Songs like Utkast till ett brev by Lars Winnerbäck
Based on a tempo of (+/- 10%) and a similar genre
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Lars Winnerbäck
Du som reser mig
144 bpm • E min • 04:13 • -7.59db
22% Popularity • 51% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 51% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Ted Gärdestad
Come Give Me Love
144 bpm • F Maj • 03:29 • -6.75db
50% Popularity • 38% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 38% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Per Gessle
Om du kommer ihåg
144 bpm • F# Maj • 02:59 • -10.27db
17% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Nationalteatern
Barn av vår tid
143 bpm • C# min • 07:36 • -7.03db
40% Popularity • 46% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 46% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Isterband
Johan och jag
143 bpm • D Maj • 03:18 • -7.91db
26% Popularity • 56% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 56% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Veronica Maggio
Den första är alltid gratis
145 bpm • C Maj • 03:41 • -5.07db
43% Popularity • 43% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 43% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Lars Winnerbäck
Utkast till ett brev
144 bpm • E min • 04:54 • -6.71db
15% Popularity • 59% Danceability • 89% Energy • 94% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 59% Danceability • 89% Energy • 94% Liveness
0% Instrumentalness • 81% Positiveness
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Marit Bergman
Dra åt helvete
143 bpm • G# Maj • 03:56 • -6.1db
10% Popularity • 50% Danceability • 75% Energy • 11% Liveness
32% Instrumentalness • 32% Positiveness
10% Popularity • 50% Danceability • 75% Energy • 11% Liveness
32% Instrumentalness • 32% Positiveness
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Thorsten Flinck
Hjärtats slutna rum
145 bpm • A Maj • 03:35 • -7.2db
19% Popularity • 40% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 40% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Niklas Strömstedt
Förlorad igen
143 bpm • E min • 03:51 • -7.89db
30% Popularity • 46% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 46% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Florence Valentin
Vårt hem, vår borg
146 bpm • B Maj • 03:41 • -3.73db
16% Popularity • 16% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 16% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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AIK Trubaduren
Ivan
142 bpm • C Maj • 03:31 • -3.3db
17% Popularity • 40% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 40% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Lars Winnerbäck
Utkast till ett brev
145 bpm • E min • 04:38 • -4.74db
35% Popularity • 66% Danceability • 90% Energy • 30% Liveness
1% Instrumentalness • 92% Positiveness
35% Popularity • 66% Danceability • 90% Energy • 30% Liveness
1% Instrumentalness • 92% Positiveness
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Orup
Som isarna - När det blir vår
142 bpm • B Maj • 05:05 • -7db
35% Popularity • 67% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 67% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Noice
Ut i natten
146 bpm • A Maj • 03:56 • -5db
29% Popularity • 46% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 46% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Viktor Olsson
Stenungsund
142 bpm • A# Maj • 04:00 • -9.02db
9% Popularity • 48% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 48% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Pernilla Andersson
Som steg på månen
142 bpm • A min • 03:15 • -10.26db
17% Popularity • 51% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 51% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Imperiet
I hennes sovrum
146 bpm • D Maj • 02:42 • -18db
48% Popularity • 41% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 41% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Lars Winnerbäck
Granit och morän
142 bpm • D Maj • 03:55 • -7.9db
49% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Hästpojken
Utan personlig insats
147 bpm • D Maj • 04:02 • -8db
30% Popularity • 29% Danceability • 51% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
30% Popularity • 29% Danceability • 51% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
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Miss Li
1:a gången
147 bpm • C Maj • 03:28 • -4.84db
48% Popularity • 48% Danceability • 83% Energy • 6% Liveness
10% Instrumentalness • 51% Positiveness
48% Popularity • 48% Danceability • 83% Energy • 6% Liveness
10% Instrumentalness • 51% Positiveness
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Moneybrother
Stormy Weather
147 bpm • G# Maj • 03:24 • -6db
27% Popularity • 37% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 37% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Hampus Carlsson
Flera meter under marken
147 bpm • C# min • 03:01 • -5.42db
7% Popularity • 46% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 46% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Magnus Johansson
Till himmelen - 2002 Remaster
147 bpm • G Maj • 04:34 • -8db
19% Popularity • 50% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 50% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Lars Winnerbäck
