Songs like Until I Believe In My Soul by Dexys Midnight Runners
Based on a tempo of (+/- 10%) and a similar genre
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Dexys Midnight Runners
Until I Believe In My Soul
84 bpm • G Maj • 07:06 • -10.38db
20% Popularity • 48% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 48% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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ABC
Theme From "Mantrap"
82 bpm • E min • 04:19 • -8.27db
24% Popularity • 56% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 56% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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The Icicle Works
Reaping the Rich Harvest
87 bpm • D Maj • 04:07 • -12.87db
12% Popularity • 34% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 34% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Ian Dury
My Old Man
81 bpm • E Maj • 03:40 • -11.51db
28% Popularity • 78% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 78% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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The Style Council
Headstart For Happiness
81 bpm • A Maj • 03:20 • -5db
37% Popularity • 49% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 49% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Secret Affair
Time for Action
88 bpm • F Maj • 02:42 • -5db
31% Popularity • 44% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 44% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
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Dexys Midnight Runners
Until I Believe In My Soul
86 bpm • G Maj • 07:01 • -8.91db
12% Popularity • 47% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 47% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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ABC
United Kingdom
88 bpm • G Maj • 03:21 • -10.76db
8% Popularity • 50% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 50% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Ant
Here Comes The Grump
80 bpm • E Maj • 03:36 • -6db
22% Popularity • 56% Danceability • 85% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 56% Danceability • 85% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
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The Damned
Alone Again Or
89 bpm • D Maj • 03:28 • -11.04db
10% Popularity • 20% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
10% Popularity • 20% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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The Vapors
Waiting For The Weekend
79 bpm • D Maj • 03:07 • -6.3db
22% Popularity • 58% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 58% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Yachts
Yachting Type
79 bpm • A Maj • 02:48 • -7db
8% Popularity • 46% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 77% Positiveness
8% Popularity • 46% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 77% Positiveness
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Dexys Midnight Runners
Breaking Down the Walls of Heartache - J...
81 bpm • E Maj • 03:28 • -10.51db
8% Popularity • 53% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 53% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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China Crisis
King In A Catholic Style (Wake Up)
79 bpm • E Maj • 04:29 • -15.11db
36% Popularity • 73% Danceability • 65% Energy • 9% Liveness
53% Instrumentalness • 96% Positiveness
36% Popularity • 73% Danceability • 65% Energy • 9% Liveness
53% Instrumentalness • 96% Positiveness
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The Motors
Tenement Steps
89 bpm • F# min • 04:42 • -9.41db
9% Popularity • 34% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 34% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Motels
Love Don't Help
79 bpm • C Maj • 01:58 • -16.81db
16% Popularity • 72% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 72% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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The Beat
Doors of Your Heart - 2012 Remaster
79 bpm • G Maj • 03:47 • -10.33db
26% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Ian Dury
This Is What We Find
90 bpm • F Maj • 04:10 • -8.95db
20% Popularity • 69% Danceability • 68% Energy • 51% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 69% Danceability • 68% Energy • 51% Liveness
0% Instrumentalness • 89% Positiveness
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Dexys Midnight Runners
Reminisce - Pt. 1
88 bpm • C Maj • 05:47 • -11.13db
17% Popularity • 63% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 63% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
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The The
Out Of The Blue (Into The Fire)
78 bpm • F Maj • 05:07 • -8.31db
21% Popularity • 53% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 53% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Lindsey Buckingham
Shadow of the West
78 bpm • D Maj • 03:58 • -16.28db
13% Popularity • 58% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 58% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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The Vapors
Prisoners
90 bpm • D Maj • 02:55 • -6.76db
15% Popularity • 55% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 55% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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The Style Council
With Everything To Lose - Home & Abroad ...
90 bpm • F# min • 04:07 • -13.21db
10% Popularity • 51% Danceability • 80% Energy • 95% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 51% Danceability • 80% Energy • 95% Liveness
0% Instrumentalness • 66% Positiveness
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10cc
Brand New Day
78 bpm • A# Maj • 04:11 • -16.2db
23% Popularity • 42% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 42% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Dexys Midnight Runners
I Couldn't Help It If I Tried - 2000 Rem...
