Songs like Uncle Bunna Lawrie (Intro) by Floodlights
Based on a tempo of (+/- 10%) and a similar genre
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blistar
Satellite
77 bpm • A min • 03:29 • -9.35db
14% Popularity • 36% Danceability • 42% Energy • 27% Liveness
98% Instrumentalness • 34% Positiveness
14% Popularity • 36% Danceability • 42% Energy • 27% Liveness
98% Instrumentalness • 34% Positiveness
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Floodlights
Human
77 bpm • E Maj • 02:41 • -7db
34% Popularity • 39% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 39% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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The Slingers
Living in the Age of Loneliness
78 bpm • A Maj • 04:25 • -5.42db
34% Popularity • 38% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 38% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Langkamer
The Earthquake
78 bpm • G# Maj • 02:58 • -8.4db
23% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Peep Tempel
Carol
76 bpm • C min • 03:56 • -5.28db
33% Popularity • 41% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 41% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Spike Fuck
Greatest Hits (Suicide Party)
76 bpm • A Maj • 05:13 • -10.88db
14% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Garcia Peoples
False Company
76 bpm • D Maj • 04:21 • -6.82db
9% Popularity • 49% Danceability • 75% Energy • 22% Liveness
1% Instrumentalness • 48% Positiveness
9% Popularity • 49% Danceability • 75% Energy • 22% Liveness
1% Instrumentalness • 48% Positiveness
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Floodlights
Uncle Bunna Lawrie (Intro)
77 bpm • D# min • 01:38 • -19.88db
14% Popularity • 59% Danceability • 34% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 59% Danceability • 34% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
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Cousin Tony's Brand New Firebird
Aquarian
79 bpm • G Maj • 01:24 • -11.5db
37% Popularity • 54% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 54% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Adam Newling
Cheer Up
75 bpm • D# Maj • 03:38 • -8db
24% Popularity • 49% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 49% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Emma Russack
Grass Is Greener
79 bpm • D Maj • 01:39 • -11.85db
23% Popularity • 73% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 73% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Peter Bibby
Red XF Falcon
79 bpm • C Maj • 03:50 • -12.13db
24% Popularity • 38% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 38% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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The Bures Band
Birds Nest
80 bpm • D Maj • 04:58 • -6.2db
31% Popularity • 55% Danceability • 77% Energy • 7% Liveness
19% Instrumentalness • 77% Positiveness
31% Popularity • 55% Danceability • 77% Energy • 7% Liveness
19% Instrumentalness • 77% Positiveness
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The Pretty Littles
Australian Dream
80 bpm • C Maj • 08:19 • -5.3db
35% Popularity • 46% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 46% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Pist Idiots
Light Up Your World
74 bpm • A Maj • 07:19 • -3.67db
20% Popularity • 13% Danceability • 80% Energy • 12% Liveness
3% Instrumentalness • 29% Positiveness
20% Popularity • 13% Danceability • 80% Energy • 12% Liveness
3% Instrumentalness • 29% Positiveness
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Cousin Tony's Brand New Firebird
Happy Place
81 bpm • E Maj • 06:18 • -11.86db
18% Popularity • 48% Danceability • 50% Energy • 10% Liveness
30% Instrumentalness • 28% Positiveness
18% Popularity • 48% Danceability • 50% Energy • 10% Liveness
30% Instrumentalness • 28% Positiveness
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The Uplifting Bell Ends
Dear Friend
81 bpm • C Maj • 03:25 • -8.75db
10% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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The Ocean Party
