Songs like unforgettable by audrey
Based on a tempo of (+/- 10%) and a similar genre
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Ariza
Taking up Space
146 bpm • E Maj • 03:12 • -10.68db
28% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Yana
Like It
146 bpm • C Maj • 02:44 • -13.44db
21% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Delanie Leclerc
call it healing
147 bpm • A# Maj • 02:38 • -13.63db
24% Popularity • 59% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 59% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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audrey
unforgettable
146 bpm • D# min • 02:31 • -12.19db
11% Popularity • 74% Danceability • 41% Energy • 11% Liveness
5% Instrumentalness • 65% Positiveness
11% Popularity • 74% Danceability • 41% Energy • 11% Liveness
5% Instrumentalness • 65% Positiveness
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WYLDE
you made me like this
145 bpm • A# Maj • 02:38 • -8.16db
16% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sabrina Sterling
Get A Grip
147 bpm • B min • 03:18 • -8.17db
28% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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MIXIE
unsteady
145 bpm • C Maj • 02:19 • -8.18db
8% Popularity • 66% Danceability • 53% Energy • 61% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 66% Danceability • 53% Energy • 61% Liveness
0% Instrumentalness • 37% Positiveness
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Alex Porat
Kiss Face
148 bpm • G Maj • 02:35 • -6.44db
28% Popularity • 73% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 73% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Zillicy
Happy Kinda Mad
148 bpm • F Maj • 02:40 • -5.48db
0% Popularity • 76% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 76% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Olive Louise
The Loveliest
148 bpm • G Maj • 02:30 • -7.27db
10% Popularity • 58% Danceability • 44% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 58% Danceability • 44% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
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nicole han
people grow apart, people let me down
144 bpm • A# Maj • 03:09 • -8.1db
14% Popularity • 48% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 48% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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FIG
Bing Bong Love Song
148 bpm • C Maj • 02:18 • -7.34db
29% Popularity • 78% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 78% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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KAIRO
Daydreams
148 bpm • A Maj • 03:09 • -10.27db
23% Popularity • 71% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 71% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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earth2zoe
Count on Me
144 bpm • B Maj • 03:03 • -6.62db
10% Popularity • 68% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 68% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Miranda del Sol
how's this?
144 bpm • E Maj • 02:47 • -7.26db
11% Popularity • 56% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 56% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Austin Blue
Dinner Date
148 bpm • B Maj • 02:53 • -11.98db
15% Popularity • 51% Danceability • 38% Energy • 82% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 51% Danceability • 38% Energy • 82% Liveness
0% Instrumentalness • 21% Positiveness
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Sophie Holohan
Real Person
144 bpm • A# min • 02:32 • -8.14db
22% Popularity • 67% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 67% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Olivia Knox
Flying
148 bpm • D Maj • 03:18 • -6.93db
18% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Tess Clare
Leaving You (is Harder Than Being Apart)
144 bpm • A# Maj • 02:11 • -10.49db
8% Popularity • 63% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 63% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Lily Williams
What If I Still Miss You?
148 bpm • F Maj • 03:20 • -8.46db
25% Popularity • 55% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 55% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Skyler Cocco
Passenger Side
148 bpm • F min • 03:38 • -5.71db
13% Popularity • 62% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 62% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Stephen Dawes
Lose My Mind
144 bpm • G Maj • 02:26 • -7.41db
39% Popularity • 61% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 61% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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jocelvn
​ride on ​by
144 bpm • D Maj • 02:30 • -9.32db
11% Popularity • 61% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 61% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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earth2zoe
ok bye
144 bpm • B min • 03:00 • -10.32db
12% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Zillicy
Falling
148 bpm • C Maj • 03:08 • -10.03db
0% Popularity • 30% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 30% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Amelia Moore
love me or leave me alone
143 bpm • A Maj • 03:14 • -5db
35% Popularity • 64% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 64% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Emeryld
Bloodline
143 bpm • C Maj • 03:31 • -4.34db
9% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Authentic Vibes Records
Whispers we Wasted
143 bpm • C Maj • 02:00 • -17.23db
12% Popularity • 82% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 82% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Zoe Ko
Til U
143 bpm • C# Maj • 03:36 • -7.32db
18% Popularity • 63% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 63% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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YDE
Old Her
143 bpm • C Maj • 03:01 • -8.62db
34% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Emily Vaughn
grown ups
143 bpm • A Maj • 02:39 • -15.4db
37% Popularity • 77% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 77% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
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Hannah Felisa
Stone Love
150 bpm • C# Maj • 03:17 • -8.67db
11% Popularity • 58% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 58% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Tayler Buono
Mirror In My Living Room
150 bpm • F Maj • 03:00 • -8.32db
11% Popularity • 60% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 60% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Emilee
Hilda's House
150 bpm • C# Maj • 02:44 • -16.96db
18% Popularity • 32% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
18% Popularity • 32% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Taylor Swift
The Smallest Man Who Ever Lived
142 bpm • A# Maj • 04:05 • -9db
80% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
80% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Hunter Daily
Age Of Depression
150 bpm • G Maj • 02:52 • -9.86db
16% Popularity • 48% Danceability • 37% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 48% Danceability • 37% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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sundial
grass is greener
150 bpm • C Maj • 03:19 • -8.51db
40% Popularity • 62% Danceability • 63% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 62% Danceability • 63% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
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Cloe Wilder
One Step Closer
150 bpm • E Maj • 03:39 • -10.59db
11% Popularity • 56% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
11% Popularity • 56% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Meg Smith
All the Things You'd Ruin (Sad Girl Vers...