79 bpm • G Maj • 04:14 • -8.74db
18% Popularity • 30% Danceability • 45% Energy • 33% Liveness
6% Instrumentalness • 23% Positiveness
18% Popularity • 30% Danceability • 45% Energy • 33% Liveness
6% Instrumentalness • 23% Positiveness
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The Undertones
Girls That Don't Talk
77 bpm • A Maj • 02:26 • -9.71db
33% Popularity • 56% Danceability • 66% Energy • 11% Liveness
22% Instrumentalness • 85% Positiveness
33% Popularity • 56% Danceability • 66% Energy • 11% Liveness
22% Instrumentalness • 85% Positiveness
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Adam Ant
Christian D'or
77 bpm • B min • 04:15 • -11.14db
18% Popularity • 49% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 49% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Fun Boy Three
The Farmyard Connection
92 bpm • F# min • 02:47 • -11db
32% Popularity • 72% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 72% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Orange Juice
Mud in Your Eye
92 bpm • D Maj • 03:47 • -13db
21% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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The Kinks
Little Bit of Emotion
92 bpm • G Maj • 04:51 • -15.29db
20% Popularity • 74% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 74% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Dexys Midnight Runners
The Celtic Soul Brothers (More, Please, ...
92 bpm • D Maj • 03:13 • -7db
38% Popularity • 61% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 61% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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TOTO
Africa
93 bpm • A Maj • 04:55 • -18.06db
84% Popularity • 67% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
84% Popularity • 67% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Adam Ant
Friend Or Foe
92 bpm • A Maj • 03:23 • -3.4db
31% Popularity • 54% Danceability • 97% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 54% Danceability • 97% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
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The Dukes Of Stratosphear
You're A Good Man Albert Brown (Curse Yo...
92 bpm • F Maj • 03:38 • -5.71db
14% Popularity • 56% Danceability • 82% Energy • 93% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 56% Danceability • 82% Energy • 93% Liveness
0% Instrumentalness • 59% Positiveness
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10cc
The Dean And I
76 bpm • B min • 03:07 • -3.98db
28% Popularity • 51% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 51% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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The Teardrop Explodes
Bouncing Babies
93 bpm • D Maj • 02:27 • -7.48db
27% Popularity • 39% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 39% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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The Proclaimers
Sean
93 bpm • D Maj • 03:23 • -10.5db
30% Popularity • 63% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 63% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Aztec Camera
Down the Dip
94 bpm • A Maj • 02:21 • -14.89db
29% Popularity • 52% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 52% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Dexys Midnight Runners
All In All (This One Last Wild Waltz)
75 bpm • G Maj • 04:11 • -7.11db
25% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Adam & The Ants
Los Rancheros - Remastered
94 bpm • C min • 03:29 • -5.79db
26% Popularity • 65% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 65% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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10cc
The Hospital Song
94 bpm • C Maj • 02:45 • -6.72db
19% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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The Human League
I Am The Law - Remaster 2002
95 bpm • G Maj • 04:08 • -10.81db
29% Popularity • 38% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 38% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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New Musik
Dead Fish (Don't Swim Home)
74 bpm • G Maj • 05:24 • -13.4db
11% Popularity • 58% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 31% Positiveness
11% Popularity • 58% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 31% Positiveness
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Ian Dury
Fucking Ada
73 bpm • A Maj • 05:59 • -8.32db
23% Popularity • 20% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 20% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
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Dexys Midnight Runners
The Occasional Flicker
96 bpm • F Maj • 05:49 • -17.07db
16% Popularity • 51% Danceability • 44% Energy • 9% Liveness
3% Instrumentalness • 89% Positiveness
16% Popularity • 51% Danceability • 44% Energy • 9% Liveness
3% Instrumentalness • 89% Positiveness
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Adam & The Ants
Family Of Noise
96 bpm • E Maj • 02:36 • -6.85db
12% Popularity • 53% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 53% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Bill Nelson's Red Noise
Revolt into Style - 1999 Remaster
96 bpm • D Maj • 03:24 • -3.75db
9% Popularity • 47% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 47% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Bananarama
Hey Young London
97 bpm • F Maj • 03:55 • -7.33db
9% Popularity • 72% Danceability • 93% Energy • 49% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 72% Danceability • 93% Energy • 49% Liveness
0% Instrumentalness • 47% Positiveness
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Adam Ant
Montreal
