Songs like Uppercut! by Saint Agnes
Based on a tempo of (+/- 10%) and a similar genre
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snake eyes
listen
164 bpm • A# Maj • 03:16 • -6.8db
9% Popularity • 45% Danceability • 87% Energy • 11% Liveness
78% Instrumentalness • 75% Positiveness
9% Popularity • 45% Danceability • 87% Energy • 11% Liveness
78% Instrumentalness • 75% Positiveness
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Cassyette
Petrichor
164 bpm • E min • 04:03 • -7db
52% Popularity • 39% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 39% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Calva Louise
Cruel Girl
164 bpm • E Maj • 02:53 • -5.18db
20% Popularity • 34% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 34% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Saint Agnes
Uppercut!
164 bpm • C# Maj • 02:48 • -3.27db
15% Popularity • 32% Danceability • 97% Energy • 27% Liveness
2% Instrumentalness • 28% Positiveness
15% Popularity • 32% Danceability • 97% Energy • 27% Liveness
2% Instrumentalness • 28% Positiveness
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PVCKER UP
Becky
163 bpm • C Maj • 02:34 • -5.31db
8% Popularity • 39% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 39% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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BONES UK
Milk
164 bpm • B min • 03:06 • -6.11db
23% Popularity • 62% Danceability • 77% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 62% Danceability • 77% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Holy Wars
21ST CENTURY BITCH
163 bpm • D Maj • 02:45 • -3.98db
43% Popularity • 46% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 46% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Bexley
Far From Home
163 bpm • E Maj • 03:47 • -6.13db
15% Popularity • 15% Danceability • 68% Energy • 26% Liveness
8% Instrumentalness • 5% Positiveness
15% Popularity • 15% Danceability • 68% Energy • 26% Liveness
8% Instrumentalness • 5% Positiveness
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Dreadlight
SHE
165 bpm • D Maj • 01:45 • -6.32db
18% Popularity • 50% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 50% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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The Soap Girls
Jonny Rotten
165 bpm • B min • 04:37 • -7.12db
16% Popularity • 48% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 48% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Siiickbrain
Power
165 bpm • D Maj • 02:56 • -4.07db
36% Popularity • 47% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 47% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Witch Fever
Bezerk(h)er
165 bpm • G# Maj • 03:14 • -7.26db
17% Popularity • 36% Danceability • 98% Energy • 9% Liveness
33% Instrumentalness • 30% Positiveness
17% Popularity • 36% Danceability • 98% Energy • 9% Liveness
33% Instrumentalness • 30% Positiveness
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Holy Wars
MY DRUGS ARE DIGITAL
163 bpm • G# Maj • 02:53 • -3.04db
36% Popularity • 56% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 56% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Bambie Thug
NECROMANCY
165 bpm • G Maj • 03:09 • -6.27db
26% Popularity • 29% Danceability • 80% Energy • 27% Liveness
14% Instrumentalness • 43% Positiveness
26% Popularity • 29% Danceability • 80% Energy • 27% Liveness
14% Instrumentalness • 43% Positiveness
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Dana Dentata
Dstock ’99
165 bpm • C# Maj • 02:18 • -3.91db
20% Popularity • 58% Danceability • 96% Energy • 76% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 58% Danceability • 96% Energy • 76% Liveness
0% Instrumentalness • 67% Positiveness
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Bad Waitress
Where Did I Go Last Night?
