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Ubi Caritas
Songs like
Ubi Caritas
by
Zero8
Based on a tempo of (+/- 10%) and a similar genre
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Hymn of the Resurrection
135 bpm • B min • 01:52 • -24.14db
26% Popularity • 15% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Zero8
Psalmus XXVIII
135 bpm • C# min • 05:05 • -16.31db
3% Popularity • 19% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Jefferey L. Ames
I've Been in the Storm So Long (version ...
135 bpm • E min • 04:58 • -25.5db
9% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Ringmasters
You'll Never Walk Alone/Climb Every Moun...
134 bpm • C Maj • 04:53 • -11.19db
15% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Edvard Grieg
VÃ¥ren
134 bpm • F Maj • 05:51 • -26.98db
13% Popularity • 20% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
29% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Zero8
Ubi Caritas
135 bpm • B min • 03:09 • -20.66db
16% Popularity • 17% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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The Wartburg Choir
I Will Not Leave You Comfortless
136 bpm • A Maj • 01:41 • -19db
10% Popularity • 20% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 28% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
32% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Zero8
I Want to Hold Your Hand / My Bonnie Lie...
134 bpm • G Maj • 03:37 • -8.58db
0% Popularity • 39% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Peter Dijkstra
Anton Bruckner: Ave Maria: Anton Bruckne...
136 bpm • F Maj • 03:50 • -23.5db
25% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Cantus
M L K
136 bpm • G Maj • 03:01 • -25.79db
11% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Nathan James Dearden
i breathe
134 bpm • G min • 05:40 • -27.45db
22% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
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Steve Dobrogosz
Mass: III. Gloria
133 bpm • G min • 06:09 • -21.58db
13% Popularity • 26% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Rosephanye Powell
To Sit and Dream
133 bpm • A min • 04:12 • -16.86db
11% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Margaret Rizza
O Lord Listen to My Prayer
133 bpm • E min • 06:50 • -22.32db
10% Popularity • 19% Danceability • 10% Energy • 7% Liveness
84% Instrumentalness • 6% Positiveness
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Zero8
Sure on This Shining Night
137 bpm • B Maj • 06:10 • -19.02db
12% Popularity • 15% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
21% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Anonymous
The Road Home (arr. S. Paulus)
137 bpm • F Maj • 03:24 • -27.87db
8% Popularity • 18% Danceability • 3% Energy • 9% Liveness
20% Instrumentalness • 8% Positiveness
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Mother Cecilia Martina Snell
Song of the Tilma
137 bpm • G min • 03:49 • -24.17db
14% Popularity • 26% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Concordia Choir
My Soul's Been Anchored in the Lord
137 bpm • A Maj • 03:12 • -24.58db
18% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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All Souls Choir
Spirit Of Life
137 bpm • D Maj • 01:51 • -23.37db
9% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Sydney Guillaume
Gagòt (Live)
133 bpm • C# Maj • 05:20 • -23.58db
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Zero8
In the Still of the Night
133 bpm • G# Maj • 03:19 • -14.09db
1% Popularity • 28% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
28% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
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Jason Max Ferdinand Singers
A Prayer
133 bpm • G Maj • 05:15 • -22.88db
20% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Why the Caged Bird Sings
137 bpm • B Maj • 08:51 • -28.9db
9% Popularity • 16% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 3% Positiveness
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Franz Schubert
Deutsche Messe, D. 872: Zum Sanctus: Hei...
138 bpm • A# Maj • 03:30 • -21.54db
13% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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William Byrd
Cibavit Eos
132 bpm • A Maj • 02:33 • -24.71db
9% Popularity • 20% Danceability • 12% Energy • 8% Liveness
70% Instrumentalness • 10% Positiveness
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Zero8
Lost
138 bpm • G min • 03:44 • -10db
4% Popularity • 22% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Ola Gjeilo
The Rose
132 bpm • E min • 03:25 • -15db
38% Popularity • 16% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
25% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Wilhelm Stenhammar
VÃ¥rnatt
138 bpm • G# Maj • 06:14 • -25db
9% Popularity • 19% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Oskar Lindberg
Stjärntändning
138 bpm • F# min • 02:37 • -17.69db
12% Popularity • 18% Danceability • 12% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
32% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Eg...
