Songs like Unrest by Françoise Hardyte
Based on a tempo of (+/- 10%) and a similar genre
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This Will Destroy You
They Move on Tracks of Never-Ending Ligh...
120 bpm • F# Maj • 06:56 • -19.37db
46% Popularity • 64% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
46% Popularity • 64% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Tony Allysson
Soberano - Instrumental
120 bpm • C Maj • 10:14 • -16db
16% Popularity • 56% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 56% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Cypress West
Vasudha
120 bpm • C# Maj • 02:47 • -18.57db
42% Popularity • 70% Danceability • 22% Energy • 10% Liveness
77% Instrumentalness • 9% Positiveness
42% Popularity • 70% Danceability • 22% Energy • 10% Liveness
77% Instrumentalness • 9% Positiveness
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The Processing Mind
The Endless Journal
120 bpm • G Maj • 02:44 • -18.67db
7% Popularity • 67% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
7% Popularity • 67% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Social Democrat
Bernie Sanders
120 bpm • E min • 01:05 • -18.67db
7% Popularity • 50% Danceability • 51% Energy • 11% Liveness
98% Instrumentalness • 94% Positiveness
7% Popularity • 50% Danceability • 51% Energy • 11% Liveness
98% Instrumentalness • 94% Positiveness
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Gavia
Velalia
120 bpm • D Maj • 03:44 • -18.58db
10% Popularity • 50% Danceability • 15% Energy • 10% Liveness
52% Instrumentalness • 5% Positiveness
10% Popularity • 50% Danceability • 15% Energy • 10% Liveness
52% Instrumentalness • 5% Positiveness
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Sebastian Plano
Dense & Density
120 bpm • G# min • 09:29 • -19.9db
12% Popularity • 68% Danceability • 22% Energy • 32% Liveness
88% Instrumentalness • 11% Positiveness
12% Popularity • 68% Danceability • 22% Energy • 32% Liveness
88% Instrumentalness • 11% Positiveness
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1PILOT
Streets of La
120 bpm • C Maj • 01:50 • -19.48db
10% Popularity • 63% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
10% Popularity • 63% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
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INST
Deep Recess
120 bpm • D min • 02:06 • -13.01db
40% Popularity • 63% Danceability • 35% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
40% Popularity • 63% Danceability • 35% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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múm
0,000Orð
120 bpm • C Maj • 04:51 • -11.52db
16% Popularity • 45% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
16% Popularity • 45% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Pretty Patterns
Ataraxia - Instrumental
120 bpm • F Maj • 02:24 • -14.87db
23% Popularity • 41% Danceability • 34% Energy • 12% Liveness
46% Instrumentalness • 23% Positiveness
23% Popularity • 41% Danceability • 34% Energy • 12% Liveness
46% Instrumentalness • 23% Positiveness
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Kuzdtfw
Karas
120 bpm • G Maj • 01:00 • -21.34db
20% Popularity • 73% Danceability • 35% Energy • 16% Liveness
87% Instrumentalness • 67% Positiveness
20% Popularity • 73% Danceability • 35% Energy • 16% Liveness
87% Instrumentalness • 67% Positiveness
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Various Artists
Who Gonna Talk First
120 bpm • B min • 02:14 • -18.39db
13% Popularity • 61% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
13% Popularity • 61% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Beyond Dark Picture
Endless Light
120 bpm • A min • 01:52 • -21.1db
11% Popularity • 80% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
11% Popularity • 80% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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Ludovico Einaudi
Mercury Sands
120 bpm • F# Maj • 04:24 • -18.91db
24% Popularity • 58% Danceability • 47% Energy • 11% Liveness
96% Instrumentalness • 58% Positiveness
24% Popularity • 58% Danceability • 47% Energy • 11% Liveness
96% Instrumentalness • 58% Positiveness
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Julia Kent
Floating City
120 bpm • F Maj • 03:37 • -13.3db
9% Popularity • 47% Danceability • 38% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
9% Popularity • 47% Danceability • 38% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
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三好史
べんきょうぎらいのあおちゃ�...
