Songs like Vague Hope / Spring Rain (From "NieR: Automata") by Keigo Hoashi
Based on a tempo of (+/- 10%) and a similar genre
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高橋邦幸
Dependent Weakling
99 bpm • C# Maj • 05:06 • -9.31db
40% Popularity • 42% Danceability • 64% Energy • 12% Liveness
91% Instrumentalness • 23% Positiveness
40% Popularity • 42% Danceability • 64% Energy • 12% Liveness
91% Instrumentalness • 23% Positiveness
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Glen Gabriel
Rán
99 bpm • A min • 04:44 • -15.39db
22% Popularity • 47% Danceability • 42% Energy • 22% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 47% Danceability • 42% Energy • 22% Liveness
90% Instrumentalness • 4% Positiveness
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OOPR
가혹하오
99 bpm • G min • 01:27 • -10.13db
14% Popularity • 15% Danceability • 54% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
14% Popularity • 15% Danceability • 54% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Levon Minassian
The Dead Seas
99 bpm • F# min • 03:46 • -16.39db
29% Popularity • 13% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
29% Popularity • 13% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Eleonora Montagnana
Overture Finale
98 bpm • E min • 02:22 • -8.06db
7% Popularity • 16% Danceability • 47% Energy • 46% Liveness
94% Instrumentalness • 5% Positiveness
7% Popularity • 16% Danceability • 47% Energy • 46% Liveness
94% Instrumentalness • 5% Positiveness
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Jillian Aversa
The Sword of Destiny
98 bpm • D Maj • 02:26 • -8db
36% Popularity • 23% Danceability • 63% Energy • 36% Liveness
7% Instrumentalness • 6% Positiveness
36% Popularity • 23% Danceability • 63% Energy • 36% Liveness
7% Instrumentalness • 6% Positiveness
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Hiroaki Tsutsumi
Retry Again and Again
100 bpm • G min • 03:01 • -8db
26% Popularity • 38% Danceability • 61% Energy • 17% Liveness
89% Instrumentalness • 18% Positiveness
26% Popularity • 38% Danceability • 61% Energy • 17% Liveness
89% Instrumentalness • 18% Positiveness
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SuidAkrA
Snakehenge
100 bpm • C Maj • 03:53 • -5.23db
24% Popularity • 52% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 52% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Keiichi Okabe
The Book of Lies and the Universe
98 bpm • A min • 01:26 • -8.26db
42% Popularity • 46% Danceability • 31% Energy • 11% Liveness
74% Instrumentalness • 23% Positiveness
42% Popularity • 46% Danceability • 31% Energy • 11% Liveness
74% Instrumentalness • 23% Positiveness
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岡部啓一
City Ruins (Rays of Light)
100 bpm • F# Maj • 06:22 • -14.94db
51% Popularity • 52% Danceability • 42% Energy • 12% Liveness
30% Instrumentalness • 32% Positiveness
51% Popularity • 52% Danceability • 42% Energy • 12% Liveness
30% Instrumentalness • 32% Positiveness
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MASCULOUS
Andrew Tate Theme Song (EPIC VERSION - T...
100 bpm • F# min • 03:52 • -13.18db
21% Popularity • 33% Danceability • 33% Energy • 28% Liveness
23% Instrumentalness • 4% Positiveness
21% Popularity • 33% Danceability • 33% Energy • 28% Liveness
23% Instrumentalness • 4% Positiveness
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梶浦 由記
Foretaste
100 bpm • A# Maj • 04:40 • -8.14db
11% Popularity • 13% Danceability • 51% Energy • 35% Liveness
78% Instrumentalness • 13% Positiveness
11% Popularity • 13% Danceability • 51% Energy • 35% Liveness
78% Instrumentalness • 13% Positiveness
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Hiroaki Tsutsumi
Petrification - 堤博明
100 bpm • F# min • 01:58 • -6.59db
10% Popularity • 22% Danceability • 73% Energy • 19% Liveness
55% Instrumentalness • 24% Positiveness
10% Popularity • 22% Danceability • 73% Energy • 19% Liveness
55% Instrumentalness • 24% Positiveness
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Yoann Laulan
Shipwreck
100 bpm • G# Maj • 05:07 • -12.73db
21% Popularity • 22% Danceability • 65% Energy • 7% Liveness
92% Instrumentalness • 22% Positiveness
21% Popularity • 22% Danceability • 65% Energy • 7% Liveness
92% Instrumentalness • 22% Positiveness
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Jyc Row
Sun of the Night VIP
100 bpm • D min • 05:39 • -9.59db
6% Popularity • 15% Danceability • 73% Energy • 6% Liveness
27% Instrumentalness • 15% Positiveness
6% Popularity • 15% Danceability • 73% Energy • 6% Liveness
27% Instrumentalness • 15% Positiveness
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Ivan Kucherenko
Last Frontier - Extended
100 bpm • D min • 03:00 • -10.89db
21% Popularity • 51% Danceability • 55% Energy • 27% Liveness
14% Instrumentalness • 34% Positiveness
21% Popularity • 51% Danceability • 55% Energy • 27% Liveness
14% Instrumentalness • 34% Positiveness
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Mikolai Stroinski
At War!
