Liveness
0% Instrumentalness • 57% Positiveness
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Vanessa Redgrave
I Loved You Once in Silence - Guenevere ...
134 bpm • D Maj • 02:57 • -26.72db
19% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Lucie Arnaz
They're Playing Our Song (The Bows) - 19...
134 bpm • C Maj • 01:20 • -13.53db
23% Popularity • 73% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 73% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Debbie Reynolds
I Want To Be Happy
134 bpm • G Maj • 01:59 • -8.46db
2% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Dan Truhitte
Sixteen Going On Seventeen
133 bpm • D# Maj • 04:55 • -13db
43% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Gene Kelly
Singin' in the Rain (Main)
136 bpm • F Maj • 04:16 • -16db
19% Popularity • 43% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 43% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Joel Grey
Give My Regards to Broadway
137 bpm • C Maj • 03:37 • -8db
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Richard Harris
Finale Ultimo
137 bpm • D# Maj • 02:39 • -15.13db
19% Popularity • 34% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 34% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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George Formby
Leaning on a Lamp Post
137 bpm • C Maj • 03:02 • -14.85db
29% Popularity • 71% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 71% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Billy Cotton & His Band
I'm Just Wild About Harry
137 bpm • D# Maj • 02:24 • -19.16db
20% Popularity • 82% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
20% Popularity • 82% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
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Debbie Reynolds
Aba Daba Honeymoon
133 bpm • G min • 03:14 • -8.72db
15% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny Mathis
A Certain Smile
137 bpm • F# Maj • 02:46 • -13.21db
37% Popularity • 24% Danceability • 29% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 24% Danceability • 29% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Leonard Bernstein
West Side Story : Act I: Tonight
137 bpm • C min • 03:52 • -19.06db
23% Popularity • 25% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 25% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Billy Williams
I'm Gonna Sit Right Down and Write Mysel...
138 bpm • C# Maj • 02:07 • -17db
33% Popularity • 71% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 71% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Marvin Hamlisch
One (Reprise) / Finale
133 bpm • D# Maj • 05:04 • -8.99db
28% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Doris Day
Secret Love
132 bpm • B Maj • 03:39 • -12.09db
37% Popularity • 28% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 28% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Carol Burnett
April Showers
132 bpm • C Maj • 02:21 • -8.08db
8% Popularity • 54% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 54% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Debbie Reynolds
Zip-A-Dee-Doo-Dah
132 bpm • G# Maj • 02:02 • -10.59db
14% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Teresa Brewer
A Tear Fell
138 bpm • D Maj • 02:35 • -11.42db
41% Popularity • 39% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 39% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Johnnie Ray
The Little White Cloud That Cried
132 bpm • G Maj • 02:13 • -19.24db
29% Popularity • 46% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 46% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Wayne Newton
Remember When
132 bpm • F Maj • 02:16 • -14db
47% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Emile De Becque
This Nearly Was Mine
138 bpm • C Maj • 02:09 • -13.76db
27% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
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Desi Arnaz
I Love Lucy
131 bpm • C# Maj • 01:53 • -11db
23% Popularity • 71% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 71% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Debbie Reynolds
Pick Yourself Up
138 bpm • C Maj • 02:46 • -12.09db
2% Popularity • 51% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
2% Popularity • 51% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Teresa Brewer
Ricochet (Rick-O-Shay)
132 bpm • D# Maj • 02:42 • -6.97db
22% Popularity • 70% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 70% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
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The Cast of The Show Boat
Bill - Original
132 bpm • D# Maj • 03:22 • -22.73db
6% Popularity • 52% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
6% Popularity • 52% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Annette & Tommy Sands
The Parent Trap
139 bpm • G# Maj • 02:17 • -10.63db
12% Popularity • 63% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 63% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Danny La Rue
On Mother Kelly's Doorstep
131 bpm • A# Maj • 03:10 • -15db
12% Popularity • 48% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 48% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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James Cagney & Frances Langford
Over There
131 bpm • E Maj • 03:26 • -10db
4% Popularity • 58% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
4% Popularity • 58% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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The Ames Brothers
The Naughty Lady of Shady Lane
131 bpm • C# Maj • 02:51 • -8.27db
26% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
If I Loved You
131 bpm • F Maj • 06:20 • -13db
