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Up Is Down
Songs like
Up Is Down
by
Hans Zimmer
Based on a tempo of (+/- 10%) and a similar genre
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Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
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Alexandre Desplat
Courtyard Apocalypse
97 bpm • C# Maj • 02:00 • -17.09db
53% Popularity • 14% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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James Horner
Pure spirits of the forest
97 bpm • C Maj • 08:49 • -32db
48% Popularity • 13% Danceability • 2% Energy • 14% Liveness
19% Instrumentalness • 4% Positiveness
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Thomas Newman
Road To Perdition
98 bpm • A Maj • 03:55 • -22.22db
51% Popularity • 15% Danceability • 10% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Variation 15
96 bpm • D# Maj • 05:51 • -17db
46% Popularity • 12% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Hans Zimmer
Interstellar Cornfield Chase
96 bpm • A min • 02:09 • -13.43db
50% Popularity • 35% Danceability • 39% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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Geoff Zanelli
She Needs the Sea
96 bpm • G Maj • 02:32 • -11.76db
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Audiomachine
An Unfinished Life
98 bpm • A min • 02:02 • -11.21db
44% Popularity • 47% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Trevor Rabin
National Treasure Suite
98 bpm • A# min • 03:17 • -17.57db
38% Popularity • 63% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
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Philip Glass
Dreaming of Fiji
96 bpm • G min • 01:54 • -29.75db
42% Popularity • 15% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Jeremy Soule
Ancient Stones
96 bpm • G# min • 04:45 • -22.73db
58% Popularity • 25% Danceability • 12% Energy • 7% Liveness
97% Instrumentalness • 7% Positiveness
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Hans Zimmer
The Dark Knight Orchestra Suite - Live
96 bpm • A# Maj • 06:07 • -17db
43% Popularity • 34% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Lorne Balfe
Farewell
96 bpm • G min • 01:05 • -29.8db
36% Popularity • 17% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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M83
Waking Up
96 bpm • C min • 04:09 • -13db
48% Popularity • 40% Danceability • 50% Energy • 15% Liveness
87% Instrumentalness • 15% Positiveness
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Thomas Newman
Define Dancing
99 bpm • C# Maj • 02:23 • -13.85db
55% Popularity • 31% Danceability • 38% Energy • 12% Liveness
85% Instrumentalness • 10% Positiveness
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Marc Streitenfeld
Charge
99 bpm • E min • 01:18 • -18db
62% Popularity • 18% Danceability • 52% Energy • 63% Liveness
78% Instrumentalness • 10% Positiveness
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Jerry Goldsmith
Star Trek: Voyager - Main Title
99 bpm • F# Maj • 01:47 • -16.22db
37% Popularity • 26% Danceability • 23% Energy • 7% Liveness
45% Instrumentalness • 13% Positiveness
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Ennio Morricone
The Ecstasy Of Gold - 2004 Remaster
99 bpm • A min • 03:23 • -13.86db
60% Popularity • 13% Danceability • 47% Energy • 20% Liveness
58% Instrumentalness • 13% Positiveness
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Kevin Kiner
Journey Into the Star Cluster
95 bpm • A min • 02:48 • -12.69db
34% Popularity • 37% Danceability • 15% Energy • 8% Liveness
64% Instrumentalness • 38% Positiveness
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Nick Arundel
Arkham City Main Theme
95 bpm • C# Maj • 02:47 • -13.86db
50% Popularity • 22% Danceability • 54% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
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Thomas Newman
EVE
99 bpm • C# Maj • 01:02 • -11db
50% Popularity • 41% Danceability • 46% Energy • 22% Liveness
81% Instrumentalness • 4% Positiveness
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Hans Zimmer
Rise
95 bpm • D min • 07:15 • -17db
55% Popularity • 12% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Tyler Bates
Black Tears
95 bpm • A min • 02:43 • -10.51db
43% Popularity • 26% Danceability • 56% Energy • 3% Liveness
71% Instrumentalness • 20% Positiveness
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David Arnold
Opening Titles
99 bpm • C min • 01:07 • -20.05db
49% Popularity • 22% Danceability • 14% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Trevor Rabin
Finding Charlotte
95 bpm • F min • 01:05 • -16db
41% Popularity • 32% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
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Geoffrey Zanelli
He's A Pirate
99 bpm • D min • 01:28 • -11.85db
17% Popularity • 49% Danceability • 47% Energy • 13% Liveness
97% Instrumentalness • 64% Positiveness
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Geoff Zanelli
Kill the Sparrow
99 bpm • D min • 06:15 • -10.94db
30% Popularity • 24% Danceability • 60% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Kevin Kiner
Bad Batch Theme
100 bpm • C# Maj • 02:00 • -17.43db
41% Popularity • 48% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Hans Zimmer
Main Theme
100 bpm • D min • 04:21 • -12.89db
52% Popularity • 43% Danceability • 42% Energy • 25% Liveness
57% Instrumentalness • 30% Positiveness
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Jerry Goldsmith
Suite From Mulan
94 bpm • C Maj • 07:06 • -20db
46% Popularity • 15% Danceability • 10% Energy • 27% Liveness
90% Instrumentalness • 8% Positiveness
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Epic Score
Strength to Believe
100 bpm • C Maj • 02:04 • -7.92db
55% Popularity • 32% Danceability • 48% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Halo
