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Uten tekst (Without Words)
Songs like
Uten tekst (Without Words)
by
Øystein Baadsvik
Based on a tempo of (+/- 10%) and a similar genre
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Jan Sandström
The Lemon House: V. The Lemon House
114 bpm • A min • 09:36 • -34.88db
0% Popularity • 44% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 24% Positiveness
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Johann Sebastian Bach
Air and Bouree (arr. W.J. Bell): Air
114 bpm • A# Maj • 01:20 • -34db
12% Popularity • 38% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 48% Positiveness
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Øystein Baadsvik
Uten tekst (Without Words)
114 bpm • D Maj • 04:54 • -33.98db
1% Popularity • 37% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 22% Positiveness
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Jules Demersseman
Fantaisie sur un theme original
114 bpm • A# Maj • 06:00 • -21db
15% Popularity • 39% Danceability • 6% Energy • 12% Liveness
79% Instrumentalness • 16% Positiveness
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Philip Sparke
Dance Movements: II. Molto Vivo (for the...
114 bpm • D Maj • 04:58 • -28.4db
9% Popularity • 38% Danceability • 7% Energy • 20% Liveness
73% Instrumentalness • 26% Positiveness
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Joseph Alessi
Carmen Fantasy - IV. Habenera: (Bizet)
114 bpm • A# Maj • 03:30 • -21db
16% Popularity • 44% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Julie Giroux
Bookmarks from Japan: IV. Kinryuzan Temp...
114 bpm • C# Maj • 03:09 • -16.64db
17% Popularity • 40% Danceability • 55% Energy • 8% Liveness
81% Instrumentalness • 22% Positiveness
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Walter S. Hartley
Suite for Unaccompanied Tuba: I. Intrada...
114 bpm • G Maj • 00:58 • -33db
13% Popularity • 58% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
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Kurt Weill
Kleine Dreigroschenmusik: I. Overture
113 bpm • F Maj • 01:55 • -19.52db
13% Popularity • 80% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 41% Positiveness
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Gérard Besse
Suite française : IV. Alsace-Lorraine
114 bpm • D min • 03:59 • -17db
3% Popularity • 21% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Jean Sibelius
Belshazzar's Feast, JS 48: Act I: Alla m...
113 bpm • F min • 02:00 • -23.68db
10% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Joseph Alessi
T-Bone Concerto
113 bpm • C Maj • 06:06 • -14db
11% Popularity • 46% Danceability • 24% Energy • 5% Liveness
84% Instrumentalness • 31% Positiveness
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Øystein Baadsvik
Bass Tuba Concerto in F Minor: I. Prelud...
115 bpm • A# min • 04:09 • -21.2db
10% Popularity • 46% Danceability • 14% Energy • 24% Liveness
94% Instrumentalness • 35% Positiveness
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Bela Kovacs
After You, Mr. Gershwin !
113 bpm • D# Maj • 04:01 • -26db
12% Popularity • 45% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 21% Positiveness
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Vladimir Cosma
Euphonium Concerto: I. Allegro assai
115 bpm • C Maj • 09:14 • -19.11db
12% Popularity • 36% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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William Walton
Crown Imperial: Coronation March (arr. J...
113 bpm • C Maj • 06:10 • -10db
10% Popularity • 37% Danceability • 45% Energy • 8% Liveness
75% Instrumentalness • 21% Positiveness
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Ralph Vaughan Williams
Sea Songs
115 bpm • G# Maj • 04:01 • -19db
22% Popularity • 40% Danceability • 13% Energy • 16% Liveness
92% Instrumentalness • 32% Positiveness
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Henri Tomasi
Tomasi: Trumpet Concerto: I. Allegro - C...
