Songs like Up Above My Head by Rhiannon Giddens
Based on a tempo of (+/- 10%) and a similar genre
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Asleep At The Wheel
I Can't Give You Anything But Love
101 bpm • A min • 03:19 • -12db
24% Popularity • 78% Danceability • 46% Energy • 13% Liveness
3% Instrumentalness • 90% Positiveness
24% Popularity • 78% Danceability • 46% Energy • 13% Liveness
3% Instrumentalness • 90% Positiveness
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Rhiannon Giddens
Up Above My Head
101 bpm • A# min • 03:09 • -6.71db
26% Popularity • 68% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 68% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Ted Hawkins
There Stands The Glass
101 bpm • F Maj • 02:33 • -9.54db
33% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Chris Smither
Leave The Light On
101 bpm • D Maj • 03:47 • -9.86db
17% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
17% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
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Leon Redbone
Lazybones
101 bpm • F# Maj • 03:06 • -17.91db
34% Popularity • 69% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 69% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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The Cactus Blossoms
You're Dreaming
102 bpm • C Maj • 03:25 • -7.95db
36% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Eliza Gilkyson
Sooner or Later
102 bpm • E min • 04:21 • -8.88db
20% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Nanci Griffith
Boots of Spanish Leather
100 bpm • A Maj • 05:17 • -15.36db
32% Popularity • 55% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 55% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Natalie MacMaster
Woman of the House
100 bpm • G min • 03:36 • -6.05db
10% Popularity • 55% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 55% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Good Lovelies
Kiss Me in the Kitchen
100 bpm • G Maj • 02:30 • -9.37db
22% Popularity • 69% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 69% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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Davina and The Vagabonds
Devil Horns
102 bpm • G Maj • 03:27 • -9.78db
11% Popularity • 77% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 77% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Clifton Chenier
Zydeco et Pas Sale - Take 1
102 bpm • B min • 03:13 • -7.94db
17% Popularity • 45% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 45% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Rhiannon Giddens
Way Over Yonder
100 bpm • G Maj • 03:11 • -3.67db
23% Popularity • 62% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 62% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Leon Redbone
Ain't Misbehavin' - I'm Savin' My Love f...
100 bpm • A min • 04:04 • -19.1db
28% Popularity • 66% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
28% Popularity • 66% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
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The Be Good Tanyas
Draft Daughter's Blues aka Ootischenia
99 bpm • C Maj • 03:21 • -8.24db
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
6% Instrumentalness • 76% Positiveness
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
6% Instrumentalness • 76% Positiveness
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Dave Rawlings Machine
Sweet Tooth
99 bpm • F Maj • 05:20 • -12db
10% Popularity • 64% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 64% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Jesse Fuller
San Francisco Bay Blues
99 bpm • A Maj • 03:28 • -5.71db
16% Popularity • 64% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 65% Positiveness
16% Popularity • 64% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 65% Positiveness
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Eliza Gilkyson
Slouching Towards Bethlehem
103 bpm • G min • 04:09 • -5.74db
10% Popularity • 60% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 60% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Rhiannon Giddens
We Rise - Original Mix
99 bpm • B Maj • 03:22 • -11.55db
9% Popularity • 74% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 74% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Luther Dickinson
Up Over Yonder
99 bpm • D Maj • 03:19 • -11db
31% Popularity • 66% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 61% Positiveness
31% Popularity • 66% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 61% Positiveness
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Dave Carter
Crocodile Man
99 bpm • G# Maj • 03:02 • -8.97db
22% Popularity • 70% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 70% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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BeauSoleil
L'ouragon (The Hurricane)
99 bpm • E min • 03:58 • -6.72db
17% Popularity • 63% Danceability • 91% Energy • 34% Liveness
36% Instrumentalness • 88% Positiveness
17% Popularity • 63% Danceability • 91% Energy • 34% Liveness
36% Instrumentalness • 88% Positiveness
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Asleep At The Wheel
I Had Someone Else Before I Had You
99 bpm • E Maj • 02:45 • -9.29db
14% Popularity • 75% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 75% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Roy Rogers & Norton Buffalo
Ain't No Bread In The Breadbox
103 bpm • E Maj • 03:37 • -11.21db
14% Popularity • 69% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 69% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Rhiannon Giddens
Spiritual
99 bpm • C Maj • 04:27 • -10.34db
