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Undo the Blue - Français
Songs like
Undo the Blue - Français
by
Iraina Mancini
Based on a tempo of (+/- 10%) and a similar genre
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Billy Nomates
balance is gone
148 bpm • A Maj • 03:33 • -8.18db
28% Popularity • 66% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Iraina Mancini
Undo the Blue - Français
148 bpm • A# Maj • 04:38 • -4.26db
3% Popularity • 51% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Modern Studies
Light a Fire
148 bpm • D min • 03:04 • -9.6db
8% Popularity • 53% Danceability • 56% Energy • 25% Liveness
8% Instrumentalness • 59% Positiveness
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Melin Melyn
Hold The Line
148 bpm • B Maj • 03:35 • -7.84db
23% Popularity • 40% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Jane Weaver
Sunset Dreams
147 bpm • E min • 04:27 • -7.8db
22% Popularity • 61% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Viji
Sedative
149 bpm • A# Maj • 03:42 • -5.73db
33% Popularity • 62% Danceability • 73% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
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Billy Nomates
blue bones (deathwish)
148 bpm • A Maj • 03:18 • -10db
37% Popularity • 68% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Iraina Mancini
Undo The Blue
148 bpm • A# Maj • 03:58 • -5.25db
27% Popularity • 50% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Prima Queen
Eclipse
147 bpm • E Maj • 04:07 • -6.56db
29% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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David Holmes
Emotionally Clear
147 bpm • C Maj • 04:06 • -9.52db
19% Popularity • 37% Danceability • 42% Energy • 29% Liveness
25% Instrumentalness • 13% Positiveness
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Mozart Estate
Relative Poverty
147 bpm • F Maj • 03:01 • -5.35db
17% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Pale Blue Eyes
Globe
150 bpm • C Maj • 03:35 • -6.9db
25% Popularity • 45% Danceability • 80% Energy • 8% Liveness
4% Instrumentalness • 39% Positiveness
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Pip Blom
I Can Be Your Man
150 bpm • G# min • 03:36 • -3.9db
34% Popularity • 45% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Working Men's Club
Widow
150 bpm • F# min • 03:54 • -5db
24% Popularity • 48% Danceability • 95% Energy • 13% Liveness
32% Instrumentalness • 85% Positiveness
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The Bug Club
If My Mother Thinks I'm Happy
150 bpm • C# Maj • 04:22 • -5db
27% Popularity • 43% Danceability • 89% Energy • 11% Liveness
50% Instrumentalness • 74% Positiveness
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Melin Melyn
Short Haired Lady
151 bpm • A Maj • 03:11 • -7db
12% Popularity • 46% Danceability • 89% Energy • 29% Liveness
1% Instrumentalness • 78% Positiveness
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Pictish Trail
Natural Successor
145 bpm • E Maj • 05:25 • -7db
16% Popularity • 42% Danceability • 91% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
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Pale Blue Eyes
Simmering
150 bpm • C Maj • 03:10 • -8.75db
31% Popularity • 49% Danceability • 85% Energy • 21% Liveness
25% Instrumentalness • 65% Positiveness
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Michael Head & The Red Elastic Band
Ciao Ciao Bambino
151 bpm • B Maj • 03:44 • -10.93db
27% Popularity • 63% Danceability • 71% Energy • 14% Liveness
80% Instrumentalness • 82% Positiveness
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Katy J Pearson
Talk Over Town
145 bpm • G min • 05:52 • -7.09db
28% Popularity • 59% Danceability • 80% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
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The Bug Club
Love For Two
152 bpm • B Maj • 02:05 • -6db
27% Popularity • 41% Danceability • 83% Energy • 17% Liveness
94% Instrumentalness • 69% Positiveness
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Liz Lawrence
None Of My Friends
152 bpm • B Maj • 02:46 • -9.67db
35% Popularity • 60% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Steve Mason
I'm On My Way
144 bpm • F Maj • 03:51 • -7db
15% Popularity • 58% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Pale Blue Eyes
Little Gem
146 bpm • D Maj • 03:05 • -8.28db
27% Popularity • 55% Danceability • 68% Energy • 9% Liveness
25% Instrumentalness • 72% Positiveness
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BC Camplight
Thieves in Antigua
144 bpm • A# Maj • 04:07 • -10db
18% Popularity • 58% Danceability • 72% Energy • 12% Liveness
68% Instrumentalness • 61% Positiveness
