Songs like Une jeune fillette by John Dowland
Based on a tempo of (+/- 10%) and a similar genre
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John Dowland
George Whitehead
84 bpm • C Maj • 01:17 • -26.18db
14% Popularity • 57% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
14% Popularity • 57% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
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Gaspar Sanz
Maricapalos
84 bpm • A min • 03:48 • -25db
15% Popularity • 35% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
15% Popularity • 35% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
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Wolff Jakob Lauffensteiner
Gigue
84 bpm • C# Maj • 01:16 • -22.25db
9% Popularity • 45% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
9% Popularity • 45% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Francesco Corbetta
Suite in C Major: I. Preludio
84 bpm • B Maj • 01:10 • -36db
16% Popularity • 28% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 59% Positiveness
16% Popularity • 28% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 59% Positiveness
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William Lawes
Royal Consort in D Minor for 2 theorbos:...
84 bpm • C# min • 01:01 • -22.59db
24% Popularity • 19% Danceability • 7% Energy • 25% Liveness
94% Instrumentalness • 34% Positiveness
24% Popularity • 19% Danceability • 7% Energy • 25% Liveness
94% Instrumentalness • 34% Positiveness
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Charles Mouton
La Princesse Sarabande
84 bpm • G# min • 01:45 • -24db
9% Popularity • 49% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
9% Popularity • 49% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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John Dowland
Une jeune fillette
84 bpm • B min • 05:58 • -21db
14% Popularity • 41% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 74% Positiveness
14% Popularity • 41% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 74% Positiveness
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Silvius Leopold Weiss
Sonata No. 4 in B-Flat Major: II. Overtu...
84 bpm • G# Maj • 03:48 • -30.1db
7% Popularity • 31% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
7% Popularity • 31% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Bernhard Joachim Hagen
Sonata in C Minor: II. Allegro
83 bpm • F# Maj • 04:04 • -25db
9% Popularity • 25% Danceability • 20% Energy • 7% Liveness
82% Instrumentalness • 30% Positiveness
9% Popularity • 25% Danceability • 20% Energy • 7% Liveness
82% Instrumentalness • 30% Positiveness
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Heringman
Da Ripa : Benedicta es coelorum Regina
83 bpm • E Maj • 06:36 • -28db
10% Popularity • 31% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
10% Popularity • 31% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Pietro Paolo Borrono
Fantasia
85 bpm • F Maj • 03:02 • -31.56db
9% Popularity • 33% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
9% Popularity • 33% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Tobias Hume
The Lady of Sussex Delight
83 bpm • D# min • 01:58 • -18.09db
17% Popularity • 40% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 63% Positiveness
17% Popularity • 40% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 63% Positiveness
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John Dowland
Pavan Lachrimae Verae from Lachrimae, or...
85 bpm • G min • 04:42 • -31db
8% Popularity • 10% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
8% Popularity • 10% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Ennemond Gaultier
Suite in F-Flat Minor: II. Allemande
83 bpm • E min • 04:50 • -26.77db
10% Popularity • 48% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
10% Popularity • 48% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Anthony Holborne
Muy Linda (Galliard)
85 bpm • B min • 02:51 • -28db
10% Popularity • 45% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
10% Popularity • 45% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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Giovanni Zamboni
Sonata in C Minor: I. Preludio
85 bpm • B min • 01:16 • -42.23db
12% Popularity • 22% Danceability • 1% Energy • 9% Liveness
81% Instrumentalness • 24% Positiveness
12% Popularity • 22% Danceability • 1% Energy • 9% Liveness
81% Instrumentalness • 24% Positiveness
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Pierre Attaingnant
Basse danse la Magdalena
83 bpm • D min • 02:13 • -29db
15% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Charles Mouton
Prélude
83 bpm • G# min • 01:01 • -23db
22% Popularity • 49% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 69% Positiveness
22% Popularity • 49% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 69% Positiveness
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John Dowland
Semper Dowland Semper Dolens from Lachri...