Elden
141 bpm • D Maj • 04:39 • -3.05db
41% Popularity • 47% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 47% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Melissa Horn
Nog nu
141 bpm • D Maj • 02:55 • -15.12db
22% Popularity • 58% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
22% Popularity • 58% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
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Ebba Grön
Uppgång & fall
141 bpm • A Maj • 03:49 • -10.06db
34% Popularity • 48% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 48% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Electric Banana Band
Spanska klådan
140 bpm • E Maj • 04:10 • -5.37db
7% Popularity • 60% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 60% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Linnea Henriksson
Mitt rum i ditt hjärta
141 bpm • C# min • 03:17 • -12.73db
21% Popularity • 40% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 40% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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X-Models
Två av oss - 2002 Remaster
140 bpm • F# min • 05:23 • -8.56db
30% Popularity • 45% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 45% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Lars Winnerbäck
Strimmor
148 bpm • G Maj • 05:23 • -3.79db
19% Popularity • 35% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 35% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Carola
Bakom Allt
140 bpm • D min • 03:42 • -3.37db
11% Popularity • 49% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 49% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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David Urwitz
Amundön
140 bpm • D Maj • 03:42 • -7db
14% Popularity • 61% Danceability • 63% Energy • 11% Liveness
11% Instrumentalness • 57% Positiveness
14% Popularity • 61% Danceability • 63% Energy • 11% Liveness
11% Instrumentalness • 57% Positiveness
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Oskar Linnros
25
140 bpm • F Maj • 03:48 • -6.07db
44% Popularity • 68% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
44% Popularity • 68% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Lisa Nilsson
När kärleken tar slut
140 bpm • F Maj • 04:14 • -11.07db
31% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Patrik Isaksson
En chans till
140 bpm • F Maj • 03:23 • -6.25db
13% Popularity • 56% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 56% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Lars Winnerbäck
Vem som helst blues
140 bpm • B min • 04:53 • -6db
39% Popularity • 46% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 46% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Magnus Carlson
Platsen i mitt hjärta
148 bpm • C# Maj • 05:25 • -6db
20% Popularity • 22% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 22% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Totta Näslund
Bortom månen & Mars
139 bpm • A Maj • 03:00 • -6.98db
26% Popularity • 54% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 54% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Caj Karlsson
Hannah
139 bpm • C Maj • 03:27 • -6db
15% Popularity • 46% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 46% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Linnea Henriksson
Ensamheten
139 bpm • G Maj • 03:14 • -5.62db
18% Popularity • 52% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 52% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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kent
Mannen i den vita hatten (16 år senare)
139 bpm • G Maj • 06:38 • -5.51db
48% Popularity • 45% Danceability • 66% Energy • 22% Liveness
2% Instrumentalness • 24% Positiveness
48% Popularity • 45% Danceability • 66% Energy • 22% Liveness
2% Instrumentalness • 24% Positiveness
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Lars Winnerbäck
Det är visst nån som är tillbaka
140 bpm • D Maj • 03:29 • -4.7db
36% Popularity • 68% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 68% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Hästpojken
Gitarrer & bas, trummor och hat
149 bpm • D Maj • 04:36 • -4.31db
43% Popularity • 43% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 43% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jakob Hellman
Visa mej
139 bpm • F Maj • 02:24 • -6.81db
25% Popularity • 54% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 54% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Noice
Dolce vita (Det ljuva livet)
149 bpm • B Maj • 03:59 • -8.1db
44% Popularity • 50% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 50% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Daniel Adams-Ray
Förlåt att jag aldrig sagt förlåt
149 bpm • A# Maj • 02:33 • -8db
43% Popularity • 32% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 32% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Staffan Hellstrand
Grindvalarnas sång
150 bpm • G Maj • 04:45 • -8.62db
17% Popularity • 42% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 42% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Lars Winnerbäck
Innan mörkret faller
149 bpm • D Maj • 04:00 • -8db