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Katy J Pearson
Beautiful Soul
145 bpm • G Maj • 03:16 • -5.91db
39% Popularity • 59% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Robin Kester
Leave Now
144 bpm • C# Maj • 03:47 • -13.95db
18% Popularity • 58% Danceability • 45% Energy • 9% Liveness
6% Instrumentalness • 80% Positiveness
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Albertine Sarges
Free Today
143 bpm • D Maj • 05:33 • -7.96db
20% Popularity • 64% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Steve Mason
Travelling Hard
144 bpm • G Maj • 03:59 • -6db
12% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Pale Blue Eyes
Honeybear
144 bpm • D Maj • 04:59 • -6.4db
17% Popularity • 42% Danceability • 85% Energy • 11% Liveness
52% Instrumentalness • 57% Positiveness
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Tim Burgess
Typical Music
153 bpm • C# Maj • 03:03 • -2db
8% Popularity • 32% Danceability • 96% Energy • 64% Liveness
13% Instrumentalness • 37% Positiveness
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Hamish Hawk
Caterpillar
154 bpm • D Maj • 05:36 • -11db
21% Popularity • 60% Danceability • 62% Energy • 18% Liveness
24% Instrumentalness • 61% Positiveness
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Sweet Baboo
Good Luck
143 bpm • D Maj • 03:20 • -9.82db
10% Popularity • 61% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Albertine Sarges
Oh My Love
154 bpm • E min • 04:51 • -7.64db
12% Popularity • 62% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 53% Positiveness
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Gretel
Motorbike
154 bpm • B Maj • 03:26 • -6.41db
27% Popularity • 64% Danceability • 82% Energy • 11% Liveness
47% Instrumentalness • 83% Positiveness
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Pale Blue Eyes
Dr Pong
154 bpm • C Maj • 07:22 • -7.09db
17% Popularity • 45% Danceability • 89% Energy • 14% Liveness
78% Instrumentalness • 75% Positiveness
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King Creosote
Susie Mullen
154 bpm • A# min • 04:49 • -6.05db
26% Popularity • 39% Danceability • 90% Energy • 9% Liveness
8% Instrumentalness • 43% Positiveness
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The Dream Machine
Lola, In The Morning
142 bpm • C# min • 02:46 • -5.15db
15% Popularity • 36% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Yumi And The Weather
Can You Tell
154 bpm • D Maj • 04:04 • -3.82db
9% Popularity • 36% Danceability • 82% Energy • 38% Liveness
66% Instrumentalness • 28% Positiveness
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David Holmes
Necessary Genius
142 bpm • G# Maj • 03:45 • -8.76db
25% Popularity • 53% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 53% Positiveness
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Michael Head & The Red Elastic Band
Pretty Child
142 bpm • D Maj • 04:10 • -6.92db
10% Popularity • 23% Danceability • 78% Energy • 18% Liveness
1% Instrumentalness • 40% Positiveness
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Billy Nomates
spite
142 bpm • G# Maj • 03:44 • -10db
26% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Hannah Cameron
Take The Blame
142 bpm • A Maj • 03:38 • -10.92db
16% Popularity • 83% Danceability • 42% Energy • 12% Liveness
17% Instrumentalness • 47% Positiveness
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Gaz Coombes
Not The Only Things
155 bpm • F# min • 05:37 • -8.18db
27% Popularity • 48% Danceability • 73% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
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Mattiel
Lighthouse
141 bpm • E Maj • 03:43 • -8.18db
19% Popularity • 49% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Dot Allison
Unchanged
141 bpm • D Maj • 05:03 • -13.41db
9% Popularity • 32% Danceability • 25% Energy • 15% Liveness
15% Instrumentalness • 12% Positiveness
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She Drew The Gun
Wolf and Bird
141 bpm • E Maj • 03:20 • -8.28db
17% Popularity • 64% Danceability • 72% Energy • 10% Liveness
27% Instrumentalness • 86% Positiveness
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Billy Nomates
Petrol Fumes
142 bpm • F# Maj • 04:10 • -10db
31% Popularity • 78% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Flossing
Men on the Menu
141 bpm • E min • 02:45 • -8.88db
18% Popularity • 60% Danceability • 73% Energy • 32% Liveness
94% Instrumentalness • 71% Positiveness
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Joan As Police Woman
Get My Bearings
155 bpm • A min • 04:46 • -9.74db
30% Popularity • 54% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Sweet Baboo
Hopeless
156 bpm • G# Maj • 04:19 • -8.52db
