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Upon the Ocean Waves
Songs like
Upon the Ocean Waves
by
Brian Gulland
Based on a tempo of (+/- 10%) and a similar genre
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David Scobie
What A Time
96 bpm • C Maj • 04:35 • -11db
24% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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John Edmond
The Last Word in Rhodesian
96 bpm • D Maj • 02:39 • -10db
30% Popularity • 62% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Derek Fiechter
Dutch Windmills
96 bpm • D Maj • 03:09 • -15.22db
14% Popularity • 65% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 90% Positiveness
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Heather Alexander
March Of Cambreadth
96 bpm • A# min • 04:47 • -12.76db
35% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Gordon Highlanders
Regimental March
96 bpm • A min • 01:36 • -12.29db
30% Popularity • 49% Danceability • 91% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Silly Wizard
The Queen of Argyll
96 bpm • B Maj • 03:28 • -14db
26% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Brian Gulland
Upon the Ocean Waves
96 bpm • G Maj • 01:12 • -11.03db
1% Popularity • 79% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Brothers Four
55 Days At Peking
96 bpm • A# min • 02:04 • -11db
37% Popularity • 89% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Salty Dick
Eff Them All
96 bpm • G Maj • 03:03 • -9.17db
25% Popularity • 85% Danceability • 21% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Plymouth Fife & Drum Corps
British (Medley)
97 bpm • A# Maj • 03:05 • -18db
16% Popularity • 77% Danceability • 44% Energy • 16% Liveness
86% Instrumentalness • 63% Positiveness
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The Skullduggers
Bully In the Alley
95 bpm • G Maj • 02:33 • -5.82db
35% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Battlefield Band
Whaur Will We Gang? / March Of The Ceili...
95 bpm • D Maj • 03:21 • -12db
26% Popularity • 48% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Brian Gulland
The Lynton Ploughman
96 bpm • D Maj • 01:26 • -12.29db
3% Popularity • 52% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Tennessee Ernie Ford
Marching Song (Of The First Arkansas Neg...
95 bpm • F Maj • 03:00 • -11.62db
29% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Salty Dick
The Fireship
95 bpm • D Maj • 04:12 • -11.35db
11% Popularity • 63% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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The Band Of The Scots Guards
Hielan' Laddie
95 bpm • D# Maj • 01:08 • -3.29db
30% Popularity • 36% Danceability • 70% Energy • 37% Liveness
3% Instrumentalness • 73% Positiveness
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Nathan Hale Ancient Fifes & Drums
The Girl I Left Behind Me Ca. 1790
95 bpm • B Maj • 01:22 • -16.15db
27% Popularity • 79% Danceability • 86% Energy • 5% Liveness
38% Instrumentalness • 49% Positiveness
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Tippecanoe Ancient Fife & Drum Corps
Drums Along the Potomac
95 bpm • G Maj • 01:48 • -10.36db
12% Popularity • 64% Danceability • 70% Energy • 10% Liveness
90% Instrumentalness • 52% Positiveness
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Robert White
The Dreadnought Tea Clipper
96 bpm • C Maj • 01:25 • -16.05db
16% Popularity • 59% Danceability • 12% Energy • 12% Liveness
4% Instrumentalness • 47% Positiveness
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The Irish Brigade
Medley - The Man from the Daily Mail, Me...
95 bpm • D Maj • 05:22 • -12db
36% Popularity • 68% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Capt'n Tor and the Naer-Do-Well Cads Pirate Invasion
The Hangman's Jig
95 bpm • E min • 05:17 • -6.64db
15% Popularity • 46% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Stormfrun
Once A Sailor
97 bpm • D min • 05:07 • -6db
28% Popularity • 39% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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United States Old Guard Fife and Drum Corps
Drowsy Maggie
97 bpm • E min • 00:54 • -17db
11% Popularity • 76% Danceability • 48% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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Jerry Bryant
Distressed Men-Of-War
95 bpm • D Maj • 01:56 • -16.76db
12% Popularity • 87% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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The Weavers
Which Side Are You On
95 bpm • A min • 02:36 • -10.65db
30% Popularity • 60% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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The English Country Dance Band
Galopede (Polka): Galopede / The Tanner ...