40% Popularity • 44% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 44% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Patrik Isaksson
1985 - Single Version
150 bpm • D# Maj • 03:52 • -5db
24% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Eric Gadd
Vi kommer aldrig att förlora
138 bpm • B Maj • 03:03 • -3.91db
30% Popularity • 66% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 66% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Viktor Olsson
27 Kvm
138 bpm • C min • 04:19 • -9.04db
9% Popularity • 49% Danceability • 73% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 49% Danceability • 73% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
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Uno Svenningsson
Under ytan
150 bpm • C min • 03:22 • -9db
43% Popularity • 47% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 47% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Engmans Kapell
Hälsingevind
138 bpm • E Maj • 06:08 • -5db
24% Popularity • 57% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 57% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Lars Winnerbäck
Hosianna
150 bpm • C# min • 07:11 • -9.35db
39% Popularity • 62% Danceability • 62% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
39% Popularity • 62% Danceability • 62% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
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Perssons Pack
Bortom MÃ¥nen Och Mars
137 bpm • E Maj • 04:10 • -5.05db
19% Popularity • 43% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 43% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Moneybrother
Sabina säger
137 bpm • C Maj • 04:29 • -6.65db
26% Popularity • 41% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 41% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Oskar Linnros
Hur Dom Än
152 bpm • G# Maj • 04:06 • -3.76db
42% Popularity • 60% Danceability • 94% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
42% Popularity • 60% Danceability • 94% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Ted Gärdestad
Sol, vind och vatten
152 bpm • G# Maj • 03:09 • -6.76db
54% Popularity • 44% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 44% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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kent
Kevlarsjäl
136 bpm • C# min • 04:26 • -5.17db
46% Popularity • 51% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 51% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Lars Winnerbäck
Kommer och går
138 bpm • B min • 03:32 • -6.54db
25% Popularity • 54% Danceability • 77% Energy • 12% Liveness
13% Instrumentalness • 55% Positiveness
25% Popularity • 54% Danceability • 77% Energy • 12% Liveness
13% Instrumentalness • 55% Positiveness
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Orup
Indiedrottning
136 bpm • A# Maj • 03:53 • -5.54db
30% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Patrik Isaksson
Hos dig är jag underbar
136 bpm • C# min • 04:09 • -5.54db
41% Popularity • 51% Danceability • 70% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
41% Popularity • 51% Danceability • 70% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
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Grymlings
Det är något särskilt med dig
136 bpm • D Maj • 03:32 • -5.31db
20% Popularity • 45% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 45% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Perssons Pack
VÃ¥rens ljumma vind
153 bpm • C Maj • 03:33 • -6.07db
24% Popularity • 50% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 50% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Linnea Henriksson
Halmstad
135 bpm • F Maj • 03:47 • -7.55db
36% Popularity • 49% Danceability • 83% Energy • 10% Liveness
48% Instrumentalness • 43% Positiveness
36% Popularity • 49% Danceability • 83% Energy • 10% Liveness
48% Instrumentalness • 43% Positiveness
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Lars Winnerbäck
En stannfågel ger sig av
138 bpm • G Maj • 03:54 • -13.25db
26% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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kent
Den döda vinkeln
135 bpm • C min • 04:19 • -5.87db
49% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Juha Mulari
Pärlband
154 bpm • B Maj • 03:49 • -8.51db
9% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Thomas Stenström
Dirty Harry och en tung refräng
135 bpm • B Maj • 03:54 • -5.78db
28% Popularity • 59% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 59% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Cornelis Vreeswijk
Polaren Per är kärlekskrank
134 bpm • E min • 02:28 • -15db
39% Popularity • 72% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 72% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Imperiet
Bibel
134 bpm • D Maj • 07:48 • -7.88db
33% Popularity • 46% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 46% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Lars Winnerbäck
Kom
138 bpm • D Maj • 03:15 • -6db
28% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Ratata
En herrelös hund
133 bpm • A Maj • 02:01 • -9.18db
28% Popularity • 48% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 48% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Nationalteatern
Sent en lördag kväll
156 bpm • A min • 03:54 • -7db
