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Used To
Songs like
Used To
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Mutemath
Based on a tempo of (+/- 10%) and a similar genre
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Lewis Del Mar
Malt Liquor
122 bpm • G# Maj • 04:21 • -8.23db
40% Popularity • 70% Danceability • 72% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
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Mutemath
No Response
122 bpm • B min • 04:01 • -6.43db
19% Popularity • 57% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 37% Positiveness
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Foster The People
SHC
122 bpm • F# min • 04:08 • -4.13db
49% Popularity • 50% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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FMLYBND
Phoenix
122 bpm • F# min • 03:49 • -8.16db
24% Popularity • 60% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Phantogram
Same Old Blues
122 bpm • F# min • 03:31 • -3.34db
43% Popularity • 58% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
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Speak
Be Reasonable, Diane
121 bpm • G Maj • 04:32 • -2.53db
9% Popularity • 70% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Sir Sly
High
123 bpm • D Maj • 03:51 • -5.58db
56% Popularity • 74% Danceability • 73% Energy • 6% Liveness
1% Instrumentalness • 73% Positiveness
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Coast Modern
Animals
121 bpm • A Maj • 03:34 • -4.08db
48% Popularity • 60% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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The Colourist
When I'm Away
123 bpm • C# Maj • 03:23 • -7.86db
39% Popularity • 62% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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House of Lions
Uncruel
123 bpm • B Maj • 02:56 • -6db
23% Popularity • 56% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Grizfolk
Cosmic Angel
121 bpm • D Maj • 03:22 • -6db
23% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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MIAMIGO
Hard to Love
123 bpm • G# min • 05:02 • -5.72db
18% Popularity • 60% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Finish Ticket
Tranquilize
120 bpm • C# min • 03:49 • -5.15db
22% Popularity • 60% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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AudioDamn!
Radar
120 bpm • F min • 02:54 • -4.73db
9% Popularity • 66% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
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Max Frost
Paranoia
124 bpm • C Maj • 03:51 • -4.65db
30% Popularity • 77% Danceability • 80% Energy • 19% Liveness
11% Instrumentalness • 76% Positiveness
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VHS Collection
Ghost
120 bpm • G min • 04:17 • -5.86db
36% Popularity • 68% Danceability • 82% Energy • 26% Liveness
1% Instrumentalness • 72% Positiveness
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POWERS
Beat Of My Drum
120 bpm • F# min • 03:26 • -2.48db
45% Popularity • 78% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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half•alive
still feel.
120 bpm • A# min • 04:07 • -6.47db
65% Popularity • 78% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Andrew McMahon in the Wilderness
Canyon Moon
124 bpm • G# min • 03:03 • -6.31db
41% Popularity • 59% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Switchfoot
Float
120 bpm • C Maj • 04:12 • -7.47db
38% Popularity • 78% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Sun Drug
Wildman
120 bpm • G Maj • 03:38 • -4.54db
25% Popularity • 42% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Bad Suns
Salt
120 bpm • G# Maj • 03:46 • -3.62db
35% Popularity • 71% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Robert DeLong
Jealousy
124 bpm • F min • 03:35 • -3.98db
30% Popularity • 57% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Daisy
Your Future is Not Mine (Illangelo Remix...
124 bpm • C# min • 03:55 • -8db
21% Popularity • 59% Danceability • 58% Energy • 34% Liveness
2% Instrumentalness • 19% Positiveness
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Andrew McMahon in the Wilderness
So Close
120 bpm • C min • 03:19 • -4db
38% Popularity • 59% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Cold War Kids
Ordinary Idols
124 bpm • C# min • 03:30 • -3.43db
31% Popularity • 56% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Strange Names
Ricochet
120 bpm • F# min • 04:15 • -5db
14% Popularity • 65% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Paper Route
Zhivago
120 bpm • D min • 03:03 • -5.09db
14% Popularity • 54% Danceability • 81% Energy • 8% Liveness
5% Instrumentalness • 64% Positiveness
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Robert DeLong
Future's Right Here
120 bpm • A min • 05:38 • -4.33db
14% Popularity • 63% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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FMLYBND
Hearts on Fire
120 bpm • A Maj • 03:48 • -5.76db
23% Popularity • 46% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Mutemath
Walking Paranoia
125 bpm • C# Maj • 03:04 • -3.16db
19% Popularity • 62% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Death Cab for Cutie
No Room in Frame
125 bpm • E Maj • 04:05 • -9.77db
42% Popularity • 64% Danceability • 72% Energy • 9% Liveness
47% Instrumentalness • 44% Positiveness
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Miike Snow
I Feel the Weight
