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U Gurl
Songs like
U Gurl
by
Walker Hayes
Based on a tempo of (+/- 10%) and a similar genre
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Dustin Lynch
Party Mode
114 bpm • A# min • 03:31 • -2.75db
55% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Walker Hayes
U Gurl
114 bpm • D Maj • 02:32 • -5.07db
54% Popularity • 79% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 71% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
73% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Dylan Scott
Good Times Go By Too Fast
115 bpm • F Maj • 02:49 • -5.22db
75% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
115 bpm • D Maj • 04:01 • -3.49db
63% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Walker Hayes
Stetson
114 bpm • C# min • 02:03 • -6.29db
42% Popularity • 76% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
64% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Cole Swindell
Flatliner
115 bpm • C Maj • 02:57 • -3.3db
61% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Rhett
Look What God Gave Her
113 bpm • D Maj • 02:48 • -3.97db
67% Popularity • 74% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Ian Munsick
Cowboy Killer
115 bpm • B Maj • 02:12 • -5.62db
62% Popularity • 78% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Luke Combs
Doin' This
115 bpm • C# Maj • 04:14 • -6db
65% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Walker Hayes
Mind Candy
113 bpm • F# min • 03:40 • -9.64db
31% Popularity • 78% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jerrod Niemann
Lover, Lover
112 bpm • G Maj • 03:13 • -6.51db
59% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Corey Kent
Something's Gonna Kill Me
113 bpm • E min • 03:03 • -5.77db
69% Popularity • 66% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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John Michael Montgomery
Sold (The Grundy County Auction Incident...
116 bpm • D Maj • 02:32 • -7.37db
70% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Thomas Rhett
Half Of Me
112 bpm • G Maj • 03:03 • -5.06db
68% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Kane Brown
I Can Feel It
116 bpm • D# min • 02:43 • -5.82db
73% Popularity • 53% Danceability • 87% Energy • 3% Liveness
1% Instrumentalness • 55% Positiveness
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Jerrod Niemann
Drink to That All Night
116 bpm • A min • 03:44 • -6.18db
57% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Kylie Morgan
Cuss A Little
112 bpm • A# Maj • 02:48 • -7.5db
43% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Miranda Lambert
Mama's Broken Heart
112 bpm • E min • 02:57 • -4.2db
68% Popularity • 77% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Young
Think of You
112 bpm • B Maj • 03:38 • -3.59db
61% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Toby Keith
Courtesy Of The Red, White And Blue (The...
112 bpm • D Maj • 03:15 • -5.55db
71% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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George Strait
Check Yes Or No
111 bpm • F Maj • 03:20 • -12.64db
75% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Keith Urban
Wild Hearts
117 bpm • E Maj • 03:02 • -4.14db
56% Popularity • 60% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Diplo
Heartless
111 bpm • B Maj • 02:49 • -6.42db
78% Popularity • 76% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Thomas Rhett
Beer Can’t Fix
111 bpm • G Maj • 03:29 • -4.07db
69% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Walker Hayes
Beautiful
111 bpm • C Maj • 03:00 • -7.69db
36% Popularity • 80% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Brian Kelley
Beach Cowboy
118 bpm • A min • 02:18 • -5.89db
46% Popularity • 75% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Morgan Wallen
This Bar
110 bpm • D Maj • 03:05 • -5.31db
72% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Keith Urban
Somebody Like You
111 bpm • E Maj • 05:23 • -5.77db
69% Popularity • 62% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Teddy Swims
Broke
118 bpm • B min • 02:40 • -4.71db
64% Popularity • 83% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Nate Smith
Whiskey On You
110 bpm • G# Maj • 03:03 • -5.2db
71% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Flo Rida
High Heels
110 bpm • C# Maj • 02:35 • -5.75db
58% Popularity • 80% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Luke Bryan
That's My Kind Of Night
110 bpm • G Maj • 03:10 • -2.91db
74% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Brett Eldredge
Beat of the Music
110 bpm • A Maj • 02:59 • -4.13db
60% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Kenny Chesney
Beer With My Friends
110 bpm • A Maj • 03:00 • -2.13db
51% Popularity • 63% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Chris Young
Aw Naw
110 bpm • D Maj • 03:08 • -3.75db
62% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Shy Carter
Beer With My Friends
110 bpm • A Maj • 02:57 • -2.6db
39% Popularity • 60% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Dustin Lynch
Stars Like Confetti
110 bpm • A# Maj • 03:14 • -3.06db
67% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
72% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Luke Combs
Lovin' On You
119 bpm • E Maj • 03:14 • -4.87db
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Morgan Wallen