165 bpm • B Maj • 01:38 • -4db
15% Popularity • 18% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 18% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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Saint Agnes
No Pussy Blues
162 bpm • G# Maj • 04:42 • -6.26db
6% Popularity • 33% Danceability • 76% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
6% Popularity • 33% Danceability • 76% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
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The Atom Age
Honeybees
166 bpm • F# min • 02:13 • -5.91db
9% Popularity • 36% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 36% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Holy Wars
VenoM
163 bpm • E Maj • 02:43 • -5.88db
19% Popularity • 48% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 48% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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We Are PIGS
Pulse Queen
162 bpm • A Maj • 03:28 • -7.54db
28% Popularity • 42% Danceability • 90% Energy • 33% Liveness
7% Instrumentalness • 48% Positiveness
28% Popularity • 42% Danceability • 90% Energy • 33% Liveness
7% Instrumentalness • 48% Positiveness
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Bicurious
I Can Hear Them Too
162 bpm • B min • 04:53 • -10.52db
25% Popularity • 37% Danceability • 58% Energy • 4% Liveness
45% Instrumentalness • 34% Positiveness
25% Popularity • 37% Danceability • 58% Energy • 4% Liveness
45% Instrumentalness • 34% Positiveness
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WAVEBOMB
Facing Waves
162 bpm • F# min • 03:20 • -5.94db
16% Popularity • 35% Danceability • 95% Energy • 29% Liveness
66% Instrumentalness • 41% Positiveness
16% Popularity • 35% Danceability • 95% Energy • 29% Liveness
66% Instrumentalness • 41% Positiveness
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Saint Agnes
Outsider - House of Blood Remix
166 bpm • B min • 04:33 • -7.29db
2% Popularity • 55% Danceability • 76% Energy • 10% Liveness
31% Instrumentalness • 25% Positiveness
2% Popularity • 55% Danceability • 76% Energy • 10% Liveness
31% Instrumentalness • 25% Positiveness
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The Soap Girls
Societys Reject
166 bpm • B min • 03:46 • -5db
21% Popularity • 47% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 47% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Airways
Out of Control
166 bpm • C# Maj • 03:20 • -5.1db
27% Popularity • 45% Danceability • 97% Energy • 38% Liveness
2% Instrumentalness • 50% Positiveness
27% Popularity • 45% Danceability • 97% Energy • 38% Liveness
2% Instrumentalness • 50% Positiveness
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Dead Pony
I Don't Need A Lot
166 bpm • C Maj • 02:55 • -5.95db
18% Popularity • 56% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 56% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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We Are PIGS
Oshi
162 bpm • G# Maj • 03:30 • -4.16db
18% Popularity • 39% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 39% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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The Pink Slips
Sweet Talker
162 bpm • A min • 03:01 • -3.12db
10% Popularity • 62% Danceability • 97% Energy • 20% Liveness
1% Instrumentalness • 38% Positiveness
10% Popularity • 62% Danceability • 97% Energy • 20% Liveness
1% Instrumentalness • 38% Positiveness
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Saint Agnes
Outsider
166 bpm • G Maj • 04:05 • -11.54db
17% Popularity • 34% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 34% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Hands Off Gretel
One Eyed Girl
166 bpm • G Maj • 04:23 • -5db
14% Popularity • 41% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 41% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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PLAIINS
Snvkes
161 bpm • D Maj • 02:34 • -3.79db
13% Popularity • 43% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 43% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Dead Pony
War Boys
166 bpm • A Maj • 03:09 • -7.18db
18% Popularity • 44% Danceability • 86% Energy • 6% Liveness
67% Instrumentalness • 43% Positiveness
18% Popularity • 44% Danceability • 86% Energy • 6% Liveness
67% Instrumentalness • 43% Positiveness
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WARGASM (UK)
Your Patron Saints
161 bpm • C# Maj • 03:24 • -8.2db
33% Popularity • 46% Danceability • 91% Energy • 17% Liveness
3% Instrumentalness • 57% Positiveness
33% Popularity • 46% Danceability • 91% Energy • 17% Liveness
3% Instrumentalness • 57% Positiveness
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LIINES
On and On
161 bpm • G# Maj • 02:21 • -6.1db
15% Popularity • 47% Danceability • 97% Energy • 10% Liveness
2% Instrumentalness • 67% Positiveness
15% Popularity • 47% Danceability • 97% Energy • 10% Liveness
2% Instrumentalness • 67% Positiveness
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Blood Red Shoes
GIVE UP
167 bpm • A min • 04:11 • -6.28db
17% Popularity • 48% Danceability • 85% Energy • 7% Liveness
67% Instrumentalness • 4% Positiveness
17% Popularity • 48% Danceability • 85% Energy • 7% Liveness
67% Instrumentalness • 4% Positiveness
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Skating Polly
Send A Priest
160 bpm • F# min • 03:55 • -6.9db
22% Popularity • 30% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 30% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Tigress