100 bpm • D min • 01:33 • -8.66db
39% Popularity • 51% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 51% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Gothica
Deep Lakes of the Soul
100 bpm • G Maj • 03:56 • -11.63db
19% Popularity • 48% Danceability • 52% Energy • 27% Liveness
91% Instrumentalness • 6% Positiveness
19% Popularity • 48% Danceability • 52% Energy • 27% Liveness
91% Instrumentalness • 6% Positiveness
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Anastasios Tsambazis
A Night in Snowfall City
100 bpm • G Maj • 02:38 • -10.16db
21% Popularity • 37% Danceability • 25% Energy • 13% Liveness
81% Instrumentalness • 19% Positiveness
21% Popularity • 37% Danceability • 25% Energy • 13% Liveness
81% Instrumentalness • 19% Positiveness
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PurpleSchala
Kaine (Salvation) [From "NieR: Gestalt"]
97 bpm • G min • 04:38 • -21db
22% Popularity • 32% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
22% Popularity • 32% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Lorne Balfe
The Wheel of Time
101 bpm • D Maj • 01:35 • -8.8db
33% Popularity • 32% Danceability • 69% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
33% Popularity • 32% Danceability • 69% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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BAYONETTA 3
The Beginning Of The End
101 bpm • F min • 03:49 • -8.83db
22% Popularity • 14% Danceability • 61% Energy • 31% Liveness
94% Instrumentalness • 21% Positiveness
22% Popularity • 14% Danceability • 61% Energy • 31% Liveness
94% Instrumentalness • 21% Positiveness
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Sarah Schachner
Assassin's Creed Valhalla Main Theme
101 bpm • G Maj • 03:15 • -12.89db
49% Popularity • 19% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
49% Popularity • 19% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Gothic Storm
Threads
97 bpm • G min • 03:15 • -11.36db
13% Popularity • 13% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
13% Popularity • 13% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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陰陽師 Onmyoji
天域平原Ⅰ_天域篇組曲
101 bpm • G Maj • 01:26 • -13.48db
8% Popularity • 44% Danceability • 43% Energy • 26% Liveness
1% Instrumentalness • 60% Positiveness
8% Popularity • 44% Danceability • 43% Energy • 26% Liveness
1% Instrumentalness • 60% Positiveness
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Gareth Coker
Slow Steps Forward
102 bpm • A# min • 03:19 • -11.26db
20% Popularity • 61% Danceability • 54% Energy • 9% Liveness
82% Instrumentalness • 33% Positiveness
20% Popularity • 61% Danceability • 54% Energy • 9% Liveness
82% Instrumentalness • 33% Positiveness
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FableForte
Courtyard Calamity
102 bpm • G min • 02:16 • -10.65db
11% Popularity • 53% Danceability • 65% Energy • 21% Liveness
89% Instrumentalness • 21% Positiveness
11% Popularity • 53% Danceability • 65% Energy • 21% Liveness
89% Instrumentalness • 21% Positiveness
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Kiriko
The Hill of Wind (Movie Kiki's Delivery ...