113 bpm • F Maj • 07:14 • -17.43db
8% Popularity • 37% Danceability • 19% Energy • 23% Liveness
86% Instrumentalness • 7% Positiveness
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Adolphus Hailstork
3 Spirituals for Orchestra: No. 3. Oh Fr...
115 bpm • F Maj • 02:26 • -23.94db
11% Popularity • 42% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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Igor Stravinsky
Octet for Wind Instruments : I. Sinfonia
113 bpm • D# Maj • 04:04 • -15db
12% Popularity • 57% Danceability • 16% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
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Jacques Ibert
Ibert: 3 Pièces brèves: I. Allegro
116 bpm • C Maj • 02:17 • -16db
13% Popularity • 51% Danceability • 17% Energy • 18% Liveness
92% Instrumentalness • 40% Positiveness
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Øystein Baadsvik
Sangen (The Song)
116 bpm • D# min • 03:47 • -33.41db
1% Popularity • 18% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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William Walton
Crown Imperial
116 bpm • C Maj • 06:42 • -15.9db
25% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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London Philharmonic Orchestra
1st Movement: Adaggio / Allegro Molto
116 bpm • E min • 09:44 • -15.71db
37% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
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Gene Pokorny
Theme and Variations on the Blue Bells o...
116 bpm • A# Maj • 06:14 • -28.84db
5% Popularity • 48% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 36% Positiveness
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Fredrik Högberg
Rocky Island Boat Bay: Part 1: Molto vig...
112 bpm • C Maj • 07:03 • -24.65db
0% Popularity • 56% Danceability • 27% Energy • 9% Liveness
62% Instrumentalness • 32% Positiveness
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Robert Russell Bennett
Suite of Old American Dances: I. Cake Wa...
117 bpm • G# Maj • 04:04 • -17.05db
16% Popularity • 52% Danceability • 32% Energy • 8% Liveness
88% Instrumentalness • 26% Positiveness
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Øystein Baadsvik
Fnugg for Solo Tuba
116 bpm • D# Maj • 03:35 • -30.45db
6% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F Major, Op. 96...
117 bpm • F Maj • 09:15 • -17db
8% Popularity • 32% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March "Seven...
117 bpm • G# Maj • 03:27 • -20.27db
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
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Roger Cichy
Quartets
111 bpm • D# Maj • 09:08 • -14.43db
9% Popularity • 38% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
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Adam Gorb
Yiddish Dances: IV. Hora. Andante con mo...
117 bpm • A Maj • 04:24 • -28db
8% Popularity • 22% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
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Kevin Day
Havana
117 bpm • C min • 07:58 • -16.13db
9% Popularity • 33% Danceability • 35% Energy • 15% Liveness
81% Instrumentalness • 19% Positiveness
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Øystein Baadsvik
Deja vu
116 bpm • G Maj • 03:43 • -22.73db
5% Popularity • 68% Danceability • 15% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Fredrik Högberg
Rocky Island Boat Bay: Part 2: Love song...
111 bpm • C min • 06:18 • -27.83db
0% Popularity • 24% Danceability • 6% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
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David Maslanka
Concerto for Alto Saxophone and Wind Ens...
117 bpm • F Maj • 09:29 • -24db
11% Popularity • 21% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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William Mathias
Serenade: Allegretto
118 bpm • E min • 02:14 • -35db
13% Popularity • 31% Danceability • 1% Energy • 8% Liveness
71% Instrumentalness • 13% Positiveness
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Edward Gregson
Tuba Concerto: I. Allegro deciso
110 bpm • G Maj • 06:27 • -18db
17% Popularity • 36% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Fugue à la gigue
118 bpm • A# Maj • 03:12 • -22.75db
8% Popularity • 56% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
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Øystein Baadsvik
Tuba Concerto: I. Allegro moderato
117 bpm • F Maj • 03:04 • -21.71db
4% Popularity • 42% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 22% Positiveness
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US Marine Band
Variations On "America"
118 bpm • F Maj • 06:25 • -20db
12% Popularity • 37% Danceability • 9% Energy • 9% Liveness
69% Instrumentalness • 23% Positiveness
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Arild Plau
Tuba Concerto: III. Finale. Allegro
110 bpm • C min • 03:29 • -28.11db
2% Popularity • 33% Danceability • 5% Energy • 15% Liveness
92% Instrumentalness • 20% Positiveness
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Joseph Alessi
Carmen Fantasy - I. Prelude to Act IV: (...