Better Off
80 bpm • G Maj • 02:51 • -9.01db
11% Popularity • 42% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 42% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Jack Davies and The Bush Chooks
Some Things Don't Last a Very Long Time
73 bpm • A Maj • 03:52 • -7.66db
20% Popularity • 33% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 33% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Eddy Current Suppression Ring
Wrapped Up
81 bpm • E Maj • 03:18 • -4db
29% Popularity • 44% Danceability • 84% Energy • 38% Liveness
75% Instrumentalness • 75% Positiveness
29% Popularity • 44% Danceability • 84% Energy • 38% Liveness
75% Instrumentalness • 75% Positiveness
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Babitha
The Clown
82 bpm • G Maj • 04:10 • -10db
14% Popularity • 58% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
14% Popularity • 58% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Caitlin Harnett & The Pony Boys
Pissing on Everything
81 bpm • C Maj • 05:06 • -11.75db
10% Popularity • 20% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 20% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Martin Frawley
Lo and Behold
82 bpm • B Maj • 02:01 • -13.49db
24% Popularity • 68% Danceability • 22% Energy • 17% Liveness
85% Instrumentalness • 39% Positiveness
24% Popularity • 68% Danceability • 22% Energy • 17% Liveness
85% Instrumentalness • 39% Positiveness
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Full Flower Moon Band
Take Love
72 bpm • G Maj • 02:45 • -8.8db
13% Popularity • 31% Danceability • 33% Energy • 38% Liveness
2% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 33% Energy • 38% Liveness
2% Instrumentalness • 9% Positiveness
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Girl and Girl
I See A Man
82 bpm • E Maj • 03:49 • -7.24db
9% Popularity • 28% Danceability • 50% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
9% Popularity • 28% Danceability • 50% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
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Verge Collection
Nice Day to Go to the Pub with Your Mum
83 bpm • B min • 03:02 • -5.8db
12% Popularity • 35% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 35% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Cousin Tony's Brand New Firebird
Next Life Yeah
83 bpm • B Maj • 03:37 • -10.83db
25% Popularity • 25% Danceability • 47% Energy • 17% Liveness
4% Instrumentalness • 35% Positiveness
25% Popularity • 25% Danceability • 47% Energy • 17% Liveness
4% Instrumentalness • 35% Positiveness
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The Slingers
Little Conversations
83 bpm • E Maj • 04:16 • -19db
25% Popularity • 54% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 54% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Bones and Jones
Feel Better Now
83 bpm • G Maj • 02:48 • -3.87db
21% Popularity • 41% Danceability • 81% Energy • 21% Liveness
80% Instrumentalness • 41% Positiveness
21% Popularity • 41% Danceability • 81% Energy • 21% Liveness
80% Instrumentalness • 41% Positiveness
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Colbey
Self Help Books
83 bpm • C Maj • 01:56 • -11.11db
12% Popularity • 64% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 64% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 23% Positiveness
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Jack Davies and The Bush Chooks
Clothes Peg
83 bpm • D min • 04:11 • -9.44db
24% Popularity • 42% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
24% Popularity • 42% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Cash Savage and the Last Drinks
Falling, Landing
71 bpm • F Maj • 04:03 • -7.59db
12% Popularity • 17% Danceability • 55% Energy • 9% Liveness
51% Instrumentalness • 7% Positiveness
12% Popularity • 17% Danceability • 55% Energy • 9% Liveness
51% Instrumentalness • 7% Positiveness
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Full Flower Moon Band
Sleep
84 bpm • G Maj • 02:34 • -6.29db
