Songs like Underlay No.3 by Jack Trombey
Based on a tempo of (+/- 10%) and a similar genre
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John Lennon
Can't Buy Me Love / Sgt. Pepper's Lonely...
99 bpm • C Maj • 04:10 • -11.43db
18% Popularity • 44% Danceability • 45% Energy • 18% Liveness
80% Instrumentalness • 56% Positiveness
18% Popularity • 44% Danceability • 45% Energy • 18% Liveness
80% Instrumentalness • 56% Positiveness
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Laurie Johnson
Jason King - Theme
99 bpm • A# Maj • 02:10 • -18.11db
12% Popularity • 47% Danceability • 47% Energy • 32% Liveness
66% Instrumentalness • 84% Positiveness
12% Popularity • 47% Danceability • 47% Energy • 32% Liveness
66% Instrumentalness • 84% Positiveness
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Alan Moorhouse
Soul Skimmer
99 bpm • C Maj • 02:12 • -8.19db
22% Popularity • 57% Danceability • 89% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
22% Popularity • 57% Danceability • 89% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
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John Barry
Midnight Cowboy
99 bpm • F Maj • 02:34 • -18.2db
23% Popularity • 32% Danceability • 30% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
23% Popularity • 32% Danceability • 30% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
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Jack Trombey
Underlay No.3
99 bpm • G# Maj • 04:02 • -7.83db
32% Popularity • 65% Danceability • 84% Energy • 8% Liveness
82% Instrumentalness • 52% Positiveness
32% Popularity • 65% Danceability • 84% Energy • 8% Liveness
82% Instrumentalness • 52% Positiveness
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Reg Wale
Fruity Flutes - Theme from "Farmhouse Ki...
99 bpm • F Maj • 02:27 • -12.38db
10% Popularity • 56% Danceability • 34% Energy • 12% Liveness
72% Instrumentalness • 76% Positiveness
10% Popularity • 56% Danceability • 34% Energy • 12% Liveness
72% Instrumentalness • 76% Positiveness
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Nino Rota
La dolce vita - Final
99 bpm • C# min • 03:01 • -15db
26% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Roland Vincent
L.S.D. Partie
100 bpm • A min • 03:00 • -11.52db
31% Popularity • 53% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 49% Positiveness
31% Popularity • 53% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 49% Positiveness
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Combustible Edison
The Checkered Flag
99 bpm • D Maj • 02:08 • -10.05db
18% Popularity • 51% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 51% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Alan Moorhouse
Boss Man
98 bpm • A Maj • 02:05 • -10.41db
14% Popularity • 62% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 88% Positiveness
14% Popularity • 62% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 88% Positiveness
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Jack Trombey
Underlay No. 3
99 bpm • F min • 02:30 • -16.77db
8% Popularity • 72% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 31% Positiveness
8% Popularity • 72% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 31% Positiveness
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The John Schroeder Orchestra
Explosive Corrosive Joseph
100 bpm • G Maj • 02:28 • -7.71db
22% Popularity • 59% Danceability • 62% Energy • 15% Liveness
91% Instrumentalness • 48% Positiveness
22% Popularity • 59% Danceability • 62% Energy • 15% Liveness
91% Instrumentalness • 48% Positiveness
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Syd Dale
Walk and Talk
100 bpm • A min • 02:29 • -7.94db
13% Popularity • 74% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 74% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Stelvio Cipriani
Mark il poliziotto - Originale
100 bpm • E min • 02:41 • -16.49db
22% Popularity • 73% Danceability • 49% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
22% Popularity • 73% Danceability • 49% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
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Keith Mansfield
Funky Fanfare (Small Group)
98 bpm • C# Maj • 01:35 • -12.37db
23% Popularity • 73% Danceability • 69% Energy • 20% Liveness
18% Instrumentalness • 89% Positiveness
23% Popularity • 73% Danceability • 69% Energy • 20% Liveness
18% Instrumentalness • 89% Positiveness