103 bpm • E min • 03:39 • -11db
17% Popularity • 42% Danceability • 25% Energy • 31% Liveness
12% Instrumentalness • 39% Positiveness
17% Popularity • 42% Danceability • 25% Energy • 31% Liveness
12% Instrumentalness • 39% Positiveness
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Phil Larson
We Overcome
96 bpm • B min • 02:36 • -9.83db
8% Popularity • 12% Danceability • 57% Energy • 16% Liveness
96% Instrumentalness • 13% Positiveness
8% Popularity • 12% Danceability • 57% Energy • 16% Liveness
96% Instrumentalness • 13% Positiveness
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Motoi Sakuraba
Longing
96 bpm • D min • 06:40 • -13.74db
32% Popularity • 18% Danceability • 17% Energy • 13% Liveness
96% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 17% Energy • 13% Liveness
96% Instrumentalness • 6% Positiveness
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Luc St-Pierre
Dao Jian Wu Yan
95 bpm • G Maj • 04:11 • -11.19db
10% Popularity • 21% Danceability • 57% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 57% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Jonathan Buchanan
Welcome to a New Dawn
103 bpm • C# Maj • 03:14 • -15db
19% Popularity • 48% Danceability • 55% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
19% Popularity • 48% Danceability • 55% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
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何屋未来
POWERS
104 bpm • B min • 01:23 • -9.43db
15% Popularity • 34% Danceability • 75% Energy • 18% Liveness
91% Instrumentalness • 12% Positiveness
15% Popularity • 34% Danceability • 75% Energy • 18% Liveness
91% Instrumentalness • 12% Positiveness
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Kiriko
The Promise of the World (Movie Howl's M...
103 bpm • G Maj • 04:30 • -15.81db
24% Popularity • 26% Danceability • 12% Energy • 9% Liveness
75% Instrumentalness • 14% Positiveness
24% Popularity • 26% Danceability • 12% Energy • 9% Liveness
75% Instrumentalness • 14% Positiveness
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Hiroyuki Sawano
らゲ-sin
95 bpm • E min • 02:29 • -14.51db
36% Popularity • 20% Danceability • 26% Energy • 17% Liveness
73% Instrumentalness • 7% Positiveness
36% Popularity • 20% Danceability • 26% Energy • 17% Liveness
73% Instrumentalness • 7% Positiveness
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Ninjago Music
LEGO Ninjago Morro, Master of Wind
94 bpm • D# Maj • 04:34 • -12.9db
26% Popularity • 15% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
26% Popularity • 15% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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帆足圭吾
The Sound of the End
104 bpm • C Maj • 05:26 • -10.36db
40% Popularity • 47% Danceability • 49% Energy • 19% Liveness
88% Instrumentalness • 4% Positiveness
40% Popularity • 47% Danceability • 49% Energy • 19% Liveness
88% Instrumentalness • 4% Positiveness
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Brian D'Oliveira
Tetra's Wrath
94 bpm • D min • 03:06 • -14.93db
19% Popularity • 12% Danceability • 34% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
19% Popularity • 12% Danceability • 34% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
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Eternal Eclipse
Redemption
94 bpm • C# Maj • 02:32 • -10.41db
40% Popularity • 32% Danceability • 67% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
40% Popularity • 32% Danceability • 67% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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侯磊
The Past Of Xuanwu
94 bpm • E min • 02:48 • -10.87db
10% Popularity • 12% Danceability • 46% Energy • 11% Liveness
63% Instrumentalness • 18% Positiveness
10% Popularity • 12% Danceability • 46% Energy • 11% Liveness
63% Instrumentalness • 18% Positiveness
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Keith Power
This Is What You Are
105 bpm • C Maj • 06:14 • -12.09db
44% Popularity • 18% Danceability • 48% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
44% Popularity • 18% Danceability • 48% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Ninjago Music
LEGO Ninjago Built to Protect
104 bpm • B Maj • 05:17 • -12db
32% Popularity • 16% Danceability • 39% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 39% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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帆足圭吾