23% Popularity • 44% Danceability • 49% Energy • 32% Liveness
38% Instrumentalness • 24% Positiveness
23% Popularity • 44% Danceability • 49% Energy • 32% Liveness
38% Instrumentalness • 24% Positiveness
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The Double Happiness
No Place Like Nundah
85 bpm • D Maj • 04:05 • -8.52db
11% Popularity • 34% Danceability • 69% Energy • 11% Liveness
29% Instrumentalness • 43% Positiveness
11% Popularity • 34% Danceability • 69% Energy • 11% Liveness
29% Instrumentalness • 43% Positiveness
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King Stingray
Hey Wanhaka
85 bpm • B min • 03:57 • -5db
30% Popularity • 27% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 27% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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WOD
TOP 5
85 bpm • E min • 03:34 • -5.4db
9% Popularity • 34% Danceability • 96% Energy • 59% Liveness
26% Instrumentalness • 39% Positiveness
9% Popularity • 34% Danceability • 96% Energy • 59% Liveness
26% Instrumentalness • 39% Positiveness
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Ethanol Blend
River
86 bpm • C# Maj • 03:24 • -11.62db
19% Popularity • 40% Danceability • 60% Energy • 15% Liveness
14% Instrumentalness • 65% Positiveness
19% Popularity • 40% Danceability • 60% Energy • 15% Liveness
14% Instrumentalness • 65% Positiveness
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Cash Savage and the Last Drinks
$600 Short On The Rent
84 bpm • B min • 05:20 • -6.49db
16% Popularity • 35% Danceability • 69% Energy • 12% Liveness
3% Instrumentalness • 65% Positiveness
16% Popularity • 35% Danceability • 69% Energy • 12% Liveness
3% Instrumentalness • 65% Positiveness
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Full Flower Moon Band
Meet Ya
85 bpm • A Maj • 02:57 • -3.56db
24% Popularity • 54% Danceability • 56% Energy • 20% Liveness
90% Instrumentalness • 55% Positiveness
24% Popularity • 54% Danceability • 56% Energy • 20% Liveness
90% Instrumentalness • 55% Positiveness
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Peter Bibby
I'm on Fire
87 bpm • A Maj • 02:19 • -15.03db
10% Popularity • 49% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 49% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Watty Thompson
Jenny
87 bpm • A Maj • 05:32 • -5.22db
12% Popularity • 38% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 38% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Colbey
Distant Moon
88 bpm • C Maj • 05:24 • -11.82db
10% Popularity • 55% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 55% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Langkamer
Sing At Dawn
87 bpm • C# Maj • 02:29 • -9.22db
21% Popularity • 53% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 53% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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The Peep Tempel
Waystowe Kingston Men's Home
88 bpm • G Maj • 04:56 • -4.48db
10% Popularity • 31% Danceability • 90% Energy • 23% Liveness
91% Instrumentalness • 12% Positiveness
10% Popularity • 31% Danceability • 90% Energy • 23% Liveness
91% Instrumentalness • 12% Positiveness
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CIVIC
As Seen On TV
88 bpm • A Maj • 04:17 • -3.8db
13% Popularity • 28% Danceability • 90% Energy • 22% Liveness
3% Instrumentalness • 47% Positiveness
13% Popularity • 28% Danceability • 90% Energy • 22% Liveness
3% Instrumentalness • 47% Positiveness
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Floodlights
Ramblings Of A Passenger
89 bpm • C Maj • 04:58 • -9.15db
27% Popularity • 47% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 47% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Watty Thompson
Through And Through
87 bpm • G Maj • 06:15 • -8db
10% Popularity • 26% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 26% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 33% Positiveness
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Quality Used Cars
Since The World's Been Turning Upside Do...