120 bpm • A Maj • 07:11 • -15.54db
11% Popularity • 87% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
11% Popularity • 87% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
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Landhouse
Tzijonik
120 bpm • G Maj • 04:50 • -11.91db
8% Popularity • 71% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
8% Popularity • 71% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
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Ren Ran
开始 - Intro
120 bpm • C Maj • 01:06 • -16.08db
14% Popularity • 46% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 46% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Sabina
Permutacion
120 bpm • A Maj • 01:49 • -24.62db
24% Popularity • 68% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
24% Popularity • 68% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
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Adrien de la Salle
Natsu
120 bpm • F# Maj • 03:58 • -22.48db
22% Popularity • 50% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 14% Positiveness
22% Popularity • 50% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 14% Positiveness
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aristomenes the turtle
control
120 bpm • C Maj • 01:06 • -27.01db
25% Popularity • 68% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
25% Popularity • 68% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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GleeGroove
Electric Lights
120 bpm • C# Maj • 01:17 • -26.44db
19% Popularity • 83% Danceability • 33% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
19% Popularity • 83% Danceability • 33% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
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The Hand Pan Man
Philosophical
120 bpm • A min • 02:15 • -11.12db
10% Popularity • 54% Danceability • 41% Energy • 15% Liveness
87% Instrumentalness • 44% Positiveness
10% Popularity • 54% Danceability • 41% Energy • 15% Liveness
87% Instrumentalness • 44% Positiveness
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Beyond Dark Picture
A Silent Moment
120 bpm • E min • 02:16 • -22.05db
9% Popularity • 78% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 40% Positiveness
9% Popularity • 78% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 40% Positiveness
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Lullapop
Last Night
120 bpm • E min • 03:10 • -13.49db
14% Popularity • 68% Danceability • 26% Energy • 10% Liveness
10% Instrumentalness • 17% Positiveness
14% Popularity • 68% Danceability • 26% Energy • 10% Liveness
10% Instrumentalness • 17% Positiveness
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Hideki Taniuchi
This world Ⅱ
120 bpm • A# Maj • 01:42 • -14.42db
10% Popularity • 41% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 41% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Aurelius Romanus
Cosmic Cradle
120 bpm • E min • 01:10 • -20.92db
13% Popularity • 53% Danceability • 16% Energy • 37% Liveness
69% Instrumentalness • 8% Positiveness
13% Popularity • 53% Danceability • 16% Energy • 37% Liveness
69% Instrumentalness • 8% Positiveness
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aristomenes the turtle
off
120 bpm • C Maj • 01:06 • -25.74db
26% Popularity • 74% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 46% Positiveness
26% Popularity • 74% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 46% Positiveness
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Michael Brook
Pouter
120 bpm • C# min • 02:10 • -22.13db
19% Popularity • 41% Danceability • 19% Energy • 17% Liveness
50% Instrumentalness • 17% Positiveness
19% Popularity • 41% Danceability • 19% Energy • 17% Liveness
50% Instrumentalness • 17% Positiveness
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Beyond Dark Picture
Black Hole
120 bpm • C Maj • 01:36 • -22.37db
16% Popularity • 77% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
16% Popularity • 77% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
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Buvuvy
Cuerda
120 bpm • C Maj • 02:46 • -29.38db
26% Popularity • 60% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 60% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Anže Rozman
Adalatherium
120 bpm • C Maj • 06:59 • -19.55db
12% Popularity • 25% Danceability • 20% Energy • 34% Liveness
84% Instrumentalness • 6% Positiveness
12% Popularity • 25% Danceability • 20% Energy • 34% Liveness
84% Instrumentalness • 6% Positiveness
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Deep Dive Corp.