War & War
94 bpm • A min • 04:32 • -10.97db
37% Popularity • 47% Danceability • 70% Energy • 37% Liveness
93% Instrumentalness • 46% Positiveness
37% Popularity • 47% Danceability • 70% Energy • 37% Liveness
93% Instrumentalness • 46% Positiveness
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Pinar Toprak
Soaring Skies
94 bpm • G# min • 01:40 • -12.54db
21% Popularity • 18% Danceability • 34% Energy • 14% Liveness
99% Instrumentalness • 11% Positiveness
21% Popularity • 18% Danceability • 34% Energy • 14% Liveness
99% Instrumentalness • 11% Positiveness
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Yutaka Yamada
潮流
105 bpm • D min • 03:29 • -10.8db
33% Popularity • 29% Danceability • 55% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
33% Popularity • 29% Danceability • 55% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Djinotan
Lost Soul
93 bpm • G# Maj • 01:01 • -11.98db
17% Popularity • 50% Danceability • 60% Energy • 65% Liveness
96% Instrumentalness • 39% Positiveness
17% Popularity • 50% Danceability • 60% Energy • 65% Liveness
96% Instrumentalness • 39% Positiveness
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Asami Tachibana
払拭
93 bpm • C min • 02:17 • -8db
32% Popularity • 52% Danceability • 76% Energy • 14% Liveness
85% Instrumentalness • 39% Positiveness
32% Popularity • 52% Danceability • 76% Energy • 14% Liveness
85% Instrumentalness • 39% Positiveness
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KOHTA YAMAMOTO
Vanishment
106 bpm • C min • 03:20 • -16.38db
36% Popularity • 25% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Shoi Miyazawa
Echoes of Coral
93 bpm • E min • 03:42 • -14.51db
23% Popularity • 11% Danceability • 31% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
23% Popularity • 11% Danceability • 31% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
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Caleb Bryant
The Fallen (Epic Version Slowed)
106 bpm • B min • 02:32 • -11.17db
27% Popularity • 24% Danceability • 72% Energy • 47% Liveness
60% Instrumentalness • 17% Positiveness
27% Popularity • 24% Danceability • 72% Energy • 47% Liveness
60% Instrumentalness • 17% Positiveness
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Yutaka Yamada
ノルマンニ
93 bpm • C min • 04:00 • -9db
30% Popularity • 28% Danceability • 63% Energy • 34% Liveness
84% Instrumentalness • 20% Positiveness
30% Popularity • 28% Danceability • 63% Energy • 34% Liveness
84% Instrumentalness • 20% Positiveness
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Oleksa Lozowchuk
Trinity
106 bpm • D min • 01:55 • -14.19db
28% Popularity • 21% Danceability • 32% Energy • 8% Liveness
32% Instrumentalness • 4% Positiveness
28% Popularity • 21% Danceability • 32% Energy • 8% Liveness
32% Instrumentalness • 4% Positiveness
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Michael Maas
North Saga
107 bpm • C min • 01:57 • -12.08db
29% Popularity • 27% Danceability • 30% Energy • 9% Liveness
99% Instrumentalness • 13% Positiveness
29% Popularity • 27% Danceability • 30% Energy • 9% Liveness
99% Instrumentalness • 13% Positiveness
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Theophany
Believe in Your Strengths
92 bpm • F Maj • 07:09 • -9.48db
26% Popularity • 23% Danceability • 41% Energy • 18% Liveness
52% Instrumentalness • 5% Positiveness
26% Popularity • 23% Danceability • 41% Energy • 18% Liveness
52% Instrumentalness • 5% Positiveness
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Tobias Lilja
Tiny Flickers
92 bpm • A Maj • 03:15 • -13.66db
26% Popularity • 39% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
26% Popularity • 39% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Yoko Shimomura
Labyrinthine
108 bpm • C# Maj • 02:59 • -14.83db
24% Popularity • 51% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
24% Popularity • 51% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
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Sarah Schachner
Rather Death Than Slavery
108 bpm • D min • 02:15 • -16.32db
30% Popularity • 53% Danceability • 32% Energy • 7% Liveness
97% Instrumentalness • 28% Positiveness
30% Popularity • 53% Danceability • 32% Energy • 7% Liveness
97% Instrumentalness • 28% Positiveness
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Pandora Heaven
The Boy And The Heron - Epic Trailer Ver...