97 bpm • C Maj • 04:22 • -6.83db
12% Popularity • 72% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 72% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 87% Positiveness
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The Kinks
Art Lover
98 bpm • F Maj • 03:22 • -15.19db
20% Popularity • 73% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 73% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Dexys Midnight Runners
Keep It - 2000 Remaster
98 bpm • A Maj • 04:00 • -9.19db
18% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Banned
Little Girl
98 bpm • B min • 02:21 • -6.01db
9% Popularity • 76% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 76% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Big Audio Dynamite
Bad
98 bpm • D Maj • 05:45 • -14.49db
26% Popularity • 76% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 76% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Thomas Dolby
Europa and the Pirate Twins
100 bpm • C Maj • 03:20 • -13.47db
32% Popularity • 56% Danceability • 66% Energy • 27% Liveness
4% Instrumentalness • 85% Positiveness
32% Popularity • 56% Danceability • 66% Energy • 27% Liveness
4% Instrumentalness • 85% Positiveness
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Ian Dury
Quiet
99 bpm • A Maj • 03:34 • -11.21db
18% Popularity • 73% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 73% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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The Bangles
The Real World
100 bpm • F# min • 02:33 • -4.76db
28% Popularity • 46% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 46% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Dexys Midnight Runners
One Of Those Things
100 bpm • G Maj • 05:57 • -15.04db
17% Popularity • 67% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
17% Popularity • 67% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
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Spandau Ballet
Musclebound - 2010 Remaster
101 bpm • E min • 05:08 • -7.94db
18% Popularity • 68% Danceability • 65% Energy • 14% Liveness
2% Instrumentalness • 87% Positiveness
18% Popularity • 68% Danceability • 65% Energy • 14% Liveness
2% Instrumentalness • 87% Positiveness
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Big Audio Dynamite
A Party
100 bpm • G Maj • 06:40 • -13.05db
21% Popularity • 83% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 83% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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BA Robertson
Knocked It Off
101 bpm • D Maj • 03:39 • -8db
17% Popularity • 75% Danceability • 76% Energy • 55% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 75% Danceability • 76% Energy • 55% Liveness
0% Instrumentalness • 94% Positiveness
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Iggy Pop
Shades
102 bpm • F Maj • 05:57 • -14.09db
28% Popularity • 60% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 37% Positiveness
28% Popularity • 60% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 37% Positiveness
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Aztec Camera
Back on Board
103 bpm • A Maj • 04:54 • -13.52db
17% Popularity • 62% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 62% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Adam & The Ants
Scorpios
103 bpm • G Maj • 02:46 • -10db
24% Popularity • 56% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 56% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Spandau Ballet
Musclebound - 7" Version; 2010 Remaster
101 bpm • E min • 04:00 • -7.65db
24% Popularity • 66% Danceability • 65% Energy • 18% Liveness
2% Instrumentalness • 90% Positiveness
24% Popularity • 66% Danceability • 65% Energy • 18% Liveness
2% Instrumentalness • 90% Positiveness
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The Style Council
The Cost Of Loving
104 bpm • B min • 04:19 • -8.62db
19% Popularity • 53% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 53% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Dexys Midnight Runners
Love, Pt. 1 (Poem) - 2000 Remaster
105 bpm • F Maj • 01:12 • -18.76db
15% Popularity • 53% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 53% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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The Kinks
Property
105 bpm • G Maj • 04:21 • -12.62db
17% Popularity • 76% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 61% Positiveness
17% Popularity • 76% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 61% Positiveness
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Aztec Camera
The Bugle Sounds Again
104 bpm • C Maj • 02:58 • -12.85db
23% Popularity • 40% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 40% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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The Monochrome Set
The Ruling Class
107 bpm • C Maj • 02:43 • -9.28db
10% Popularity • 53% Danceability • 83% Energy • 80% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 53% Danceability • 83% Energy • 80% Liveness
0% Instrumentalness • 80% Positiveness
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Graduate
Ever Met a Day
107 bpm • A# Maj • 03:27 • -8.57db
19% Popularity • 68% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 68% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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10cc
Blackmail
107 bpm • E min • 04:33 • -12db
35% Popularity • 45% Danceability • 79% Energy • 9% Liveness
2% Instrumentalness • 86% Positiveness
35% Popularity • 45% Danceability • 79% Energy • 9% Liveness
2% Instrumentalness • 86% Positiveness
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Dexys Midnight Runners
Come On Eileen - As It Should Have Sound...
