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Ukraïna
Songs like
Ukraïna
by
Iury Lech
Based on a tempo of (+/- 10%) and a similar genre
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Satoshi & Makoto
Updraft
111 bpm • F# Maj • 04:01 • -13.45db
13% Popularity • 33% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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Visible Cloaks
Mask
111 bpm • D# min • 05:37 • -15.36db
14% Popularity • 46% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 8% Positiveness
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Benjamin Lew
Au sujet d'un paysage
111 bpm • G min • 03:47 • -15.14db
7% Popularity • 34% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Khotin
Processing
112 bpm • G Maj • 03:08 • -15.69db
18% Popularity • 30% Danceability • 69% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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K. Leimer
Shettle Wood
110 bpm • D# min • 03:05 • -20.55db
26% Popularity • 34% Danceability • 17% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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A.R.T. Wilson
Overworld
110 bpm • C Maj • 02:42 • -20.91db
31% Popularity • 30% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Dylan Henner
Little Frogs Swam by Every Now and Then
110 bpm • A Maj • 04:49 • -19.03db
23% Popularity • 55% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Yu Su
Of Yesterday - Instrumental
110 bpm • F min • 05:34 • -13.82db
14% Popularity • 44% Danceability • 54% Energy • 31% Liveness
90% Instrumentalness • 41% Positiveness
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CS + Kreme
Saint
110 bpm • C min • 06:30 • -20.61db
19% Popularity • 36% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Slow Attack Ensemble
Elegy for Elodie
112 bpm • C# min • 05:10 • -22.04db
23% Popularity • 26% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Satoshi & Makoto
Kaas
113 bpm • F min • 03:37 • -14.28db
13% Popularity • 33% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
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Iury Lech
Barreras
113 bpm • F Maj • 08:41 • -25.15db
13% Popularity • 29% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Carmen Villain
Two Halves Touching
109 bpm • C Maj • 03:50 • -15.79db
26% Popularity • 16% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Jason Kolàr
I Have No Idea
109 bpm • B min • 04:16 • -18.3db
7% Popularity • 66% Danceability • 5% Energy • 7% Liveness
95% Instrumentalness • 26% Positiveness
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Tadahiko Yokogawa
Stop Me
113 bpm • C# Maj • 05:17 • -16.29db
14% Popularity • 92% Danceability • 42% Energy • 7% Liveness
94% Instrumentalness • 30% Positiveness
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Kuniyuki Takahashi
Island
109 bpm • E min • 05:01 • -15.39db
17% Popularity • 46% Danceability • 67% Energy • 38% Liveness
30% Instrumentalness • 4% Positiveness
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Pauline Anna Strom
Tropical Convergence
113 bpm • G min • 02:41 • -14.03db
20% Popularity • 74% Danceability • 43% Energy • 15% Liveness
84% Instrumentalness • 39% Positiveness
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Iury Lech
Posmeridiano
109 bpm • A Maj • 07:53 • -15.01db
0% Popularity • 20% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Nueen
To Eve
108 bpm • G Maj • 04:05 • -11.47db
11% Popularity • 21% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Roberto Musci
Water Music
114 bpm • G# min • 02:02 • -13.86db
38% Popularity • 67% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 50% Positiveness
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Raul Lovisoni
Hula Om
114 bpm • G min • 09:26 • -25.61db
27% Popularity • 32% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
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Dylan Henner
I Was Reading the News but I Felt so Sad...
108 bpm • G# Maj • 05:28 • -19.54db
18% Popularity • 64% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Pauline Anna Strom
Virgin Ice
114 bpm • E Maj • 04:38 • -16db
21% Popularity • 46% Danceability • 28% Energy • 19% Liveness
96% Instrumentalness • 15% Positiveness
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D.K.