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The Mohawks
Beat Me Till I'm Blue
100 bpm • C# Maj • 02:36 • -10db
33% Popularity • 70% Danceability • 82% Energy • 14% Liveness
46% Instrumentalness • 80% Positiveness
33% Popularity • 70% Danceability • 82% Energy • 14% Liveness
46% Instrumentalness • 80% Positiveness
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Jack Trombey
Set Fair
100 bpm • C Maj • 02:00 • -22.15db
0% Popularity • 56% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 62% Positiveness
0% Popularity • 56% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 62% Positiveness
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Piero Umiliani
Roy Colt e Winchester Jack - Pt. 12
98 bpm • G Maj • 02:56 • -13.25db
19% Popularity • 45% Danceability • 47% Energy • 48% Liveness
67% Instrumentalness • 23% Positiveness
19% Popularity • 45% Danceability • 47% Energy • 48% Liveness
67% Instrumentalness • 23% Positiveness
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Peter Thomas Sound Orchester
Big Boss Theme
100 bpm • A# Maj • 02:18 • -7.76db
23% Popularity • 49% Danceability • 73% Energy • 42% Liveness
85% Instrumentalness • 65% Positiveness
23% Popularity • 49% Danceability • 73% Energy • 42% Liveness
85% Instrumentalness • 65% Positiveness
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Burnie Whibley
Table for Two
100 bpm • D min • 02:33 • -12db
32% Popularity • 38% Danceability • 38% Energy • 21% Liveness
93% Instrumentalness • 34% Positiveness
32% Popularity • 38% Danceability • 38% Energy • 21% Liveness
93% Instrumentalness • 34% Positiveness
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Perrey and Kingsley
One Note Samba - Spanish Flea
98 bpm • F min • 02:07 • -8.63db
9% Popularity • 58% Danceability • 92% Energy • 21% Liveness
6% Instrumentalness • 64% Positiveness
9% Popularity • 58% Danceability • 92% Energy • 21% Liveness
6% Instrumentalness • 64% Positiveness
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Don Ralke
Moon Goddess
98 bpm • F Maj • 02:50 • -23.73db
25% Popularity • 51% Danceability • 23% Energy • 14% Liveness
76% Instrumentalness • 53% Positiveness
25% Popularity • 51% Danceability • 23% Energy • 14% Liveness
76% Instrumentalness • 53% Positiveness
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Jack Trombey
Touch of Sand
98 bpm • D# Maj • 03:28 • -19.7db
0% Popularity • 16% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 12% Positiveness
0% Popularity • 16% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 12% Positiveness
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Laurie Johnson
Gala Performance
97 bpm • G Maj • 01:48 • -6.54db
14% Popularity • 22% Danceability • 75% Energy • 31% Liveness
87% Instrumentalness • 69% Positiveness
14% Popularity • 22% Danceability • 75% Energy • 31% Liveness
87% Instrumentalness • 69% Positiveness
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Neil Richardson
Full Speed Ahead (1)
97 bpm • A# min • 02:05 • -10.27db
13% Popularity • 27% Danceability • 73% Energy • 27% Liveness
92% Instrumentalness • 71% Positiveness
13% Popularity • 27% Danceability • 73% Energy • 27% Liveness
92% Instrumentalness • 71% Positiveness
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George Martin
Theme One
97 bpm • D# min • 02:35 • -10.15db
16% Popularity • 38% Danceability • 61% Energy • 31% Liveness
92% Instrumentalness • 52% Positiveness
16% Popularity • 38% Danceability • 61% Energy • 31% Liveness
92% Instrumentalness • 52% Positiveness
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Young-Holt Unlimited
Wack Wack
97 bpm • F min • 03:01 • -12db
27% Popularity • 63% Danceability • 54% Energy • 4% Liveness
6% Instrumentalness • 81% Positiveness
27% Popularity • 63% Danceability • 54% Energy • 4% Liveness
6% Instrumentalness • 81% Positiveness
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Milt Buckner
The Beast - Digitally Remastered 95
97 bpm • A# min • 02:32 • -12.65db
32% Popularity • 81% Danceability • 47% Energy • 9% Liveness
80% Instrumentalness • 66% Positiveness
32% Popularity • 81% Danceability • 47% Energy • 9% Liveness
80% Instrumentalness • 66% Positiveness
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Jack Trombey
Red Sequence (Bat Without Wings Theme)
100 bpm • C Maj • 00:37 • -9.58db
5% Popularity • 34% Danceability • 30% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
