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Unconditional
Songs like
Unconditional
by
Will Ackerman
Based on a tempo of (+/- 10%) and a similar genre
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Will Ackerman
While There's Time
97 bpm • G# Maj • 04:09 • -16.38db
21% Popularity • 42% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Vin Downes
The Flawed Heart
97 bpm • G# Maj • 04:00 • -20.32db
14% Popularity • 40% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
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Roberto Diana
In My Mind
97 bpm • D Maj • 03:18 • -20.85db
20% Popularity • 41% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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David Lanz
Improvisation: Gli Uccelli Di Carpi (The...
96 bpm • D Maj • 02:39 • -28.12db
39% Popularity • 35% Danceability • 2% Energy • 16% Liveness
82% Instrumentalness • 41% Positiveness
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John Danley
Ship's Mast
96 bpm • C# Maj • 03:28 • -16.24db
22% Popularity • 38% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Robert Linton
Stretching Across the Horizon
98 bpm • G Maj • 06:46 • -21.57db
23% Popularity • 37% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
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Will Ackerman
Imagine (Will's Version)
97 bpm • F Maj • 02:37 • -14.13db
25% Popularity • 34% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Michelle Qureshi
Take the Flowers
98 bpm • A Maj • 02:34 • -17.49db
26% Popularity • 47% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Lunng Fern
Reclaiming Silence
96 bpm • E min • 01:12 • -20.27db
21% Popularity • 44% Danceability • 18% Energy • 27% Liveness
6% Instrumentalness • 21% Positiveness
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Michael Mucklow
Balm
98 bpm • G Maj • 06:43 • -12.94db
26% Popularity • 42% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
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Shambhu
Imagine
96 bpm • F Maj • 03:25 • -17.85db
15% Popularity • 32% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Soulfood featuring Billy McLaughlin
Madre
98 bpm • E min • 03:02 • -21.95db
16% Popularity • 62% Danceability • 9% Energy • 37% Liveness
40% Instrumentalness • 12% Positiveness
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Will Ackerman
Sound Of Wind Driven Rain
97 bpm • D# min • 08:14 • -17.95db
22% Popularity • 30% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Michelle Qureshi
Each Good Rain
96 bpm • E Maj • 03:48 • -22db
37% Popularity • 53% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
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Jeff Oster
On One Knee
98 bpm • D Maj • 03:58 • -14.1db
12% Popularity • 29% Danceability • 8% Energy • 8% Liveness
28% Instrumentalness • 10% Positiveness
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Mike Howe
A Long Way to Go
98 bpm • A# min • 03:29 • -21.38db
28% Popularity • 53% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Collin Hill
Hallelujah
98 bpm • E Maj • 03:45 • -22.47db
40% Popularity • 30% Danceability • 17% Energy • 16% Liveness
90% Instrumentalness • 30% Positiveness
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William Ellwood
Light A Candle
96 bpm • F# min • 05:01 • -19db
18% Popularity • 56% Danceability • 20% Energy • 16% Liveness
86% Instrumentalness • 32% Positiveness
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Will Ackerman
Unconditional
97 bpm • E min • 02:36 • -21.53db
23% Popularity • 30% Danceability • 8% Energy • 14% Liveness
79% Instrumentalness • 17% Positiveness
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Michelle Qureshi
Tender Side of the Moon
98 bpm • G Maj • 02:33 • -20.63db
37% Popularity • 68% Danceability • 4% Energy • 12% Liveness
97% Instrumentalness • 15% Positiveness
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Vin Downes
Dark Blue Wind
98 bpm • D min • 03:24 • -25.26db
15% Popularity • 30% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Mike Howe
Kiss the Sorrow
96 bpm • C min • 02:57 • -14.19db
28% Popularity • 47% Danceability • 27% Energy • 13% Liveness
87% Instrumentalness • 17% Positiveness
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Andrew White
Dingle Bay Dream
99 bpm • F# Maj • 02:42 • -21.76db
36% Popularity • 39% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 24% Positiveness
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Billy McLaughlin
Breaking Of The Shells
99 bpm • F# min • 04:28 • -20.38db
27% Popularity • 44% Danceability • 13% Energy • 11% Liveness
76% Instrumentalness • 12% Positiveness
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Will Ackerman
On One Knee
98 bpm • D Maj • 04:01 • -14.64db
25% Popularity • 32% Danceability • 5% Energy • 7% Liveness
49% Instrumentalness • 16% Positiveness
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Roberto Dalla Vecchia
The Water Is Wide
99 bpm • A# Maj • 03:08 • -22.21db
35% Popularity • 48% Danceability • 20% Energy • 13% Liveness
94% Instrumentalness • 58% Positiveness
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Robert Linton
Moments of Reverie
99 bpm • D min • 03:49 • -19.13db
14% Popularity • 32% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 29% Positiveness
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Claes Nilsson
Querida
95 bpm • A min • 02:28 • -15.49db
29% Popularity • 70% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Julyan Brynn
Floating Hearts
95 bpm • F Maj • 03:21 • -10.88db
32% Popularity • 75% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Billy McLaughlin
Coffee Break
99 bpm • E min • 04:58 • -20.42db
25% Popularity • 66% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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Will Ackerman
Head For The Sky
95 bpm • C Maj • 05:05 • -17.96db
23% Popularity • 48% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
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Mark Grundhoefer
Night Light
