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Two
Songs like
Two
by
Sleeping At Last
Based on a tempo of (+/- 10%) and a similar genre
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girl in red
watch you sleep.
133 bpm • D Maj • 03:00 • -16.38db
61% Popularity • 46% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Sleeping At Last
Heart
133 bpm • C Maj • 03:34 • -12.73db
47% Popularity • 37% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Gracie Abrams
Friend
133 bpm • E Maj • 02:56 • -4.91db
61% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Alexander 23
Nothing's the Same
133 bpm • B Maj • 02:55 • -12db
48% Popularity • 74% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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Noah Kahan
Anyway
134 bpm • G Maj • 05:12 • -10.69db
63% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Sleeping At Last
Every Little Thing She Does Is Magic
133 bpm • C# Maj • 03:16 • -9.58db
54% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Band CAMINO
The Black and White
134 bpm • E Maj • 04:39 • -7db
43% Popularity • 46% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Young Mister
Everything Has Its Place
132 bpm • A Maj • 04:12 • -12db
42% Popularity • 39% Danceability • 25% Energy • 9% Liveness
12% Instrumentalness • 30% Positiveness
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JP Saxe
Same Room
134 bpm • G Maj • 03:53 • -10.88db
44% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Gregory Alan Isakov
Honey, It's Alright
132 bpm • C Maj • 03:11 • -15.66db
59% Popularity • 47% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Lewis Watson
slumber
132 bpm • C Maj • 05:06 • -12db
38% Popularity • 54% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Sleeping At Last
Two
133 bpm • E Maj • 04:18 • -9db
56% Popularity • 50% Danceability • 33% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
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Tomo
Coffee Cups and Cigarettes
132 bpm • G# Maj • 03:27 • -14db
56% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Vian Izak
Mostly
134 bpm • C Maj • 01:42 • -13db
49% Popularity • 55% Danceability • 18% Energy • 16% Liveness
17% Instrumentalness • 19% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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FINNEAS
Lost My Mind
135 bpm • G min • 02:49 • -11.04db
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Sleeping At Last
Daughter
132 bpm • C Maj • 04:04 • -12db
39% Popularity • 30% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Hozier
In A Week
131 bpm • C Maj • 05:18 • -12db
54% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Adam Ragsdale
Blvd
135 bpm • G# Maj • 05:36 • -13.23db
30% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Leanna Firestone
Suneater
135 bpm • D Maj • 03:59 • -10.57db
45% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Anson Seabra
Hurricane
135 bpm • G Maj • 03:21 • -13.24db
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Kina Grannis
Iris
131 bpm • F# Maj • 03:01 • -15.57db
57% Popularity • 50% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sleeping At Last
Venus
135 bpm • G Maj • 03:20 • -11.48db
43% Popularity • 41% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Vian Izak
Witchcraft
131 bpm • D Maj • 01:49 • -11db
48% Popularity • 42% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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JP Saxe
The Few Things (With Charlotte Lawrence)
136 bpm • G Maj • 03:31 • -10.45db
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Swift
this is me trying
136 bpm • A Maj • 03:15 • -9.84db
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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FINNEAS
Angel
130 bpm • F Maj • 05:11 • -12.53db
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Rosenthal
Lights Are On
136 bpm • D# Maj • 03:13 • -16.89db
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
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Sleeping At Last
Already Gone
131 bpm • D# Maj • 04:03 • -10db
67% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Anson Seabra
Last Time
136 bpm • D# Maj • 03:46 • -14db
46% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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JP Saxe
The Few Things
136 bpm • G Maj • 04:04 • -12.83db
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:36 • -6.7db
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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mehro
perfume
130 bpm • D Maj • 02:29 • -7.09db
56% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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Conan Gray
The Cut That Always Bleeds
136 bpm • C Maj • 03:51 • -6.5db
74% Popularity • 49% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Aquilo
Who Are You
130 bpm • C# Maj • 03:04 • -10db
40% Popularity • 37% Danceability • 49% Energy • 15% Liveness
23% Instrumentalness • 20% Positiveness
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Taylor Swift
my tears ricochet
130 bpm • C Maj • 04:15 • -10.63db
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Lord Huron
Love Like Ghosts
137 bpm • A Maj • 03:44 • -7.23db
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Sleeping At Last
East
129 bpm • C Maj • 04:38 • -12db
36% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Us The Duo
Already Mine
129 bpm • G# Maj • 04:33 • -12db
38% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jaymes Young
Feel Something
138 bpm • B min • 03:37 • -7.33db
58% Popularity • 61% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Tom Rosenthal
Hope - Acoustic
138 bpm • B Maj • 03:43 • -13.44db
45% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Billie Eilish
i love you