5% Popularity • 34% Danceability • 30% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
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Leroy Holmes Orchestra
Mah-Na, Mah-Na - 1997 Remastered
97 bpm • C Maj • 02:33 • -15.07db
17% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Stelvio Cipriani
Too Risky A Day For A Regatta
97 bpm • A# min • 03:48 • -16.33db
16% Popularity • 49% Danceability • 56% Energy • 27% Liveness
91% Instrumentalness • 56% Positiveness
16% Popularity • 49% Danceability • 56% Energy • 27% Liveness
91% Instrumentalness • 56% Positiveness
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Deodato
Also sprach Zarathustra
101 bpm • F Maj • 09:01 • -15.11db
29% Popularity • 58% Danceability • 53% Energy • 11% Liveness
59% Instrumentalness • 58% Positiveness
29% Popularity • 58% Danceability • 53% Energy • 11% Liveness
59% Instrumentalness • 58% Positiveness
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Anne Dudley
Jeeves And Wooster
101 bpm • D# min • 01:14 • -10.94db
33% Popularity • 67% Danceability • 36% Energy • 15% Liveness
37% Instrumentalness • 87% Positiveness
33% Popularity • 67% Danceability • 36% Energy • 15% Liveness
37% Instrumentalness • 87% Positiveness
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Piero Umiliani
Mah NÃ Mah NÃ
101 bpm • C Maj • 01:56 • -10.83db
41% Popularity • 75% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 75% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
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Esquivel And His Orchestra
Whatchamacallit
96 bpm • F Maj • 02:34 • -12db
12% Popularity • 71% Danceability • 62% Energy • 5% Liveness
37% Instrumentalness • 62% Positiveness
12% Popularity • 71% Danceability • 62% Energy • 5% Liveness
37% Instrumentalness • 62% Positiveness
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Karl-Heinz Schäfer
Kidnapping
96 bpm • F Maj • 01:22 • -14.82db
23% Popularity • 47% Danceability • 48% Energy • 9% Liveness
52% Instrumentalness • 93% Positiveness
23% Popularity • 47% Danceability • 48% Energy • 9% Liveness
52% Instrumentalness • 93% Positiveness
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Claude Bolling
Pop Mod
96 bpm • F Maj • 04:21 • -7.56db
15% Popularity • 58% Danceability • 81% Energy • 13% Liveness
36% Instrumentalness • 75% Positiveness
15% Popularity • 58% Danceability • 81% Energy • 13% Liveness
36% Instrumentalness • 75% Positiveness
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Al Hirt
Déclic: Java
96 bpm • G Maj • 01:54 • -9.25db
17% Popularity • 71% Danceability • 81% Energy • 8% Liveness
81% Instrumentalness • 96% Positiveness
17% Popularity • 71% Danceability • 81% Energy • 8% Liveness
81% Instrumentalness • 96% Positiveness
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Alain Goraguer
Voir Venise
96 bpm • C min • 01:59 • -11.54db
22% Popularity • 63% Danceability • 51% Energy • 31% Liveness
1% Instrumentalness • 57% Positiveness
22% Popularity • 63% Danceability • 51% Energy • 31% Liveness
1% Instrumentalness • 57% Positiveness
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King Herbert & The Knights
Sissy Strut
96 bpm • C Maj • 03:44 • -14db
25% Popularity • 48% Danceability • 58% Energy • 23% Liveness
84% Instrumentalness • 84% Positiveness
25% Popularity • 48% Danceability • 58% Energy • 23% Liveness
84% Instrumentalness • 84% Positiveness
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John Leach
Sun Ride (Ask the Family Theme)
96 bpm • C Maj • 01:00 • -5.59db
13% Popularity • 63% Danceability • 45% Energy • 10% Liveness
71% Instrumentalness • 53% Positiveness
13% Popularity • 63% Danceability • 45% Energy • 10% Liveness
71% Instrumentalness • 53% Positiveness
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Carnaby Street Pop Orchestra
Funky Fanfare
96 bpm • A# Maj • 02:28 • -4.15db
39% Popularity • 60% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 81% Positiveness
39% Popularity • 60% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 81% Positiveness
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David Gold
Spanish Waltz
102 bpm • G min • 02:42 • -11.98db
8% Popularity • 36% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
8% Popularity • 36% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
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Dudley Simpson
The Tomorrow People (The Original TV Mus...