Echo
120 bpm • E Maj • 02:27 • -15.19db
22% Popularity • 62% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
22% Popularity • 62% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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naomi paris tokyo
INT
120 bpm • A min • 01:51 • -26.37db
16% Popularity • 50% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 50% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Ros Gilman
The Road Ahead
120 bpm • E min • 03:00 • -22.33db
7% Popularity • 40% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
7% Popularity • 40% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Ridiculon
The Forgotten (Secret Room)
120 bpm • D Maj • 01:46 • -20.11db
19% Popularity • 63% Danceability • 33% Energy • 11% Liveness
22% Instrumentalness • 13% Positiveness
19% Popularity • 63% Danceability • 33% Energy • 11% Liveness
22% Instrumentalness • 13% Positiveness
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David Housden
United We Stand
120 bpm • C Maj • 01:23 • -9.45db
23% Popularity • 59% Danceability • 38% Energy • 7% Liveness
31% Instrumentalness • 12% Positiveness
23% Popularity • 59% Danceability • 38% Energy • 7% Liveness
31% Instrumentalness • 12% Positiveness
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Sarah O' Donnell
Early Bird
120 bpm • F min • 03:58 • -21.06db
12% Popularity • 23% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
12% Popularity • 23% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Christoph Bauschinger
Hallmarks
120 bpm • F Maj • 02:19 • -20.11db
10% Popularity • 76% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
10% Popularity • 76% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Valor Beats
Breakthrough
120 bpm • E min • 01:54 • -16.61db
8% Popularity • 39% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
8% Popularity • 39% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
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Nessy
Infinity
120 bpm • C Maj • 01:36 • -29.03db
19% Popularity • 46% Danceability • 4% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
19% Popularity • 46% Danceability • 4% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
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Ben Prunty
Engi (Explore)
119 bpm • B min • 02:47 • -23.59db
34% Popularity • 18% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Lunariaproject
Into the Crystal Snow
119 bpm • G# min • 02:48 • -18.72db
7% Popularity • 38% Danceability • 43% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
7% Popularity • 38% Danceability • 43% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
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Dillon Terry
Sea of Souls
121 bpm • C Maj • 02:52 • -20.99db
17% Popularity • 36% Danceability • 13% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 36% Danceability • 13% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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MIK's Reaction
Midnight On The Island
119 bpm • G Maj • 05:32 • -25.33db
8% Popularity • 48% Danceability • 16% Energy • 7% Liveness
60% Instrumentalness • 24% Positiveness
8% Popularity • 48% Danceability • 16% Energy • 7% Liveness
60% Instrumentalness • 24% Positiveness
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ICO
Eleven
119 bpm • A min • 01:00 • -19.24db
20% Popularity • 62% Danceability • 33% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
20% Popularity • 62% Danceability • 33% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
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Federico Albanese
Queen and Wonder
118 bpm • G min • 04:39 • -20.46db
16% Popularity • 72% Danceability • 51% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
16% Popularity • 72% Danceability • 51% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Nicholas Britell
Discovery
118 bpm • G# min • 01:21 • -15.67db
31% Popularity • 48% Danceability • 21% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 48% Danceability • 21% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Miriam Magnet
III - III
118 bpm • E min • 02:56 • -20.17db
13% Popularity • 60% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
13% Popularity • 60% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Salt Of The Sound
Where Do I Begin? - Instrumental
122 bpm • D# Maj • 01:50 • -17.33db
17% Popularity • 33% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
