Songs like Un giorno di regno / Act 2: "Pietoso al lungo pianto" - "Deh, lasciate a un'alma amante" by Giuseppe Verdi
Based on a tempo of (+/- 10%) and a similar genre
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Giacomo Puccini
Puccini: Turandot, Act 3: "Nessun dorma"...
134 bpm • D Maj • 03:26 • -12db
26% Popularity • 22% Danceability • 38% Energy • 32% Liveness
36% Instrumentalness • 10% Positiveness
26% Popularity • 22% Danceability • 38% Energy • 32% Liveness
36% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
Macbeth, Act IV: Chorus. Patria oppressa
134 bpm • A min • 06:22 • -27db
12% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "L'amour est un oi...
134 bpm • D Maj • 04:22 • -17.33db
49% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Eduardo di Capua
'O sole mio (Arr. Chiaramello)
135 bpm • A Maj • 03:22 • -14db
52% Popularity • 23% Danceability • 27% Energy • 16% Liveness
4% Instrumentalness • 29% Positiveness
52% Popularity • 23% Danceability • 27% Energy • 16% Liveness
4% Instrumentalness • 29% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Schmerzen
132 bpm • C min • 02:31 • -19.33db
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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![La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Ach, sie kennen nicht dies Leben [Non Sapete Quale Affetto] (Germont, Violetta) cover art](https://i.scdn.co/image/ab67616d00001e02909a0eb4f0dcd06850ec55f6)
Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
136 bpm • F min • 01:57 • -10.62db
6% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
6% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Giacomo Puccini
Turandot / Act 1: "Popoli di Pekino!"
134 bpm • G# Maj • 05:35 • -15.95db
20% Popularity • 34% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
20% Popularity • 34% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Rigoletto: Act III: La donna e mobile (D...
135 bpm • B Maj • 02:11 • -30.3db
18% Popularity • 37% Danceability • 3% Energy • 66% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 37% Danceability • 3% Energy • 66% Liveness
0% Instrumentalness • 26% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: Chanson boh...
137 bpm • C Maj • 04:36 • -17.88db
12% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Cesar Hernandez
Messa da Requiem: VII Requiem aeternam
130 bpm • D# min • 02:58 • -30db
34% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
34% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
36% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
36% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
30% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 2: "Quando me'n...
132 bpm • A Maj • 04:40 • -16db
30% Popularity • 33% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 33% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Giuseppe Verdi
Il trovatore: Act I: Di tale amor che di...
136 bpm • G# Maj • 02:26 • -18db
28% Popularity • 49% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
28% Popularity • 49% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Chœur des ...
130 bpm • F Maj • 02:22 • -21.93db
19% Popularity • 60% Danceability • 14% Energy • 12% Liveness
63% Instrumentalness • 45% Positiveness
19% Popularity • 60% Danceability • 14% Energy • 12% Liveness
63% Instrumentalness • 45% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
140 bpm • F Maj • 07:00 • -20db
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Il cavallo scalpi...
128 bpm • F# Maj • 02:29 • -15db
26% Popularity • 49% Danceability • 34% Energy • 71% Liveness
2% Instrumentalness • 39% Positiveness
26% Popularity • 49% Danceability • 34% Energy • 71% Liveness
2% Instrumentalness • 39% Positiveness
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Gioachino Rossini
Rossini : La Cenerentola : Act 2 "Non pi...
127 bpm • E Maj • 03:11 • -18db
18% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Addio f...
137 bpm • C# Maj • 02:07 • -13.2db
40% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Un ballo in maschera / Act 1: "Posa in p...
131 bpm • B Maj • 01:40 • -32.23db
9% Popularity • 29% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 29% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 1: "L'amour est un o...
129 bpm • D Maj • 04:14 • -15db
23% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Alfred Scholz
The Marriage Of Figaro KV.592
142 bpm • D Maj • 04:15 • -21.11db
38% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
38% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Der Engel
126 bpm • G Maj • 03:11 • -18.84db
25% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I: No. 2, A...