119 bpm • D min • 02:29 • -19db
16% Popularity • 44% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Kent Kennan
Sonata for trumpet and piano
118 bpm • C# Maj • 06:10 • -21db
13% Popularity • 37% Danceability • 7% Energy • 7% Liveness
83% Instrumentalness • 7% Positiveness
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Willy Brandt
Concert Piece No. 1 in F Minor, Op. 11 -...
109 bpm • F min • 06:53 • -16db
9% Popularity • 46% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Ralph Vaughan Williams
Toccata marziale
109 bpm • F min • 04:44 • -16db
12% Popularity • 44% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 32% Positiveness
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Gustav Holst
Second Suite in F Major, Op. 28 No. 2, H...
119 bpm • F Maj • 04:41 • -17.88db
33% Popularity • 53% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 43% Positiveness
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Fredrik Högberg
Rocky Island Boat Bay: Part 3: Chanson p...
119 bpm • C Maj • 08:55 • -23.32db
1% Popularity • 52% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
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Gordon Jacob
An Original Suite: I. March
120 bpm • G min • 03:40 • -11.55db
14% Popularity • 46% Danceability • 32% Energy • 38% Liveness
90% Instrumentalness • 57% Positiveness
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The University of Illinois Symphonic Band
Candide Suite III. Auto-Da-Fe
109 bpm • G Maj • 01:53 • -17db
8% Popularity • 40% Danceability • 27% Energy • 9% Liveness
74% Instrumentalness • 27% Positiveness
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Launy Grøndahl
Concerto pour trombone et orchestre: III...
120 bpm • F# Maj • 05:14 • -22.74db
5% Popularity • 48% Danceability • 3% Energy • 24% Liveness
95% Instrumentalness • 9% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite (arr. G. Jacob):...
119 bpm • F min • 02:50 • -20db
16% Popularity • 46% Danceability • 8% Energy • 6% Liveness
78% Instrumentalness • 64% Positiveness
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Vincent Persichetti
Divertimento, Op. 42: I. Prologue
120 bpm • A Maj • 01:29 • -14.85db
16% Popularity • 67% Danceability • 26% Energy • 6% Liveness
92% Instrumentalness • 34% Positiveness
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Victor Ewald
Quintet No. 3 in D-Flat Major, Op. 11: I...
108 bpm • C Maj • 05:00 • -24.13db
8% Popularity • 30% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Jan Sandström
The Lemon House: IV. Los Tranvias (The t...
120 bpm • C Maj • 04:32 • -27.16db
0% Popularity • 45% Danceability • 3% Energy • 13% Liveness
79% Instrumentalness • 14% Positiveness
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Eric Whitacre
Equus
108 bpm • F min • 09:21 • -21db
9% Popularity • 31% Danceability • 16% Energy • 9% Liveness
78% Instrumentalness • 8% Positiveness
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Alfred Reed
Armenian Dances: I. The Apricot Tree - T...
108 bpm • A# Maj • 11:04 • -19db
17% Popularity • 24% Danceability • 14% Energy • 28% Liveness
66% Instrumentalness • 12% Positiveness
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Lord Berners
The Triumph of Neptune: Harlequinade
108 bpm • A# Maj • 01:23 • -14.59db
7% Popularity • 61% Danceability • 66% Energy • 10% Liveness
96% Instrumentalness • 70% Positiveness
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Launy Grøndahl
Trombone Concerto (1st version): III. Fi...
121 bpm • F# Maj • 05:11 • -23db
11% Popularity • 37% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Colin McPhee
Tabuh-Tabuhan: I. Ostinatos
108 bpm • D min • 07:05 • -18db
11% Popularity • 29% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Leonard Bernstein
Candide: III. Auto-da-fe
108 bpm • C Maj • 01:56 • -14.28db
26% Popularity • 56% Danceability • 43% Energy • 30% Liveness
94% Instrumentalness • 55% Positiveness
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Reinhold Glière
Horn Concerto in B-Flat Major, Op. 91: I...
