Songs like Used to Be by AJ Mitchell
Based on a tempo of (+/- 10%) and a similar genre
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Lewis Capaldi
One
118 bpm • A Maj • 02:59 • -7.09db
64% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
64% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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AJ Mitchell
All My Friends - Eden Prince Extended Re...
118 bpm • C# min • 03:51 • -5.09db
4% Popularity • 81% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
4% Popularity • 81% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan Brady
Still Into You
118 bpm • A Maj • 04:20 • -6.52db
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Mimi Webb
I'll Break My Heart Again
118 bpm • G# Maj • 03:35 • -8.53db
44% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Alessia Cara
Out Of Love
118 bpm • G Maj • 03:47 • -9.25db
68% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
68% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Kina
Get You The Moon
119 bpm • C# min • 02:59 • -16.54db
76% Popularity • 50% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
76% Popularity • 50% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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AJ Mitchell
Used to Be
118 bpm • F Maj • 02:54 • -6.55db
52% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Elina
Mirage
117 bpm • F# min • 02:44 • -12db
43% Popularity • 52% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 52% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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X Ambassadors
Unsteady
117 bpm • C Maj • 03:13 • -6.17db
74% Popularity • 39% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
74% Popularity • 39% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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NF
Hate Myself
117 bpm • A min • 04:20 • -5.28db
69% Popularity • 53% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
69% Popularity • 53% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ruth B.
Dandelions
117 bpm • C# Maj • 03:53 • -2.96db
88% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
88% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Birdy
Not About Angels
117 bpm • C Maj • 03:09 • -11.88db
70% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Labrinth
Jealous
117 bpm • C# Maj • 04:47 • -8.95db
73% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
73% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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We Three
Heaven's Not Too Far
117 bpm • A Maj • 04:02 • -6.58db
53% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Elina
Champion
120 bpm • F# Maj • 02:53 • -9.01db
49% Popularity • 65% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 65% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Tate McRae
Teenage Mind
119 bpm • E min • 02:35 • -9.72db
67% Popularity • 67% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 67% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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NF
If You Want Love
116 bpm • C Maj • 03:19 • -10.22db
72% Popularity • 55% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
72% Popularity • 55% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Lewis Capaldi
Rush
120 bpm • C# Maj • 03:18 • -7.39db
61% Popularity • 63% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 63% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Nessa Barrett
Pain
120 bpm • C Maj • 03:39 • -14.77db
48% Popularity • 47% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
48% Popularity • 47% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Anne-Marie
Her
120 bpm • A# Maj • 02:57 • -5.57db
60% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Hayd
Superhero
120 bpm • A Maj • 04:01 • -19db
51% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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Ashe
Moral of the Story
120 bpm • A# Maj • 03:21 • -8.62db
78% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
78% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ruel
Not Thinkin' Bout You
120 bpm • A# min • 03:08 • -8.55db
52% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Mokita
London
120 bpm • B Maj • 02:40 • -8.72db
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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PRETTYMUCH
Gone 2 Long
120 bpm • C Maj • 03:15 • -9db
41% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
79% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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AJ Mitchell
Say It Again
120 bpm • C# Maj • 03:26 • -7.52db
36% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Digital Farm Animals
Without You Now
120 bpm • E min • 02:51 • -5.23db
31% Popularity • 66% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 66% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Astrid S
Hurts So Good
120 bpm • G min • 03:28 • -5.07db
69% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
69% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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MKTO
Just Imagine It
120 bpm • A# Maj • 04:10 • -4.34db
48% Popularity • 70% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 70% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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NOTD
I Wanna Know - Acoustic
120 bpm • F# Maj • 03:20 • -5.32db
42% Popularity • 67% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 67% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Sik World
7 Years (Remix)
120 bpm • A# Maj • 02:14 • -8.38db
65% Popularity • 81% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 81% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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AJ Mitchell
High Like You
120 bpm • G min • 03:08 • -3.78db
22% Popularity • 75% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 75% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Frawley
No One Can Fix Me
120 bpm • G Maj • 03:26 • -8.82db
52% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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shy martin
Good Together
120 bpm • F# Maj • 03:25 • -7.08db
47% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Kodaline
Brother
120 bpm • A# Maj • 03:23 • -5.91db
73% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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PRETTYMUCH
Would You Mind
116 bpm • F min • 02:59 • -4.93db
48% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Clara Mae
Sorry for Writing All the Songs About Yo...