19% Popularity • 28% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 28% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Bob Hope
Two Sleepy People - Remastered
131 bpm • A# Maj • 03:00 • -10.94db
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Ken Darby Male Chorus
There Is Nothin' Like A Dame
131 bpm • G Maj • 03:48 • -15.77db
28% Popularity • 62% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 62% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Burl Ives
The Ugly Bug Ball
131 bpm • A# Maj • 03:04 • -12.35db
33% Popularity • 71% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 71% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Shirley Temple
On the Good Ship Lollipop
130 bpm • G min • 02:32 • -8db
29% Popularity • 56% Danceability • 46% Energy • 60% Liveness
54% Instrumentalness • 55% Positiveness
29% Popularity • 56% Danceability • 46% Energy • 60% Liveness
54% Instrumentalness • 55% Positiveness
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Petula Clark, Don Francks & Fred Astaire
Look to the Rainbow
140 bpm • G# Maj • 03:03 • -14db
14% Popularity • 46% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 46% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Debbie Reynolds
Good Morning
130 bpm • D Maj • 04:14 • -10db
30% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Eddie Cantor
Ma! (He's Making Eyes at Me)
130 bpm • F Maj • 02:18 • -10db
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Al Martino
Here In My Heart
130 bpm • C Maj • 03:04 • -10db
31% Popularity • 20% Danceability • 31% Energy • 30% Liveness
56% Instrumentalness • 19% Positiveness
31% Popularity • 20% Danceability • 31% Energy • 30% Liveness
56% Instrumentalness • 19% Positiveness
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Frankie Laine
I Believe
140 bpm • C# Maj • 02:07 • -10.26db
47% Popularity • 36% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Betty Noyes
Would You?
140 bpm • G# Maj • 02:59 • -13db
33% Popularity • 27% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 27% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Lt. Cable
Carefully Taught
141 bpm • E Maj • 01:13 • -13.95db
27% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Debbie Reynolds
You Couldn't Be Cuter
130 bpm • D Maj • 03:03 • -15.2db
2% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
2% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
34% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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The Crew Cuts
Sh-Boom (Life Could Be A Dream)
130 bpm • D min • 02:48 • -10.93db
53% Popularity • 67% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 67% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Carol Burnett
The Trolley Song
141 bpm • G min • 02:53 • -6.82db
20% Popularity • 56% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 56% Danceability • 56% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
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Stubby Kaye
Sit Down, You're Rockin' The Boat - Rema...
129 bpm • F Maj • 02:15 • -8.78db
22% Popularity • 60% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 60% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Gene Kelly
Singin' in the Rain - Remastered
129 bpm • F Maj • 02:57 • -10.81db
26% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Debbie Reynolds
I Never Felt Better
140 bpm • F min • 03:08 • -8.2db
3% Popularity • 59% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 80% Positiveness
3% Popularity • 59% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 80% Positiveness
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The Four Aces
Love Is a Many Splendored Thing
129 bpm • D Maj • 02:58 • -9.43db
47% Popularity • 32% Danceability • 34% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
47% Popularity • 32% Danceability • 34% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
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Bobby Troup and his Trio
That Darn Cat
129 bpm • G# min • 02:46 • -15.74db
11% Popularity • 80% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 80% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Johnnie Ray
Walkin' My Baby Back Home
129 bpm • D Maj • 02:20 • -19db
37% Popularity • 72% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 72% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Don Francks, Petula Clark, Fred Astaire & Chorus
If This Isn't Love
141 bpm • F Maj • 03:37 • -11.36db
12% Popularity • 55% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 55% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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John Williams
I'll Plant My Own Tree
142 bpm • A min • 02:26 • -5.55db
10% Popularity • 35% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 35% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Debbie Reynolds
Lady Loves
141 bpm • C Maj • 02:58 • -12db
9% Popularity • 44% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 44% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Ken Darby Male Chorus
Bloody Mary
129 bpm • D# Maj • 01:54 • -10.37db
27% Popularity • 79% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 79% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Shirley Temple
An Old Straw Hat
142 bpm • D Maj • 01:04 • -11.91db
23% Popularity • 74% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 74% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Meredith Willson
Seventy-Six Trombones
128 bpm • G# Maj • 03:01 • -14.13db
20% Popularity • 60% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 60% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Robert Preston
Seventy Six Trombones / Goodnight My Som...