142 bpm • C Maj • 04:39 • -14.33db
26% Popularity • 50% Danceability • 34% Energy • 9% Liveness
23% Instrumentalness • 56% Positiveness
26% Popularity • 50% Danceability • 34% Energy • 9% Liveness
23% Instrumentalness • 56% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
30% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
4 Pezzi sacri: I. Ave Maria
134 bpm • C Maj • 05:22 • -38db
18% Popularity • 16% Danceability • 1% Energy • 16% Liveness
97% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 1% Energy • 16% Liveness
97% Instrumentalness • 3% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31: Prélude
129 bpm • D min • 03:33 • -16.85db
38% Popularity • 26% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 23% Positiveness
38% Popularity • 26% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 23% Positiveness
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London Philharmonic Orchestra
Nabucco: Chorus of the Hebrew Slaves, "V...
124 bpm • C# Maj • 04:59 • -16.48db
35% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
35% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114 / Act 1: Hou, hou, hou,...
149 bpm • A Maj • 04:35 • -18.83db
21% Popularity • 31% Danceability • 17% Energy • 54% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 31% Danceability • 17% Energy • 54% Liveness
0% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act I: No. 2 C...
148 bpm • C Maj • 04:58 • -15.22db
29% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness
29% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
44% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Ebben? che diavol ...
125 bpm • D# Maj • 01:12 • -20db
36% Popularity • 55% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 55% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Habanera. "...
124 bpm • D Maj • 04:35 • -22db
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Leo Nucci
Miniera
119 bpm • A Maj • 03:36 • -12db
36% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
36% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Anonymous
Rigoletto, Act IV: La donna e mobile (ar...
155 bpm • A# Maj • 01:45 • -17db
46% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
46% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
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Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Viva! Viva Amina!
116 bpm • F# min • 01:06 • -30db
36% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
36% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Rigoletto / Act 3: "La donna è mobile.....
133 bpm • F# Maj • 02:59 • -14db
31% Popularity • 35% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 35% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 3, Scene 1: "J...
126 bpm • D# Maj • 05:04 • -20db
24% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
114 bpm • E Maj • 03:54 • -23.55db
7% Popularity • 30% Danceability • 8% Energy • 34% Liveness
87% Instrumentalness • 4% Positiveness
7% Popularity • 30% Danceability • 8% Energy • 34% Liveness
87% Instrumentalness • 4% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
33% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
33% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Richard Wagner
Tannhauser, Act III: Begluckt darf nun d...
164 bpm • D# Maj • 03:49 • -23db
31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Voi lo sapete, o ...
168 bpm • E min • 03:38 • -17.19db
32% Popularity • 21% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto, Atto III, Canzone: "La donna ...
136 bpm • B Maj • 02:21 • -14.38db
41% Popularity • 39% Danceability • 23% Energy • 8% Liveness
6% Instrumentalness • 16% Positiveness
41% Popularity • 39% Danceability • 23% Energy • 8% Liveness
6% Instrumentalness • 16% Positiveness
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Georges Bizet
Bizet: Carmen: Prélude
125 bpm • A Maj • 02:14 • -13db
32% Popularity • 32% Danceability • 46% Energy • 18% Liveness
10% Instrumentalness • 66% Positiveness
32% Popularity • 32% Danceability • 46% Energy • 18% Liveness
10% Instrumentalness • 66% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
171 bpm • E Maj • 07:46 • -24.15db
38% Popularity • 29% Danceability • 8% Energy • 8% Liveness
44% Instrumentalness • 27% Positiveness
38% Popularity • 29% Danceability • 8% Energy • 8% Liveness
44% Instrumentalness • 27% Positiveness
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Giacomo Puccini
Gianni Schicchi: "O mio babbino caro"
171 bpm • G# Maj • 02:06 • -20.22db
28% Popularity • 19% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 19% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Mario del Monaco
Di quella pira
172 bpm • C Maj • 02:07 • -11db
20% Popularity • 31% Danceability • 34% Energy • 11% Liveness
8% Instrumentalness • 28% Positiveness
20% Popularity • 31% Danceability • 34% Energy • 11% Liveness
8% Instrumentalness • 28% Positiveness
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Richard Wagner
Tannhäuser, WWV 70, Act II: Dich, teure...