120 bpm • F# Maj • 03:43 • -6.5db
28% Popularity • 56% Danceability • 53% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
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BØRNS
Fool
125 bpm • B min • 03:38 • -5db
50% Popularity • 68% Danceability • 80% Energy • 9% Liveness
4% Instrumentalness • 89% Positiveness
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Atlas Genius
If So
125 bpm • G Maj • 03:00 • -5db
47% Popularity • 65% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Phantogram
You're Mine
119 bpm • A# min • 02:51 • -6db
49% Popularity • 66% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Passion Pit
Lifted Up (1985)
125 bpm • C Maj • 04:23 • -3.93db
42% Popularity • 57% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Bear Hands
Marathon Man
125 bpm • C# Maj • 04:12 • -5.34db
9% Popularity • 68% Danceability • 81% Energy • 28% Liveness
5% Instrumentalness • 78% Positiveness
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Polyenso
Osaka Son
119 bpm • F Maj • 04:32 • -9.15db
15% Popularity • 56% Danceability • 74% Energy • 35% Liveness
2% Instrumentalness • 28% Positiveness
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Mutemath
Pixie Oaks
119 bpm • E min • 04:29 • -5.34db
25% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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Atlas Genius
Stockholm
125 bpm • G Maj • 03:11 • -5db
45% Popularity • 57% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Hunter Hunted
Dora Maar
125 bpm • C min • 04:19 • -7.24db
12% Popularity • 50% Danceability • 64% Energy • 13% Liveness
14% Instrumentalness • 13% Positiveness
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Coast Modern
Hollow Life
119 bpm • G# Maj • 03:57 • -4.04db
51% Popularity • 63% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
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Finish Ticket
Doctor
119 bpm • E min • 03:56 • -4.52db
15% Popularity • 55% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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For The Foxes
Running Back To You
126 bpm • D# Maj • 04:18 • -5.98db
39% Popularity • 55% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
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Grizfolk
Bob Marley
118 bpm • F# Maj • 03:36 • -4.66db
46% Popularity • 56% Danceability • 70% Energy • 12% Liveness
12% Instrumentalness • 45% Positiveness
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Colony House
Waiting for My Time to Come (Single Mix)
126 bpm • G# Maj • 03:20 • -5db
21% Popularity • 52% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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courtship.
Perfect People
126 bpm • B min • 03:28 • -3.5db
32% Popularity • 65% Danceability • 95% Energy • 60% Liveness
1% Instrumentalness • 93% Positiveness
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Mutemath
In No Time
126 bpm • C# min • 04:52 • -8.81db
17% Popularity • 42% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Cold War Kids
All This Could Be Yours
118 bpm • E min • 03:08 • -2db
49% Popularity • 63% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Bad Suns
Pretend
126 bpm • G# min • 03:34 • -3.41db
25% Popularity • 66% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
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Atlas Genius
Refugees
118 bpm • F Maj • 04:15 • -6db
23% Popularity • 62% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Cheerleader
The Sunshine of Your Youth
127 bpm • A Maj • 03:28 • -3.76db
28% Popularity • 52% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Beach Tiger
Just Woke Up
127 bpm • E min • 03:44 • -5.38db
9% Popularity • 58% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Smallpools
Karaoke
127 bpm • C Maj • 03:29 • -3.41db
31% Popularity • 58% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Junior Prom
Sheila Put the Knife Down
127 bpm • F Maj • 03:37 • -3.41db
25% Popularity • 57% Danceability • 99% Energy • 36% Liveness
1% Instrumentalness • 52% Positiveness
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Bad Suns
We Move Like the Ocean
118 bpm • C# Maj • 03:09 • -2.88db
35% Popularity • 59% Danceability • 86% Energy • 7% Liveness
36% Instrumentalness • 52% Positiveness
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Atlas Genius
Molecules - Single Version
117 bpm • C# min • 04:09 • -5db
39% Popularity • 54% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Death Cab for Cutie
Good Help (Is So Hard to Find)
117 bpm • A Maj • 04:45 • -6db
40% Popularity • 70% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Early Hours
Dance Along
116 bpm • A Maj • 03:32 • -6db
18% Popularity • 46% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Twenty One Pilots
Tear in My Heart
128 bpm • D Maj • 03:48 • -6.09db
41% Popularity • 76% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Grizfolk
Wide Awake
128 bpm • D min • 03:14 • -5db
30% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Bear Hands
I See You
128 bpm • D# min • 03:27 • -5.45db
2% Popularity • 67% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Atlas Genius
Molecules
117 bpm • C# min • 04:32 • -4.89db
35% Popularity • 56% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Foreign Air
In the Shadows
116 bpm • C Maj • 03:53 • -8db
49% Popularity • 60% Danceability • 76% Energy • 11% Liveness
86% Instrumentalness • 15% Positiveness
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Diskopunk
Fire
116 bpm • A min • 03:17 • -3.83db
41% Popularity • 74% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 50% Positiveness