107 bpm • D Maj • 04:44 • -5.64db
23% Popularity • 47% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 47% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Adam Ant
Crackpot History And The Right To Lie
108 bpm • C# Maj • 02:45 • -3.06db
20% Popularity • 68% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 68% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Aztec Camera
Orchid Girl
108 bpm • E min • 02:34 • -12.99db
16% Popularity • 55% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 55% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Orange Juice
Bridge
109 bpm • C Maj • 03:38 • -7.66db
13% Popularity • 53% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 53% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Brian Wilson
Love and Mercy - Remastered
109 bpm • A Maj • 02:54 • -7.78db
29% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Simple Minds
Chelsea Girl - Remastered 2002
109 bpm • A Maj • 04:34 • -9.27db
26% Popularity • 59% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 59% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Dexys Midnight Runners
Marguerita Time - 7" Mix
108 bpm • D Maj • 04:52 • -13.11db
11% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Scritti Politti
Asylums in Jerusalem - 2001 Remaster
109 bpm • A# Maj • 03:15 • -4.48db
16% Popularity • 58% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 58% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Aztec Camera
Get Outta London
107 bpm • G Maj • 03:41 • -13.28db
26% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Blow Monkeys
Wicked Ways
109 bpm • A min • 04:14 • -9.27db
10% Popularity • 70% Danceability • 69% Energy • 66% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 70% Danceability • 69% Energy • 66% Liveness
0% Instrumentalness • 97% Positiveness
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The Colourfield
She
109 bpm • D min • 03:17 • -12.28db
20% Popularity • 82% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 82% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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The The
Perfect
109 bpm • E Maj • 05:35 • -12db
31% Popularity • 72% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 96% Positiveness
31% Popularity • 72% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 96% Positiveness
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The Motels
Celia
109 bpm • D Maj • 03:06 • -15.53db
18% Popularity • 87% Danceability • 21% Energy • 9% Liveness
4% Instrumentalness • 80% Positiveness
18% Popularity • 87% Danceability • 21% Energy • 9% Liveness
4% Instrumentalness • 80% Positiveness
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Adam & The Ants
5 Guns West
109 bpm • E min • 05:02 • -12.37db
19% Popularity • 65% Danceability • 64% Energy • 16% Liveness
33% Instrumentalness • 40% Positiveness
19% Popularity • 65% Danceability • 64% Energy • 16% Liveness
33% Instrumentalness • 40% Positiveness
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Lou Reed
Mistrial
110 bpm • E Maj • 03:20 • -5.07db
12% Popularity • 61% Danceability • 93% Energy • 23% Liveness
10% Instrumentalness • 91% Positiveness
12% Popularity • 61% Danceability • 93% Energy • 23% Liveness
10% Instrumentalness • 91% Positiveness
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Ian Dury
If I Was with a Woman
110 bpm • D Maj • 03:25 • -11.18db
22% Popularity • 89% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 89% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 84% Positiveness
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Katrina & The Waves
Walking On Sunshine
110 bpm • A# Maj • 03:58 • -11.97db
79% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
79% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
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The The
The Twilight Hour
109 bpm • E min • 05:54 • -13.95db
28% Popularity • 75% Danceability • 58% Energy • 5% Liveness
24% Instrumentalness • 73% Positiveness
28% Popularity • 75% Danceability • 58% Energy • 5% Liveness
24% Instrumentalness • 73% Positiveness
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Wild Willy Barrett
Beware Of The Flowers ('Cause I'm Sure T...
111 bpm • D Maj • 02:30 • -14.72db
15% Popularity • 38% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 38% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Fun Boy Three
Summertime
111 bpm • A# min • 03:09 • -12.73db
32% Popularity • 69% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 76% Positiveness
32% Popularity • 69% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 76% Positiveness
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Julian Cope
China Doll
111 bpm • D Maj • 03:29 • -14.31db
22% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Ian Dury
Pardon
111 bpm • E min • 02:39 • -10.19db
15% Popularity • 83% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 83% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Aztec Camera
Oblivious - 12" Mix
112 bpm • B min • 03:50 • -8.94db
9% Popularity • 72% Danceability • 78% Energy • 3% Liveness
1% Instrumentalness • 91% Positiveness
9% Popularity • 72% Danceability • 78% Energy • 3% Liveness
1% Instrumentalness • 91% Positiveness
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The The
Angels Of Deception
111 bpm • B min • 04:38 • -5.87db
20% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Paul McCartney
Press - 1993 Digital Remaster
113 bpm • C Maj • 04:43 • -11.03db
23% Popularity • 68% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 68% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Adam & The Ants
Young Parisians
113 bpm • G Maj • 02:59 • -10.1db
19% Popularity • 87% Danceability • 24% Energy • 3% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 87% Danceability • 24% Energy • 3% Liveness
0% Instrumentalness • 40% Positiveness
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Mott The Hoople
Alice
113 bpm • F Maj • 05:18 • -9.08db
16% Popularity • 44% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 44% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