11% Popularity • 56% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
11% Popularity • 56% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Luke Winslow-King
La Bega's Carousel
99 bpm • G min • 02:47 • -8.33db
11% Popularity • 72% Danceability • 76% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
11% Popularity • 72% Danceability • 76% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
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The James Hunter Six
Minute By Minute
104 bpm • G# min • 03:39 • -7db
27% Popularity • 85% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 85% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Whitney Rose
Analog
104 bpm • E Maj • 03:24 • -11.71db
27% Popularity • 72% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 72% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Our Native Daughters
You're Not Alone
98 bpm • C Maj • 05:36 • -11.9db
29% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Steve Martin
Love Has Come For You
104 bpm • C Maj • 03:08 • -10db
34% Popularity • 71% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 71% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Sxip Shirey
Bach, Stevie Wonder and Janelle Monae
104 bpm • A# Maj • 05:45 • -7.12db
3% Popularity • 77% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
3% Popularity • 77% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Tracy Grammer
Hey Ho
98 bpm • G# Maj • 03:49 • -7.71db
15% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Luke Winslow-King
Swing That Thing
98 bpm • A Maj • 03:17 • -7.79db
35% Popularity • 58% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
35% Popularity • 58% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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Greg Brown
Good Morning Coffee
98 bpm • D Maj • 03:02 • -14.78db
19% Popularity • 79% Danceability • 41% Energy • 18% Liveness
40% Instrumentalness • 96% Positiveness
19% Popularity • 79% Danceability • 41% Energy • 18% Liveness
40% Instrumentalness • 96% Positiveness
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Good Lovelies
I Want
98 bpm • F Maj • 03:05 • -6.9db
14% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Alison Krauss & Union Station
So Long, So Wrong
98 bpm • C Maj • 03:23 • -7.82db
28% Popularity • 58% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 58% Positiveness
28% Popularity • 58% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 58% Positiveness
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Buddy & Julie Miller
What You Gonna Do Leroy
104 bpm • A min • 03:45 • -7.33db
17% Popularity • 61% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 61% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Marcia Ball
Clean My House
104 bpm • F min • 03:28 • -4.98db
13% Popularity • 60% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 60% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Luke Winslow-King
Never Tired
104 bpm • D Maj • 02:52 • -10.63db
10% Popularity • 86% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 86% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Tami Neilson
Kitty Cat
98 bpm • C# min • 02:03 • -8.83db
4% Popularity • 49% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
4% Popularity • 49% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Leyla McCalla
A day for the hunter, a day for the prey
98 bpm • D Maj • 03:18 • -10.29db
26% Popularity • 65% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 65% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Bettye LaVette
Nobody's Dirty Business
105 bpm • D Maj • 02:15 • -10.71db
7% Popularity • 74% Danceability • 34% Energy • 15% Liveness
4% Instrumentalness • 93% Positiveness
7% Popularity • 74% Danceability • 34% Energy • 15% Liveness
4% Instrumentalness • 93% Positiveness
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Rhiannon Giddens
That Lonesome Road
97 bpm • G Maj • 03:05 • -8.18db
11% Popularity • 66% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 66% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Kate & Anna McGarrigle
Swimming Song
97 bpm • C Maj • 02:29 • -11.14db
37% Popularity • 68% Danceability • 35% Energy • 8% Liveness
2% Instrumentalness • 75% Positiveness
37% Popularity • 68% Danceability • 35% Energy • 8% Liveness
2% Instrumentalness • 75% Positiveness
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The War And Treaty
Wanna Get Outta Here
105 bpm • G Maj • 04:31 • -7.86db
18% Popularity • 54% Danceability • 81% Energy • 55% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 54% Danceability • 81% Energy • 55% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Winslow-King
You & Me
105 bpm • G# Maj • 03:33 • -13.4db
18% Popularity • 85% Danceability • 39% Energy • 11% Liveness
29% Instrumentalness • 83% Positiveness
18% Popularity • 85% Danceability • 39% Energy • 11% Liveness
29% Instrumentalness • 83% Positiveness
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Blind Alfred Reed
How Can A Poor Man Stand Such Times And ...
97 bpm • D Maj • 03:14 • -10.71db
8% Popularity • 63% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 63% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Our Native Daughters
Barbados
105 bpm • B min • 05:52 • -22.34db
15% Popularity • 58% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 58% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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Tami Neilson
Loco Mama
97 bpm • G# Maj • 02:11 • -3.78db
13% Popularity • 45% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 45% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Dan Hicks & His Hot Licks
How Can I Miss You When You Won't Go Awa...