17% Popularity • 33% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Chris Remo
Thorofare Hike
122 bpm • C min • 02:35 • -26.48db
48% Popularity • 41% Danceability • 10% Energy • 11% Liveness
80% Instrumentalness • 14% Positiveness
48% Popularity • 41% Danceability • 10% Energy • 11% Liveness
80% Instrumentalness • 14% Positiveness
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late night drive home
Worms Eat My Brain For Breakfast
118 bpm • E min • 02:24 • -15.04db
33% Popularity • 46% Danceability • 7% Energy • 11% Liveness
37% Instrumentalness • 20% Positiveness
33% Popularity • 46% Danceability • 7% Energy • 11% Liveness
37% Instrumentalness • 20% Positiveness
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Kensuke Ushio
Look For Something
123 bpm • D Maj • 02:51 • -19.2db
17% Popularity • 39% Danceability • 11% Energy • 14% Liveness
96% Instrumentalness • 7% Positiveness
17% Popularity • 39% Danceability • 11% Energy • 14% Liveness
96% Instrumentalness • 7% Positiveness
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Jasha Klebe
City Elephants
117 bpm • C# Maj • 07:12 • -21.9db
9% Popularity • 24% Danceability • 16% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 16% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Hiatus
Turbine
123 bpm • C Maj • 03:25 • -15.25db
39% Popularity • 74% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
39% Popularity • 74% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Omzo Dollar
Lionnel Fatt Interlude
124 bpm • A min • 01:06 • -27.14db
20% Popularity • 47% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
20% Popularity • 47% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Julio Guzman
Serenata de la Galaxia
116 bpm • F Maj • 01:06 • -25.59db
10% Popularity • 20% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Geronimo Lamas
Aurora
116 bpm • A Maj • 02:12 • -15.05db
21% Popularity • 48% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 48% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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El Ten Eleven
Bye Mom
124 bpm • C Maj • 01:29 • -19.16db
33% Popularity • 57% Danceability • 31% Energy • 10% Liveness
97% Instrumentalness • 70% Positiveness
33% Popularity • 57% Danceability • 31% Energy • 10% Liveness
97% Instrumentalness • 70% Positiveness
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C418
Flake
124 bpm • C min • 02:50 • -20.89db
54% Popularity • 63% Danceability • 16% Energy • 7% Liveness
66% Instrumentalness • 3% Positiveness
54% Popularity • 63% Danceability • 16% Energy • 7% Liveness
66% Instrumentalness • 3% Positiveness
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Marina Baranova
February - Becoming Transparent
116 bpm • F# Maj • 04:13 • -19.94db
10% Popularity • 56% Danceability • 18% Energy • 22% Liveness
73% Instrumentalness • 3% Positiveness
10% Popularity • 56% Danceability • 18% Energy • 22% Liveness
73% Instrumentalness • 3% Positiveness
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Damjan Mravunac
Lost Labs
116 bpm • E min • 04:24 • -11.79db
16% Popularity • 32% Danceability • 49% Energy • 14% Liveness
68% Instrumentalness • 6% Positiveness
16% Popularity • 32% Danceability • 49% Energy • 14% Liveness
68% Instrumentalness • 6% Positiveness
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Walter Mazzaccaro
Appesi ad un filo
116 bpm • F Maj • 03:27 • -15.82db
38% Popularity • 42% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
38% Popularity • 42% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Apparat
Interlude - Mixed
125 bpm • C Maj • 01:24 • -9.36db
27% Popularity • 37% Danceability • 55% Energy • 22% Liveness
88% Instrumentalness • 9% Positiveness
27% Popularity • 37% Danceability • 55% Energy • 22% Liveness
88% Instrumentalness • 9% Positiveness
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神保 伸太郎
SUNSET
125 bpm • C Maj • 03:38 • -13.59db
29% Popularity • 25% Danceability • 21% Energy • 14% Liveness
28% Instrumentalness • 4% Positiveness
29% Popularity • 25% Danceability • 21% Energy • 14% Liveness
28% Instrumentalness • 4% Positiveness
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CARSEY BEATS
Celestial Drum Circle
125 bpm • A# min • 01:22 • -20.92db
19% Popularity • 57% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
19% Popularity • 57% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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Geno Samuel
CWC's Theme
125 bpm • C min • 02:12 • -13.95db