128 bpm • C Maj • 01:30 • -12.88db
32% Popularity • 38% Danceability • 20% Energy • 50% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 38% Danceability • 20% Energy • 50% Liveness
0% Instrumentalness • 23% Positiveness
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Charmian Carr
Sixteen Going On Seventeen
128 bpm • G# Maj • 03:20 • -15.87db
52% Popularity • 49% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 49% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Debbie Reynolds
Dominique
142 bpm • A Maj • 02:02 • -11.75db
18% Popularity • 79% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 79% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Tillotson
(Wait Til You See) My Gidget
142 bpm • A min • 01:59 • -7.64db
29% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Louis Prima
The Happy Wanderer
128 bpm • D# Maj • 02:18 • -11.63db
13% Popularity • 57% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 57% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Harry Austin Tierney
Irene - A Musical Comedy: I'm Always Cha...
128 bpm • C Maj • 03:47 • -18.65db
1% Popularity • 27% Danceability • 7% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
1% Popularity • 27% Danceability • 7% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Frederick Loewe
My Fair Lady: A Hymn to Him
142 bpm • G Maj • 03:15 • -14.09db
9% Popularity • 58% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 58% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Phil Harris
The Thing
128 bpm • D Maj • 02:22 • -10db
18% Popularity • 81% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 81% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Debbie Reynolds
Good Morning (Alternate Take)
128 bpm • F Maj • 02:49 • -6db
26% Popularity • 52% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 52% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Van Johnson
I'll Go Home with Bonnie Jean
128 bpm • G Maj • 02:52 • -12.23db
14% Popularity • 47% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 47% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Norman Wisdom
Don't Laugh at Me ('Cause I'm a Fool)
143 bpm • A# Maj • 03:36 • -13.06db
37% Popularity • 30% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 30% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Bobby Rydell
The Telephone Hour
127 bpm • G Maj • 02:52 • -9db
28% Popularity • 54% Danceability • 55% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 54% Danceability • 55% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
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Billy Cotton & His Band
I've Got A Lovely Bunch Of Coconuts
127 bpm • C Maj • 02:47 • -14db
15% Popularity • 82% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 82% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Jerry Herman
Mame: Mame
127 bpm • F min • 06:16 • -11.54db
21% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Debbie Reynolds
Good Morning
128 bpm • G Maj • 02:51 • -10.66db
12% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Virginia Gibson
June Bride
127 bpm • F Maj • 03:18 • -19db
30% Popularity • 35% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 35% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Shirley Temple
You Gotta S-M-I-L-E to Be H-A-P-P-Y
144 bpm • G Maj • 03:16 • -7.26db
7% Popularity • 55% Danceability • 61% Energy • 58% Liveness
1% Instrumentalness • 85% Positiveness
7% Popularity • 55% Danceability • 61% Energy • 58% Liveness
1% Instrumentalness • 85% Positiveness
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The Wellingtons
The Wonderful World of Color
144 bpm • D Maj • 01:40 • -11.27db
25% Popularity • 24% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 24% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Cliff Edwards
When You Wish Upon a Star
127 bpm • D Maj • 03:15 • -11.96db
48% Popularity • 26% Danceability • 23% Energy • 21% Liveness
3% Instrumentalness • 9% Positiveness
48% Popularity • 26% Danceability • 23% Energy • 21% Liveness