120 bpm • G Maj • 03:26 • -7.03db
36% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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5 Seconds of Summer
Youngblood
120 bpm • G min • 03:23 • -5.11db
82% Popularity • 60% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
82% Popularity • 60% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Sasha Alex Sloan
Too Sad To Cry
120 bpm • A# Maj • 03:28 • -9.94db
57% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Olivia O'Brien
Find What You're Looking For
121 bpm • G Maj • 03:07 • -11.58db
48% Popularity • 72% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 72% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Alexander 23
High School
120 bpm • F# Maj • 03:08 • -7.04db
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Billie Eilish
lovely
115 bpm • E min • 03:20 • -10.11db
88% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
88% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Clara Mae
Overused
116 bpm • C Maj • 02:41 • -7.79db
36% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Alec Benjamin
If I Killed Someone For You
121 bpm • G Maj • 03:05 • -5.36db
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Sam Smith
Fire On Fire
115 bpm • C# min • 04:06 • -7.36db
77% Popularity • 58% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
77% Popularity • 58% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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AJ Mitchell
Move On
115 bpm • F# min • 02:25 • -5.34db
40% Popularity • 69% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 69% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Michael Schulte
You Said You'd Grow Old With Me
114 bpm • C Maj • 03:44 • -7.04db
59% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
59% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Kat Dahlia
I Think I'm In Love
122 bpm • G Maj • 03:22 • -6.73db
67% Popularity • 63% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
67% Popularity • 63% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Clara Mae
Us
115 bpm • E Maj • 02:57 • -7db
40% Popularity • 57% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 57% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Munn
i'm fucked, i know
122 bpm • C# Maj • 02:25 • -9.04db
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Alec Benjamin
Devil Doesn’t Bargain
121 bpm • D# Maj • 02:43 • -4.57db
73% Popularity • 45% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
73% Popularity • 45% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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AJ Mitchell
No Plans
115 bpm • G Maj • 02:55 • -5.49db
23% Popularity • 79% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 79% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Wrabel
The Village
122 bpm • F Maj • 03:50 • -7.33db
62% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Astrid S
Think Before I Talk
122 bpm • F Maj • 03:04 • -5.59db
48% Popularity • 77% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 77% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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SoMo
You Can Buy Everything
114 bpm • D# min • 03:00 • -5.36db
56% Popularity • 70% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 70% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Munn
Empty Eyes
122 bpm • G# Maj • 03:07 • -8db
50% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Anson Seabra
It's Raining, It's Pouring
114 bpm • D min • 03:03 • -9db
51% Popularity • 60% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 60% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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AJ Mitchell
Hopeful
114 bpm • A# min • 03:18 • -6.26db
22% Popularity • 84% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 84% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Madison Beer
Say It to My Face
114 bpm • B min • 03:09 • -5db
48% Popularity • 75% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 75% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Zoe Wees
Control
114 bpm • E Maj • 03:50 • -4.98db
67% Popularity • 60% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
67% Popularity • 60% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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Noah Cyrus
Lonely
122 bpm • F Maj • 02:24 • -8.27db
66% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
66% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Dylan Conrique
birthday cake
113 bpm • D# Maj • 03:25 • -8.62db
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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MKTO
American Dream
123 bpm • C Maj • 03:45 • -5db
57% Popularity • 55% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
57% Popularity • 55% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Isak Danielson
Always
113 bpm • B Maj • 03:33 • -8.03db
62% Popularity • 69% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 69% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Jaymes Young
Happiest Year
113 bpm • C# Maj • 03:48 • -14.06db
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Andy Grammer
Don't Give Up On Me
113 bpm • C min • 03:16 • -5.45db
58% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
58% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ruth B.
Lost Boy
123 bpm • G Maj • 04:36 • -9.3db
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Calum Scott
Dancing On My Own
113 bpm • C# Maj • 04:20 • -8.75db
81% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
81% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sody
Let You Know
124 bpm • E min • 03:10 • -6.71db
39% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Digital Farm Animals
Without You Now - Franklin Remix
124 bpm • D Maj • 02:41 • -4.98db
6% Popularity • 80% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
6% Popularity • 80% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Tate McRae
you broke me first
124 bpm • E Maj • 02:50 • -9.36db
85% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
85% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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One Direction
18
124 bpm • F# min • 04:08 • -7.76db
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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AJ Mitchell
My Lover, My Friend
112 bpm • D Maj • 02:09 • -10db
33% Popularity • 78% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 78% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Sody
What We Had
124 bpm • G Maj • 03:02 • -7.44db
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Charlotte Lawrence
Everybody Loves You
112 bpm • D Maj • 03:24 • -10.28db
44% Popularity • 48% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 48% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Clara Mae
I'm Not Her
112 bpm • D Maj • 03:14 • -8.94db
53% Popularity • 48% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 48% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Peter Manos
In My Head
112 bpm • A min • 03:34 • -15.36db
58% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
58% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Lewis Capaldi
Before You Go
112 bpm • D# Maj • 03:35 • -4.86db
84% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
84% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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AJ Mitchell
Girls
112 bpm • C Maj • 03:09 • -4db
26% Popularity • 67% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 67% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Niall Horan
This Town
112 bpm • A Maj • 03:52 • -8.47db
81% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
81% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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We Three
Lifeline
112 bpm • B min • 03:11 • -4.81db
44% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Camylio
love and hate
125 bpm • C min • 03:10 • -8.05db
52% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Zara Larsson
Ruin My Life
125 bpm • B Maj • 03:10 • -5db
63% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
63% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Lewis Capaldi
Bruises
111 bpm • E Maj • 03:40 • -7.83db
81% Popularity • 74% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
81% Popularity • 74% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Halsey
You should be sad
111 bpm • D Maj • 03:25 • -6.35db
71% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
71% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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blackbear
do re mi
111 bpm • G# Maj • 03:32 • -6.35db
69% Popularity • 74% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
69% Popularity • 74% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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shy martin
can I call you back?
126 bpm • A Maj • 02:33 • -9.99db
48% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Boy In Space
Drown
126 bpm • F Maj • 03:23 • -7.96db
45% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Ruben
Lay By Me
110 bpm • A# Maj • 02:50 • -7.3db
61% Popularity • 46% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 46% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lewis Capaldi
Lost On You
126 bpm • A# Maj • 03:17 • -8.23db
62% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