89 bpm • A Maj • 04:05 • -8.93db
12% Popularity • 28% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 28% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Arthur Ahbez
Free as the Wind
90 bpm • A Maj • 03:08 • -7.39db
18% Popularity • 42% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 42% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Cable Ties
Sandcastles
89 bpm • D Maj • 04:18 • -8.29db
14% Popularity • 47% Danceability • 64% Energy • 12% Liveness
7% Instrumentalness • 43% Positiveness
14% Popularity • 47% Danceability • 64% Energy • 12% Liveness
7% Instrumentalness • 43% Positiveness
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Cousin Tony's Brand New Firebird
Every Morning, It Breaks
90 bpm • C Maj • 04:23 • -8db
23% Popularity • 61% Danceability • 62% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
23% Popularity • 61% Danceability • 62% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
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dust
Joy (Guilt)
90 bpm • C min • 04:09 • -8.17db
27% Popularity • 49% Danceability • 97% Energy • 9% Liveness
23% Instrumentalness • 24% Positiveness
27% Popularity • 49% Danceability • 97% Energy • 9% Liveness
23% Instrumentalness • 24% Positiveness
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Radio Free Alice
I Gotta (Fall in Love)
90 bpm • D# Maj • 01:34 • -4.03db
28% Popularity • 50% Danceability • 92% Energy • 64% Liveness
24% Instrumentalness • 64% Positiveness
28% Popularity • 50% Danceability • 92% Energy • 64% Liveness
24% Instrumentalness • 64% Positiveness
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Bones and Jones
Reckless
90 bpm • G Maj • 02:54 • -3.43db
10% Popularity • 32% Danceability • 88% Energy • 31% Liveness
13% Instrumentalness • 56% Positiveness
10% Popularity • 32% Danceability • 88% Energy • 31% Liveness
13% Instrumentalness • 56% Positiveness
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Twelve Point Buck
Magic Button
65 bpm • G Maj • 04:28 • -1.5db
19% Popularity • 23% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 23% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Cash Savage and the Last Drinks
Rat-a-tat-tat
91 bpm • B min • 04:33 • -5.25db
23% Popularity • 43% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 43% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Mini Skirt
Dying Majority
92 bpm • C Maj • 02:51 • -6.2db
28% Popularity • 46% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 46% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Cousin Tony's Brand New Firebird
When This Is Over
92 bpm • A Maj • 05:18 • -6.79db
33% Popularity • 60% Danceability • 75% Energy • 6% Liveness
7% Instrumentalness • 52% Positiveness
33% Popularity • 60% Danceability • 75% Energy • 6% Liveness
7% Instrumentalness • 52% Positiveness
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Girl and Girl
Divorce 1
92 bpm • D Maj • 07:23 • -7.19db
12% Popularity • 34% Danceability • 70% Energy • 38% Liveness
67% Instrumentalness • 30% Positiveness
12% Popularity • 34% Danceability • 70% Energy • 38% Liveness
67% Instrumentalness • 30% Positiveness
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Adam Newling
Warcloud
92 bpm • G Maj • 04:54 • -7.98db
16% Popularity • 57% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 57% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Gut Health
Inner Norm
92 bpm • B min • 02:29 • -6.35db
35% Popularity • 42% Danceability • 90% Energy • 16% Liveness
61% Instrumentalness • 79% Positiveness
35% Popularity • 42% Danceability • 90% Energy • 16% Liveness
61% Instrumentalness • 79% Positiveness
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Cash Savage and the Last Drinks
Seahorse (I'll Be Your Rainy Day)
91 bpm • C Maj • 05:12 • -9.05db
10% Popularity • 28% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 28% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Jack Davies and The Bush Chooks
My Hard Times
93 bpm • A Maj • 02:35 • -7.05db
23% Popularity • 69% Danceability • 48% Energy • 29% Liveness
35% Instrumentalness • 60% Positiveness
23% Popularity • 69% Danceability • 48% Energy • 29% Liveness
35% Instrumentalness • 60% Positiveness
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Skyscraper Stan
Man Misunderstood
93 bpm • B min • 06:35 • -11.8db
12% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Girl and Girl
White Tiles
93 bpm • B Maj • 02:52 • -4.89db
33% Popularity • 54% Danceability • 75% Energy • 17% Liveness
3% Instrumentalness • 30% Positiveness
33% Popularity • 54% Danceability • 75% Energy • 17% Liveness
3% Instrumentalness • 30% Positiveness
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The Belair Lip Bombs
Everybody Cool
93 bpm • F# Maj • 04:53 • -5.77db
15% Popularity • 51% Danceability • 83% Energy • 6% Liveness
78% Instrumentalness • 45% Positiveness
15% Popularity • 51% Danceability • 83% Energy • 6% Liveness
78% Instrumentalness • 45% Positiveness
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Eddy Current Suppression Ring
Modern Man
94 bpm • D Maj • 06:28 • -8.48db
8% Popularity • 90% Danceability • 62% Energy • 8% Liveness
10% Instrumentalness • 86% Positiveness
8% Popularity • 90% Danceability • 62% Energy • 8% Liveness
10% Instrumentalness • 86% Positiveness
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Cash Savage and the Last Drinks
Better Than That
91 bpm • G Maj • 04:24 • -8.88db
17% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Quality Used Cars
Me and Damon Drinking Beers at the Grand...