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Young the Giant
Elsewhere
116 bpm • F min • 03:44 • -6.66db
34% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Grizfolk
Into The Barrens
128 bpm • F min • 03:16 • -4.71db
29% Popularity • 52% Danceability • 95% Energy • 32% Liveness
12% Instrumentalness • 36% Positiveness
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The Kents
The Stakes
129 bpm • A min • 03:49 • -5.27db
14% Popularity • 59% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Atlas Genius
Symptoms
128 bpm • A# min • 03:21 • -4.19db
33% Popularity • 62% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Bad Suns
Even In My Dreams I Can't Win
129 bpm • C Maj • 03:57 • -6.19db
27% Popularity • 63% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Mutemath
Nuisance
115 bpm • F Maj • 03:22 • -9.12db
22% Popularity • 57% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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GROUPLOVE
Do You Love Someone
129 bpm • A# min • 03:51 • -4.26db
39% Popularity • 52% Danceability • 88% Energy • 67% Liveness
0% Instrumentalness • 71% Positiveness
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Grizfolk
Vagabonds
129 bpm • F# Maj • 03:19 • -6db
36% Popularity • 52% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Fame Riot
Heart Stray
115 bpm • A Maj • 04:04 • -7db
14% Popularity • 57% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
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Bronze Radio Return
Only Temporary
115 bpm • E min • 03:13 • -5db
25% Popularity • 73% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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VHS Collection
Stranger
115 bpm • A min • 04:15 • -5.61db
30% Popularity • 63% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Robert DeLong
Born To Break
115 bpm • A# min • 04:00 • -5.49db
13% Popularity • 64% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Mutemath
Marching To The End
129 bpm • D Maj • 06:09 • -7.38db
21% Popularity • 20% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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WATERS
Got to My Head
115 bpm • G# Maj • 03:07 • -5.49db
36% Popularity • 52% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Fialta
Be Someone
130 bpm • C Maj • 04:05 • -6.13db
12% Popularity • 63% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Naked And Famous
Rotten
130 bpm • G# Maj • 04:21 • -8.22db
8% Popularity • 63% Danceability • 62% Energy • 33% Liveness
3% Instrumentalness • 27% Positiveness
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Jax Anderson
Glitches
130 bpm • E min • 04:15 • -4.82db
22% Popularity • 61% Danceability • 53% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
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Imad Royal
Passenger
130 bpm • G# Maj • 03:15 • -6.73db
18% Popularity • 43% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Atlas Genius
Back Seat
130 bpm • A# Maj • 03:03 • -5.95db
42% Popularity • 78% Danceability • 68% Energy • 11% Liveness
2% Instrumentalness • 94% Positiveness
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Van Damsel
Best of Everything
130 bpm • A# min • 03:46 • -2.64db
15% Popularity • 63% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Mutemath
Prytania
114 bpm • A# min • 04:12 • -3.18db
22% Popularity • 62% Danceability • 96% Energy • 15% Liveness
11% Instrumentalness • 69% Positiveness
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Twenty One Pilots
Heavydirtysoul
130 bpm • D min • 04:00 • -5.01db
43% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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little hurricane
Sheep In Wolves Clothes
114 bpm • A# Maj • 03:18 • -6.93db
5% Popularity • 53% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Grizfolk
The Struggle
113 bpm • B min • 03:33 • -4.66db
44% Popularity • 55% Danceability • 84% Energy • 34% Liveness
25% Instrumentalness • 67% Positiveness
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WATERS
I Feel Everything
113 bpm • F# Maj • 03:23 • -4.69db
21% Popularity • 54% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Bad Suns
Off She Goes
132 bpm • F# Maj • 03:56 • -5.41db
37% Popularity • 62% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Mutemath
Blood Pressure
112 bpm • G Maj • 03:03 • -3.26db
34% Popularity • 57% Danceability • 94% Energy • 3% Liveness
14% Instrumentalness • 63% Positiveness
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GROUPLOVE
Remember That Night
112 bpm • G Maj • 03:03 • -4db
35% Popularity • 41% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Mikky Ekko
Light The Way
112 bpm • A min • 03:31 • -5.5db
27% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Grizfolk
Troublemaker
113 bpm • F# min • 03:29 • -5db
42% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Robert DeLong
Possessed
112 bpm • G min • 04:18 • -5db
19% Popularity • 80% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Otis English
Young Kids, Old Love
112 bpm • G# Maj • 03:04 • -4.1db
16% Popularity • 34% Danceability • 94% Energy • 17% Liveness
1% Instrumentalness • 37% Positiveness
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Foster The People
Don't Stop (Color on the Walls)
133 bpm • C# min • 02:54 • -3.75db
62% Popularity • 61% Danceability • 95% Energy • 10% Liveness
10% Instrumentalness • 79% Positiveness
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Electric Guest
Back For Me
133 bpm • E min • 03:21 • -4.73db
16% Popularity • 72% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Used To