Feel It
168 bpm • C Maj • 02:46 • -6.97db
9% Popularity • 43% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
9% Popularity • 43% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Cassyette
Dead Roses
160 bpm • E min • 02:48 • -5db
37% Popularity • 43% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 43% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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WARGASM (UK)
Backyard Bastards
161 bpm • G# Maj • 03:48 • -8.82db
32% Popularity • 43% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 43% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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BONES UK
Boys Will Be Girls
168 bpm • C# Maj • 03:07 • -6db
32% Popularity • 46% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 46% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
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Estrons
Killing Your Love
168 bpm • C# Maj • 03:21 • -7.28db
13% Popularity • 53% Danceability • 63% Energy • 3% Liveness
16% Instrumentalness • 54% Positiveness
13% Popularity • 53% Danceability • 63% Energy • 3% Liveness
16% Instrumentalness • 54% Positiveness
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Dead Pony
Sharp Tongues
160 bpm • C# Maj • 02:43 • -6.59db
27% Popularity • 51% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 51% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Tigress
Disconnect
168 bpm • D Maj • 03:13 • -6.05db
9% Popularity • 49% Danceability • 93% Energy • 6% Liveness
50% Instrumentalness • 33% Positiveness
9% Popularity • 49% Danceability • 93% Energy • 6% Liveness
50% Instrumentalness • 33% Positiveness
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Calva Louise
Third Class Citizen
160 bpm • C# Maj • 03:30 • -6.71db
29% Popularity • 58% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 41% Positiveness
29% Popularity • 58% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 41% Positiveness
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ALT BLK ERA
Rockstar
160 bpm • G Maj • 02:28 • -4.3db
32% Popularity • 50% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 50% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Black Honey
Run for Cover
168 bpm • F# min • 02:57 • -4db
28% Popularity • 45% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 45% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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James and the Cold Gun
Long Way Home
160 bpm • E min • 03:39 • -3.68db
9% Popularity • 46% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 46% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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LUNA AURA
SWEET SENSATION
160 bpm • D Maj • 02:39 • -5db
22% Popularity • 64% Danceability • 91% Energy • 18% Liveness
13% Instrumentalness • 71% Positiveness
22% Popularity • 64% Danceability • 91% Energy • 18% Liveness
13% Instrumentalness • 71% Positiveness
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SNAYX
Buck
160 bpm • F# min • 03:59 • -6.94db
19% Popularity • 38% Danceability • 95% Energy • 33% Liveness
46% Instrumentalness • 25% Positiveness
19% Popularity • 38% Danceability • 95% Energy • 33% Liveness
46% Instrumentalness • 25% Positiveness
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Calva Louise
Ephemeral
160 bpm • F# min • 03:42 • -6.62db
20% Popularity • 61% Danceability • 68% Energy • 10% Liveness
34% Instrumentalness • 44% Positiveness
20% Popularity • 61% Danceability • 68% Energy • 10% Liveness
34% Instrumentalness • 44% Positiveness
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Dead Sara
Good Times
160 bpm • B Maj • 03:42 • -3.42db
22% Popularity • 52% Danceability • 83% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 52% Danceability • 83% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
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BEX
Bite My Tongue
160 bpm • A Maj • 02:47 • -4.81db
8% Popularity • 49% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 49% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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James and the Cold Gun
She Moves
160 bpm • A Maj • 03:31 • -7.44db
31% Popularity • 34% Danceability • 97% Energy • 48% Liveness
29% Instrumentalness • 19% Positiveness
31% Popularity • 34% Danceability • 97% Energy • 48% Liveness
29% Instrumentalness • 19% Positiveness
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Punkband
abcabcabcabcabc
160 bpm • C# Maj • 01:59 • -4.33db
25% Popularity • 50% Danceability • 98% Energy • 33% Liveness
1% Instrumentalness • 38% Positiveness
25% Popularity • 50% Danceability • 98% Energy • 33% Liveness
1% Instrumentalness • 38% Positiveness
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CRASHFACE
ultraplasticplanetkiller
168 bpm • F min • 02:31 • -3.26db
14% Popularity • 39% Danceability • 98% Energy • 16% Liveness
1% Instrumentalness • 19% Positiveness
14% Popularity • 39% Danceability • 98% Energy • 16% Liveness
1% Instrumentalness • 19% Positiveness
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Bexley
Misery
160 bpm • E Maj • 03:37 • -5.25db
18% Popularity • 35% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 35% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Starcrawler
Roadkill
160 bpm • G Maj • 02:22 • -3.3db
29% Popularity • 47% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 47% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Jamie Lenman