94 bpm • C Maj • 05:07 • -8.4db
16% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Soaked Oats
Something
94 bpm • G Maj • 04:06 • -10.26db
14% Popularity • 72% Danceability • 30% Energy • 32% Liveness
2% Instrumentalness • 22% Positiveness
14% Popularity • 72% Danceability • 30% Energy • 32% Liveness
2% Instrumentalness • 22% Positiveness
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Nice Biscuit
Round and Round
94 bpm • D Maj • 04:18 • -10.49db
19% Popularity • 61% Danceability • 46% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
19% Popularity • 61% Danceability • 46% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
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Jack Davies and The Bush Chooks
The Colours
94 bpm • F Maj • 03:52 • -8.51db
22% Popularity • 54% Danceability • 35% Energy • 11% Liveness
4% Instrumentalness • 32% Positiveness
22% Popularity • 54% Danceability • 35% Energy • 11% Liveness
4% Instrumentalness • 32% Positiveness
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Langkamer
Hatchet
95 bpm • B min • 02:07 • -9.98db
32% Popularity • 78% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 78% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Cash Savage and the Last Drinks
Keep Working At Your Job
92 bpm • G Maj • 04:45 • -6.95db
14% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Liz Stringer
My History
95 bpm • E Maj • 05:12 • -14.53db
12% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Crocodylus
Can't Understand
95 bpm • A Maj • 04:21 • -5.04db
15% Popularity • 28% Danceability • 70% Energy • 60% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 28% Danceability • 70% Energy • 60% Liveness
0% Instrumentalness • 27% Positiveness
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Cheap Teeth
What a Feeling, What a Day
96 bpm • G# Maj • 03:43 • -7.87db
22% Popularity • 38% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 38% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Jack Davies and The Bush Chooks
Half Frozen Beer
95 bpm • F Maj • 04:35 • -7.97db
24% Popularity • 43% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 43% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Twelve Point Buck
X All Y
96 bpm • A Maj • 04:26 • -8.92db
30% Popularity • 29% Danceability • 55% Energy • 7% Liveness
13% Instrumentalness • 18% Positiveness
30% Popularity • 29% Danceability • 55% Energy • 7% Liveness
13% Instrumentalness • 18% Positiveness
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Cash Savage and the Last Drinks
Human, I Am
92 bpm • A min • 03:26 • -5.06db
13% Popularity • 45% Danceability • 98% Energy • 15% Liveness
24% Instrumentalness • 88% Positiveness
13% Popularity • 45% Danceability • 98% Energy • 15% Liveness
24% Instrumentalness • 88% Positiveness
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The Bures Band
Drifting
96 bpm • G Maj • 03:11 • -12.5db
16% Popularity • 55% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 55% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Skyscraper Stan
Flag Of Progress
96 bpm • D min • 03:30 • -9.59db
22% Popularity • 62% Danceability • 71% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
22% Popularity • 62% Danceability • 71% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
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Twerps
Bring Me Down
97 bpm • E Maj • 02:18 • -14.05db
32% Popularity • 51% Danceability • 28% Energy • 25% Liveness
93% Instrumentalness • 37% Positiveness
32% Popularity • 51% Danceability • 28% Energy • 25% Liveness
93% Instrumentalness • 37% Positiveness
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dust
The Gutter
97 bpm • G Maj • 02:41 • -6.77db
22% Popularity • 47% Danceability • 87% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
22% Popularity • 47% Danceability • 87% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
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Fontaines D.C.