172 bpm • E min • 03:41 • -13.09db
24% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto / Act 3: "La donna è mobile" ...
136 bpm • F# Maj • 03:01 • -18db
14% Popularity • 39% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 39% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Georges Bizet
Bizet: Carmen, Act 2: "Votre toast, je p...
116 bpm • F Maj • 04:52 • -14db
25% Popularity • 42% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
25% Popularity • 42% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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Luigi Arditi
Il bacio
173 bpm • G Maj • 03:54 • -18.53db
30% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
175 bpm • F min • 06:40 • -20db
43% Popularity • 24% Danceability • 6% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 24% Danceability • 6% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
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Vincenzo Bellini
Norma / Act 1 Scene 1: "Casta Diva" (Cri...
176 bpm • F Maj • 06:30 • -20.45db
36% Popularity • 21% Danceability • 9% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
36% Popularity • 21% Danceability • 9% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Franz Lehár
Lehár: Die lustige Witwe, Act 2: Vilja-...
176 bpm • G Maj • 04:53 • -19.67db
21% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Nabucco / Act I: Sperate, o figli!
137 bpm • C Maj • 01:24 • -18db
29% Popularity • 31% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 31% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "Votre toas...
175 bpm • F Maj • 04:55 • -14.38db
21% Popularity • 34% Danceability • 31% Energy • 7% Liveness
1% Instrumentalness • 39% Positiveness
21% Popularity • 34% Danceability • 31% Energy • 7% Liveness
1% Instrumentalness • 39% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Les oise...
178 bpm • G# Maj • 05:29 • -20db
19% Popularity • 30% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 30% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Giacomo Puccini
La fanciulla del West: "Ch'ella mi creda...
179 bpm • F# Maj • 02:02 • -15.64db
33% Popularity • 12% Danceability • 25% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
33% Popularity • 12% Danceability • 25% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
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Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
180 bpm • F Maj • 03:44 • -14.85db
5% Popularity • 31% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
5% Popularity • 31% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act I: Walzer
182 bpm • A Maj • 01:13 • -20db
44% Popularity • 28% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
44% Popularity • 28% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
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Giuseppe Verdi
4 Pezzi sacri: IV. Te Deum
137 bpm • F# Maj • 16:06 • -22.6db
20% Popularity • 15% Danceability • 3% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 3% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act III: P...
203 bpm • G Maj • 04:50 • -13.71db
25% Popularity • 34% Danceability • 28% Energy • 6% Liveness
94% Instrumentalness • 42% Positiveness
25% Popularity • 34% Danceability • 28% Energy • 6% Liveness
94% Instrumentalness • 42% Positiveness
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Giuseppe Verdi
La traviata / Act I: Prelude
131 bpm • B Maj • 03:33 • -35db
44% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
44% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 2: "Vedi! le fosche n...
130 bpm • G Maj • 02:50 • -13.47db
40% Popularity • 44% Danceability • 35% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
40% Popularity • 44% Danceability • 35% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
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Giuseppe Verdi
La traviata / Act 1: "Libiamo ne'lieti c...
138 bpm • A# Maj • 02:57 • -17.34db
22% Popularity • 36% Danceability • 24% Energy • 66% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 36% Danceability • 24% Energy • 66% Liveness
0% Instrumentalness • 18% Positiveness
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Giuseppe Verdi
Il trovatore: Act II: Vedi, le fosche no...
130 bpm • G Maj • 02:49 • -16.04db
22% Popularity • 44% Danceability • 22% Energy • 66% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 44% Danceability • 22% Energy • 66% Liveness
0% Instrumentalness • 27% Positiveness
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Giuseppe Verdi
La traviata / Act II: "Di Madride noi si...