I Don't Wanna Be Your Friend
160 bpm • A Maj • 02:34 • -5.43db
13% Popularity • 54% Danceability • 90% Energy • 4% Liveness
1% Instrumentalness • 27% Positiveness
13% Popularity • 54% Danceability • 90% Energy • 4% Liveness
1% Instrumentalness • 27% Positiveness
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The Soap Girls
Breathe
160 bpm • E Maj • 03:57 • -6.46db
13% Popularity • 38% Danceability • 94% Energy • 7% Liveness
81% Instrumentalness • 35% Positiveness
13% Popularity • 38% Danceability • 94% Energy • 7% Liveness
81% Instrumentalness • 35% Positiveness
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Djerv
(We Don't) Hang No More
160 bpm • A min • 02:58 • -6db
27% Popularity • 49% Danceability • 85% Energy • 37% Liveness
1% Instrumentalness • 79% Positiveness
27% Popularity • 49% Danceability • 85% Energy • 37% Liveness
1% Instrumentalness • 79% Positiveness
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WARGASM (UK)
Gold Gold Gold
168 bpm • A min • 03:10 • -4.86db
29% Popularity • 37% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 37% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Cassyette
Die Hate Cry
160 bpm • A Maj • 00:59 • -6.21db
37% Popularity • 33% Danceability • 94% Energy • 62% Liveness
85% Instrumentalness • 7% Positiveness
37% Popularity • 33% Danceability • 94% Energy • 62% Liveness
85% Instrumentalness • 7% Positiveness
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Kills Birds
Cough Up Cherries
169 bpm • C# Maj • 02:56 • -5db
16% Popularity • 36% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 36% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Radkey
P.A.W
169 bpm • C min • 02:40 • -5.75db
28% Popularity • 29% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
28% Popularity • 29% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Strange Bones
Snakepit
159 bpm • A Maj • 02:56 • -6.12db
7% Popularity • 15% Danceability • 96% Energy • 45% Liveness
21% Instrumentalness • 38% Positiveness
7% Popularity • 15% Danceability • 96% Energy • 45% Liveness
21% Instrumentalness • 38% Positiveness
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ARXX
Iron Lung
158 bpm • E min • 03:01 • -4.88db
26% Popularity • 31% Danceability • 87% Energy • 38% Liveness
1% Instrumentalness • 52% Positiveness
26% Popularity • 31% Danceability • 87% Energy • 38% Liveness
1% Instrumentalness • 52% Positiveness
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Bad Waitress
That Sedative
170 bpm • A min • 02:21 • -4db
34% Popularity • 18% Danceability • 86% Energy • 35% Liveness
84% Instrumentalness • 43% Positiveness
34% Popularity • 18% Danceability • 86% Energy • 35% Liveness
84% Instrumentalness • 43% Positiveness
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False Advertising
Personal Space
158 bpm • C# Maj • 03:40 • -7.05db
14% Popularity • 50% Danceability • 66% Energy • 21% Liveness
2% Instrumentalness • 53% Positiveness
14% Popularity • 50% Danceability • 66% Energy • 21% Liveness
2% Instrumentalness • 53% Positiveness
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Bexley
In The Night
158 bpm • A Maj • 03:17 • -4.75db
24% Popularity • 39% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 39% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Tom Morello
Radium Girls
170 bpm • D Maj • 03:49 • -3db
32% Popularity • 46% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 48% Positiveness
32% Popularity • 46% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 48% Positiveness
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Mimi Barks
BACK OFF
158 bpm • B Maj • 02:18 • -4db
30% Popularity • 61% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 61% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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BEX
Don't Date The Devil
157 bpm • C# Maj • 02:50 • -6.27db
18% Popularity • 56% Danceability • 85% Energy • 11% Liveness
9% Instrumentalness • 80% Positiveness
18% Popularity • 56% Danceability • 85% Energy • 11% Liveness
9% Instrumentalness • 80% Positiveness
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Gaffa Tape Sandy
Kill the Chord
157 bpm • A Maj • 03:25 • -4.65db
25% Popularity • 36% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 36% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Hands Off Gretel
She Thinks She's Punk Rock n Roll
170 bpm • G Maj • 02:05 • -4.08db
32% Popularity • 34% Danceability • 98% Energy • 95% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 34% Danceability • 98% Energy • 95% Liveness
0% Instrumentalness • 29% Positiveness
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Bad Waitress
Spit It Out
172 bpm • E Maj • 02:38 • -4.93db
10% Popularity • 18% Danceability • 89% Energy • 10% Liveness
94% Instrumentalness • 49% Positiveness
10% Popularity • 18% Danceability • 89% Energy • 10% Liveness
94% Instrumentalness • 49% Positiveness
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Estrons
Belfast
172 bpm • E min • 02:04 • -3.16db
27% Popularity • 40% Danceability • 90% Energy • 9% Liveness
85% Instrumentalness • 54% Positiveness
27% Popularity • 40% Danceability • 90% Energy • 9% Liveness
85% Instrumentalness • 54% Positiveness
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Holy Wars
Deus Ex Machina
157 bpm • D Maj • 02:49 • -4.04db
24% Popularity • 30% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 30% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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The Pink Slips