100 bpm • F Maj • 02:59 • -13.94db
28% Popularity • 60% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Robert Linton
Seasons of Years Past
100 bpm • G Maj • 03:28 • -19.55db
22% Popularity • 52% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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August Flendahl
Sleepy Day
100 bpm • E Maj • 02:33 • -13.59db
34% Popularity • 78% Danceability • 15% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
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Channing Spence
Clear Skies
100 bpm • D Maj • 03:15 • -16.82db
29% Popularity • 71% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Billy McLaughlin
The Good Wife
95 bpm • C# Maj • 03:33 • -26.42db
21% Popularity • 45% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 25% Positiveness
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Will Ackerman
Unconditional
97 bpm • G Maj • 02:22 • -19.45db
34% Popularity • 32% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Whalebone
The Sound of Silence
94 bpm • G Maj • 03:33 • -15.05db
33% Popularity • 71% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 64% Positiveness
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Robert Linton
Throughout the Autumn Light
100 bpm • C Maj • 04:58 • -18.72db
18% Popularity • 53% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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The Field Tapes
Cold Winter Night
100 bpm • C Maj • 02:26 • -15.19db
29% Popularity • 48% Danceability • 11% Energy • 8% Liveness
76% Instrumentalness • 14% Positiveness
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Vin Downes
Just Before You Leave
100 bpm • C# Maj • 04:55 • -24.26db
24% Popularity • 37% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Billy McLaughlin
The Happy Archer
94 bpm • D Maj • 03:13 • -20.41db
29% Popularity • 68% Danceability • 14% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
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Will Ackerman
In a Region of Clouds
93 bpm • G# Maj • 04:22 • -19.65db
30% Popularity • 25% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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William Ellwood
At The World
94 bpm • E min • 02:45 • -19db
36% Popularity • 44% Danceability • 28% Energy • 11% Liveness
73% Instrumentalness • 50% Positiveness
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Robert Linton
Gliding the Current
94 bpm • A Maj • 05:33 • -16.67db
12% Popularity • 33% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 19% Positiveness
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Alex de Grassi
The Water Garden
93 bpm • A min • 04:03 • -16db
19% Popularity • 52% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Emilio Bonito
Lobster
101 bpm • D Maj • 04:23 • -9.45db
22% Popularity • 53% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Flow
Our Prayer
101 bpm • D min • 03:45 • -21.35db
5% Popularity • 31% Danceability • 4% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Will Ackerman
The Golden Hour
98 bpm • D# Maj • 04:58 • -15.21db
22% Popularity • 45% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Gareth Pearson
Beauty of Discipline
101 bpm • F# Maj • 04:23 • -16.36db
30% Popularity • 47% Danceability • 29% Energy • 11% Liveness
37% Instrumentalness • 24% Positiveness
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Alan Shoesmith
Another New Day
93 bpm • C Maj • 02:13 • -15.6db
39% Popularity • 55% Danceability • 26% Energy • 13% Liveness
79% Instrumentalness • 49% Positiveness
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Jim "Kimo" West
Peaceful Island
93 bpm • D Maj • 05:31 • -18db
22% Popularity • 68% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
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Billy McLaughlin
Soulmates
102 bpm • C Maj • 04:03 • -16.72db
30% Popularity • 37% Danceability • 17% Energy • 10% Liveness
69% Instrumentalness • 24% Positiveness
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Emilio Bonito
Daydreamer
93 bpm • A min • 02:56 • -14.13db
37% Popularity • 36% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 24% Positiveness
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Will Ackerman
Passing Baldo's Tower
99 bpm • D# Maj • 05:38 • -15.69db
21% Popularity • 37% Danceability • 15% Energy • 13% Liveness
83% Instrumentalness • 16% Positiveness
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Andrew White
Nicola's Tears
102 bpm • E Maj • 04:01 • -23.32db
25% Popularity • 38% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
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David Arkenstone
Carnation Lily Lily Rose
102 bpm • C Maj • 04:48 • -20.05db
30% Popularity • 35% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
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El McMeen
Castle Of Dromore
102 bpm • B Maj • 02:21 • -22.67db
30% Popularity • 45% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Sönke Meinen
Homeland
102 bpm • A Maj • 02:49 • -20.53db
8% Popularity • 46% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Kim Aspen
Forever And A Day
102 bpm • D# Maj • 03:01 • -12.23db
21% Popularity • 43% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
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Will Ackerman
Ponchatrain
95 bpm • D# Maj • 03:06 • -18.64db
19% Popularity • 31% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Eric Tingstad
Emerald Pavane - Remastered
92 bpm • A Maj • 04:07 • -15.99db
26% Popularity • 47% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
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Mike Howe
Heading West
92 bpm • A Maj • 03:11 • -16.35db
31% Popularity • 39% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 32% Positiveness
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Trevor Gordon Hall
Midnight and Raining
92 bpm • C Maj • 03:55 • -20.11db
13% Popularity • 43% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Lunng Fern
Chant
103 bpm • D# min • 04:45 • -21db