12% Popularity • 76% Danceability • 30% Energy • 16% Liveness
98% Instrumentalness • 14% Positiveness
12% Popularity • 76% Danceability • 30% Energy • 16% Liveness
98% Instrumentalness • 14% Positiveness
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Poptrait
Marta
125 bpm • B min • 02:13 • -16.06db
12% Popularity • 64% Danceability • 48% Energy • 15% Liveness
95% Instrumentalness • 76% Positiveness
12% Popularity • 64% Danceability • 48% Energy • 15% Liveness
95% Instrumentalness • 76% Positiveness
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Ben Prunty
Mantis (Explore)
125 bpm • G min • 03:02 • -25db
35% Popularity • 50% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
35% Popularity • 50% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
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Purpful Music
Sublime Starlight Sonata
115 bpm • C# min • 01:46 • -29.77db
12% Popularity • 72% Danceability • 18% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
12% Popularity • 72% Danceability • 18% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
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Poppy Ackroyd
Grounds
115 bpm • A min • 04:44 • -19.08db
9% Popularity • 65% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
9% Popularity • 65% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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CARSEY BEATS
Night of Flames
125 bpm • G Maj • 01:18 • -20.33db
19% Popularity • 66% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 63% Positiveness
19% Popularity • 66% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 63% Positiveness
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Ten Walls
C
115 bpm • F min • 02:08 • -18.94db
7% Popularity • 76% Danceability • 21% Energy • 15% Liveness
83% Instrumentalness • 12% Positiveness
7% Popularity • 76% Danceability • 21% Energy • 15% Liveness
83% Instrumentalness • 12% Positiveness
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Chuck Salamone
Awakening
115 bpm • B Maj • 01:25 • -20.04db
15% Popularity • 40% Danceability • 14% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
15% Popularity • 40% Danceability • 14% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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scntfc
Beacon Bay
115 bpm • C Maj • 03:48 • -17.02db
13% Popularity • 62% Danceability • 23% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
13% Popularity • 62% Danceability • 23% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Purpful Music
Harbor of Harmonies
115 bpm • A Maj • 01:38 • -33.08db
13% Popularity • 57% Danceability • 12% Energy • 8% Liveness
94% Instrumentalness • 64% Positiveness
13% Popularity • 57% Danceability • 12% Energy • 8% Liveness
94% Instrumentalness • 64% Positiveness
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Dirk Maassen
Time
125 bpm • G# Maj • 03:30 • -18.76db
27% Popularity • 48% Danceability • 18% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
27% Popularity • 48% Danceability • 18% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
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ThemTunes
Plz, You're Not My Real Dad
115 bpm • G# min • 01:06 • -30.26db
15% Popularity • 35% Danceability • 9% Energy • 23% Liveness
97% Instrumentalness • 29% Positiveness
15% Popularity • 35% Danceability • 9% Energy • 23% Liveness
97% Instrumentalness • 29% Positiveness
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Chocolate Hills
Cracking Kraken
126 bpm • C min • 03:10 • -14.93db
25% Popularity • 66% Danceability • 47% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
25% Popularity • 66% Danceability • 47% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
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Comedy of Errors
Through The Veil
126 bpm • C Maj • 03:33 • -15.06db
8% Popularity • 24% Danceability • 30% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
8% Popularity • 24% Danceability • 30% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
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Dickon Hinchliffe
Very Urgent
114 bpm • F min • 01:27 • -18.75db
10% Popularity • 41% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 41% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Phil Manzanera
Ambiente
114 bpm • C Maj • 04:10 • -13.23db
7% Popularity • 48% Danceability • 41% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