98 bpm • G Maj • 04:44 • -8.78db
9% Popularity • 63% Danceability • 69% Energy • 22% Liveness
83% Instrumentalness • 96% Positiveness
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Matthew Sabatella and the Rambling String Band
Lincoln and Liberty
94 bpm • D Maj • 02:19 • -5.48db
18% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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David Kincaid
The Harp of Old Erin and Banner of Stars
98 bpm • F Maj • 03:44 • -12.16db
15% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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United States Air Force Heritage of America Band
The World Turned Upside Down (Fifes and ...
94 bpm • A# min • 01:09 • -17.22db
16% Popularity • 55% Danceability • 53% Energy • 10% Liveness
95% Instrumentalness • 63% Positiveness
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The Sheringham Shantymen
High Germany
94 bpm • A# Maj • 02:25 • -14db
17% Popularity • 64% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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1st Michigan Colonial Fife And Drum Corps
Rakes of Mallow
98 bpm • F min • 00:56 • -18.87db
14% Popularity • 78% Danceability • 90% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Peter Hall
Tom Bombadil's Song (I)
98 bpm • G Maj • 05:40 • -14.42db
22% Popularity • 40% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 11% Positiveness
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Brian Boru Irish Pipe Band
The Pikeman's March, The Battle of Water...
98 bpm • F# Maj • 02:21 • -10.8db
29% Popularity • 36% Danceability • 63% Energy • 24% Liveness
91% Instrumentalness • 46% Positiveness
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Alastair McDonald
Harlaw
94 bpm • F Maj • 04:27 • -14db
12% Popularity • 74% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Adonis Augustus
My dream
98 bpm • B min • 02:34 • -6.74db
14% Popularity • 81% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Brian Gulland
Skye Boat Song
98 bpm • D min • 01:00 • -27.28db
2% Popularity • 51% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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United States Old Guard Fife and Drum Corps
Royal American Medley
98 bpm • D# Maj • 05:23 • -13.29db
15% Popularity • 82% Danceability • 50% Energy • 17% Liveness
89% Instrumentalness • 44% Positiveness
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Silly Wizard
The Queen Of Argyll
94 bpm • F# Maj • 03:24 • -6.34db
36% Popularity • 48% Danceability • 78% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
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Odetta
Battle Hymn Of The Republic
94 bpm • D Maj • 03:54 • -18.29db
13% Popularity • 47% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Dorothy Mesney
The Green Mountaineer
94 bpm • C Maj • 01:15 • -19.71db
11% Popularity • 67% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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David Kincaid
Young America And Ould Ireland
98 bpm • C Maj • 03:35 • -10db
21% Popularity • 59% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Salty Dick
Banks Of The Sacramento
99 bpm • A# Maj • 02:02 • -12db
19% Popularity • 81% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Mat Williams
The Derby Ram
99 bpm • G Maj • 03:29 • -8db
27% Popularity • 64% Danceability • 55% Energy • 65% Liveness
0% Instrumentalness • 90% Positiveness
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Schooner Fare
Far Away in Australia
99 bpm • D# Maj • 02:45 • -12.82db
13% Popularity • 64% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Morgan Hewitt
Together
99 bpm • D Maj • 03:17 • -10.14db
21% Popularity • 75% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Kimber's Men
ADMIRAL BENBOW
93 bpm • D Maj • 03:02 • -15db
11% Popularity • 68% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Stan Rogers
The Maid On The Shore
99 bpm • A min • 03:44 • -19db
30% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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John Roberts
Oak, Ash and Thorn
99 bpm • A min • 02:43 • -23db
19% Popularity • 68% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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The Crimson Pirates
Ballad of Magellan
99 bpm • E min • 03:10 • -5.1db
8% Popularity • 71% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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The Wolfe Tones
Come Out Ye Black & Tans
99 bpm • F Maj • 03:04 • -14.68db
54% Popularity • 69% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Mcginty
Marching Inland
100 bpm • C# Maj • 02:41 • -8db
34% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Pipes and Drums of The London Scottish Regiment
Highland Laddie; Black Bear
100 bpm • F min • 02:56 • -12db
30% Popularity • 52% Danceability • 84% Energy • 35% Liveness
1% Instrumentalness • 43% Positiveness
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The Teacups
Agamemnon
100 bpm • B Maj • 03:03 • -8db
30% Popularity • 69% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Silly Wizard
The Ramblin' Rover
100 bpm • C Maj • 03:17 • -9.19db
39% Popularity • 71% Danceability • 50% Energy • 97% Liveness
0% Instrumentalness • 85% Positiveness
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Jimmy & Scots Folk Band
Wellerman / Drunken Sailor / Dead Man's ...