Halo
100 bpm • C Maj • 04:22 • -14.26db
55% Popularity • 33% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Fireworks
100 bpm • D Maj • 01:45 • -14db
50% Popularity • 49% Danceability • 50% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Brad Derrick
A Land of War and Poetry
100 bpm • A min • 04:01 • -12db
41% Popularity • 39% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Steve Jablonsky
We Have to Go
100 bpm • D min • 05:48 • -15db
46% Popularity • 14% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Hans Zimmer
This Land
100 bpm • G Maj • 02:55 • -19.16db
62% Popularity • 14% Danceability • 17% Energy • 8% Liveness
63% Instrumentalness • 13% Positiveness
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Marc Streitenfeld
Pact Sworn in Blood
100 bpm • E min • 02:52 • -19db
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Neal Acree
Arthas, My Son (Cinematic Intro)
93 bpm • F# min • 03:12 • -15.01db
46% Popularity • 14% Danceability • 42% Energy • 20% Liveness
92% Instrumentalness • 10% Positiveness
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Carlos Rafael Rivera
Main Title
93 bpm • C Maj • 01:49 • -10.98db
51% Popularity • 47% Danceability • 61% Energy • 41% Liveness
82% Instrumentalness • 49% Positiveness
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Hesham Nazih
Moon Knight
93 bpm • C Maj • 02:10 • -12.11db
43% Popularity • 33% Danceability • 54% Energy • 29% Liveness
6% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
Arianne
101 bpm • F min • 01:10 • -33.02db
54% Popularity • 14% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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Sarah Schachner
Assassin's Creed Valhalla Main Theme
101 bpm • G Maj • 03:15 • -12.89db
49% Popularity • 19% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Michael Price
SHERlocked
101 bpm • A min • 03:44 • -21.5db
40% Popularity • 14% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Chalkboard
93 bpm • A min • 01:05 • -15.93db
67% Popularity • 43% Danceability • 11% Energy • 9% Liveness
77% Instrumentalness • 8% Positiveness
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Steven Price
Gravity
93 bpm • G# min • 04:35 • -15.36db
49% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
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Michael Kamen
Band Of Brothers Suite One - Instrumenta...
92 bpm • D Maj • 06:31 • -15.19db
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Score
Rango Suite
102 bpm • D min • 05:57 • -13.15db
35% Popularity • 68% Danceability • 41% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
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Hans Zimmer
King of Pride Rock
92 bpm • F Maj • 05:59 • -22.8db
50% Popularity • 12% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
Shogun's Sentence
103 bpm • C min • 02:04 • -21.92db
50% Popularity • 15% Danceability • 9% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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John Lunn
Duneagle
92 bpm • F# min • 02:06 • -14.23db
47% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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James Newton Howard
Molossus
103 bpm • G# Maj • 04:49 • -16.46db
51% Popularity • 48% Danceability • 48% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Klaus Badelt
Pirates of the Caribbean: Main Title The...
103 bpm • D min • 05:33 • -11.56db
43% Popularity • 29% Danceability • 55% Energy • 6% Liveness
88% Instrumentalness • 21% Positiveness
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Audiomachine
Wars of Faith
91 bpm • C min • 03:51 • -13.13db
46% Popularity • 16% Danceability • 43% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Hans Zimmer
Blackbeard
102 bpm • D min • 05:03 • -12.76db
38% Popularity • 20% Danceability • 35% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Marc Streitenfeld
Sherwood Forest
91 bpm • A min • 02:19 • -21db
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Jeremy Soule
The City Gates
91 bpm • G min • 03:46 • -18db
56% Popularity • 11% Danceability • 21% Energy • 28% Liveness
82% Instrumentalness • 4% Positiveness
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Craig Armstrong
Opening
91 bpm • D min • 04:39 • -15.73db
52% Popularity • 14% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
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John Powell
Romantic Flight
104 bpm • F# Maj • 01:56 • -11.83db
62% Popularity • 22% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
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Audiomachine
So Say We All
91 bpm • A# Maj • 03:19 • -8.94db
47% Popularity • 41% Danceability • 74% Energy • 6% Liveness
84% Instrumentalness • 16% Positiveness
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James Horner
Jake's first flight
104 bpm • A Maj • 04:49 • -24.08db
48% Popularity • 19% Danceability • 19% Energy • 7% Liveness
25% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Fate Has Smiled Upon Us
91 bpm • E min • 02:02 • -13.98db
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Finale - The Sword in the Stone
91 bpm • A# min • 07:13 • -17.74db
25% Popularity • 13% Danceability • 14% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
The Theory of Everything
104 bpm • D Maj • 01:08 • -17.7db
68% Popularity • 42% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Steve Jablonsky
Autobots Reunite
90 bpm • B min • 02:57 • -10.56db
52% Popularity • 56% Danceability • 53% Energy • 13% Liveness
83% Instrumentalness • 42% Positiveness
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Mikolai Stroinski
The Tree When We Sat Once
90 bpm • D min • 02:35 • -13.78db
49% Popularity • 15% Danceability • 18% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
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James Horner
Climbing up "Iknimaya - The Path to Heav...