137 bpm • C Maj • 04:51 • -18.44db
79% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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mxmtoon
almost home
138 bpm • F Maj • 03:28 • -6db
45% Popularity • 55% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Sara Kays
No Matter the Season
138 bpm • D Maj • 03:32 • -8.89db
39% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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One Direction
Fool's Gold
128 bpm • F# Maj • 03:30 • -4.85db
65% Popularity • 52% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Andrew Belle
In My Veins - Erin Mccarley
128 bpm • C Maj • 05:18 • -7.84db
59% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Mōzi
Honey + Tea (Acoustic)
128 bpm • F Maj • 03:44 • -11.62db
33% Popularity • 65% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Sleeping At Last
Three
128 bpm • C Maj • 04:07 • -11.15db
44% Popularity • 39% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Maisie Peters
Take Care Of Yourself
139 bpm • F Maj • 02:57 • -6.64db
42% Popularity • 69% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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FINNEAS
A Concert Six Months From Now
139 bpm • G Maj • 03:25 • -10.27db
52% Popularity • 54% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Juniper Vale
Keep Me Warm
139 bpm • C Maj • 03:02 • -10.96db
31% Popularity • 35% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Ruelle
War Of Hearts - Acoustic Version
139 bpm • A min • 03:52 • -12db
54% Popularity • 42% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sleeping At Last
Taste
127 bpm • D Maj • 04:24 • -6.16db
34% Popularity • 52% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Phoebe Bridgers
Killer + The Sound
127 bpm • C Maj • 07:55 • -15db
52% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Abby Cates
Roadtripsong
140 bpm • D Maj • 03:41 • -17.69db
46% Popularity • 53% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Christian Leave
Can't Help Falling in Love
126 bpm • C Maj • 02:15 • -7.2db
52% Popularity • 61% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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John-Robert
Adeline
126 bpm • D Maj • 03:49 • -10db
39% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
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Sleeping At Last
Make You Feel My Love
140 bpm • G Maj • 03:28 • -12.22db
51% Popularity • 45% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Forest Blakk
Find Me
126 bpm • F# Maj • 04:50 • -22.43db
37% Popularity • 56% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Madeline The Person
As a Child
126 bpm • G Maj • 03:10 • -10.33db
40% Popularity • 51% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Tom Rosenthal
Have We Met Before?
140 bpm • G# Maj • 02:39 • -19db
52% Popularity • 49% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Kodaline
Wherever You Are
126 bpm • E Maj • 03:05 • -7.05db
53% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Sleeping At Last
Joy
140 bpm • C# Maj • 03:13 • -9.3db
31% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Liza Anne
1,000 Years
126 bpm • C Maj • 03:39 • -9db
37% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Tomo
Dionysus
126 bpm • D min • 02:57 • -12.72db
37% Popularity • 50% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Wrabel
Poetry
126 bpm • G# Maj • 04:09 • -5.52db
43% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Gabrielle Aplin
Home
140 bpm • B min • 04:07 • -10.72db
54% Popularity • 43% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Sleeping At Last
I'll Keep You Safe
140 bpm • G Maj • 04:31 • -9.74db
47% Popularity • 33% Danceability • 44% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Novo Amor
Oh, Round Lake
125 bpm • C# Maj • 02:55 • -15db
60% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Isak Danielson
Broken
142 bpm • F min • 03:36 • -6.85db
69% Popularity • 43% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Noah Cyrus
Young & Sad
142 bpm • G min • 03:10 • -8.5db
54% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Sleeping At Last
Four
125 bpm • F Maj • 04:51 • -13db
42% Popularity • 35% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Conan Gray
The Story
142 bpm • C Maj • 04:05 • -10.38db
63% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Vian Izak
Call the Nightingale
142 bpm • E Maj • 01:45 • -11.19db
50% Popularity • 62% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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JP Saxe
Explain You
124 bpm • B Maj • 03:18 • -11.55db
41% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Sleeping At Last
Mercury
125 bpm • F# Maj • 03:33 • -11db
43% Popularity • 27% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Dave Thomas Junior
I Can't Make You Love Me
124 bpm • D# min • 05:30 • -14.02db
47% Popularity • 35% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Ruth B.
Lost Boy
123 bpm • G Maj • 04:36 • -9.3db
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Vancouver Sleep Clinic
Middle Of Nowhere
124 bpm • G# Maj • 06:42 • -11.41db
51% Popularity • 47% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Sleeping At Last
Uneven Odds
125 bpm • C Maj • 05:41 • -10.16db
39% Popularity • 27% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The Greeting Committee
Elise
123 bpm • C Maj • 04:14 • -13.16db
43% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Gracie Abrams
Mean It
123 bpm • A min • 02:51 • -9.5db
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Tow'rs
Belly of the Deepest Love
123 bpm • E Maj • 06:21 • -12db
41% Popularity • 74% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 5% Positiveness
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Two