100 bpm • C# min • 03:47 • -11.13db
38% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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David Scobie
Rhodesians Never Die
100 bpm • C Maj • 03:21 • -10.59db
34% Popularity • 72% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Brian Gulland
Countryside Calendar
100 bpm • E min • 03:04 • -16.06db
0% Popularity • 46% Danceability • 11% Energy • 15% Liveness
94% Instrumentalness • 31% Positiveness
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Patriotic Fathers
Yankee Doodle Dandy - American Classic w...
100 bpm • C Maj • 01:19 • -14db
29% Popularity • 93% Danceability • 50% Energy • 28% Liveness
69% Instrumentalness • 86% Positiveness
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Tennessee Ernie Ford
The Why And The Wherefore
92 bpm • C# Maj • 02:14 • -8.96db
25% Popularity • 86% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Foc'sle Singers
Rio Grande
92 bpm • D Maj • 02:46 • -9.75db
13% Popularity • 64% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Alex Beaton
Hey Johnny Cope
92 bpm • C Maj • 03:23 • -13.09db
12% Popularity • 74% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Kristoph Klover
Fire in the Sky (Kristoph Klover)
100 bpm • A min • 04:37 • -7db
32% Popularity • 45% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Colonial Williamsburg Fifes & Drums
The World Turned Upside Down or When the...
92 bpm • B Maj • 01:07 • -8.82db
14% Popularity • 82% Danceability • 88% Energy • 6% Liveness
46% Instrumentalness • 81% Positiveness
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Fiachra Trench
Amourette
100 bpm • A min • 02:24 • -17.77db
0% Popularity • 16% Danceability • 13% Energy • 31% Liveness
91% Instrumentalness • 8% Positiveness
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Orthodox Celts
Star of the Country Down
101 bpm • D Maj • 02:25 • -16.19db
33% Popularity • 78% Danceability • 45% Energy • 34% Liveness
51% Instrumentalness • 92% Positiveness
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Tennessee Ernie Ford
The Girl I Left Behind Me
101 bpm • A Maj • 02:02 • -9.68db
33% Popularity • 74% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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The Skullduggers
Maui
101 bpm • E min • 02:49 • -6.05db
30% Popularity • 49% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
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David Kincaid
We’ll Fight For Uncle Sam
101 bpm • B Maj • 03:52 • -11db
36% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Jimmy Aldridge & Sid Goldsmith
Chemical Workers Song
101 bpm • C min • 03:42 • -7.36db
31% Popularity • 68% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Mick Moloney
The Boatman's Dance
101 bpm • A Maj • 03:39 • -10.76db
26% Popularity • 66% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Brian Gulland
Fierce and Dainty
91 bpm • G Maj • 02:19 • -12.64db
0% Popularity • 82% Danceability • 17% Energy • 14% Liveness
25% Instrumentalness • 67% Positiveness
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The Corries
Twa Recruitin' Sergeants
101 bpm • F Maj • 04:02 • -14db
24% Popularity • 55% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
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The Exmouth Shanty Men
Pump Her Dry
102 bpm • A Maj • 03:04 • -21.15db
23% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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John McEuen
Drill, Ye Terriers, Drill
102 bpm • A Maj • 01:52 • -4.37db
21% Popularity • 69% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Stan Rogers
Northwest Passage
102 bpm • D Maj • 04:49 • -17.72db
46% Popularity • 58% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Jimlapbap
Through the Fire and Flames Shanty
102 bpm • A# Maj • 03:13 • -12.88db
30% Popularity • 72% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Orthodox Celts
Kesh Jig
102 bpm • D Maj • 01:04 • -14.14db
31% Popularity • 55% Danceability • 44% Energy • 7% Liveness
93% Instrumentalness • 97% Positiveness