96 bpm • A min • 01:54 • -11.4db
16% Popularity • 43% Danceability • 44% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
16% Popularity • 43% Danceability • 44% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
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John Gregory
Jaguar
102 bpm • F min • 03:41 • -10.52db
11% Popularity • 43% Danceability • 66% Energy • 12% Liveness
68% Instrumentalness • 72% Positiveness
11% Popularity • 43% Danceability • 66% Energy • 12% Liveness
68% Instrumentalness • 72% Positiveness
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Syd Dale
Danger Musicians at Work
96 bpm • G min • 01:58 • -10.51db
10% Popularity • 33% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 33% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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David Lindup
Acquital
102 bpm • D Maj • 01:35 • -10.86db
16% Popularity • 67% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
16% Popularity • 67% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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Vampire Sound Inc.
We Don't Care
102 bpm • D min • 05:20 • -9.75db
22% Popularity • 46% Danceability • 66% Energy • 10% Liveness
17% Instrumentalness • 77% Positiveness
22% Popularity • 46% Danceability • 66% Energy • 10% Liveness
17% Instrumentalness • 77% Positiveness
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Keith Mansfield
Powerhouse Pop
96 bpm • A Maj • 02:35 • -7db
10% Popularity • 46% Danceability • 85% Energy • 30% Liveness
34% Instrumentalness • 72% Positiveness
10% Popularity • 46% Danceability • 85% Energy • 30% Liveness
34% Instrumentalness • 72% Positiveness
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Jean-Jacques Perrey
Soul City
102 bpm • C Maj • 02:05 • -9.04db
14% Popularity • 56% Danceability • 87% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
14% Popularity • 56% Danceability • 87% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Perrey and Kingsley
Spooks In Space
102 bpm • G# Maj • 02:05 • -10.59db
14% Popularity • 83% Danceability • 87% Energy • 21% Liveness
3% Instrumentalness • 20% Positiveness
14% Popularity • 83% Danceability • 87% Energy • 21% Liveness
3% Instrumentalness • 20% Positiveness
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Ennio Morricone
Mystic and Severe
96 bpm • D Maj • 03:08 • -4db
28% Popularity • 54% Danceability • 49% Energy • 8% Liveness
93% Instrumentalness • 54% Positiveness
28% Popularity • 54% Danceability • 49% Energy • 8% Liveness
93% Instrumentalness • 54% Positiveness
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Burt Bacharach
Bond Street
103 bpm • G min • 02:04 • -13.12db
24% Popularity • 72% Danceability • 58% Energy • 62% Liveness
81% Instrumentalness • 96% Positiveness
24% Popularity • 72% Danceability • 58% Energy • 62% Liveness
81% Instrumentalness • 96% Positiveness
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Vampire Sound Inc.
