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Undecided
Songs like
Undecided
by
Ella Fitzgerald
Based on a tempo of (+/- 10%) and a similar genre
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Warren Smith
Uranium Rock
102 bpm • D Maj • 02:07 • -6.5db
41% Popularity • 52% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Ella Fitzgerald
Undecided
102 bpm • E Maj • 03:19 • -9.82db
49% Popularity • 70% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Fletcher Henderson & His Orchestra
Sugar Foot Stomp
102 bpm • A# Maj • 02:46 • -12.66db
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Ella Mae Morse
Shoo Shoo Baby
103 bpm • A min • 03:15 • -11.81db
14% Popularity • 72% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Cab Calloway & His Orchestra
Who's Yehoodi?
103 bpm • A# min • 03:09 • -13.41db
3% Popularity • 66% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Jelly Roll Morton
Doctor Jazz
100 bpm • B Maj • 03:28 • -7.99db
24% Popularity • 74% Danceability • 47% Energy • 7% Liveness
68% Instrumentalness • 92% Positiveness
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Chick Webb
Stompin' at the Savoy
103 bpm • A# min • 03:10 • -15.39db
22% Popularity • 75% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 85% Positiveness
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Ella Fitzgerald
You Do Something To Me
104 bpm • C min • 02:22 • -19.43db
45% Popularity • 46% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
12% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Ella Fitzgerald and Her Savoy Eight
My Last Affair
100 bpm • D Maj • 02:44 • -8.75db
14% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Walter Page's Blue Devils
Blue Devil Blues
104 bpm • D# Maj • 02:46 • -13db
13% Popularity • 77% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Sheldon Allman
Rocket to the Moon
104 bpm • D Maj • 01:31 • 1.12db
16% Popularity • 70% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Chick Webb
Midnite in a Madhouse (Alternate Take)
100 bpm • G min • 02:36 • -8.5db
20% Popularity • 65% Danceability • 55% Energy • 11% Liveness
91% Instrumentalness • 77% Positiveness
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Judy Garland
Embraceable You - 1940 Single Version
100 bpm • C# Maj • 02:48 • -11.56db
47% Popularity • 32% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Chet Baker
Time After Time - Vocal Version
100 bpm • C Maj • 02:46 • -18.78db
60% Popularity • 50% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Cab Calloway & His Orchestra
Minnie the Moocher
100 bpm • E min • 03:14 • -10.54db
30% Popularity • 55% Danceability • 37% Energy • 77% Liveness
0% Instrumentalness • 45% Positiveness
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The Cats & The Fiddle
When I Grow Too Old to Dream
100 bpm • F Maj • 02:47 • -9.78db
22% Popularity • 83% Danceability • 45% Energy • 18% Liveness
4% Instrumentalness • 89% Positiveness
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Ella Fitzgerald and Her Savoy Eight
If You Ever Change Your Mind
105 bpm • A# Maj • 03:04 • -12.75db
35% Popularity • 80% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Chick Webb
Midnite in a Madhouse (Midnite in Harlem...
100 bpm • G min • 02:36 • -10.89db
18% Popularity • 61% Danceability • 40% Energy • 7% Liveness
94% Instrumentalness • 64% Positiveness
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Boilermaker Jazz Band
Let's Misbehave
99 bpm • D Maj • 02:52 • -6.76db
26% Popularity • 70% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Erskine Hawkins
Gin Mill Special
99 bpm • A# min • 03:19 • -10db
11% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
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Charlie Barnet
Wichita Windstorm
105 bpm • F# Maj • 02:39 • -8db
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
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The Cats & The Fiddle
That's on Jack, That's On
105 bpm • F Maj • 02:32 • -8.18db
13% Popularity • 83% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Ella Fitzgerald and Her Savoy Eight
It's Wonderful
99 bpm • A# Maj • 02:55 • -11.44db
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Buster Bailey
There's a House in Harlem for Sale
99 bpm • D min • 02:50 • -10db
17% Popularity • 68% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
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Kid Ory's Creole Jazz Band
Muskrat Ramble
105 bpm • G# Maj • 02:52 • -10db
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
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Joe Venuti
Beatin' the Dog
105 bpm • A# Maj • 02:38 • -13.56db
17% Popularity • 83% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 96% Positiveness
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Bix Beiderbecke
Riverboat Shuffle
105 bpm • G# Maj • 03:11 • -10db
21% Popularity • 73% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 95% Positiveness
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Fats Waller
Ain't Misbehavin'
98 bpm • C min • 03:57 • -16.92db
49% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Barber
Magnolia's Wedding Day
99 bpm • D# Maj • 04:37 • -6.55db
19% Popularity • 60% Danceability • 78% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
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Boilermaker Jazz Band
Don't Go 'Way Nobody
106 bpm • F min • 02:51 • -5.88db
30% Popularity • 73% Danceability • 81% Energy • 16% Liveness
64% Instrumentalness • 96% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
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Fletcher Henderson
Wrappin' It Up
106 bpm • F# Maj • 02:41 • -9.53db
18% Popularity • 70% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
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Bix Beiderbecke
There'll Come A Time
106 bpm • F Maj • 02:57 • -14db