Dangerous
119 bpm • G Maj • 02:27 • -4.83db
72% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
65% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Eric Church
Heart On Fire
120 bpm • G# Maj • 04:18 • -5db
58% Popularity • 65% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Elle King
Drunk (And I Don't Wanna Go Home)
120 bpm • F Maj • 04:04 • -5db
62% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Kelsea Ballerini
HEARTFIRST
120 bpm • C Maj • 03:07 • -5db
56% Popularity • 66% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Walker Hayes
You Broke Up with Me - Remix
120 bpm • C Maj • 03:08 • -6.37db
36% Popularity • 87% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Morgan Wallen
You Proof
120 bpm • A Maj • 02:37 • -5.01db
83% Popularity • 73% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
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Dierks Bentley
Woman, Amen
120 bpm • F Maj • 02:59 • -6db
53% Popularity • 48% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Nelly
Lil Bit
120 bpm • E min • 03:15 • -7.1db
66% Popularity • 71% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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The Reklaws
11 Beers
120 bpm • G Maj • 03:24 • -3db
43% Popularity • 59% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Brothers Osborne
All Night
120 bpm • E min • 02:48 • -4.84db
55% Popularity • 76% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Dean Brody
Can't Help Myself
120 bpm • D Maj • 02:38 • -3.45db
57% Popularity • 70% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Levi Hummon
Good Riddance
120 bpm • A Maj • 02:22 • -5.3db
52% Popularity • 67% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Eric Paslay
Friday Night
120 bpm • A Maj • 02:47 • -4.19db
61% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Dierks Bentley
Black
120 bpm • C# Maj • 03:31 • -6.69db
61% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Walker Hayes
You Broke Up with Me
120 bpm • C Maj • 03:16 • -8.29db
57% Popularity • 85% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Ryan Hurd
To a T
120 bpm • B Maj • 02:58 • -6db
51% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Josh Ross
Trouble
120 bpm • B Maj • 03:34 • -5.03db
72% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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BRELAND
Praise the Lord
107 bpm • B min • 02:39 • -7.61db
44% Popularity • 82% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
63% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Russell Dickerson
Home Sweet
121 bpm • B Maj • 03:25 • -5.65db
49% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Lee Brice
Soul
121 bpm • B Maj • 02:47 • -8.3db
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Rhett
Sixteen
107 bpm • C# Maj • 02:58 • -7.03db
60% Popularity • 70% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Hailey Whitters
Everything She Ain’t
122 bpm • D Maj • 02:31 • -6.13db
65% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
71% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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David Morris
Dutton Ranch Freestyle
122 bpm • E Maj • 02:23 • -5.85db
66% Popularity • 83% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Bailey Zimmerman
Rock and A Hard Place
122 bpm • C# Maj • 03:27 • -7.3db
80% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Scotty McCreery
In Between
122 bpm • B Maj • 03:41 • -5.4db
52% Popularity • 59% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Lane
Dancin' In The Moonlight
122 bpm • G# min • 03:19 • -4.86db
59% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Walker Hayes
Same Drunk
122 bpm • G Maj • 03:16 • -4.66db
51% Popularity • 74% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
66% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Little Big Town
Wine, Beer, Whiskey
106 bpm • G Maj • 03:16 • -5.85db
65% Popularity • 73% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
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Justin Moore
With A Woman You Love
106 bpm • G Maj • 02:47 • -4.65db
61% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Luke Bryan
Country Girl (Shake It For Me)
106 bpm • D Maj • 03:45 • -4.53db
76% Popularity • 64% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Jordan Davis
Tucson Too Late
106 bpm • G Maj • 02:52 • -7.19db
74% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Brothers Osborne
It Ain't My Fault
123 bpm • A Maj • 03:36 • -5.9db
65% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
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Kelsea Ballerini
hole in the bottle
105 bpm • E Maj • 02:36 • -4.61db
55% Popularity • 56% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Parker McCollum
Handle On You
105 bpm • F# Maj • 03:39 • -3.93db
68% Popularity • 59% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Scotty McCreery
It Matters To Her
105 bpm • G Maj • 02:51 • -5db
63% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Nelly
High Horse
105 bpm • C# min • 02:32 • -3.3db
50% Popularity • 88% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
55% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Thomas Rhett
Craving You
105 bpm • A min • 03:43 • -3.8db
63% Popularity • 61% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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U Gurl