The Lions and the Cucumber
102 bpm • G Maj • 05:12 • -9.69db
34% Popularity • 49% Danceability • 68% Energy • 8% Liveness
58% Instrumentalness • 75% Positiveness
34% Popularity • 49% Danceability • 68% Energy • 8% Liveness
58% Instrumentalness • 75% Positiveness
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Keith Mansfield
Incidental Backcloth (3)
96 bpm • C Maj • 02:59 • -18db
19% Popularity • 75% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 85% Positiveness
19% Popularity • 75% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 85% Positiveness
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Marcello Giombini
Ehi amico c'è Sabata - Titoli
95 bpm • C min • 01:56 • -7.62db
25% Popularity • 44% Danceability • 72% Energy • 31% Liveness
90% Instrumentalness • 66% Positiveness
25% Popularity • 44% Danceability • 72% Energy • 31% Liveness
90% Instrumentalness • 66% Positiveness
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Geoff & Maria Muldaur
Brazil
95 bpm • A# Maj • 03:31 • -11db
41% Popularity • 51% Danceability • 57% Energy • 9% Liveness
14% Instrumentalness • 77% Positiveness
41% Popularity • 51% Danceability • 57% Energy • 9% Liveness
14% Instrumentalness • 77% Positiveness
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The Village Stompers
Haunted House Blues
103 bpm • G min • 02:57 • -11.06db
17% Popularity • 77% Danceability • 34% Energy • 8% Liveness
17% Instrumentalness • 84% Positiveness
17% Popularity • 77% Danceability • 34% Energy • 8% Liveness
17% Instrumentalness • 84% Positiveness
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Combustible Edison
Cadillac
103 bpm • C min • 01:39 • -8.14db
21% Popularity • 62% Danceability • 56% Energy • 10% Liveness
8% Instrumentalness • 86% Positiveness
21% Popularity • 62% Danceability • 56% Energy • 10% Liveness
8% Instrumentalness • 86% Positiveness
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Gert Wilden & Orchestra
Dirty Beat (Schulmädchenreport 2)
103 bpm • F Maj • 02:53 • -8db
14% Popularity • 59% Danceability • 75% Energy • 28% Liveness
84% Instrumentalness • 61% Positiveness
14% Popularity • 59% Danceability • 75% Energy • 28% Liveness
84% Instrumentalness • 61% Positiveness
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Ray Anthony & His Orchestra
Dragnet
95 bpm • C min • 02:52 • -9db
20% Popularity • 55% Danceability • 74% Energy • 16% Liveness
90% Instrumentalness • 28% Positiveness
20% Popularity • 55% Danceability • 74% Energy • 16% Liveness
90% Instrumentalness • 28% Positiveness
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Jack Trombey
Man Of Power (Film Director/Teeth)
95 bpm • A# Maj • 02:22 • -6.63db
0% Popularity • 49% Danceability • 59% Energy • 33% Liveness
90% Instrumentalness • 88% Positiveness
0% Popularity • 49% Danceability • 59% Energy • 33% Liveness
90% Instrumentalness • 88% Positiveness
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King Palmer
Hackney Carriage
95 bpm • C Maj • 01:54 • -12.58db
18% Popularity • 70% Danceability • 33% Energy • 25% Liveness
25% Instrumentalness • 93% Positiveness
18% Popularity • 70% Danceability • 33% Energy • 25% Liveness
25% Instrumentalness • 93% Positiveness
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Apollo 100
Hall Of The Mountain Kings
95 bpm • F# Maj • 02:11 • -8.73db
14% Popularity • 49% Danceability • 57% Energy • 8% Liveness
78% Instrumentalness • 56% Positiveness
14% Popularity • 49% Danceability • 57% Energy • 8% Liveness
78% Instrumentalness • 56% Positiveness
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Janko Nilovic
Ballet dans l'espace - Remastered
95 bpm • A Maj • 03:05 • -5.12db
15% Popularity • 28% Danceability • 66% Energy • 22% Liveness
77% Instrumentalness • 31% Positiveness
15% Popularity • 28% Danceability • 66% Energy • 22% Liveness
77% Instrumentalness • 31% Positiveness
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Pearl & Dean
Asteroid (Pearl & Dean Theme) - Full Len...
104 bpm • G# Maj • 02:13 • -9.15db
14% Popularity • 69% Danceability • 76% Energy • 19% Liveness
76% Instrumentalness • 72% Positiveness
14% Popularity • 69% Danceability • 76% Energy • 19% Liveness
76% Instrumentalness • 72% Positiveness
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Keith Mansfield
Morning Broadway
94 bpm • C Maj • 02:05 • -8.12db
43% Popularity • 76% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
43% Popularity • 76% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
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Bacao Rhythm & Steel Band
Laventille Road March
104 bpm • D min • 03:10 • -4db
34% Popularity • 83% Danceability • 94% Energy • 4% Liveness
91% Instrumentalness • 91% Positiveness
34% Popularity • 83% Danceability • 94% Energy • 4% Liveness
91% Instrumentalness • 91% Positiveness
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Elmer Bernstein
Thinking Of Baby
94 bpm • D# Maj • 02:59 • -12.52db
28% Popularity • 50% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 47% Positiveness
28% Popularity • 50% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 47% Positiveness
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Gert Wilden & Orchestra
Sexy Girls (Mädchen, Die Nach München ...