142 bpm • C# Maj • 02:59 • -11.08db
31% Popularity • 63% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 63% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jaime Deraz
Sadie
142 bpm • G Maj • 02:18 • -5.05db
14% Popularity • 81% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 81% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Taylor Swift
Florida!!!
150 bpm • C Maj • 03:35 • -7.1db
83% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
83% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Anna Sofia
Surround Me
150 bpm • C min • 03:37 • -7.43db
28% Popularity • 29% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
28% Popularity • 29% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Stefani Kimber
Waste My Time
142 bpm • A Maj • 03:13 • -6.9db
10% Popularity • 61% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 61% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Eleanor Kingston
Lingers On
142 bpm • C Maj • 03:40 • -4.08db
9% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Liv Romano
introvert
142 bpm • A Maj • 01:51 • -8.99db
39% Popularity • 91% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 91% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Sophia Alexa
World's Heaviest Shoes
150 bpm • B Maj • 02:36 • -8.49db
8% Popularity • 48% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 48% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Jeffrey Eli
LADYBUG
150 bpm • G Maj • 02:50 • -9.53db
25% Popularity • 61% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 61% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Sophie Holohan
Your New Girlfriend
150 bpm • F# Maj • 03:56 • -10db
20% Popularity • 45% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
20% Popularity • 45% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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ZADA
Be Somebody Else
142 bpm • C min • 03:39 • -9.27db
14% Popularity • 60% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 60% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Hugo Basclain
Gimme That
151 bpm • C Maj • 03:12 • -8.81db
11% Popularity • 44% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 44% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Hunter Daily
Before It Falls Apart
151 bpm • B Maj • 02:53 • -9.02db
16% Popularity • 38% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 38% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Grady
Heart Attack
151 bpm • D# Maj • 02:54 • -9.76db
22% Popularity • 67% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 67% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Ash Leone
Off The Drugs - acoustic
141 bpm • G# min • 02:49 • -6.27db
19% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Meg Smith
Cautiously Optimistic
152 bpm • D# Maj • 02:25 • -15.09db
17% Popularity • 50% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
17% Popularity • 50% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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GUS
cloudbathing
152 bpm • B Maj • 03:02 • -5.83db
13% Popularity • 57% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 57% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Amelia Moore
moves
140 bpm • G# Maj • 02:47 • -3.44db
40% Popularity • 78% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 78% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Paige Boyd
One Day
140 bpm • F# Maj • 01:22 • -9.52db
10% Popularity • 80% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 80% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Adeline Hill
Does She Know
140 bpm • E Maj • 03:33 • -7.22db
18% Popularity • 52% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 52% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Julia Shuren
Missing You Feels Right
140 bpm • D Maj • 03:15 • -4.99db
30% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Melanie Pfirrman
It's Not Gonna Kill You
140 bpm • G# Maj • 02:45 • -5.4db
16% Popularity • 60% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 60% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Tianda
Magic
140 bpm • G# Maj • 02:31 • -7.1db
17% Popularity • 69% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 69% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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lilianne
Drunk Text
140 bpm • D# Maj • 03:39 • -7.16db
18% Popularity • 47% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 47% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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dee holt
Stuck in the Middle
153 bpm • C# Maj • 02:21 • -8.26db
27% Popularity • 75% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 75% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Alle The Dreamer
Lonely Hallucinations
153 bpm • F Maj • 03:14 • -9.35db
21% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Amelia Moore
teaching a robot to love
139 bpm • A min • 02:55 • -7.19db
29% Popularity • 38% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 38% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Zillicy
Why Say Sorry
139 bpm • C# Maj • 03:25 • -8.95db
0% Popularity • 39% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 39% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Madeline
Relief
153 bpm • C# min • 02:59 • -8.85db
12% Popularity • 64% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 64% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Lilly Ahlberg
Incomplete
154 bpm • C Maj • 02:28 • -9.14db
12% Popularity • 61% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 61% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Aimee Vant
Airbnb
154 bpm • C# Maj • 03:16 • -5.75db
20% Popularity • 63% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 63% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Riley Biederer
