Songs like Urs by John-Robert
Based on a tempo of (+/- 10%) and a similar genre
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John-Robert
Urs
117 bpm • C# min • 03:10 • -8.78db
34% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Del Water Gap
High Tops (Stripped)
117 bpm • G Maj • 04:10 • -5.07db
36% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Genevieve Stokes
Running Away
117 bpm • C Maj • 03:06 • -10db
41% Popularity • 43% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 43% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Claire
HRV
117 bpm • A min • 03:08 • -17.58db
31% Popularity • 61% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 61% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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HOAX
you get so alone sometimes
116 bpm • A Maj • 04:19 • -7.22db
23% Popularity • 53% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 53% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Rex Orange County
It's Not The Same Anymore
118 bpm • F Maj • 06:26 • -10.64db
62% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
62% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Atticus Walker
Tomorrow's Comin'
116 bpm • E Maj • 02:02 • -11.61db
35% Popularity • 73% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 73% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Eli Elisco
Do You Hear the Talking Too
118 bpm • A# Maj • 04:48 • -25.11db
24% Popularity • 68% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 68% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Charlie Burg
Channel Orange In Your Living Room
119 bpm • B Maj • 02:38 • -6.49db
49% Popularity • 70% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 70% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Andy Leon
Zanesville, Ohio
119 bpm • G Maj • 02:47 • -14.53db
22% Popularity • 51% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 51% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Isaac Lewis
Traffic Lights
115 bpm • A min • 01:06 • -16.13db
10% Popularity • 50% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 43% Positiveness
10% Popularity • 50% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 43% Positiveness
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Trash Panda
Aging out of the 20th Century
115 bpm • A# Maj • 03:26 • -15.64db
41% Popularity • 53% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 53% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Ten Kills the Pack
Relaxing Apartments
119 bpm • B Maj • 02:05 • -11.51db
35% Popularity • 72% Danceability • 24% Energy • 25% Liveness
12% Instrumentalness • 16% Positiveness
35% Popularity • 72% Danceability • 24% Energy • 25% Liveness
12% Instrumentalness • 16% Positiveness
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Ethan Tasch
No One's Home
115 bpm • F Maj • 02:29 • -7.97db
35% Popularity • 73% Danceability • 56% Energy • 15% Liveness
7% Instrumentalness • 68% Positiveness
35% Popularity • 73% Danceability • 56% Energy • 15% Liveness
7% Instrumentalness • 68% Positiveness
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Olen
Thirteen
115 bpm • C min • 02:24 • -14.16db
23% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Hans Williams
Footsteps
115 bpm • F Maj • 04:02 • -9db
32% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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BabyJake
Blue Cellophane
115 bpm • C Maj • 03:01 • -9.56db
35% Popularity • 68% Danceability • 43% Energy • 19% Liveness
7% Instrumentalness • 28% Positiveness
35% Popularity • 68% Danceability • 43% Energy • 19% Liveness
7% Instrumentalness • 28% Positiveness
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Valley Boy
Sad Girl
115 bpm • G Maj • 03:53 • -9.77db
32% Popularity • 70% Danceability • 39% Energy • 28% Liveness
4% Instrumentalness • 45% Positiveness
32% Popularity • 70% Danceability • 39% Energy • 28% Liveness
4% Instrumentalness • 45% Positiveness
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Christian Leave
Understand
115 bpm • F# Maj • 02:13 • -14db
42% Popularity • 60% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 60% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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c a n d i d !
The One to Blame
115 bpm • G Maj • 04:49 • -8db
11% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jaymison
Wedding Song
115 bpm • D# Maj • 03:33 • -8.51db
24% Popularity • 77% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 77% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Moss
The Drawer
119 bpm • A Maj • 03:37 • -10.73db
27% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Prince of Eden
Oh Delilah!
120 bpm • B Maj • 03:30 • -10.7db
15% Popularity • 36% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 36% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Noah Guy
Love Like I Do
120 bpm • C# min • 03:19 • -8.74db
27% Popularity • 78% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 78% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Wes Reeve
Honey, I
120 bpm • F# Maj • 02:33 • -10.78db
38% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Farmer's Son
Winnebago Baby
120 bpm • C# Maj • 04:11 • -10db
17% Popularity • 70% Danceability • 34% Energy • 42% Liveness
20% Instrumentalness • 44% Positiveness
17% Popularity • 70% Danceability • 34% Energy • 42% Liveness
20% Instrumentalness • 44% Positiveness
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John-Robert
Road Trip
120 bpm • A Maj • 03:05 • -9.95db
37% Popularity • 78% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 78% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Palmer
buttercup
120 bpm • G# Maj • 03:16 • -12.37db
20% Popularity • 78% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 78% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Prince of Eden
Say My Name
120 bpm • D Maj • 03:56 • -5.85db
45% Popularity • 39% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 39% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Dijon
WILD
120 bpm • F Maj • 03:16 • -8db
41% Popularity • 66% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 66% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Comfort Club
New Ways to Miss You
120 bpm • C Maj • 03:19 • -6.86db
28% Popularity • 76% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
28% Popularity • 76% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Duncan Fellows
Icarus
120 bpm • C# Maj • 03:46 • -10.17db
29% Popularity • 55% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
29% Popularity • 55% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
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Tennis Club
Morning
120 bpm • B min • 04:01 • -6db
39% Popularity • 68% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 68% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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carego
inside this dream
120 bpm • C# Maj • 03:09 • -11db
27% Popularity • 66% Danceability • 44% Energy • 6% Liveness
2% Instrumentalness • 10% Positiveness
27% Popularity • 66% Danceability • 44% Energy • 6% Liveness
2% Instrumentalness • 10% Positiveness
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Prince of Eden
Mammal Talk
120 bpm • C# Maj • 03:16 • -15.71db
43% Popularity • 40% Danceability • 41% Energy • 11% Liveness
13% Instrumentalness • 39% Positiveness
43% Popularity • 40% Danceability • 41% Energy • 11% Liveness
13% Instrumentalness • 39% Positiveness
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The Thistle Brothers
Are You Coming Home Tonight?