Keyboard Study
108 bpm • B min • 03:32 • -10.64db
19% Popularity • 52% Danceability • 60% Energy • 15% Liveness
90% Instrumentalness • 49% Positiveness
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Roméo Poirier
Longe-côte
108 bpm • F Maj • 05:30 • -15.15db
12% Popularity • 32% Danceability • 51% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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K. Leimer
From One To Ten
108 bpm • D Maj • 01:58 • -10.94db
25% Popularity • 72% Danceability • 40% Energy • 14% Liveness
82% Instrumentalness • 78% Positiveness
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Iury Lech
Situaciones
108 bpm • A Maj • 03:30 • -30.76db
0% Popularity • 38% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Visible Cloaks
Anata
115 bpm • A min • 02:30 • -16.18db
13% Popularity • 21% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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Iasos
Libra Sunrise
107 bpm • A min • 01:33 • -13db
33% Popularity • 32% Danceability • 49% Energy • 82% Liveness
89% Instrumentalness • 24% Positiveness
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Satoshi & Makoto
Untitled
107 bpm • C Maj • 03:55 • -15.46db
16% Popularity • 69% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 47% Positiveness
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Perila
Fallin Into Space
115 bpm • C Maj • 04:58 • -17.57db
19% Popularity • 44% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Gi Gi
Montjuïc
115 bpm • F min • 08:11 • -21.83db
18% Popularity • 17% Danceability • 17% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Iury Lech
Continuo II
115 bpm • G Maj • 04:27 • -19.75db
0% Popularity • 24% Danceability • 19% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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A.R.T. Wilson
Rachel's Theme (Fire)
107 bpm • G Maj • 03:19 • -11.59db
12% Popularity • 79% Danceability • 49% Energy • 48% Liveness
89% Instrumentalness • 84% Positiveness
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Slow Attack Ensemble
Recurring Afterimage
107 bpm • D# Maj • 01:56 • -19db
45% Popularity • 48% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Satoshi & Makoto
AR
115 bpm • D Maj • 08:07 • -19.83db
16% Popularity • 29% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Visible Cloaks
(Untitled Temp Track)
115 bpm • F# Maj • 01:52 • -17.29db
36% Popularity • 30% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Jonny Nash
Inside
115 bpm • G# Maj • 06:34 • -38db
20% Popularity • 51% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
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Pauline Anna Strom
Rain on Ancient Quays
115 bpm • C# min • 07:23 • -17.19db
9% Popularity • 48% Danceability • 34% Energy • 28% Liveness
83% Instrumentalness • 19% Positiveness
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Wilson Tanner
Killcord Pt. I-III
106 bpm • G Maj • 11:55 • -19.35db
7% Popularity • 43% Danceability • 47% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
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Fools
Dolpherde
116 bpm • F min • 06:12 • -12.57db
15% Popularity • 68% Danceability • 54% Energy • 7% Liveness
91% Instrumentalness • 24% Positiveness
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Loris S. Sarid
Toad
106 bpm • D Maj • 03:37 • -16db
11% Popularity • 52% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Josiah Steinbrick
House Tears
106 bpm • B min • 02:08 • -16db
40% Popularity • 76% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 60% Positiveness
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Vernal Equinox
Sunrise
116 bpm • A# min • 04:18 • -13.67db
13% Popularity • 60% Danceability • 58% Energy • 46% Liveness
82% Instrumentalness • 25% Positiveness
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Andrew Pekler
Approximate Bermeja
116 bpm • D Maj • 03:09 • -17db
17% Popularity • 48% Danceability • 42% Energy • 43% Liveness
96% Instrumentalness • 82% Positiveness
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K. Leimer
Four Paths
117 bpm • C Maj • 02:53 • -15.95db
23% Popularity • 23% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 40% Positiveness
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Fools
Source
116 bpm • G Maj • 04:29 • -12.67db
17% Popularity • 66% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Gaussian Curve
Ceremony
106 bpm • C# Maj • 05:30 • -11.53db
21% Popularity • 55% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Jonny Nash
Maroon Crisp
106 bpm • C# Maj • 05:35 • -22.03db
8% Popularity • 30% Danceability • 21% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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OCA
HeavenCent
106 bpm • E Maj • 05:22 • -23.81db