mg
154 bpm • G Maj • 02:43 • -8.76db
13% Popularity • 69% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 69% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Eila
New Life
138 bpm • E Maj • 03:06 • -6.96db
9% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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ChrisLee
Twisted Head
138 bpm • C# Maj • 02:33 • -9.06db
8% Popularity • 77% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 77% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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judith
xoxo
138 bpm • G# Maj • 02:08 • -9.96db
14% Popularity • 83% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 83% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Paravi
Golden Child
138 bpm • C# Maj • 02:52 • -8.96db
20% Popularity • 73% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 73% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Aimee Vant
Trash
154 bpm • G Maj • 03:07 • -9.7db
15% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Jayde
was it worth it
138 bpm • B Maj • 02:49 • -6.83db
10% Popularity • 70% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 70% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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sad alex
buying a sandwhich
138 bpm • B Maj • 02:57 • -11.4db
18% Popularity • 70% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 70% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Ber
Halfway
155 bpm • C Maj • 03:02 • -12db
23% Popularity • 58% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 58% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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noelle
Mars
155 bpm • G Maj • 02:43 • -4.52db
20% Popularity • 38% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 38% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Savannah Sgro
Never Get Married
155 bpm • G Maj • 02:38 • -8.7db
19% Popularity • 57% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 57% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
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dempsey hope
will i ever feel okay?
155 bpm • F Maj • 02:18 • -8.65db
9% Popularity • 56% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 56% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Haley Joelle
Magical Thinking
137 bpm • F Maj • 02:53 • -11.8db
30% Popularity • 52% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 52% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Avery Lynch
Sleepover
137 bpm • C Maj • 02:27 • -8.98db
29% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Maddy Hicks
I Don’t Need To
137 bpm • C Maj • 03:04 • -6.76db
14% Popularity • 73% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 73% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Houston
Comfortable
137 bpm • A Maj • 03:31 • -9.26db
13% Popularity • 88% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 40% Positiveness
13% Popularity • 88% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 40% Positiveness
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Kira Kosarin
busy
137 bpm • A Maj • 03:03 • -11.47db
21% Popularity • 77% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 77% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Annie Omalley
preshure
137 bpm • C# Maj • 03:34 • -6.93db
24% Popularity • 65% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 65% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Sarah Kang
epilogue
156 bpm • A Maj • 03:59 • -9.67db
27% Popularity • 52% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
27% Popularity • 52% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
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Loren Aronov
uncool
156 bpm • G# Maj • 02:45 • -6.33db
7% Popularity • 64% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 64% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Mallory Merk
Isolate Myself
156 bpm • E Maj • 03:05 • -5.21db
13% Popularity • 56% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 56% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Natalie Carr
Blood Bind
156 bpm • D Maj • 02:49 • -7db
13% Popularity • 74% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 74% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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haer
maybe this is you
136 bpm • G# Maj • 02:35 • -8.13db
19% Popularity • 80% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 80% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Reece
Be Happy
136 bpm • F Maj • 03:24 • -12.28db
2% Popularity • 62% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
2% Popularity • 62% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Layton Mechaley
Love For The Summer
156 bpm • G Maj • 03:24 • -9.96db
7% Popularity • 51% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 51% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Haley Joelle
Hope You're Well
136 bpm • G Maj • 03:28 • -12db
32% Popularity • 40% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 40% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Samica
Summer of '99
136 bpm • C# min • 02:50 • -8.56db
10% Popularity • 38% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 38% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Tayler Buono
I'm Good
136 bpm • G Maj • 03:20 • -7.3db
15% Popularity • 68% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 68% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Kid Travis
Company - Sped Up
157 bpm • A Maj • 01:54 • -6.65db
12% Popularity • 79% Danceability • 54% Energy • 9% Liveness
19% Instrumentalness • 93% Positiveness
12% Popularity • 79% Danceability • 54% Energy • 9% Liveness
19% Instrumentalness • 93% Positiveness