94 bpm • C# Maj • 02:37 • -10.63db
18% Popularity • 55% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 37% Positiveness
18% Popularity • 55% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 37% Positiveness
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Louis Hardin
Stamping Ground - Instrumental
94 bpm • D Maj • 02:16 • -13.2db
31% Popularity • 44% Danceability • 50% Energy • 13% Liveness
85% Instrumentalness • 64% Positiveness
31% Popularity • 44% Danceability • 50% Energy • 13% Liveness
85% Instrumentalness • 64% Positiveness
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Herbert Chappell
The Gonk - Music from "Seeing & Doing"
104 bpm • F Maj • 03:41 • -9.67db
18% Popularity • 80% Danceability • 39% Energy • 5% Liveness
94% Instrumentalness • 96% Positiveness
18% Popularity • 80% Danceability • 39% Energy • 5% Liveness
94% Instrumentalness • 96% Positiveness
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Johnny Scott
The Good Word (Nationwide Theme)
104 bpm • A# Maj • 02:50 • -9.81db
9% Popularity • 55% Danceability • 63% Energy • 11% Liveness
82% Instrumentalness • 74% Positiveness
9% Popularity • 55% Danceability • 63% Energy • 11% Liveness
82% Instrumentalness • 74% Positiveness
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Jack Trombey
Tasty Lady
104 bpm • A# min • 03:03 • -11.43db
0% Popularity • 73% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 87% Positiveness
0% Popularity • 73% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 87% Positiveness
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Galt MacDermot
Farmland
94 bpm • F Maj • 02:57 • -6.87db
26% Popularity • 56% Danceability • 85% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
26% Popularity • 56% Danceability • 85% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
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The Mohawks
Senior Thump
94 bpm • F Maj • 02:45 • -3.82db
15% Popularity • 69% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 90% Positiveness
15% Popularity • 69% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 90% Positiveness
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Ludovic Bource
Rio ne répond plus
94 bpm • G Maj • 01:48 • -5.5db
24% Popularity • 66% Danceability • 67% Energy • 25% Liveness
1% Instrumentalness • 59% Positiveness
24% Popularity • 66% Danceability • 67% Energy • 25% Liveness
1% Instrumentalness • 59% Positiveness
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Burt Bacharach
South American Getaway
105 bpm • F Maj • 05:18 • -21.22db
35% Popularity • 40% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 40% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Supergrass
Coffee in the Pot
94 bpm • D min • 01:50 • -9.89db
41% Popularity • 67% Danceability • 58% Energy • 10% Liveness
89% Instrumentalness • 96% Positiveness
41% Popularity • 67% Danceability • 58% Energy • 10% Liveness
89% Instrumentalness • 96% Positiveness
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Jack Trombey
Suppression (Two Champions Of Shaolin)
105 bpm • A# Maj • 00:58 • -8.08db
8% Popularity • 81% Danceability • 53% Energy • 6% Liveness
91% Instrumentalness • 29% Positiveness
8% Popularity • 81% Danceability • 53% Energy • 6% Liveness
91% Instrumentalness • 29% Positiveness
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Brian Bennett
Boogie Juice
105 bpm • A# min • 02:42 • -17.69db
8% Popularity • 58% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 62% Positiveness
8% Popularity • 58% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 62% Positiveness
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Stelvio Cipriani
La polizia sta a guardare - Main Theme
93 bpm • G# Maj • 03:42 • -22db
24% Popularity • 52% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 52% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Julius Wechter
Flyin' High
105 bpm • C min • 02:13 • -14.86db
20% Popularity • 52% Danceability • 50% Energy • 21% Liveness
66% Instrumentalness • 62% Positiveness
20% Popularity • 52% Danceability • 50% Energy • 21% Liveness
66% Instrumentalness • 62% Positiveness
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Gert Wilden & Orchestra
Follow Me (Was Männer Nicht Für Mögli...