42% Popularity • 79% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
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Bob Crosby
Way Back Home
106 bpm • D# Maj • 02:54 • -11db
39% Popularity • 66% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Lynda Carter
Man Enough
106 bpm • D min • 03:23 • -14db
43% Popularity • 76% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Jimmie Lunceford
Harlem Shout
106 bpm • D Maj • 03:03 • -10.74db
18% Popularity • 70% Danceability • 50% Energy • 9% Liveness
95% Instrumentalness • 93% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:39 • -13.26db
19% Popularity • 70% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
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The Solomon Douglas Swingtet
Big Apple Contest
106 bpm • C Maj • 02:57 • -10.17db
27% Popularity • 68% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Bix Beiderbecke
Riverboat Shuffle
106 bpm • C# Maj • 03:12 • -3.44db
13% Popularity • 73% Danceability • 68% Energy • 15% Liveness
88% Instrumentalness • 94% Positiveness
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Bennie Moten
New Moten Stomp
106 bpm • G# Maj • 02:56 • -9.34db
22% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
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Roy Brown
Mighty Mighty Man
106 bpm • C min • 02:23 • -15db
39% Popularity • 57% Danceability • 37% Energy • 58% Liveness
0% Instrumentalness • 82% Positiveness
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Woody Herman & His Orchestra
Las Chiapanecas
106 bpm • G# Maj • 03:02 • -9.52db
11% Popularity • 58% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 51% Positiveness
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Ella Fitzgerald
Someone To Watch Over Me
98 bpm • G Maj • 03:16 • -13.74db
49% Popularity • 35% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Fletcher Henderson
Christopher Columbus
98 bpm • G min • 03:00 • -8.05db
16% Popularity • 67% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
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Rosemary Clooney
You Took Advantage of Me - Remastered
107 bpm • G# Maj • 02:59 • -13.49db
19% Popularity • 62% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Boilermaker Jazz Band
Who's Sorry Now
107 bpm • A# Maj • 03:54 • -5.61db
24% Popularity • 75% Danceability • 75% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
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Stuff Smith
It Ain't Right
97 bpm • G min • 02:42 • -8.61db
26% Popularity • 78% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Bobby Hackett
I've Found a New Baby
107 bpm • F min • 02:44 • -11.99db
28% Popularity • 74% Danceability • 40% Energy • 10% Liveness
27% Instrumentalness • 78% Positiveness
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Johnny Dodds
Come on and Stomp, Stomp, Stomp
107 bpm • F Maj • 02:55 • -8db
24% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Fletcher Henderson
Jim Town Blues
107 bpm • A# Maj • 02:44 • -7.92db
16% Popularity • 73% Danceability • 41% Energy • 4% Liveness
89% Instrumentalness • 94% Positiveness
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Chick Webb
If Dreams Come True
97 bpm • D min • 03:24 • -13.94db
23% Popularity • 74% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 83% Positiveness
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The Lucky Strikes
Swing Let's Swing
107 bpm • D Maj • 02:19 • -11.52db
26% Popularity • 56% Danceability • 50% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
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Erskine Hawkins
Riff Time
107 bpm • C# Maj • 03:04 • -6.7db
11% Popularity • 66% Danceability • 70% Energy • 10% Liveness
28% Instrumentalness • 83% Positiveness
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Ben Bernie & His Orchestra
Ain't She Sweet?
107 bpm • D# Maj • 02:38 • -8.36db
22% Popularity • 82% Danceability • 38% Energy • 15% Liveness
6% Instrumentalness • 75% Positiveness
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Billy Munn
Jazzy Interlude
97 bpm • D# Maj • 02:54 • -8.45db
41% Popularity • 66% Danceability • 54% Energy • 6% Liveness
68% Instrumentalness • 95% Positiveness
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Eartha Kitt
Let's Do It
97 bpm • G# Maj • 03:05 • -20db
51% Popularity • 65% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Charlie Barnet
Rockin' In Rhythm (06-19-40)
97 bpm • G# Maj • 03:11 • -9.94db
14% Popularity • 59% Danceability • 46% Energy • 10% Liveness
37% Instrumentalness • 96% Positiveness
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Slim Gaillard
That's What You Call Romance
108 bpm • C Maj • 02:52 • -19db
21% Popularity • 71% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Fletcher Henderson
Riffin'
96 bpm • D# Maj • 02:28 • -2.3db
17% Popularity • 78% Danceability • 62% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
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The Cats & The Fiddle
Public Jitterbug No1
108 bpm • F min • 02:51 • -11.22db
14% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
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Ella Mae Morse
No Love, No Nothin’
108 bpm • A# Maj • 02:35 • -7.88db
24% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Johnny Bond
Stars of the Midnight Range
108 bpm • D# Maj • 02:53 • -11db
43% Popularity • 44% Danceability • 20% Energy • 12% Liveness
10% Instrumentalness • 38% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
28% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Betty Hutton
Old Man Mose
108 bpm • F min • 02:40 • -9.18db
10% Popularity • 82% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Lynda Carter
I'm the One You're Looking For
96 bpm • E Maj • 03:25 • -12.91db
43% Popularity • 64% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Fletcher Henderson & His Orchestra