85 bpm • C min • 03:36 • -26db
9% Popularity • 13% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
9% Popularity • 13% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Suite in E Minor, BWV 996: V. Bourée
83 bpm • F min • 01:21 • -22.54db
18% Popularity • 34% Danceability • 24% Energy • 21% Liveness
90% Instrumentalness • 33% Positiveness
18% Popularity • 34% Danceability • 24% Energy • 21% Liveness
90% Instrumentalness • 33% Positiveness
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Esaias Reusner
Suite in D Minor: III. Sarabanda
83 bpm • C# min • 01:42 • -28db
10% Popularity • 43% Danceability • 4% Energy • 14% Liveness
76% Instrumentalness • 30% Positiveness
10% Popularity • 43% Danceability • 4% Energy • 14% Liveness
76% Instrumentalness • 30% Positiveness
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Luis de Narváez
La Canción del Emperador
83 bpm • F# min • 02:34 • -34db
17% Popularity • 38% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
17% Popularity • 38% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Joan Ambrosio Dalza
Tastar de corde
82 bpm • C min • 01:28 • -35.72db
32% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
32% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
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Orlando Gibbons
Galliard
86 bpm • F# Maj • 02:56 • -25db
18% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
18% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
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John Dowland
Captaine Digorie Piper his Galiard from ...
85 bpm • F min • 01:49 • -26db
9% Popularity • 25% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
9% Popularity • 25% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: III. Cour...
85 bpm • C# min • 03:09 • -28.49db
11% Popularity • 34% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 73% Positiveness
11% Popularity • 34% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 73% Positiveness
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Robert de Visée
Suite in C Minor: V. Gigue
82 bpm • F min • 01:53 • -33.5db
16% Popularity • 26% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
16% Popularity • 26% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
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Luis de Narváez
La cancion del emperador. Mille Regres (...
85 bpm • G min • 02:07 • -30.28db
18% Popularity • 39% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 46% Positiveness
18% Popularity • 39% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 46% Positiveness
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Hans Neusidler
Das Ander Buch. Ein New Künstlich Lautt...
82 bpm • F Maj • 01:32 • -22.6db
14% Popularity • 43% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 50% Positiveness
14% Popularity • 43% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 50% Positiveness
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Giovanni Paolo Foscarini
Folia
86 bpm • C Maj • 02:31 • -18db
18% Popularity • 58% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
18% Popularity • 58% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
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John Dowland
Fantasia in G Major, P. 1: 7 Fantasies: ...
85 bpm • G Maj • 04:27 • -22.57db
10% Popularity • 41% Danceability • 12% Energy • 8% Liveness
88% Instrumentalness • 61% Positiveness
10% Popularity • 41% Danceability • 12% Energy • 8% Liveness
88% Instrumentalness • 61% Positiveness
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Hopkinson Smith
Three Feminine Portraits - Lady Clifton'...
86 bpm • G min • 03:19 • -23.8db
16% Popularity • 31% Danceability • 14% Energy • 20% Liveness
84% Instrumentalness • 48% Positiveness
16% Popularity • 31% Danceability • 14% Energy • 20% Liveness
84% Instrumentalness • 48% Positiveness
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Dufaut
Tombeau de M. Blanrocher
82 bpm • C# min • 03:36 • -24db
14% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
14% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
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Alessandro Piccinini
Ciaccona in G major
82 bpm • G Maj • 01:55 • -35.43db
19% Popularity • 47% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
19% Popularity • 47% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
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Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 34 in D Minor: I. Prelud...