3% Instrumentalness • 9% Positiveness
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Ruby Murray
Softly Softly
127 bpm • D Maj • 02:29 • -13db
33% Popularity • 30% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 30% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Johnny Mathis
Wonderful! Wonderful! - Single Version
144 bpm • G min • 02:47 • -11db
35% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Alma Cogan
I Can't Tell a Waltz from a Tango
126 bpm • C# Maj • 02:26 • -11db
12% Popularity • 85% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 85% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Paul Robeson
Ol' Man River - 1985 Digital Remaster
126 bpm • A# Maj • 03:54 • -14db
32% Popularity • 44% Danceability • 15% Energy • 14% Liveness
1% Instrumentalness • 47% Positiveness
32% Popularity • 44% Danceability • 15% Energy • 14% Liveness
1% Instrumentalness • 47% Positiveness
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Ann Miller
From This Moment On
144 bpm • D# min • 03:49 • -11db
14% Popularity • 43% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 43% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Teresa Brewer
Choo'n Gum
126 bpm • G# Maj • 03:05 • -11.78db
12% Popularity • 67% Danceability • 36% Energy • 31% Liveness
4% Instrumentalness • 97% Positiveness
12% Popularity • 67% Danceability • 36% Energy • 31% Liveness
4% Instrumentalness • 97% Positiveness
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Bob Hope
Buttons and Bows
144 bpm • C min • 03:00 • -12db
23% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Tommy Steele
Half a Sixpence
126 bpm • A# Maj • 05:16 • -11db
14% Popularity • 42% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 42% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Debbie Reynolds
Singin' in the Rain (Main Title)
126 bpm • F Maj • 01:43 • -10.29db
15% Popularity • 26% Danceability • 40% Energy • 20% Liveness
4% Instrumentalness • 37% Positiveness
15% Popularity • 26% Danceability • 40% Energy • 20% Liveness
4% Instrumentalness • 37% Positiveness
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Ronnie Hilton
Hey Look Me Over
125 bpm • G Maj • 02:19 • -7db
12% Popularity • 72% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 72% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Original 1955 Oklahoma! Studio Orchestra
Main Title
146 bpm • G Maj • 02:53 • -13db
26% Popularity • 43% Danceability • 31% Energy • 45% Liveness
84% Instrumentalness • 43% Positiveness
26% Popularity • 43% Danceability • 31% Energy • 45% Liveness
84% Instrumentalness • 43% Positiveness
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Rudy Vallee
If You Were the Only Girl in the World (...
145 bpm • C Maj • 02:50 • -14.43db
20% Popularity • 33% Danceability • 15% Energy • 17% Liveness
4% Instrumentalness • 28% Positiveness
20% Popularity • 33% Danceability • 15% Energy • 17% Liveness
4% Instrumentalness • 28% Positiveness
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Percy Faith & His Orchestra
On the Streets Where You Live
146 bpm • F Maj • 03:37 • -11db
15% Popularity • 15% Danceability • 36% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
15% Popularity • 15% Danceability • 36% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
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Kay Thompson
Think Pink
146 bpm • D# min • 02:15 • -13db
22% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Guy Mitchell
Pittsburgh, Pennsylvania - Single Versio...
146 bpm • G Maj • 02:56 • -15.01db
18% Popularity • 63% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 63% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Max Bygraves
Meet Me on the Corner
124 bpm • A min • 02:28 • -10.2db
20% Popularity • 70% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 70% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Martha Tilton
Let's Get Away from It All
124 bpm • A min • 02:38 • -11.33db
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