132 bpm • D Maj • 04:40 • -38db
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
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Shawn Kirchner
O! What a Beautiful City
132 bpm • D# Maj • 05:01 • -18.59db
9% Popularity • 20% Danceability • 28% Energy • 9% Liveness
17% Instrumentalness • 14% Positiveness
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Projectkoor Oriolus
Tebe Poém
131 bpm • C Maj • 01:45 • -25.29db
14% Popularity • 16% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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The Wartburg Choir
Adoramus Te, Christe
131 bpm • E Maj • 02:02 • -30.19db
29% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Zero8
Kung Liljekonvalje
139 bpm • A# min • 03:34 • -21.79db
4% Popularity • 15% Danceability • 10% Energy • 14% Liveness
18% Instrumentalness • 4% Positiveness
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Steppe, Endless Steppe
131 bpm • A# Maj • 02:48 • -21.5db
25% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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William Byrd
Byrd: "Ave verum corpus"
131 bpm • G min • 03:50 • -20.76db
11% Popularity • 19% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Erich Kunzel
Morning Hymn
131 bpm • B min • 00:56 • -37.4db
25% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Zero8
Sonnet 18: Shall I Compare Thee to a Sum...
139 bpm • E Maj • 04:00 • -14.98db
12% Popularity • 15% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Niels Gade
Morgensang af Elverskud
131 bpm • G Maj • 02:12 • -20.41db
14% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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The Concordia Choir
Witness
140 bpm • D Maj • 02:53 • -20.99db
24% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Albert Becker
3 geistliche Lieder, Op. 36: II. Bleibe,...
131 bpm • A min • 03:53 • -24db
9% Popularity • 20% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
16% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
17% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
25% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Ringmasters
Khorumi - Vocalise
140 bpm • D# Maj • 02:14 • -10.92db
12% Popularity • 81% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Benny Andersson
Historien om schack
130 bpm • D min • 03:06 • -15.15db
9% Popularity • 66% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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The Real Group
Gøta
130 bpm • D Maj • 04:45 • -10db
20% Popularity • 40% Danceability • 16% Energy • 10% Liveness
28% Instrumentalness • 10% Positiveness
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Larimar Music Vibes
From the heart
130 bpm • E Maj • 03:18 • -19.4db
31% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Chanticleer
Hawley: Seven Madrigals, Io Son la Prima...
130 bpm • D min • 02:52 • -27db
10% Popularity • 21% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
12% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
13% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Zero8
O Sacrum Convivium
141 bpm • F# Maj • 03:50 • -21.52db
5% Popularity • 14% Danceability • 15% Energy • 12% Liveness
78% Instrumentalness • 8% Positiveness
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Ola Gjeilo
Ave Generosa
130 bpm • F min • 04:55 • -27.96db
19% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
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David N. Childs
Weep No more
129 bpm • D Maj • 04:02 • -28.23db
15% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Kammerkoor Head Ööd Vend
Valgusele
141 bpm • D# Maj • 02:42 • -38.65db
16% Popularity • 14% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Benedictines of Mary, Queen of Apostles
Let All Mortal Flesh Keep Silence
129 bpm • D min • 02:58 • -20.56db
34% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
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Zero8
O Magnum Mysterium
130 bpm • E Maj • 05:53 • -23.5db
12% Popularity • 16% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
18% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
14% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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John Tavener
Mother of God, Here I Stand
129 bpm • G Maj • 03:15 • -33.14db
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Wilhelm Peterson-Berger
Stemning
129 bpm • C min • 02:42 • -26db
14% Popularity • 18% Danceability • 5% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Hugo Alfvén
Uti vår hage
128 bpm • F min • 02:29 • -34.32db
31% Popularity • 25% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Kirby Shaw
Plenty Good Room
142 bpm • D Maj • 03:18 • -25.63db
8% Popularity • 50% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Voce
Nocturnes: Sure On This Shining Night
128 bpm • C# Maj • 04:40 • -27.46db
9% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Al...
128 bpm • G Maj • 02:47 • -34.73db
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Jake Runestad
I Will Lift Mine Eyes
128 bpm • C# Maj • 04:36 • -26db
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
28% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
Sunrise
128 bpm • D Maj • 10:23 • -22db
13% Popularity • 17% Danceability • 12% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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The Wartburg Choir
Daniel, Servant of the Lord
143 bpm • D Maj • 03:03 • -17.89db
8% Popularity • 23% Danceability • 24% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Ubi Caritas