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Leslie Fish
The Sun Is Also a Warrior
102 bpm • D min • 06:25 • -9.03db
14% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Ellen Cohn
Ten Penny Bit
102 bpm • B min • 01:31 • -20.41db
10% Popularity • 68% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 98% Positiveness
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Port Isaac's Fisherman's Friends
Sloop John B - Live
90 bpm • F Maj • 03:50 • -11.27db
35% Popularity • 40% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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The Corries
The Bonnie Ship The Diamond
103 bpm • G min • 02:45 • -17db
22% Popularity • 60% Danceability • 27% Energy • 66% Liveness
0% Instrumentalness • 40% Positiveness
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The Celtic Connection
The Last Shanty
103 bpm • A# min • 03:01 • -12.06db
49% Popularity • 66% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Sods' Opera
Tins
103 bpm • D Maj • 02:36 • -10.82db
15% Popularity • 42% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Ray Richards
What Shall We Do With a Drunken Sailor?
103 bpm • E Maj • 03:19 • -10.47db
24% Popularity • 68% Danceability • 58% Energy • 13% Liveness
11% Instrumentalness • 96% Positiveness
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Leslie Fish
Cold Iron
104 bpm • F Maj • 03:50 • -10.69db
26% Popularity • 35% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Foc'sle Singers
Haul on the Bowline
89 bpm • C# Maj • 01:20 • -8.28db
15% Popularity • 57% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Kimber's Men
SOUTH AUSTRALIA
104 bpm • C Maj • 02:15 • -13.7db
39% Popularity • 81% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Salty Dick
Christopher Columbo
104 bpm • A# Maj • 03:19 • -10.14db
20% Popularity • 86% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Tennessee Ernie Ford
The New York Volunteer
104 bpm • D Maj • 02:06 • -8.31db
28% Popularity • 84% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Alastair McDonald
Such A Parcel Of Rogues In A Nation
89 bpm • A min • 03:39 • -17db
27% Popularity • 55% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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David Kincaid
The Irish Sixty-Ninth
104 bpm • A min • 05:52 • -11.43db
20% Popularity • 66% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Clamavi De Profundis
Heigh Ho Complete
104 bpm • F Maj • 03:15 • -11db
23% Popularity • 42% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Tippecanoe Ancient Fife & Drum Corps
Hell on the Wabash
89 bpm • A# min • 01:32 • -4.25db
18% Popularity • 52% Danceability • 83% Energy • 4% Liveness
90% Instrumentalness • 58% Positiveness
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Paddy Reilly
Farewell to Nova Scotia
104 bpm • B Maj • 03:55 • -8.16db
31% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Kimber's Men
RIO GRANDE
105 bpm • C# Maj • 03:05 • -14db
13% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Brian Gulland
Medieval Fayre
88 bpm • C Maj • 02:06 • -15.4db
0% Popularity • 76% Danceability • 8% Energy • 20% Liveness
57% Instrumentalness • 60% Positiveness
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The_miracle_aligner
Immigrant Song in Old Norse
105 bpm • F min • 02:34 • -9.13db
22% Popularity • 54% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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The Chieftains
The Raggle Taggle Gypsy
105 bpm • D min • 03:07 • -6.21db
30% Popularity • 58% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Derek Warfield & The Young Wolfe Tones
The Minstrel Boy
105 bpm • D Maj • 03:27 • -4.16db
18% Popularity • 51% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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The Band Of The Irish Guards
Maple Leaf Forever
105 bpm • D# Maj • 00:59 • -10db
24% Popularity • 71% Danceability • 36% Energy • 12% Liveness
99% Instrumentalness • 93% Positiveness
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Upon the Ocean Waves