34% Popularity • 36% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 36% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Oskar Linnros
Från balkongen
155 bpm • C# Maj • 03:55 • -5.5db
47% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Perssons Pack
Tusen dagar härifrån
156 bpm • A# Maj • 04:08 • -7db
36% Popularity • 45% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 45% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Viktor Olsson
Mil av ljus
133 bpm • G Maj • 03:12 • -5db
11% Popularity • 56% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 56% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Lars Winnerbäck
Ett sällsynt exemplar
151 bpm • F Maj • 04:30 • -6.68db
32% Popularity • 55% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 55% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Staffan Hellstrand
Ta mina händer
156 bpm • A Maj • 03:58 • -5.91db
24% Popularity • 47% Danceability • 81% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 47% Danceability • 81% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
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Thorsten Flinck
Balladen om K
156 bpm • C Maj • 06:14 • -7.98db
8% Popularity • 38% Danceability • 89% Energy • 89% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 38% Danceability • 89% Energy • 89% Liveness
0% Instrumentalness • 66% Positiveness
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Den svenska björnstammen
Evig lycka
156 bpm • B Maj • 03:11 • -6.66db
27% Popularity • 50% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 50% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Magnus Carlson
Det värsta av allt
157 bpm • F Maj • 04:28 • -6.72db
21% Popularity • 17% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 17% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Pugh Rogefeldt
Ingenting för ingenting
157 bpm • E min • 02:44 • -7db
19% Popularity • 60% Danceability • 76% Energy • 51% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 60% Danceability • 76% Energy • 51% Liveness
0% Instrumentalness • 90% Positiveness
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Lars Winnerbäck
Köpenhamn och överallt
137 bpm • B min • 03:44 • -4.51db
23% Popularity • 40% Danceability • 87% Energy • 36% Liveness
1% Instrumentalness • 72% Positiveness
23% Popularity • 40% Danceability • 87% Energy • 36% Liveness
1% Instrumentalness • 72% Positiveness
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kent
999
132 bpm • C Maj • 06:53 • -6db
43% Popularity • 45% Danceability • 90% Energy • 32% Liveness
1% Instrumentalness • 25% Positiveness
43% Popularity • 45% Danceability • 90% Energy • 32% Liveness
1% Instrumentalness • 25% Positiveness
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Peter Jöback
Guldet blev till sand
132 bpm • E Maj • 03:54 • -9.64db
31% Popularity • 37% Danceability • 46% Energy • 75% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 37% Danceability • 46% Energy • 75% Liveness
0% Instrumentalness • 30% Positiveness
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Stefan Sundström
Fisk i en skål
132 bpm • G Maj • 04:34 • -9.79db
25% Popularity • 45% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 45% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Amanda Jenssen
Stjärna där
132 bpm • G# Maj • 03:44 • -4.24db
14% Popularity • 47% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 47% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Niklas Strömstedt
Varför är du i Göteborg?
132 bpm • F Maj • 02:43 • -8.17db
11% Popularity • 55% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 55% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Lars Winnerbäck
Dunkla rum
151 bpm • C Maj • 04:05 • -4.43db
31% Popularity • 27% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 27% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Ebba Grön
Mamma pappa barn
157 bpm • C Maj • 03:03 • -12.62db
42% Popularity • 54% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 54% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Stefan Andersson
Leva PÃ¥ Minnen
132 bpm • C# min • 03:41 • -8.49db
32% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Olle Ljungström
Norrländska präriens gudinna
132 bpm • A min • 04:02 • -6db
34% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Amanda Jenssen
När planeterna stannat
132 bpm • F# Maj • 03:51 • -5.16db
18% Popularity • 42% Danceability • 74% Energy • 15% Liveness
6% Instrumentalness • 21% Positiveness
18% Popularity • 42% Danceability • 74% Energy • 15% Liveness
6% Instrumentalness • 21% Positiveness
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Veronica Maggio
Dom sa!
158 bpm • D Maj • 03:43 • -6.43db
42% Popularity • 45% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 45% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Lars Winnerbäck
Jag fattar ingenting
137 bpm • A Maj • 05:42 • -7.89db
28% Popularity • 55% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 55% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Staffan Hellstrand
Hela vägen hem
131 bpm • C min • 03:03 • -10.91db
36% Popularity • 64% Danceability • 69% Energy • 4% Liveness
1% Instrumentalness • 45% Positiveness
36% Popularity • 64% Danceability • 69% Energy • 4% Liveness
1% Instrumentalness • 45% Positiveness