138 bpm • G Maj • 02:32 • -16db
28% Popularity • 57% Danceability • 36% Energy • 50% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 57% Danceability • 36% Energy • 50% Liveness
0% Instrumentalness • 61% Positiveness
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Giuseppe Verdi
Otello, Act II: Act II: Dove guardi sple...
130 bpm • E Maj • 04:44 • -32.52db
17% Popularity • 21% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 13% Positiveness
17% Popularity • 21% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
Otello, Act I: Act I: Fuoco di gioia! (C...
129 bpm • E min • 02:37 • -25.17db
27% Popularity • 37% Danceability • 8% Energy • 34% Liveness
1% Instrumentalness • 16% Positiveness
27% Popularity • 37% Danceability • 8% Energy • 34% Liveness
1% Instrumentalness • 16% Positiveness
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Giuseppe Verdi
Don Carlo / Act 2: "Dio, che nell'alma i...
129 bpm • G Maj • 04:36 • -17.25db
11% Popularity • 31% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 31% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Giuseppe Verdi
Rigoletto, Act I: Gualtier Malde … Car...
140 bpm • E Maj • 07:32 • -20db
19% Popularity • 28% Danceability • 6% Energy • 6% Liveness
3% Instrumentalness • 4% Positiveness
19% Popularity • 28% Danceability • 6% Energy • 6% Liveness
3% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Macbeth, Act IV: Inno di Vittoria - Fina...
128 bpm • A Maj • 03:32 • -14.58db
10% Popularity • 36% Danceability • 34% Energy • 7% Liveness
53% Instrumentalness • 20% Positiveness
10% Popularity • 36% Danceability • 34% Energy • 7% Liveness
53% Instrumentalness • 20% Positiveness
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Giuseppe Verdi
Rigoletto, Act III: Bella figlia dell'am...
140 bpm • C# Maj • 04:20 • -17db
14% Popularity • 30% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 30% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Giuseppe Verdi
Il trovatore: Timor di me? - D'amor sull...
128 bpm • G# Maj • 05:07 • -22.85db
1% Popularity • 26% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 26% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Aida / Act 2: "Gloria all'Egitto"
127 bpm • D# Maj • 05:07 • -20.75db
13% Popularity • 28% Danceability • 12% Energy • 14% Liveness
81% Instrumentalness • 11% Positiveness
13% Popularity • 28% Danceability • 12% Energy • 14% Liveness
81% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
La forza del destino, Act II, Scene I: P...
141 bpm • G Maj • 03:31 • -14.43db
16% Popularity • 21% Danceability • 37% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 21% Danceability • 37% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
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Giuseppe Verdi
Verdi: Il trovatore, Act 2: Coro di zing...
127 bpm • C Maj • 02:56 • -11db
22% Popularity • 43% Danceability • 40% Energy • 78% Liveness
9% Instrumentalness • 39% Positiveness
22% Popularity • 43% Danceability • 40% Energy • 78% Liveness
9% Instrumentalness • 39% Positiveness
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Giuseppe Verdi
Rigoletto / Act 3: "La donna è mobile"
127 bpm • B Maj • 03:04 • -18.4db
15% Popularity • 42% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
15% Popularity • 42% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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Giuseppe Verdi
Falstaff / Act 3: Dal labbro il canto es...
127 bpm • G# Maj • 04:59 • -28.23db
12% Popularity • 33% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 33% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Falstaff: Act I: Falstaff! Ola!
141 bpm • A Maj • 06:18 • -21db
13% Popularity • 44% Danceability • 15% Energy • 62% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 44% Danceability • 15% Energy • 62% Liveness
0% Instrumentalness • 26% Positiveness
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Giuseppe Verdi
Il trovatore: Coro di zingari
142 bpm • G Maj • 02:54 • -13.19db
13% Popularity • 43% Danceability • 37% Energy • 81% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 43% Danceability • 37% Energy • 81% Liveness
0% Instrumentalness • 18% Positiveness
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Giuseppe Verdi
Rigoletto / Act 2: "Duca, Duca! L'amante...