120 bpm • F Maj • 02:23 • -12.35db
12% Popularity • 82% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 82% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Mob Rich
Yoko Ono (Stripped with Matt Maeson)
114 bpm • E Maj • 03:12 • -12.63db
37% Popularity • 38% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 38% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Ayden Trammell
Things Aren't the Same
120 bpm • F# min • 03:40 • -6.32db
24% Popularity • 68% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 68% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Isaac Lewis
Pareidolia
120 bpm • D Maj • 03:48 • -14.71db
18% Popularity • 57% Danceability • 23% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 57% Danceability • 23% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
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Jeremiah Daly
Crumble
114 bpm • E Maj • 03:40 • -12.8db
26% Popularity • 59% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 59% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Prince of Eden
Drive
120 bpm • C Maj • 03:36 • -11.15db
19% Popularity • 53% Danceability • 52% Energy • 41% Liveness
16% Instrumentalness • 33% Positiveness
19% Popularity • 53% Danceability • 52% Energy • 41% Liveness
16% Instrumentalness • 33% Positiveness
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Evan Crommett
Puzzle Pieces
120 bpm • C# Maj • 02:40 • -10.58db
35% Popularity • 81% Danceability • 30% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
35% Popularity • 81% Danceability • 30% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Ethan Tasch
Room
114 bpm • G Maj • 03:30 • -9.23db
46% Popularity • 83% Danceability • 48% Energy • 14% Liveness
5% Instrumentalness • 67% Positiveness
46% Popularity • 83% Danceability • 48% Energy • 14% Liveness
5% Instrumentalness • 67% Positiveness
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Samuel Lim
Eleanor
120 bpm • C# Maj • 03:30 • -13.91db
36% Popularity • 60% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
36% Popularity • 60% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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John-Robert
Move It to the Side
120 bpm • C Maj • 02:33 • -8.12db
29% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Charlie Burg
Title Guide to the Talkies
120 bpm • F# Maj • 02:55 • -15db
25% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Path
Eugene
120 bpm • E Maj • 03:18 • -10db
29% Popularity • 59% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 59% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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HOAX
Moon Moon Baby
114 bpm • A Maj • 02:40 • -4.31db
40% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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JJ
Happy?
120 bpm • F Maj • 02:34 • -8.26db
21% Popularity • 47% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 47% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Alexander 23
High School
120 bpm • F# Maj • 03:08 • -7.04db
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Ethan Regan
my fault
120 bpm • B Maj • 02:44 • -16db
41% Popularity • 70% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 70% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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FINNEAS
Hollywood Forever
113 bpm • G Maj • 04:11 • -11.36db
37% Popularity • 38% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 38% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Charlie Burg
Lovesong (The Way)
113 bpm • A Maj • 03:59 • -7.64db
52% Popularity • 55% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 55% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Del Water Gap
Perfume - Spotify Singles
113 bpm • G Maj • 04:35 • -12.59db
21% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Emilia Ali
Loved the ocean
113 bpm • A# Maj • 03:33 • -13.34db
43% Popularity • 54% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 54% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Field Guide
Me & You
122 bpm • A Maj • 02:23 • -9.98db
30% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Grace Lee
Heat Lightning
122 bpm • A# Maj • 04:09 • -10.98db
23% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Matilda Mann
Doomsday
122 bpm • F# Maj • 03:09 • -11db
46% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Hans Williams
Body on My Shoulders
112 bpm • A Maj • 03:44 • -8db
42% Popularity • 44% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 44% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Refs
Stories
122 bpm • G# min • 03:39 • -7.97db
37% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Holden Miller
The Thought
122 bpm • G Maj • 02:30 • -12db
31% Popularity • 93% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 93% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Aeris Roves
No Guarantee - Acoustic Version
122 bpm • G Maj • 03:23 • -13.1db
31% Popularity • 70% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 70% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Dreamer Boy
Bluff
123 bpm • F Maj • 03:41 • -11.57db
21% Popularity • 42% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 42% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Brandt Orange
Hands
112 bpm • A Maj • 04:44 • -8.77db
31% Popularity • 44% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 44% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Farmer's Son
Lost at Sea
124 bpm • A min • 04:23 • -18.78db
18% Popularity • 56% Danceability • 12% Energy • 13% Liveness
14% Instrumentalness • 41% Positiveness
18% Popularity • 56% Danceability • 12% Energy • 13% Liveness
14% Instrumentalness • 41% Positiveness
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The Greeting Committee
Elise
123 bpm • C Maj • 04:14 • -13.16db
44% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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The Moss
The Mood
124 bpm • A Maj • 03:51 • -10db
29% Popularity • 41% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 41% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Joshua Speers
Happy Birthday You're Alone
124 bpm • C# Maj • 03:10 • -9.65db
18% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Backseat Lovers
Olivia
124 bpm • G Maj • 03:12 • -15.37db
56% Popularity • 78% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
56% Popularity • 78% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Homemade Haircuts
Fairy Tale
124 bpm • G# Maj • 02:48 • -10.82db
25% Popularity • 67% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 67% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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ROLE MODEL
notice me - acoustic
124 bpm • G# min • 03:14 • -5.74db
47% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Maeson
Feel Good
124 bpm • F Maj • 03:15 • -11.01db
45% Popularity • 70% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 70% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
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Peter Fenn
Something of Myself
124 bpm • F Maj • 02:18 • -9db
22% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Prince of Eden
Babyblue
110 bpm • C Maj • 01:46 • -20.73db
19% Popularity • 65% Danceability • 6% Energy • 10% Liveness
5% Instrumentalness • 21% Positiveness
19% Popularity • 65% Danceability • 6% Energy • 10% Liveness
5% Instrumentalness • 21% Positiveness
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Rebounder
Lovers
124 bpm • A min • 03:34 • -7.96db
36% Popularity • 69% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 69% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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TOMMY
so in love
110 bpm • B min • 04:03 • -11.21db
9% Popularity • 46% Danceability • 47% Energy • 12% Liveness
10% Instrumentalness • 33% Positiveness
9% Popularity • 46% Danceability • 47% Energy • 12% Liveness
10% Instrumentalness • 33% Positiveness
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Peter Manos
Zach's Ballad
110 bpm • A Maj • 02:48 • -13.2db
21% Popularity • 68% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 68% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Charlie Burg
97 Avalon
110 bpm • B Maj • 06:04 • -7.61db
32% Popularity • 76% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 76% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Calica
Little Girl
110 bpm • D Maj • 03:22 • -8.51db
34% Popularity • 58% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 58% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Prince of Eden
Fly
110 bpm • E Maj • 03:33 • -8.14db
19% Popularity • 51% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 51% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Del Water Gap
Theory of Emotion
110 bpm • E Maj • 05:12 • -6.31db
34% Popularity • 57% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 57% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Angus Maude
Orange Hoodie
110 bpm • D# Maj • 02:59 • -9db
28% Popularity • 72% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 72% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Elijah Miller
This
110 bpm • A# Maj • 03:12 • -16db
19% Popularity • 67% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 67% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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DWLLRS
Dividends
110 bpm • C Maj • 03:38 • -8.14db
47% Popularity • 69% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 69% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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itsjustrand
I Think We Danced (But I Can't Be Sure)
110 bpm • C Maj • 03:48 • -6.9db
34% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Oliver Hazard
The Flood
125 bpm • C Maj • 04:04 • -11.9db
42% Popularity • 60% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 60% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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John-Robert
Good Days'll Come
125 bpm • E Maj • 03:24 • -11.37db
49% Popularity • 83% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 83% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Ethan Regan
like i do.
125 bpm • E Maj • 03:51 • -15.51db
35% Popularity • 85% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 85% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Mr. Carter Davis
Storms
125 bpm • D# Maj • 03:25 • -10.39db
30% Popularity • 56% Danceability • 46% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
30% Popularity • 56% Danceability • 46% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
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myclownshoes
Alexandria
125 bpm • C# Maj • 02:03 • -11.14db
25% Popularity • 85% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 85% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Genevieve Stokes
Simple Love
109 bpm • C Maj • 02:49 • -14.07db
27% Popularity • 47% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 47% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Jaymison
Yellow Squash
125 bpm • C# Maj • 04:13 • -10.21db
31% Popularity • 74% Danceability • 53% Energy • 11% Liveness
14% Instrumentalness • 63% Positiveness
31% Popularity • 74% Danceability • 53% Energy • 11% Liveness
14% Instrumentalness • 63% Positiveness
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John-Robert
Westward Bound
125 bpm • G# Maj • 02:36 • -11.92db
32% Popularity • 65% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 65% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Ethan Tasch
How Are You
109 bpm • E Maj • 04:33 • -5.36db
21% Popularity • 51% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 51% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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ROLE MODEL
play the part
109 bpm • D# Maj • 03:12 • -7db
38% Popularity • 74% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 74% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Goody Grace
210 Lilac Sky
109 bpm • E Maj • 03:32 • -10.91db
30% Popularity • 47% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 47% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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DWLLRS
You
126 bpm • C min • 02:22 • -11.28db
23% Popularity • 57% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 57% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