7% Popularity • 15% Danceability • 12% Energy • 40% Liveness
92% Instrumentalness • 22% Positiveness
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Wolf Müller
Miyazaki
105 bpm • F min • 04:41 • -15.3db
11% Popularity • 62% Danceability • 26% Energy • 7% Liveness
35% Instrumentalness • 21% Positiveness
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Iury Lech
Hipódromos De Acer
105 bpm • F Maj • 03:47 • -25.69db
0% Popularity • 20% Danceability • 4% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
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Wilson Tanner
Sun Room
118 bpm • D min • 04:48 • -24.86db
28% Popularity • 40% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Laraaji
The Dance No. 1
118 bpm • F# min • 09:15 • -10db
33% Popularity • 35% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Baba Stiltz
Addicted To Losing
105 bpm • F min • 03:56 • -17.75db
8% Popularity • 27% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Josiah Steinbrick
Blue Age
118 bpm • A# Maj • 01:16 • -23.4db
49% Popularity • 17% Danceability • 8% Energy • 44% Liveness
71% Instrumentalness • 6% Positiveness
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Fools
Limba
105 bpm • C Maj • 02:12 • -16db
37% Popularity • 44% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
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Sonmi451
Quiet Piece for Bram
118 bpm • A# min • 05:33 • -18.49db
13% Popularity • 28% Danceability • 27% Energy • 10% Liveness
83% Instrumentalness • 34% Positiveness
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Lieven Martens
Lone Voyager
104 bpm • C min • 08:59 • -28.07db
8% Popularity • 19% Danceability • 21% Energy • 33% Liveness
95% Instrumentalness • 5% Positiveness
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A.R.T. Wilson
Sun Sign Cancer
118 bpm • C Maj • 04:03 • -18.43db
19% Popularity • 25% Danceability • 33% Energy • 82% Liveness
92% Instrumentalness • 6% Positiveness
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Terekke
Jqm
104 bpm • F# min • 05:17 • -23.05db
18% Popularity • 72% Danceability • 29% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
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Unknown Mobile
A Windless March Ouest
104 bpm • F# Maj • 04:55 • -12db
12% Popularity • 53% Danceability • 90% Energy • 38% Liveness
94% Instrumentalness • 55% Positiveness
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Wilson Tanner
Tray Tail
104 bpm • A min • 02:02 • -31.43db
29% Popularity • 40% Danceability • 2% Energy • 5% Liveness
61% Instrumentalness • 22% Positiveness
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Sonmi451
Probe
118 bpm • C# Maj • 06:43 • -22.44db
18% Popularity • 27% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Lemon Quartet
Limping Through the Garden
104 bpm • C min • 05:43 • -17db
9% Popularity • 26% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Satoshi & Makoto
Bamboo Grove
104 bpm • A# min • 06:36 • -11.52db
14% Popularity • 32% Danceability • 22% Energy • 15% Liveness
84% Instrumentalness • 32% Positiveness
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Susumu Yokota
Saku
118 bpm • D Maj • 05:45 • -18db
40% Popularity • 39% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Pablo's Eye
I Have No Other Compass
119 bpm • C Maj • 02:46 • -13.77db
17% Popularity • 24% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Omni Gardens
Cool Off
120 bpm • E Maj • 03:12 • -24.64db
21% Popularity • 25% Danceability • 24% Energy • 46% Liveness
79% Instrumentalness • 4% Positiveness
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Visible Cloaks
You
120 bpm • C Maj • 04:58 • -17.96db
11% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Sonmi451
Outer Shell
120 bpm • A min • 06:45 • -22.53db
14% Popularity • 57% Danceability • 16% Energy • 28% Liveness
92% Instrumentalness • 29% Positiveness
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Terekke
Tack
120 bpm • C min • 04:05 • -22db
22% Popularity • 68% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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K. Leimer
Facing East
103 bpm • A Maj • 02:10 • -8.48db
29% Popularity • 19% Danceability • 51% Energy • 23% Liveness
85% Instrumentalness • 3% Positiveness
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Gigi Masin
How to Disappear in a Kiss
120 bpm • C# Maj • 07:01 • -12db
15% Popularity • 32% Danceability • 56% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
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Adam Oko
The Burrow
120 bpm • C# min • 03:59 • -17.78db
14% Popularity • 44% Danceability • 45% Energy • 27% Liveness
96% Instrumentalness • 6% Positiveness
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Susumu Yokota