105 bpm • D Maj • 02:39 • -13db
27% Popularity • 72% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 72% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Chris Smither
Hundred Dollar Valentine
105 bpm • G Maj • 03:05 • -4.99db
30% Popularity • 72% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 72% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Marcia Ball
I Want To Do Everything For You
97 bpm • D Maj • 02:41 • -9.76db
10% Popularity • 80% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 80% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Rhiannon Giddens
Black Is the Color
106 bpm • A# min • 03:45 • -8.84db
19% Popularity • 66% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 66% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Caitlin Canty
Enough About Hard Times
97 bpm • E min • 02:35 • -9.85db
33% Popularity • 57% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 91% Positiveness
33% Popularity • 57% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 91% Positiveness
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Tami Neilson
Hey Mama
97 bpm • C Maj • 01:52 • -8db
31% Popularity • 81% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 81% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Wiyos
Promenade
106 bpm • G# Maj • 02:32 • -9.03db
29% Popularity • 82% Danceability • 53% Energy • 11% Liveness
3% Instrumentalness • 90% Positiveness
29% Popularity • 82% Danceability • 53% Energy • 11% Liveness
3% Instrumentalness • 90% Positiveness
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Valerie June
Shakedown
96 bpm • C# min • 02:46 • -6.22db
38% Popularity • 52% Danceability • 88% Energy • 20% Liveness
25% Instrumentalness • 69% Positiveness
38% Popularity • 52% Danceability • 88% Energy • 20% Liveness
25% Instrumentalness • 69% Positiveness
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Chris Smither
Crocodile Man
106 bpm • D min • 03:33 • -10db
27% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Warner Williams
Hey Bartender, There's a Big Bug in My B...
106 bpm • F Maj • 02:43 • -10db
12% Popularity • 82% Danceability • 55% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 82% Danceability • 55% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
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The Little Willies
I'll Never Get Out Of This World Alive
106 bpm • D Maj • 03:22 • -8db
29% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Session Americana
You Always Hurt the One You Love
106 bpm • A# Maj • 02:54 • -6.73db
12% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Anders Osborne
Ho-Di-Ko-Di-Ya-La-Ma-La
106 bpm • G Maj • 03:58 • -6.21db
24% Popularity • 61% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 61% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Michael Doucet
Parlez-Nous A Boire (Speak to Us of Drin...
96 bpm • C Maj • 03:40 • -9.76db
10% Popularity • 51% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 51% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Irma Thomas
Back Water Blues
106 bpm • D Maj • 03:30 • -10.33db
21% Popularity • 63% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 63% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Marcia Ball
Shine Bright
106 bpm • G Maj • 03:41 • -5.18db
15% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Lindi Ortega
Run-Down Neighborhood
96 bpm • D Maj • 03:04 • -5.23db
12% Popularity • 53% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 53% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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Rhiannon Giddens
Round About the Mountain
96 bpm • C min • 03:30 • -9.94db
14% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Curtis Salgado
I Want My Dog To Live Longer (The Greate...
106 bpm • A Maj • 02:47 • -10db
38% Popularity • 87% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 87% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Kronos Quartet
Lullaby
106 bpm • C Maj • 03:35 • -13.08db
13% Popularity • 58% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 58% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Luke Winslow-King
Traveling Myself
96 bpm • G Maj • 05:12 • -11.7db
11% Popularity • 73% Danceability • 53% Energy • 9% Liveness
8% Instrumentalness • 70% Positiveness
11% Popularity • 73% Danceability • 53% Energy • 9% Liveness
8% Instrumentalness • 70% Positiveness
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The Whites
Keep On The Sunny Side
96 bpm • A# Maj • 03:34 • -12db
47% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Smither
Train Home
96 bpm • B min • 04:25 • -9.99db
31% Popularity • 62% Danceability • 30% Energy • 68% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 62% Danceability • 30% Energy • 68% Liveness
0% Instrumentalness • 44% Positiveness
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Rhiannon Giddens
One Hour Mama
107 bpm • E Maj • 03:06 • -9.5db
9% Popularity • 64% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 64% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Mary McCaslin
Ghost Riders In The Sky
96 bpm • A Maj • 04:04 • -16db
11% Popularity • 53% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 53% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Alvin Youngblood Hart