Sing, Sing, Sing (With a Swing)
109 bpm • E min • 02:32 • -13.33db
17% Popularity • 78% Danceability • 26% Energy • 11% Liveness
64% Instrumentalness • 88% Positiveness
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Ella Fitzgerald
Somebody Nobody Loves
109 bpm • A min • 03:09 • -12.81db
15% Popularity • 75% Danceability • 4% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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The Cats & The Fiddle
Gangbusters
96 bpm • D min • 03:06 • -11.03db
19% Popularity • 82% Danceability • 39% Energy • 7% Liveness
44% Instrumentalness • 76% Positiveness
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Claude Hopkins Orchestra
Washington Squabble
109 bpm • C Maj • 03:04 • -17.43db
14% Popularity • 81% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Erskine Hawkins
Shipyard Ramble
96 bpm • C min • 03:26 • -8.75db
16% Popularity • 66% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 67% Positiveness
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Horace Heidt And His Orchestra
Dawn of a new day
95 bpm • F Maj • 02:30 • -10.15db
7% Popularity • 85% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 87% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
29% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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Ella Mae Morse
Cow Cow Boogie
109 bpm • G# Maj • 03:11 • -3.96db
12% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Ella Fitzgerald and Her Savoy Eight
If You Ever Should Leave
109 bpm • A min • 03:05 • -12.59db
23% Popularity • 67% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Bunny Berigan
When I Take My Sugar to Tea
110 bpm • C Maj • 03:12 • -9.08db
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
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Woody Herman & His Orchestra
Four Brothers
110 bpm • G# Maj • 03:15 • -10db
25% Popularity • 61% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
32% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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Gene Krupa
Drummin' Man
110 bpm • D# Maj • 03:03 • -3db
18% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
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Goofus Five
I Like Pie I Like Cake - But I Like You ...
94 bpm • D# Maj • 03:14 • -17.68db
19% Popularity • 74% Danceability • 22% Energy • 20% Liveness
2% Instrumentalness • 81% Positiveness
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Ella Fitzgerald
The Dipsy Doodle
94 bpm • D# Maj • 03:10 • -9.66db
31% Popularity • 73% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Sarah Vaughan
Black Coffee
94 bpm • C# Maj • 03:20 • -11.98db
49% Popularity • 38% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Dinah Washington
September In The Rain
111 bpm • C# Maj • 02:09 • -13.12db
62% Popularity • 40% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Isham Jones & His Orchestra
Goodnight Sweet Dreams
111 bpm • A# Maj • 02:50 • -9db
8% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
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Kay Kyser & His Orchestra
Jingle, Jangle, Jingle
94 bpm • G min • 03:21 • -12db
43% Popularity • 71% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Fletcher Henderson
Sugarfoot Stomp
111 bpm • A Maj • 03:01 • -5.67db
14% Popularity • 64% Danceability • 61% Energy • 23% Liveness
77% Instrumentalness • 93% Positiveness
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Ella Fitzgerald
Lullaby Of Birdland
111 bpm • F min • 02:51 • -6db
46% Popularity • 53% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Clarence Williams
Crazy Blues
111 bpm • G min • 02:26 • -10.61db
23% Popularity • 79% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
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King Oliver
Speakeasy Blues
111 bpm • A# Maj • 02:51 • -13db
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
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The Boswell Sisters
That's What I Like About You
94 bpm • G# Maj • 02:53 • -11.34db
17% Popularity • 69% Danceability • 28% Energy • 14% Liveness
68% Instrumentalness • 81% Positiveness
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Lynda Carter
Good Neighbor
93 bpm • D min • 03:35 • -11.22db
44% Popularity • 66% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Fletcher Henderson
Rug Cutter's Swing
111 bpm • G Maj • 03:07 • -12db
19% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
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Benny Goodman Sextet
If I Had You
111 bpm • C Maj • 03:01 • -19db
45% Popularity • 72% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
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Jack Hylton
One, Two, Button Your Shoe
93 bpm • C min • 02:34 • -17.06db
17% Popularity • 86% Danceability • 22% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Woody Herman & His Orchestra
Blues Downstairs
112 bpm • F Maj • 02:47 • -11.06db
17% Popularity • 69% Danceability • 40% Energy • 22% Liveness
6% Instrumentalness • 75% Positiveness
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The Boswell Sisters
Roll on, Mississippi, roll on
112 bpm • B min • 03:00 • -6.26db
3% Popularity • 62% Danceability • 39% Energy • 12% Liveness
18% Instrumentalness • 53% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Ted Weems
Somebody Stole My Gal
112 bpm • E Maj • 03:02 • -13db
21% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
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Lucky Millinder
I Know Who Threw the Whiskey in the Well...
92 bpm • A# Maj • 02:46 • -8.7db
20% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmie Lunceford
Rhythm Is Our Business
112 bpm • G Maj • 03:15 • -12.61db
20% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
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