9% Popularity • 64% Danceability • 71% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Personal Trainer
Milk
156 bpm • A min • 05:00 • -6.42db
26% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Liela Moss
Atoms At Me
156 bpm • A min • 03:53 • -7.72db
15% Popularity • 62% Danceability • 89% Energy • 7% Liveness
2% Instrumentalness • 87% Positiveness
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Pale Blue Eyes
Heating's On
156 bpm • D Maj • 03:37 • -8.03db
25% Popularity • 43% Danceability • 88% Energy • 21% Liveness
72% Instrumentalness • 73% Positiveness
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Nation of Language
This Fractured Mind
156 bpm • F Maj • 05:20 • -7.29db
39% Popularity • 64% Danceability • 58% Energy • 9% Liveness
40% Instrumentalness • 90% Positiveness
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Hamish Hawk
Daggers
156 bpm • D Maj • 03:39 • -11.03db
21% Popularity • 39% Danceability • 67% Energy • 25% Liveness
21% Instrumentalness • 49% Positiveness
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Mattiel
Cultural Criminal
140 bpm • E min • 02:46 • -8.75db
15% Popularity • 74% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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The Crystal Teardrop
By The River
140 bpm • F# Maj • 03:32 • -8.1db
12% Popularity • 44% Danceability • 86% Energy • 20% Liveness
75% Instrumentalness • 53% Positiveness
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Superstate
Yoga Town
140 bpm • C Maj • 05:33 • -5.9db
27% Popularity • 64% Danceability • 80% Energy • 41% Liveness
40% Instrumentalness • 76% Positiveness
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Leah Weller
Freedom
140 bpm • E Maj • 03:30 • -5.09db
9% Popularity • 56% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Billy Nomates
Modern Hart
140 bpm • F# Maj • 02:24 • -12db
29% Popularity • 76% Danceability • 56% Energy • 29% Liveness
45% Instrumentalness • 78% Positiveness
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She Drew The Gun
Behave Myself
140 bpm • D Maj • 03:19 • -5.45db
30% Popularity • 39% Danceability • 75% Energy • 16% Liveness
1% Instrumentalness • 83% Positiveness
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The Bug Club
The Fixer
139 bpm • D# Maj • 02:27 • -4.38db
23% Popularity • 46% Danceability • 94% Energy • 17% Liveness
18% Instrumentalness • 86% Positiveness
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The Big Moon
Wide Eyes
140 bpm • E Maj • 03:30 • -7db
34% Popularity • 43% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Katy J Pearson
Tonight
139 bpm • E min • 03:57 • -3.93db
35% Popularity • 68% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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audiobooks
He Called Me Bambi
158 bpm • C Maj • 05:04 • -7.15db
10% Popularity • 54% Danceability • 74% Energy • 11% Liveness
17% Instrumentalness • 81% Positiveness
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Billy Nomates
Supermarket Sweep
140 bpm • F# min • 02:58 • -9.27db
21% Popularity • 75% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Pale Blue Eyes
Star Vehicle
158 bpm • G Maj • 03:26 • -6.99db
23% Popularity • 40% Danceability • 81% Energy • 7% Liveness
6% Instrumentalness • 56% Positiveness
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Hamish Hawk
Desperately
158 bpm • A Maj • 04:11 • -5.26db
20% Popularity • 43% Danceability • 78% Energy • 7% Liveness
13% Instrumentalness • 49% Positiveness
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Du Blonde
Undertaker
138 bpm • A Maj • 02:49 • -9.07db
26% Popularity • 57% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Katy J Pearson
Riverbed
138 bpm • E min • 04:10 • -5.31db
18% Popularity • 68% Danceability • 83% Energy • 5% Liveness
9% Instrumentalness • 91% Positiveness
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Orlando Weeks
Yup Yup Yup Yup
138 bpm • C Maj • 03:35 • -9.98db
13% Popularity • 77% Danceability • 63% Energy • 11% Liveness
55% Instrumentalness • 59% Positiveness
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Billy Nomates
Heels
139 bpm • B Maj • 03:57 • -8.46db
22% Popularity • 72% Danceability • 68% Energy • 10% Liveness
7% Instrumentalness • 69% Positiveness
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Pale Blue Eyes
Takes Me Over
158 bpm • A Maj • 03:47 • -8.21db
26% Popularity • 43% Danceability • 92% Energy • 9% Liveness
68% Instrumentalness • 74% Positiveness
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audiobooks
Tryna Tryna Take Control
138 bpm • C min • 03:01 • -5.52db
15% Popularity • 70% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 83% Positiveness
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The Bug Club
Out In The Streets