90 bpm • A Maj • 03:18 • -22.69db
47% Popularity • 10% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Kevin Kiner
Obi-wan and Satine
90 bpm • C Maj • 02:43 • -13db
32% Popularity • 15% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Loved Ones and Leaving
90 bpm • D Maj • 03:15 • -22.28db
46% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Pinar Toprak
Captain Marvel
105 bpm • C Maj • 02:15 • -14.81db
45% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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John Paesano
The Golden Age
105 bpm • E min • 03:06 • -14db
37% Popularity • 44% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Alan Menken
Farewell
105 bpm • D# Maj • 04:47 • -18.89db
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Steve Jablonsky
Hunted
106 bpm • D min • 05:57 • -13.17db
44% Popularity • 28% Danceability • 53% Energy • 11% Liveness
73% Instrumentalness • 13% Positiveness
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Geoff Zanelli
My Name Is Barbossa
89 bpm • F Maj • 05:33 • -10.54db
49% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Harry & Hermione
90 bpm • C Maj • 02:52 • -29.09db
55% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Thomas Newman
Wow
88 bpm • F Maj • 02:31 • -25db
47% Popularity • 20% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
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Austin Wintory
Nascence
106 bpm • B min • 01:46 • -18db
53% Popularity • 18% Danceability • 11% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Kevin Kiner
The Clones
88 bpm • G Maj • 02:29 • -10.15db
39% Popularity • 19% Danceability • 48% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
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Steve Jablonsky
Sacrifice
89 bpm • D min • 06:46 • -18.58db
45% Popularity • 10% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Salazar
88 bpm • D# Maj • 04:27 • -15db
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
The Hun's Attack
107 bpm • F min • 04:29 • -17db
34% Popularity • 29% Danceability • 25% Energy • 7% Liveness
87% Instrumentalness • 10% Positiveness
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Nicholas Hooper
Flight of the Order of the Phoenix
106 bpm • D Maj • 01:31 • -16db
48% Popularity • 28% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Harold Faltermeyer
Top Gun Anthem
107 bpm • D Maj • 02:28 • -13.12db
58% Popularity • 45% Danceability • 34% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Hans Zimmer
Under the Stars
107 bpm • G Maj • 03:45 • -20.81db
53% Popularity • 29% Danceability • 16% Energy • 12% Liveness
56% Instrumentalness • 11% Positiveness
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Simon Franglen
Leaving Home
88 bpm • D min • 03:27 • -19db
39% Popularity • 18% Danceability • 22% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Geoff Zanelli
The Dying Gull
107 bpm • G Maj • 01:01 • -9.03db
49% Popularity • 40% Danceability • 70% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
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John Paesano
Main Title
108 bpm • G# Maj • 01:04 • -12.07db
50% Popularity • 61% Danceability • 54% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
48% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Harold Faltermeyer
Main Titles (You’ve Been Called Back t...
107 bpm • F Maj • 02:30 • -12.48db
62% Popularity • 49% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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Koji Kondo
Legend of Zelda: Suite
108 bpm • G min • 04:21 • -11.84db
42% Popularity • 22% Danceability • 37% Energy • 9% Liveness
81% Instrumentalness • 6% Positiveness
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Natalie Holt
TVA
108 bpm • C# Maj • 02:28 • -11.58db
48% Popularity • 49% Danceability • 50% Energy • 77% Liveness
72% Instrumentalness • 11% Positiveness
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Geoff Zanelli
El Matador Del Mar
88 bpm • C min • 08:04 • -11.76db
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Trevor Rabin
Preparation Montage
108 bpm • C Maj • 04:53 • -17.91db
25% Popularity • 60% Danceability • 41% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Eternal Eclipse
Shape of Lies
87 bpm • G# Maj • 02:52 • -11.24db
52% Popularity • 38% Danceability • 61% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Joel P West
Xu Shang-Chi
87 bpm • A min • 02:55 • -8.47db
40% Popularity • 37% Danceability • 75% Energy • 7% Liveness
95% Instrumentalness • 57% Positiveness
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Audiomachine
Wildfire
87 bpm • G# Maj • 02:58 • -17db
40% Popularity • 35% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Hans Zimmer
The Lion King Orchestra Suite - Live
87 bpm • F Maj • 08:55 • -11.7db
43% Popularity • 20% Danceability • 53% Energy • 46% Liveness
52% Instrumentalness • 18% Positiveness
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David Arnold
Prepared to do Anything
87 bpm • G min • 04:18 • -19db
26% Popularity • 10% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Trevor Rabin
Declaration of Independence
87 bpm • F Maj • 01:43 • -24db
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Honoring the Dead
87 bpm • G min • 02:43 • -16db
44% Popularity • 9% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Trevor Morris
Journey To Skyhold
86 bpm • C Maj • 01:48 • -13.64db
38% Popularity • 18% Danceability • 43% Energy • 33% Liveness
88% Instrumentalness • 7% Positiveness
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Up Is Down