108 bpm • A# Maj • 11:03 • -18db
15% Popularity • 25% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Gustav Holst
Wind Quintet in A-Flat, Op. 14: I. Alleg...
121 bpm • G# Maj • 03:53 • -20.51db
9% Popularity • 27% Danceability • 6% Energy • 6% Liveness
73% Instrumentalness • 10% Positiveness
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Igor Stravinsky
Histoire du soldat - Part 1: 1. Marche d...
121 bpm • B min • 01:35 • -19.44db
14% Popularity • 81% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
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Zequinha De Abreu
Tico-Tico
121 bpm • F min • 04:20 • -20db
13% Popularity • 47% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 43% Positiveness
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Guy Ropartz
Andante and Allegro
107 bpm • C min • 05:09 • -17.83db
13% Popularity • 40% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Adam Gorb
Yiddish Dances: I. Khosidl. Andante
121 bpm • F min • 03:16 • -24db
10% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Morceau de concert, Op. 94: I. Allegro m...
121 bpm • F min • 03:25 • -17.88db
16% Popularity • 39% Danceability • 7% Energy • 17% Liveness
40% Instrumentalness • 34% Positiveness
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Alfred Reed
2 Suite for Band: I. Son Montuno
122 bpm • C min • 02:44 • -20db
9% Popularity • 41% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
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Joseph Horovitz
Concerto for Euphonium and Chamber Orche...
122 bpm • F min • 05:17 • -36db
9% Popularity • 35% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
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Vincent Persichetti
Divertimento, Op. 42: IV. Burlesque
107 bpm • G Maj • 01:47 • -17.72db
16% Popularity • 54% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 77% Positiveness
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RTE Concert Orchestra
The Story Of A Flemish Farm Suite: Night...
107 bpm • F min • 02:19 • -36.39db
15% Popularity • 15% Danceability • 1% Energy • 7% Liveness
71% Instrumentalness • 3% Positiveness
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Julius Fučík
Florentiner March, Op. 214
106 bpm • C min • 06:50 • -13.55db
9% Popularity • 27% Danceability • 52% Energy • 79% Liveness
89% Instrumentalness • 11% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
107 bpm • A min • 02:03 • -18.49db
18% Popularity • 44% Danceability • 8% Energy • 9% Liveness
99% Instrumentalness • 63% Positiveness
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Oskar Böhme
Trumpet Concerto, Op. 18: III. Rondo. Al...
122 bpm • F Maj • 03:28 • -23.03db
12% Popularity • 39% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 55% Positiveness
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Eric Whitacre
Ghost Train Triptych: I. The Ride
122 bpm • A# min • 05:35 • -22db
11% Popularity • 38% Danceability • 25% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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Paul Creston
Mvt. 1. Energetic, Creston Concerto for ...
123 bpm • D Maj • 06:41 • -20db
10% Popularity • 39% Danceability • 16% Energy • 15% Liveness
91% Instrumentalness • 17% Positiveness
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Victor Ewald
Quintet No. 3 in D-Flat Major, Op. 11: I...
123 bpm • C# Maj • 03:47 • -21.51db
8% Popularity • 37% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: III. March (Fol...
123 bpm • C min • 03:49 • -14db
26% Popularity • 70% Danceability • 30% Energy • 5% Liveness
90% Instrumentalness • 77% Positiveness
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US Air Force Concert Band
Symphony in Bb: Fugue
105 bpm • F Maj • 04:46 • -19.84db
0% Popularity • 33% Danceability • 17% Energy • 5% Liveness
88% Instrumentalness • 12% Positiveness
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Robert Russell Bennett
Suite of Old American Dances: II. Schott...
123 bpm • D Maj • 02:58 • -23db
13% Popularity • 52% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Oskar Boehme
Concert: I. Allegro moderato
105 bpm • F min • 07:13 • -11.82db
9% Popularity • 38% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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United States Air Force Band
Second Suite In F For Military Band: Son...