7% Popularity • 48% Danceability • 41% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Seeking Balance
River Path
114 bpm • A Maj • 02:56 • -20.06db
33% Popularity • 31% Danceability • 38% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
33% Popularity • 31% Danceability • 38% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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369
Clockmaker's Daydream
127 bpm • F min • 03:42 • -19db
14% Popularity • 30% Danceability • 28% Energy • 9% Liveness
77% Instrumentalness • 22% Positiveness
14% Popularity • 30% Danceability • 28% Energy • 9% Liveness
77% Instrumentalness • 22% Positiveness
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Chapelier Fou
Polish Lullaby
128 bpm • F min • 02:49 • -16.28db
22% Popularity • 39% Danceability • 10% Energy • 20% Liveness
98% Instrumentalness • 23% Positiveness
22% Popularity • 39% Danceability • 10% Energy • 20% Liveness
98% Instrumentalness • 23% Positiveness
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The Healing Factory
Throat Chakra (The Guru Edit)
128 bpm • E Maj • 01:33 • -16.11db
24% Popularity • 55% Danceability • 15% Energy • 9% Liveness
77% Instrumentalness • 5% Positiveness
24% Popularity • 55% Danceability • 15% Energy • 9% Liveness
77% Instrumentalness • 5% Positiveness
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KOHTA YAMAMOTO
No pain…
128 bpm • C Maj • 03:23 • -13.35db
7% Popularity • 52% Danceability • 38% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
7% Popularity • 52% Danceability • 38% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Momentum In Time
I Come For You
112 bpm • A min • 02:00 • -29db
9% Popularity • 58% Danceability • 13% Energy • 11% Liveness
78% Instrumentalness • 19% Positiveness
9% Popularity • 58% Danceability • 13% Energy • 11% Liveness
78% Instrumentalness • 19% Positiveness
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Ben Prunty
The Alchemist, Pt. 2
128 bpm • A min • 04:16 • -17.23db
7% Popularity • 56% Danceability • 27% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
7% Popularity • 56% Danceability • 27% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Vanguard Sound
碧蔷红薇 - 游戏《深空之眼》�...
112 bpm • A min • 02:55 • -14db
17% Popularity • 31% Danceability • 44% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
17% Popularity • 31% Danceability • 44% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
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Berlinist
Ollie Falls Asleep
112 bpm • D Maj • 05:06 • -15.97db
13% Popularity • 55% Danceability • 27% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
13% Popularity • 55% Danceability • 27% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Alan Tew
Drama Backcloth (2)
112 bpm • C Maj • 01:01 • -35.57db
24% Popularity • 56% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 22% Positiveness
24% Popularity • 56% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 22% Positiveness
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Eterna
Industry Night
129 bpm • G Maj • 02:34 • -20.09db
22% Popularity • 33% Danceability • 26% Energy • 6% Liveness
69% Instrumentalness • 5% Positiveness
22% Popularity • 33% Danceability • 26% Energy • 6% Liveness
69% Instrumentalness • 5% Positiveness
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Thomas Newman
The Ripples Must Be Endless (End Title)
129 bpm • C Maj • 03:14 • -13.8db
21% Popularity • 47% Danceability • 31% Energy • 10% Liveness
42% Instrumentalness • 9% Positiveness
21% Popularity • 47% Danceability • 31% Energy • 10% Liveness
42% Instrumentalness • 9% Positiveness
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Susan Bayle
Cucciolata
111 bpm • E min • 01:20 • -20.12db
10% Popularity • 28% Danceability • 21% Energy • 20% Liveness
95% Instrumentalness • 17% Positiveness
10% Popularity • 28% Danceability • 21% Energy • 20% Liveness
95% Instrumentalness • 17% Positiveness
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Gonubie
Cuvier's
111 bpm • F min • 02:56 • -25.72db
30% Popularity • 57% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
30% Popularity • 57% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
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Lunatic Soul
Impression VI
130 bpm • E min • 07:35 • -11.98db
12% Popularity • 61% Danceability • 46% Energy • 41% Liveness
76% Instrumentalness • 18% Positiveness
12% Popularity • 61% Danceability • 46% Energy • 41% Liveness
76% Instrumentalness • 18% Positiveness