Texas
172 bpm • E min • 03:15 • -1.23db
14% Popularity • 42% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 42% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Bexley
Female Hysteria
172 bpm • B min • 03:19 • -3.95db
15% Popularity • 28% Danceability • 94% Energy • 64% Liveness
89% Instrumentalness • 24% Positiveness
15% Popularity • 28% Danceability • 94% Energy • 64% Liveness
89% Instrumentalness • 24% Positiveness
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Dead Sara
Heroes
172 bpm • G Maj • 03:16 • -5.37db
29% Popularity • 40% Danceability • 76% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 40% Danceability • 76% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
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The Damned Things
Something Good
172 bpm • B min • 03:43 • -6.06db
29% Popularity • 50% Danceability • 97% Energy • 36% Liveness
5% Instrumentalness • 51% Positiveness
29% Popularity • 50% Danceability • 97% Energy • 36% Liveness
5% Instrumentalness • 51% Positiveness
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Estrons
Lilac
172 bpm • B Maj • 02:37 • -3.74db
23% Popularity • 31% Danceability • 86% Energy • 13% Liveness
57% Instrumentalness • 43% Positiveness
23% Popularity • 31% Danceability • 86% Energy • 13% Liveness
57% Instrumentalness • 43% Positiveness
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Sick Joy
Dissolve Me
156 bpm • A min • 02:40 • -7.04db
35% Popularity • 39% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 39% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Cassyette
Prison Purse
172 bpm • E min • 03:49 • -7.61db
35% Popularity • 34% Danceability • 79% Energy • 83% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 34% Danceability • 79% Energy • 83% Liveness
0% Instrumentalness • 33% Positiveness
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PENGSHUi
This Is My Youth
172 bpm • C# Maj • 03:17 • -3.75db
10% Popularity • 46% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 46% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 37% Positiveness
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Dead Sara
Hypnotic
172 bpm • C Maj • 02:58 • -6db
29% Popularity • 52% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 52% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Kills Birds
Glisten
156 bpm • G# Maj • 03:54 • -5.64db
20% Popularity • 24% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 24% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Dead Pony
Zero
156 bpm • D# min • 03:19 • -6.48db
27% Popularity • 45% Danceability • 89% Energy • 70% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 45% Danceability • 89% Energy • 70% Liveness
0% Instrumentalness • 75% Positiveness
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SNAYX
I'm Deranged
156 bpm • G# min • 02:14 • -6.51db
36% Popularity • 60% Danceability • 76% Energy • 2% Liveness
62% Instrumentalness • 92% Positiveness
36% Popularity • 60% Danceability • 76% Energy • 2% Liveness
62% Instrumentalness • 92% Positiveness
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Punkband
Criminal Nah
156 bpm • C Maj • 02:03 • -2.94db
24% Popularity • 66% Danceability • 98% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 66% Danceability • 98% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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A VOID
Stepping On Snails
156 bpm • G Maj • 04:21 • -6.08db
9% Popularity • 50% Danceability • 91% Energy • 13% Liveness
1% Instrumentalness • 67% Positiveness
9% Popularity • 50% Danceability • 91% Energy • 13% Liveness
1% Instrumentalness • 67% Positiveness
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Sumo Cyco
Bad News
156 bpm • F min • 03:54 • -5.78db
17% Popularity • 60% Danceability • 90% Energy • 39% Liveness
7% Instrumentalness • 76% Positiveness
17% Popularity • 60% Danceability • 90% Energy • 39% Liveness
7% Instrumentalness • 76% Positiveness
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Witch Fever
Abject
173 bpm • G Maj • 02:49 • -7.17db
13% Popularity • 14% Danceability • 84% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
13% Popularity • 14% Danceability • 84% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
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Dead Pony
23, Never Me
156 bpm • F# min • 02:55 • -6db
39% Popularity • 49% Danceability • 80% Energy • 25% Liveness
8% Instrumentalness • 45% Positiveness
39% Popularity • 49% Danceability • 80% Energy • 25% Liveness
8% Instrumentalness • 45% Positiveness
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Saint Agnes
Vampire
156 bpm • D# min • 03:07 • -2.69db
28% Popularity • 44% Danceability • 95% Energy • 52% Liveness
2% Instrumentalness • 46% Positiveness
28% Popularity • 44% Danceability • 95% Energy • 52% Liveness
2% Instrumentalness • 46% Positiveness
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Grandmas House
Feed Me
156 bpm • E Maj • 01:52 • -7db
23% Popularity • 24% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 24% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Egg Drop Soup
Or Durves
173 bpm • A min • 02:02 • -5.64db
15% Popularity • 33% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 33% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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SPRINTS
Delia Smith
155 bpm • C# Maj • 03:39 • -8.27db
26% Popularity • 27% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 27% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