Starburster
98 bpm • A# Maj • 03:41 • -5.68db
67% Popularity • 51% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
67% Popularity • 51% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Cash Savage and the Last Drinks
Run With the Dogs
94 bpm • B min • 05:09 • -6.27db
20% Popularity • 58% Danceability • 89% Energy • 10% Liveness
24% Instrumentalness • 30% Positiveness
20% Popularity • 58% Danceability • 89% Energy • 10% Liveness
24% Instrumentalness • 30% Positiveness
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The Slingers
Our Last Day in the Sun
98 bpm • C Maj • 03:38 • -6.54db
26% Popularity • 56% Danceability • 74% Energy • 22% Liveness
5% Instrumentalness • 62% Positiveness
26% Popularity • 56% Danceability • 74% Energy • 22% Liveness
5% Instrumentalness • 62% Positiveness
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Caitlin Harnett & The Pony Boys
Saturday Night
99 bpm • G Maj • 04:36 • -9.12db
12% Popularity • 28% Danceability • 40% Energy • 15% Liveness
7% Instrumentalness • 16% Positiveness
12% Popularity • 28% Danceability • 40% Energy • 15% Liveness
7% Instrumentalness • 16% Positiveness
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Twelve Point Buck
There's a Woman at the Station
99 bpm • B Maj • 03:09 • -0.86db
14% Popularity • 56% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 56% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
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Pist Idiots
Deadshit
99 bpm • E min • 02:15 • -3.45db
27% Popularity • 35% Danceability • 98% Energy • 66% Liveness
6% Instrumentalness • 27% Positiveness
27% Popularity • 35% Danceability • 98% Energy • 66% Liveness
6% Instrumentalness • 27% Positiveness
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Grace Cummings
There Flies A Seagull
99 bpm • A Maj • 03:44 • -10.55db
8% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Cash Savage and the Last Drinks
Every Day Is The Same
96 bpm • G min • 07:09 • -7.72db
11% Popularity • 14% Danceability • 42% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 42% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Watty Thompson
The Only Heart I’m Breaking (Is My Own...
99 bpm • A# Maj • 03:18 • -6.86db
11% Popularity • 37% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 37% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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dust
False Narrative
100 bpm • D# Maj • 03:14 • -5.71db
20% Popularity • 46% Danceability • 92% Energy • 16% Liveness
89% Instrumentalness • 25% Positiveness
20% Popularity • 46% Danceability • 92% Energy • 16% Liveness
89% Instrumentalness • 25% Positiveness
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Edwin Schroeder
Medical Man
100 bpm • B min • 02:37 • -7.71db
24% Popularity • 62% Danceability • 77% Energy • 33% Liveness
17% Instrumentalness • 60% Positiveness
24% Popularity • 62% Danceability • 77% Energy • 33% Liveness
17% Instrumentalness • 60% Positiveness
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Full Flower Moon Band
New Rocket
100 bpm • B Maj • 03:04 • -7.07db
29% Popularity • 64% Danceability • 81% Energy • 48% Liveness
14% Instrumentalness • 63% Positiveness
29% Popularity • 64% Danceability • 81% Energy • 48% Liveness
14% Instrumentalness • 63% Positiveness
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Dr Sure's Unusual Practice
How Can Anybody Be Sober These Days?
102 bpm • D min • 02:12 • -3db
22% Popularity • 54% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 54% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Cash Savage and the Last Drinks
Hold On
96 bpm • C min • 05:22 • -7.99db
14% Popularity • 53% Danceability • 71% Energy • 11% Liveness
50% Instrumentalness • 42% Positiveness
14% Popularity • 53% Danceability • 71% Energy • 11% Liveness
50% Instrumentalness • 42% Positiveness