23% Popularity • 36% Danceability • 26% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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August Flendahl
Country Life
103 bpm • F# min • 02:08 • -16.54db
35% Popularity • 71% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 47% Positiveness
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Will Ackerman
Hawk Circle
101 bpm • D# min • 05:06 • -14.2db
21% Popularity • 35% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Roberto Diana
Dalla Finestra
103 bpm • B min • 01:55 • -13.58db
28% Popularity • 44% Danceability • 20% Energy • 10% Liveness
37% Instrumentalness • 39% Positiveness
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Andrew White
Home James
104 bpm • D Maj • 04:21 • -24.4db
26% Popularity • 38% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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Trevor Gordon Hall
It Will Not Always Be Winter
91 bpm • D Maj • 03:01 • -17.64db
29% Popularity • 46% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
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Mike Howe
Run Deep
104 bpm • C Maj • 03:45 • -14.12db
29% Popularity • 37% Danceability • 17% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Vin Downes
Evening in Berkeley
103 bpm • D Maj • 06:00 • -22.34db
11% Popularity • 40% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Will Ackerman
Three Trees
93 bpm • G# Maj • 05:17 • -16.08db
22% Popularity • 40% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Robert Linton
Winds Swaying the Trees
104 bpm • G Maj • 04:14 • -22.04db
24% Popularity • 48% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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Between the Dots
Slowing Down
91 bpm • E Maj • 01:10 • -16.95db
34% Popularity • 57% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Whalebone
Mellow
104 bpm • G Maj • 02:23 • -18.38db
38% Popularity • 59% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Peter Finger
The Girl at the Harbour
104 bpm • D Maj • 04:11 • -22.14db
30% Popularity • 30% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Gabriel Lee
Summer Morning
90 bpm • G# Maj • 01:48 • -24db
33% Popularity • 27% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 38% Positiveness
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Will Ackerman
I Know This River
92 bpm • A min • 03:55 • -21.93db
21% Popularity • 27% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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El McMeen
Will Ye Go, Lassie, Go?
104 bpm • F Maj • 01:42 • -21.91db
38% Popularity • 34% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Between the Dots
The View
104 bpm • G Maj • 02:55 • -22.46db
30% Popularity • 53% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Whalebone
Shooting Stars
104 bpm • E min • 05:22 • -14.42db
28% Popularity • 69% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Robert Linton
Glistening After the Mist
104 bpm • F# min • 04:45 • -22.25db
16% Popularity • 40% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
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Walter Mazzaccaro
Oceans
104 bpm • E Maj • 02:52 • -16.57db
42% Popularity • 45% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Will Ackerman
Visiting
103 bpm • B Maj • 05:46 • -18.25db
27% Popularity • 34% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Auguste Henrique
Mysterium
90 bpm • A min • 02:47 • -14.35db
31% Popularity • 71% Danceability • 5% Energy • 12% Liveness
13% Instrumentalness • 20% Positiveness
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Ken Bonfield
Wiseman's View
104 bpm • D Maj • 02:59 • -19.05db
30% Popularity • 28% Danceability • 22% Energy • 16% Liveness
97% Instrumentalness • 22% Positiveness
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Collin Hill
Miles Down the Road
104 bpm • G Maj • 03:22 • -11.94db
20% Popularity • 35% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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Peter Janson
Fushigi
104 bpm • F# Maj • 04:59 • -19.59db
18% Popularity • 43% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Vin Downes
When the Sea Lets Go
104 bpm • A# min • 04:19 • -21.41db
36% Popularity • 35% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Emilio Bonito
Tiffany Falls
90 bpm • D Maj • 03:32 • -9.44db
33% Popularity • 59% Danceability • 47% Energy • 11% Liveness
85% Instrumentalness • 31% Positiveness
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Michael Gettel
Waiting
105 bpm • F Maj • 02:14 • -29.08db
38% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Roberto Dalla Vecchia
Why Worry
90 bpm • D Maj • 02:52 • -18.33db
39% Popularity • 52% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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Andrew White
Primavera
105 bpm • E Maj • 04:06 • -23.54db
22% Popularity • 33% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 33% Positiveness
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George Winston
Rainsong
105 bpm • C# Maj • 04:40 • -24.47db
40% Popularity • 55% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Mark Grundhoefer
Loma de Oro
90 bpm • D Maj • 03:22 • -15.89db
21% Popularity • 37% Danceability • 23% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
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Ben Tofft
Silver City
105 bpm • E Maj • 02:59 • -24.09db
37% Popularity • 52% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 56% Positiveness
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Ciaran Delany
Readers
105 bpm • G# min • 03:01 • -18db
35% Popularity • 70% Danceability • 16% Energy • 11% Liveness
78% Instrumentalness • 26% Positiveness
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Roberto Dalla Vecchia
Grateful
105 bpm • A# Maj • 04:13 • -15.25db
26% Popularity • 34% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Flow
For Rosita & Giovanni
105 bpm • A# Maj • 04:18 • -16.68db
9% Popularity • 35% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Unconditional