86 bpm • C min • 01:44 • -26.62db
24% Popularity • 37% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
24% Popularity • 37% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Christian Zimmermann
Suite No. 1 in A Major
82 bpm • G# Maj • 01:36 • -19.37db
12% Popularity • 33% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
12% Popularity • 33% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Hopkinson Smith
A Fancy
82 bpm • G min • 02:33 • -23.11db
18% Popularity • 31% Danceability • 15% Energy • 9% Liveness
95% Instrumentalness • 53% Positiveness
18% Popularity • 31% Danceability • 15% Energy • 9% Liveness
95% Instrumentalness • 53% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
86 bpm • F Maj • 02:16 • -20.84db
20% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
20% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Andante
86 bpm • B Maj • 03:31 • -24.8db
12% Popularity • 58% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 30% Positiveness
12% Popularity • 58% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 30% Positiveness
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Francesca Torelli
Prelude 2
86 bpm • G# min • 01:21 • -25db
13% Popularity • 47% Danceability • 5% Energy • 14% Liveness
85% Instrumentalness • 43% Positiveness
13% Popularity • 47% Danceability • 5% Energy • 14% Liveness
85% Instrumentalness • 43% Positiveness
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Christopher Tye
In Nomine No. 14, 'Reporte'
86 bpm • C# min • 02:15 • -28db
21% Popularity • 19% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
21% Popularity • 19% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Joan Ambrosio Dalza
Calata a la spagnola No. 2
86 bpm • C min • 01:14 • -35.59db
18% Popularity • 40% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 52% Positiveness
18% Popularity • 40% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 52% Positiveness
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Silvius Leopold Weiss
Fugue in D Minor
87 bpm • C min • 02:43 • -30.34db
7% Popularity • 44% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 62% Positiveness
7% Popularity • 44% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 62% Positiveness
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Nicola Matteis
Ayres for the Violin (arr. for guitar): ...
81 bpm • F# Maj • 01:45 • -30.89db
19% Popularity • 38% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 37% Positiveness
19% Popularity • 38% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 37% Positiveness
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Antonio de Cabezón
Differencias Sobre La Gallarda Milanesa
87 bpm • F Maj • 02:19 • -20db
11% Popularity • 38% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
11% Popularity • 38% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Bernhard Joachim Hagen
Sonata in C Minor: I. Andante
87 bpm • B min • 02:25 • -27.56db
13% Popularity • 42% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
13% Popularity • 42% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Heringman
De Fuenllana : Postrero kyrie
87 bpm • A min • 01:19 • -29.29db
11% Popularity • 54% Danceability • 3% Energy • 15% Liveness
96% Instrumentalness • 44% Positiveness
11% Popularity • 54% Danceability • 3% Energy • 15% Liveness
96% Instrumentalness • 44% Positiveness
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Joan Ambrosio Dalza
Piva ala ferrarese - Intabulatura de lau...
81 bpm • A# Maj • 02:17 • -27.92db
14% Popularity • 38% Danceability • 17% Energy • 15% Liveness
90% Instrumentalness • 87% Positiveness
14% Popularity • 38% Danceability • 17% Energy • 15% Liveness
90% Instrumentalness • 87% Positiveness
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John Dowland
Mrs. White's Thing, P. 50
87 bpm • G Maj • 02:13 • -22.71db
12% Popularity • 50% Danceability • 13% Energy • 9% Liveness
81% Instrumentalness • 59% Positiveness
12% Popularity • 50% Danceability • 13% Energy • 9% Liveness
81% Instrumentalness • 59% Positiveness
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Francesco Corbetta
Corrente
87 bpm • C# Maj • 02:01 • -35.28db
15% Popularity • 34% Danceability • 1% Energy • 10% Liveness
65% Instrumentalness • 47% Positiveness
15% Popularity • 34% Danceability • 1% Energy • 10% Liveness
65% Instrumentalness • 47% Positiveness
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Bellerofonte Castaldi
Cecchina (Corrente)
81 bpm • G Maj • 01:19 • -32db
29% Popularity • 53% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
29% Popularity • 53% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Marko Dumančić
Naranca
87 bpm • C# min • 03:38 • -23.72db
13% Popularity • 42% Danceability • 17% Energy • 40% Liveness
79% Instrumentalness • 32% Positiveness
13% Popularity • 42% Danceability • 17% Energy • 40% Liveness
79% Instrumentalness • 32% Positiveness
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Vincenzo Capirola
Balletto
81 bpm • D Maj • 01:52 • -31db
25% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
25% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
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Francesco Spinacino
Recercare 25 - Intabolatura de lauto, Li...