138 bpm • C Maj • 04:09 • -6db
20% Popularity • 52% Danceability • 93% Energy • 10% Liveness
9% Instrumentalness • 68% Positiveness
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Melin Melyn
I Paint Dogs
137 bpm • E min • 02:20 • -6.34db
17% Popularity • 47% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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She's In Parties
Cherish
137 bpm • F Maj • 02:40 • -7db
33% Popularity • 44% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Nomates
same gun
158 bpm • G Maj • 02:32 • -9.95db
19% Popularity • 77% Danceability • 40% Energy • 8% Liveness
9% Instrumentalness • 67% Positiveness
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Pale Blue Eyes
More
138 bpm • D Maj • 04:17 • -9.73db
24% Popularity • 61% Danceability • 81% Energy • 10% Liveness
28% Instrumentalness • 35% Positiveness
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mauv
Change Will Come Anyway
160 bpm • G# Maj • 03:03 • -7.96db
22% Popularity • 57% Danceability • 66% Energy • 6% Liveness
3% Instrumentalness • 17% Positiveness
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Du Blonde
All The Way
160 bpm • A Maj • 03:20 • -8db
28% Popularity • 39% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Anchoress
The Art of Losing
137 bpm • G# min • 04:06 • -4.04db
10% Popularity • 42% Danceability • 98% Energy • 11% Liveness
55% Instrumentalness • 29% Positiveness
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Iraina Mancini
Deep End
160 bpm • C min • 03:32 • -4.29db
12% Popularity • 43% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Nomates
Hippy Elite
158 bpm • A# min • 02:48 • -6.02db
25% Popularity • 66% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Pale Blue Eyes
More - Edit
138 bpm • D Maj • 02:42 • -7.11db
28% Popularity • 65% Danceability • 89% Energy • 18% Liveness
20% Instrumentalness • 40% Positiveness
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Hamish Hawk
The Mauritian Badminton Doubles Champion...
160 bpm • A# Maj • 03:38 • -9.12db
35% Popularity • 41% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Working Men's Club
Cut
160 bpm • A Maj • 06:50 • -3.42db
19% Popularity • 46% Danceability • 94% Energy • 28% Liveness
17% Instrumentalness • 82% Positiveness
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Laura Jean
Folk Festival
136 bpm • C Maj • 03:57 • -9.25db
7% Popularity • 61% Danceability • 56% Energy • 9% Liveness
55% Instrumentalness • 49% Positiveness
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Penelope Isles
Iced Gems
136 bpm • G Maj • 04:38 • -4.71db
14% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Jane Weaver
Slow Motion
136 bpm • C Maj • 05:06 • -12.87db
23% Popularity • 51% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
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Kaeto
No Body
136 bpm • F# min • 02:42 • -8.39db
42% Popularity • 71% Danceability • 56% Energy • 10% Liveness
11% Instrumentalness • 66% Positiveness
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Hamish Hawk
Think of Us Kissing
136 bpm • D Maj • 03:37 • -6.05db
31% Popularity • 57% Danceability • 87% Energy • 12% Liveness
83% Instrumentalness • 32% Positiveness
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Belle and Sebastian
When We Were Very Young
136 bpm • G# Maj • 03:52 • -6.74db
33% Popularity • 71% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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King Creosote
Blue Marbled Elm Trees
136 bpm • A# Maj • 05:03 • -6.78db
36% Popularity • 43% Danceability • 85% Energy • 37% Liveness
1% Instrumentalness • 36% Positiveness
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Katy J Pearson
Fix Me Up
136 bpm • E Maj • 04:19 • -3db
28% Popularity • 59% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Jane Weaver
Oblique Fantasy
136 bpm • A min • 05:15 • -7db
21% Popularity • 66% Danceability • 77% Energy • 11% Liveness
59% Instrumentalness • 92% Positiveness
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Aoife Nessa Frances
Way to Say Goodbye
135 bpm • C# Maj • 04:42 • -7.89db
3% Popularity • 45% Danceability • 49% Energy • 15% Liveness
39% Instrumentalness • 19% Positiveness
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Iraina Mancini
Undo The Blue - Beyond the Wizards Sleev...
162 bpm • A# Maj • 07:38 • -8.23db
0% Popularity • 59% Danceability • 57% Energy • 32% Liveness
15% Instrumentalness • 73% Positiveness
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John Cale
NOISE OF YOU
135 bpm • G Maj • 05:15 • -7.91db
21% Popularity • 54% Danceability • 48% Energy • 8% Liveness
5% Instrumentalness • 32% Positiveness
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Undo the Blue - Français