Tallacatcha
95 bpm • G Maj • 03:06 • -12.52db
10% Popularity • 56% Danceability • 26% Energy • 7% Liveness
9% Instrumentalness • 68% Positiveness
10% Popularity • 56% Danceability • 26% Energy • 7% Liveness
9% Instrumentalness • 68% Positiveness
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Imelda May
Walking After Midnight
107 bpm • C Maj • 02:49 • -6.19db
21% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Aaron Lee Tasjan
12 Bar Blues
95 bpm • D Maj • 05:04 • -11db
28% Popularity • 47% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 47% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Erin McKeown
Blackbirds
107 bpm • D min • 04:25 • -9.51db
26% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Steve Martin
The Coo Coo Bird
107 bpm • F min • 03:19 • -12.23db
12% Popularity • 68% Danceability • 26% Energy • 20% Liveness
6% Instrumentalness • 61% Positiveness
12% Popularity • 68% Danceability • 26% Energy • 20% Liveness
6% Instrumentalness • 61% Positiveness
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Rhiannon Giddens
Underneath the Harlem Moon
95 bpm • C Maj • 03:49 • -9.62db
17% Popularity • 78% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 78% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Deslondes
Fought the Blues and Won
95 bpm • C Maj • 03:29 • -6.78db
31% Popularity • 57% Danceability • 56% Energy • 9% Liveness
26% Instrumentalness • 68% Positiveness
31% Popularity • 57% Danceability • 56% Energy • 9% Liveness
26% Instrumentalness • 68% Positiveness
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Kyle Carey
Sios Dhan an Abhainn
95 bpm • C Maj • 04:43 • -10.68db
0% Popularity • 57% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
0% Popularity • 57% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
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The Subdudes
Carved In Stone
95 bpm • A Maj • 03:55 • -8.46db
12% Popularity • 42% Danceability • 36% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 42% Danceability • 36% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
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Memphis Jug Band
He's In The Jail House Now
107 bpm • C Maj • 03:12 • -12.13db
11% Popularity • 77% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 77% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Taj Mahal
Stagger Lee
95 bpm • F Maj • 04:17 • -8.83db
15% Popularity • 80% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 80% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Rhiannon Giddens
Tomorrow Is My Turn
95 bpm • A min • 04:37 • -12db
22% Popularity • 39% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 39% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Joan Osborne
Shake Your Hips
95 bpm • A Maj • 03:28 • -5.53db
23% Popularity • 55% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 55% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Red Stick Ramblers
That's What I Like About the South
95 bpm • F Maj • 03:25 • -9.7db
11% Popularity • 66% Danceability • 51% Energy • 47% Liveness
2% Instrumentalness • 93% Positiveness
11% Popularity • 66% Danceability • 51% Energy • 47% Liveness
2% Instrumentalness • 93% Positiveness
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Chris Smither
Maybellene
95 bpm • D Maj • 02:56 • -7.23db
39% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Asleep At The Wheel
Jack I'm Mellow
95 bpm • E Maj • 02:41 • -8.12db
14% Popularity • 74% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 74% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Truckstop Honeymoon
Bad Attitude
108 bpm • G Maj • 03:15 • -7.27db
8% Popularity • 75% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 75% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Luke Winslow-King
As April Is to May
95 bpm • C min • 02:15 • -13.13db
24% Popularity • 76% Danceability • 33% Energy • 18% Liveness
9% Instrumentalness • 80% Positiveness
24% Popularity • 76% Danceability • 33% Energy • 18% Liveness
9% Instrumentalness • 80% Positiveness
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Dervish
The May Morning Dew
108 bpm • D min • 04:09 • -11.52db
22% Popularity • 62% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 62% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Duhks
It's Alright Ma, I'm Only Bleeding
108 bpm • F Maj • 05:49 • -8.31db
15% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Toni Price
We Just Couldn't Say Goodbye
108 bpm • F Maj • 03:13 • -13.3db
16% Popularity • 72% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 72% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Tom Waits
The Soul Of A Man
108 bpm • F# Maj • 03:29 • -5.28db
14% Popularity • 74% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 74% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Pieta Brown
I'm Gone
94 bpm • C Maj • 02:20 • -8.2db
27% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Luther Dickinson
Fly With Me
108 bpm • D Maj • 02:11 • -12.59db
33% Popularity • 78% Danceability • 37% Energy • 11% Liveness
7% Instrumentalness • 54% Positiveness
33% Popularity • 78% Danceability • 37% Energy • 11% Liveness
7% Instrumentalness • 54% Positiveness