SIMPLE LIFE
120 bpm • G# Maj • 05:11 • -31.11db
23% Popularity • 79% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
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Michal Turtle
Borrowed Times
120 bpm • A# Maj • 04:02 • -15.74db
14% Popularity • 58% Danceability • 44% Energy • 11% Liveness
83% Instrumentalness • 23% Positiveness
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Meitei
Okue
120 bpm • F# min • 05:41 • -18.35db
17% Popularity • 52% Danceability • 24% Energy • 29% Liveness
90% Instrumentalness • 69% Positiveness
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Lord Of The Isles
Gualainn
120 bpm • F# Maj • 01:22 • -25.62db
22% Popularity • 44% Danceability • 21% Energy • 38% Liveness
84% Instrumentalness • 42% Positiveness
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Sofie Birch
Calibrating Senses
120 bpm • C Maj • 04:02 • -17.86db
28% Popularity • 37% Danceability • 22% Energy • 30% Liveness
75% Instrumentalness • 11% Positiveness
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Slow Attack Ensemble
Form and F a d e
102 bpm • B min • 03:55 • -13db
35% Popularity • 34% Danceability • 33% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
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Susumu Yokota
Live Echo
120 bpm • D min • 05:31 • -17.33db
9% Popularity • 73% Danceability • 47% Energy • 20% Liveness
93% Instrumentalness • 63% Positiveness
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Gigi Masin
The Sea in Your Eyes
102 bpm • C# Maj • 02:56 • -29db
24% Popularity • 46% Danceability • 2% Energy • 6% Liveness
32% Instrumentalness • 7% Positiveness
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Meitei
Chōchin
120 bpm • G# min • 04:24 • -20.04db
35% Popularity • 71% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 40% Positiveness
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Jason Kolàr
Reversed Swell
102 bpm • E min • 05:13 • -14db
14% Popularity • 33% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Shiho Yabuki
Tomoshibi
121 bpm • G Maj • 07:00 • -27.5db
26% Popularity • 24% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Wilson Tanner
Before Lotus
102 bpm • A min • 03:03 • -28db
29% Popularity • 54% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 76% Positiveness
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Susumu Yokota
Plantation2 #Hipnosis
121 bpm • C# min • 06:13 • -24.55db
18% Popularity • 69% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 27% Positiveness
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Ex-Terrestrial
Dreams of Jupiter
121 bpm • E min • 02:07 • -16.37db
19% Popularity • 50% Danceability • 33% Energy • 21% Liveness
86% Instrumentalness • 3% Positiveness
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Linkwood
Marina
121 bpm • D# min • 05:42 • -17.05db
11% Popularity • 20% Danceability • 16% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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K. Leimer
Uncertain Instruction
121 bpm • F min • 02:48 • -17.89db
24% Popularity • 39% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Slow Attack Ensemble
Rivers Turn to Waterfalls
101 bpm • C# min • 05:52 • -16.13db
28% Popularity • 33% Danceability • 18% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
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Carlos Maria Trindade
Plan
122 bpm • A# Maj • 04:27 • -17.47db
10% Popularity • 59% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Iasos
Rainbow Canyon
101 bpm • D Maj • 07:03 • -18.28db
14% Popularity • 15% Danceability • 23% Energy • 54% Liveness
89% Instrumentalness • 3% Positiveness
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Satoshi & Makoto
Closer
101 bpm • F# min • 04:20 • -27db
28% Popularity • 14% Danceability • 1% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Vito Ricci
Bachelor - Original Mix
101 bpm • C# Maj • 03:42 • -9.97db
9% Popularity • 22% Danceability • 50% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Celestial
HAT FULL OF RAIN
101 bpm • E min • 06:32 • -20.43db
9% Popularity • 25% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Josiah Steinbrick
2XQ
123 bpm • C Maj • 02:19 • -15db
27% Popularity • 45% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 50% Positiveness
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Jake Muir
High Tide
100 bpm • F# min • 04:34 • -13db
14% Popularity • 14% Danceability • 44% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
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Roberto Musci
Improbably Music
123 bpm • C Maj • 03:00 • -17.54db
15% Popularity • 45% Danceability • 33% Energy • 8% Liveness
87% Instrumentalness • 29% Positiveness
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Ukraïna