126 bpm • A Maj • 02:13 • -14.85db
13% Popularity • 48% Danceability • 33% Energy • 51% Liveness
1% Instrumentalness • 76% Positiveness
13% Popularity • 48% Danceability • 33% Energy • 51% Liveness
1% Instrumentalness • 76% Positiveness
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Giuseppe Verdi
Nabucco, Act III: "Va', pensiero" (Choru...
143 bpm • C# Maj • 04:35 • -21.83db
21% Popularity • 19% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
21% Popularity • 19% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
Requiem: XI. Domine Jesu Christe
125 bpm • G# Maj • 04:17 • -29.36db
25% Popularity • 21% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 21% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
La traviata*: Gypsy Chorus 'Noi siamo zi...
125 bpm • E Maj • 02:54 • -26.12db
39% Popularity • 58% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 58% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Giuseppe Verdi
La traviata / Act II: "Noi siamo zingare...
124 bpm • E Maj • 02:50 • -22.45db
21% Popularity • 59% Danceability • 12% Energy • 46% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 59% Danceability • 12% Energy • 46% Liveness
0% Instrumentalness • 39% Positiveness
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Giuseppe Verdi
Rigoletto / Act 1: "E il sol dell'anima"
145 bpm • A# Maj • 05:07 • -14.21db
17% Popularity • 34% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 34% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Giuseppe Verdi
Don Carlo*: Act V: Aria: Tu, che le vani...
145 bpm • F# Maj • 02:36 • -21.43db
28% Popularity • 28% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 28% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Aida: Act II: Ma tu, Re, tu signore poss...
146 bpm • F Maj • 03:41 • -15.07db
19% Popularity • 23% Danceability • 37% Energy • 32% Liveness
1% Instrumentalness • 13% Positiveness
19% Popularity • 23% Danceability • 37% Energy • 32% Liveness
1% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 2: Ballet
146 bpm • F min • 04:23 • -24db
22% Popularity • 34% Danceability • 14% Energy • 50% Liveness
86% Instrumentalness • 44% Positiveness
22% Popularity • 34% Danceability • 14% Energy • 50% Liveness
86% Instrumentalness • 44% Positiveness
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Giuseppe Verdi
Nabucco / Act I: Come notte a sol fulgen...
122 bpm • G Maj • 03:00 • -12.09db
24% Popularity • 43% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
24% Popularity • 43% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
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Giuseppe Verdi
Aida Highlights (1998 Digital Remaster),...
122 bpm • D# Maj • 04:39 • -17.08db
15% Popularity • 34% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 25% Positiveness
15% Popularity • 34% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 25% Positiveness
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Giuseppe Verdi
La traviata / Act 2: "Noi siamo zingarel...
122 bpm • B min • 02:53 • -22.42db
14% Popularity • 53% Danceability • 8% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 53% Danceability • 8% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
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Giuseppe Verdi
Nabucco / Act III: Oh, di qual'onta aggr...
149 bpm • C# Maj • 03:13 • -17db
17% Popularity • 27% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 27% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 2: Marcia trionfale
120 bpm • G# Maj • 01:26 • -18db
38% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 43% Positiveness
38% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 43% Positiveness
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Giuseppe Verdi
Messa da Requiem - Edited David Rosen: 2...
149 bpm • C min • 02:26 • -13.57db
22% Popularity • 24% Danceability • 30% Energy • 11% Liveness
35% Instrumentalness • 16% Positiveness
22% Popularity • 24% Danceability • 30% Energy • 11% Liveness
35% Instrumentalness • 16% Positiveness
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Giuseppe Verdi
Rigoletto / Act I: Questa o quella...Par...
120 bpm • G# Maj • 06:54 • -19.79db
19% Popularity • 48% Danceability • 18% Energy • 66% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 48% Danceability • 18% Energy • 66% Liveness
0% Instrumentalness • 45% Positiveness