81 bpm • G# Maj • 02:31 • -30.54db
11% Popularity • 35% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 76% Positiveness
11% Popularity • 35% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 76% Positiveness
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Simone Molinaro
Ballo detto il Conte Orlando - Fantasia
87 bpm • E Maj • 02:54 • -21db
8% Popularity • 39% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 51% Positiveness
8% Popularity • 39% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 51% Positiveness
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Diomedes Cato
Dio: Re. mi. fa. sol. la
87 bpm • F# min • 01:52 • -22db
18% Popularity • 51% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 48% Positiveness
18% Popularity • 51% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 48% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: IV. Bourr...
87 bpm • E Maj • 01:56 • -25.65db
14% Popularity • 22% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 87% Positiveness
14% Popularity • 22% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 87% Positiveness
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Thomas Morley
Pavin
87 bpm • A Maj • 04:56 • -38.39db
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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Johann Sebastian Bach
Suite in E Major, BWV 1006a: V. Bourrée
81 bpm • E Maj • 02:01 • -24.16db
14% Popularity • 36% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 86% Positiveness
14% Popularity • 36% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 86% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Heinrich Isaac
Missa la Spagna: Agnus Dei
87 bpm • G# min • 01:36 • -33.01db
10% Popularity • 54% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
10% Popularity • 54% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
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John Dowland
Mrs. Vaux's Jig, P. 57
80 bpm • C min • 01:15 • -22.89db
10% Popularity • 36% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 49% Positiveness
10% Popularity • 36% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 49% Positiveness
► Preview
Silvius Leopold Weiss
Sonata No. 7 in C Minor: III. Sarabande
80 bpm • C# Maj • 03:29 • -34.24db
7% Popularity • 42% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
7% Popularity • 42% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
► Preview
Francesco Corbetta
Concert for 2 Guitars in E Minor: Passac...
88 bpm • F# Maj • 02:22 • -28db
14% Popularity • 43% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
14% Popularity • 43% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Heringman
De Fuenllana : Primero kyrie
88 bpm • A min • 00:59 • -29.53db
12% Popularity • 42% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 52% Positiveness
12% Popularity • 42% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 52% Positiveness
► Preview
Charles Mouton
Suite in C Minor from Pieces de luth Pre...
88 bpm • B min • 01:46 • -22db
11% Popularity • 39% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
11% Popularity • 39% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
► Preview
Hopkinson Smith
Elizabeth and Essex - Queen Elizabeth's ...
88 bpm • A min • 02:06 • -22.85db
20% Popularity • 30% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
20% Popularity • 30% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
John Dowland
Preludium, P. 98
88 bpm • F min • 01:13 • -22.95db
24% Popularity • 40% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 68% Positiveness
24% Popularity • 40% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 68% Positiveness
► Preview
Hans Neusidler
Der ander Theil des Lautenbuchs: Ich kla...
80 bpm • F# Maj • 01:09 • -33.24db
18% Popularity • 47% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 24% Positiveness
18% Popularity • 47% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 24% Positiveness
► Preview
Ennemond Gaultier
Suite in D Minor: III. L'adieu
79 bpm • C min • 02:48 • -26.69db
13% Popularity • 30% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
13% Popularity • 30% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
► Preview
Heringman
Gerle : Newsidler : Scaramella
88 bpm • D Maj • 00:58 • -22.69db
12% Popularity • 43% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 58% Positiveness
12% Popularity • 43% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 58% Positiveness
► Preview
Giovanni Zamboni
Lute Sonata No. 6: III. Sarabanda
89 bpm • G# min • 01:38 • -27.49db
22% Popularity • 32% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
22% Popularity • 32% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
► Preview
Robert Johnson
Pavan No. 2 in F Minor
79 bpm • A# min • 07:28 • -29.59db
9% Popularity • 35% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
9% Popularity • 35% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
John Dowland
Forlorn Hope, P. 2: 7 Fantasies: No. 2. ...