104 bpm • D min • 01:23 • -18db
15% Popularity • 58% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 66% Positiveness
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Philip Sparke
Party Piece
125 bpm • D# Maj • 07:34 • -26.51db
11% Popularity • 34% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
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Ralph Vaughan Williams
Tuba Concerto in F Minor: I. Preludium: ...
106 bpm • A# min • 04:26 • -22.52db
9% Popularity • 47% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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André Waignein
Rhapsody for Alto Saxophone: III. Allegr...
125 bpm • F min • 05:09 • -12.94db
9% Popularity • 46% Danceability • 32% Energy • 5% Liveness
92% Instrumentalness • 16% Positiveness
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Darius Milhaud
Scaramouche, Op. 165c: III. Brazileira
104 bpm • F Maj • 02:51 • -22db
8% Popularity • 35% Danceability • 17% Energy • 16% Liveness
92% Instrumentalness • 76% Positiveness
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Øystein Baadsvik
Vise (A Simple Melody)
125 bpm • B Maj • 03:14 • -28.08db
1% Popularity • 43% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 41% Positiveness
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Gustav Holst
Second Suite in F Major, Op. 28 No. 2, H...
103 bpm • F Maj • 01:19 • -14db
32% Popularity • 61% Danceability • 29% Energy • 10% Liveness
88% Instrumentalness • 80% Positiveness
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Donald Grantham
J'ai ete au bal (I Went to the Dance)
126 bpm • A# min • 09:43 • -27.6db
11% Popularity • 32% Danceability • 3% Energy • 8% Liveness
52% Instrumentalness • 9% Positiveness
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Ralph Vaughan Williams
Concerto for Bass Tuba and Orchestra in ...
105 bpm • A# min • 04:22 • -20db
11% Popularity • 51% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
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Sergei Prokofiev
Romeo & Juliet, Op. 64 (Highlights Arr. ...
103 bpm • A min • 03:50 • -16db
17% Popularity • 36% Danceability • 12% Energy • 34% Liveness
97% Instrumentalness • 9% Positiveness
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Cyrille Rose
Etude No. 4 in a
126 bpm • G min • 01:29 • -21.37db
9% Popularity • 50% Danceability • 29% Energy • 12% Liveness
80% Instrumentalness • 53% Positiveness
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Don Haddad
Tuba Suite: I. Allegro maestoso
126 bpm • G min • 03:21 • -26.63db
15% Popularity • 44% Danceability • 3% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
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Gustav Holst
Second Suite for Military Band, Op. 28 N...
103 bpm • D min • 01:14 • -19db
24% Popularity • 48% Danceability • 18% Energy • 22% Liveness
92% Instrumentalness • 77% Positiveness
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Leonard Bernstein
Rondo for Lifey
103 bpm • D# Maj • 01:27 • -21db
12% Popularity • 56% Danceability • 11% Energy • 8% Liveness
82% Instrumentalness • 56% Positiveness
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Darius Milhaud
Scaramouche, Op. 165c: I. Vif
127 bpm • C Maj • 03:05 • -18db
9% Popularity • 47% Danceability • 23% Energy • 21% Liveness
86% Instrumentalness • 55% Positiveness
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Arturo Márquez
Danzon No. 2 (arr. O. Nickel)
102 bpm • D min • 09:35 • -19.24db
7% Popularity • 33% Danceability • 26% Energy • 6% Liveness
79% Instrumentalness • 23% Positiveness
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Adam Gorb
Yiddish Dances: II. Terkishe. Allegro mo...
102 bpm • F Maj • 02:17 • -22db
13% Popularity • 60% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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Guillaume Balay
Andante et Allegretto
102 bpm • F min • 03:51 • -21.55db
13% Popularity • 43% Danceability • 6% Energy • 7% Liveness
92% Instrumentalness • 23% Positiveness
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Uten tekst (Without Words)