93 bpm • A min • 02:59 • -6.9db
11% Popularity • 56% Danceability • 84% Energy • 19% Liveness
95% Instrumentalness • 58% Positiveness
11% Popularity • 56% Danceability • 84% Energy • 19% Liveness
95% Instrumentalness • 58% Positiveness
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King Palmer
Holiday Playtime
105 bpm • G min • 01:15 • -18.93db
15% Popularity • 68% Danceability • 26% Energy • 12% Liveness
70% Instrumentalness • 93% Positiveness
15% Popularity • 68% Danceability • 26% Energy • 12% Liveness
70% Instrumentalness • 93% Positiveness
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Jack Trombey
Trombones On Parade - Theme from "Junior...
93 bpm • G# Maj • 02:38 • -12.25db
2% Popularity • 47% Danceability • 56% Energy • 30% Liveness
87% Instrumentalness • 93% Positiveness
2% Popularity • 47% Danceability • 56% Energy • 30% Liveness
87% Instrumentalness • 93% Positiveness
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David Holmes
Kensington Chump
93 bpm • G Maj • 01:40 • -11.43db
29% Popularity • 80% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 45% Positiveness
29% Popularity • 80% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 45% Positiveness
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Jimmy Smith
The Cat
93 bpm • F min • 03:24 • -12.04db
40% Popularity • 67% Danceability • 58% Energy • 19% Liveness
76% Instrumentalness • 96% Positiveness
40% Popularity • 67% Danceability • 58% Energy • 19% Liveness
76% Instrumentalness • 96% Positiveness
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Dick Hyman
The Moog And Me
106 bpm • C min • 03:03 • -13db
27% Popularity • 78% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
27% Popularity • 78% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
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Combustible Edison
Theme From The Tiki Wonder Hour
93 bpm • B Maj • 03:45 • -17.91db
24% Popularity • 55% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
24% Popularity • 55% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
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Ennio Morricone
Addio a Cheyenne
93 bpm • E min • 02:37 • -12db
29% Popularity • 79% Danceability • 22% Energy • 12% Liveness
50% Instrumentalness • 63% Positiveness
29% Popularity • 79% Danceability • 22% Energy • 12% Liveness
50% Instrumentalness • 63% Positiveness
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Perrey and Kingsley
Baroque Hoedown
93 bpm • F Maj • 02:27 • -15db
22% Popularity • 72% Danceability • 65% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 65% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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David Holmes
Lyman Zerga
106 bpm • C Maj • 01:52 • -14.74db
28% Popularity • 80% Danceability • 48% Energy • 32% Liveness
35% Instrumentalness • 27% Positiveness
28% Popularity • 80% Danceability • 48% Energy • 32% Liveness
35% Instrumentalness • 27% Positiveness
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Alan Moorhouse
Happy Feet
106 bpm • F Maj • 02:23 • -12db
17% Popularity • 83% Danceability • 33% Energy • 3% Liveness
47% Instrumentalness • 98% Positiveness
17% Popularity • 83% Danceability • 33% Energy • 3% Liveness
47% Instrumentalness • 98% Positiveness
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Jack Nitzsche
The Lonely Surfer
106 bpm • F Maj • 02:35 • -10db
29% Popularity • 30% Danceability • 63% Energy • 17% Liveness
55% Instrumentalness • 40% Positiveness
29% Popularity • 30% Danceability • 63% Energy • 17% Liveness
55% Instrumentalness • 40% Positiveness
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Al Hirt
Java
92 bpm • C# Maj • 01:59 • -10db
35% Popularity • 68% Danceability • 72% Energy • 9% Liveness
89% Instrumentalness • 96% Positiveness
35% Popularity • 68% Danceability • 72% Energy • 9% Liveness
89% Instrumentalness • 96% Positiveness
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Keith Mansfield
West Coast Surf Ride
92 bpm • B min • 02:33 • -5db
20% Popularity • 43% Danceability • 64% Energy • 19% Liveness
2% Instrumentalness • 45% Positiveness
20% Popularity • 43% Danceability • 64% Energy • 19% Liveness
2% Instrumentalness • 45% Positiveness
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Perrey and Kingsley
Barnyard In Orbit
92 bpm • C Maj • 02:26 • -14.32db
16% Popularity • 74% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 74% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