88 bpm • G min • 03:54 • -24.77db
8% Popularity • 43% Danceability • 7% Energy • 16% Liveness
94% Instrumentalness • 21% Positiveness
8% Popularity • 43% Danceability • 7% Energy • 16% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
► Preview
Paolo D'Aragon
Toccate
79 bpm • E min • 03:26 • -21db
16% Popularity • 38% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
16% Popularity • 38% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
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Heringman
Gintzler : Part II: Ave Maria
80 bpm • D min • 05:12 • -30.16db
11% Popularity • 32% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 36% Positiveness
11% Popularity • 32% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 36% Positiveness
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Christian Zimmermann
Españoletas
79 bpm • C# min • 01:33 • -22db
9% Popularity • 43% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
9% Popularity • 43% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
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Francesco Corbetta
La Guitarre Royalle: Sarabande 'La Dauph...
79 bpm • C# min • 01:54 • -28.94db
9% Popularity • 49% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 30% Positiveness
9% Popularity • 49% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 30% Positiveness
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John Dowland
Mr. Dowland's Midnight, P. 99
89 bpm • C min • 01:55 • -27.71db
22% Popularity • 38% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
22% Popularity • 38% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
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Johann Sebastian Bach
Suite in E Major, BWV 1006a: VI. Gigue
90 bpm • C# min • 02:25 • -22.95db
14% Popularity • 26% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 82% Positiveness
14% Popularity • 26% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 82% Positiveness
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William Lawes
Pieces for 2 Lutes: III. Corant
90 bpm • A Maj • 01:46 • -31db
26% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
26% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Allegro 1 an...
90 bpm • B Maj • 08:15 • -21db
12% Popularity • 44% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
12% Popularity • 44% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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Robert de Visée
Suite for 2 Theorbos in E Minor: Prelude
90 bpm • F# Maj • 01:14 • -28.41db
15% Popularity • 35% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 43% Positiveness
15% Popularity • 35% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 43% Positiveness
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John Dowland
Coranto Were every thought an eye
90 bpm • F min • 01:44 • -29.77db
9% Popularity • 41% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 39% Positiveness
9% Popularity • 41% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 39% Positiveness
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William Byrd
Byrd: Te lucis a 4 (Second Verse)
79 bpm • G min • 01:21 • -24.61db
13% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
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Giovanni Paolo Foscarini
Corrente
90 bpm • C# min • 01:22 • -32.84db
26% Popularity • 52% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 42% Positiveness
26% Popularity • 52% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 42% Positiveness
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Stephen Stubbs
Recercar
90 bpm • A# Maj • 01:13 • -34db
25% Popularity • 37% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
25% Popularity • 37% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
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Silvius Leopold Weiss
Sonata No. 7 in C Minor: I. Allemande
78 bpm • A# min • 05:04 • -33.67db
8% Popularity • 37% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
8% Popularity • 37% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Francesco Corbetta
Preludium in E Minor
90 bpm • D# min • 01:04 • -37db
14% Popularity • 35% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 55% Positiveness
14% Popularity • 35% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 55% Positiveness
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John Dowland
La mia Barbara
79 bpm • E Maj • 05:30 • -19.82db
8% Popularity • 37% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 63% Positiveness
8% Popularity • 37% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 63% Positiveness
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William Byrd
Byrd: Miserere a 4
90 bpm • A# Maj • 01:33 • -25.78db
15% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
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Michael Praetorius
Terpsichore*: a. Ballet des Baccanales b...
90 bpm • C Maj • 03:20 • -18.06db
18% Popularity • 42% Danceability • 24% Energy • 11% Liveness
63% Instrumentalness • 54% Positiveness
18% Popularity • 42% Danceability • 24% Energy • 11% Liveness
63% Instrumentalness • 54% Positiveness
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Wojciech Długoraj
Fantasia
78 bpm • C# min • 03:11 • -29.85db
1% Popularity • 32% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 29% Positiveness
1% Popularity • 32% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 29% Positiveness
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Richard Farrant
O Jove, from stately throne
78 bpm • C# min • 02:14 • -22.6db
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Heringman
Gintzler : Pater noster
78 bpm • D min • 07:03 • -28.96db
11% Popularity • 36% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 31% Positiveness
11% Popularity • 36% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 31% Positiveness