108 bpm • F Maj • 02:08 • -17.47db
24% Popularity • 53% Danceability • 24% Energy • 6% Liveness
98% Instrumentalness • 3% Positiveness
24% Popularity • 53% Danceability • 24% Energy • 6% Liveness
98% Instrumentalness • 3% Positiveness
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Bartosz Chajdecki
Czorny Woron Znów Nie Chce Spać
108 bpm • B min • 03:47 • -8.35db
16% Popularity • 26% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 26% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Eternal Eclipse
The Last Funeral
90 bpm • A# Maj • 02:41 • -14.96db
37% Popularity • 16% Danceability • 26% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 26% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
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Dominic Lewis
Fate
90 bpm • G min • 05:38 • -13.78db
19% Popularity • 19% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
19% Popularity • 19% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Yugo Kanno
Nioh -Main Theme-
90 bpm • F Maj • 04:25 • -9.89db
18% Popularity • 25% Danceability • 69% Energy • 18% Liveness
96% Instrumentalness • 7% Positiveness
18% Popularity • 25% Danceability • 69% Energy • 18% Liveness
96% Instrumentalness • 7% Positiveness
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Kris Bowers
We Could Form An Attachment
109 bpm • D Maj • 03:07 • -13.14db
55% Popularity • 27% Danceability • 52% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
55% Popularity • 27% Danceability • 52% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
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Floki
Kraken
90 bpm • D Maj • 01:51 • -16.86db
24% Popularity • 49% Danceability • 34% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
24% Popularity • 49% Danceability • 34% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
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Carlos Viola
Cante de los Muertos
90 bpm • F min • 05:54 • -15db
23% Popularity • 10% Danceability • 63% Energy • 57% Liveness
88% Instrumentalness • 9% Positiveness
23% Popularity • 10% Danceability • 63% Energy • 57% Liveness
88% Instrumentalness • 9% Positiveness
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Jonathon Deering
Avarice
90 bpm • E min • 02:14 • -10.05db
13% Popularity • 45% Danceability • 72% Energy • 13% Liveness
75% Instrumentalness • 26% Positiveness
13% Popularity • 45% Danceability • 72% Energy • 13% Liveness
75% Instrumentalness • 26% Positiveness
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Tavlı
Deeply Heard
90 bpm • C Maj • 02:33 • -18.26db
34% Popularity • 54% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
34% Popularity • 54% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Loga Ramin Torkian
Opening Title Track
90 bpm • C Maj • 01:09 • -15.06db
22% Popularity • 28% Danceability • 33% Energy • 7% Liveness
43% Instrumentalness • 4% Positiveness
22% Popularity • 28% Danceability • 33% Energy • 7% Liveness
43% Instrumentalness • 4% Positiveness
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Brian Tyler
Further
90 bpm • A min • 04:04 • -10.62db
41% Popularity • 15% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
41% Popularity • 15% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Brandon Yates
Death Battle: All-Consuming
90 bpm • D Maj • 04:23 • -7.78db
25% Popularity • 39% Danceability • 81% Energy • 12% Liveness
66% Instrumentalness • 4% Positiveness
25% Popularity • 39% Danceability • 81% Energy • 12% Liveness
66% Instrumentalness • 4% Positiveness
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石濱 翔
Smile a Little More
90 bpm • G Maj • 01:53 • -14.81db
21% Popularity • 77% Danceability • 14% Energy • 6% Liveness
52% Instrumentalness • 51% Positiveness
21% Popularity • 77% Danceability • 14% Energy • 6% Liveness
52% Instrumentalness • 51% Positiveness
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Hiroaki Tsutsumi
Tokyo Revengers -Reprise-
90 bpm • F# Maj • 04:37 • -7.89db
23% Popularity • 41% Danceability • 70% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
23% Popularity • 41% Danceability • 70% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
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Yoko Shimomura
Encelevenemus - Kingly Compassion
90 bpm • F min • 08:25 • -7.36db
19% Popularity • 34% Danceability • 72% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
19% Popularity • 34% Danceability • 72% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
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PurpleSchala
A Beautiful Song (Simone Beauvoir) [From...
90 bpm • A# Maj • 04:01 • -15.19db
19% Popularity • 27% Danceability • 28% Energy • 5% Liveness
92% Instrumentalness • 34% Positiveness
19% Popularity • 27% Danceability • 28% Energy • 5% Liveness
92% Instrumentalness • 34% Positiveness
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Kiriko
The Merry-go-round of Life (Movie Howl's...
90 bpm • A# Maj • 03:36 • -13.68db
21% Popularity • 33% Danceability • 27% Energy • 8% Liveness
70% Instrumentalness • 20% Positiveness
21% Popularity • 33% Danceability • 27% Energy • 8% Liveness
70% Instrumentalness • 20% Positiveness
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Harry Gregson-Williams
The Aftermath
90 bpm • F# min • 03:08 • -12.73db
19% Popularity • 19% Danceability • 36% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 36% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Lappy
Heart of Corruption
89 bpm • F# min • 03:30 • -7.83db
34% Popularity • 18% Danceability • 88% Energy • 11% Liveness
75% Instrumentalness • 12% Positiveness
34% Popularity • 18% Danceability • 88% Energy • 11% Liveness
75% Instrumentalness • 12% Positiveness
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Gareth Coker
Jotrunheim (Overworld)
90 bpm • G min • 02:57 • -14.65db
15% Popularity • 17% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
15% Popularity • 17% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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WoT Music Team
Pearl River (Intro)
110 bpm • B min • 01:25 • -10.43db
18% Popularity • 19% Danceability • 52% Energy • 16% Liveness
99% Instrumentalness • 10% Positiveness
18% Popularity • 19% Danceability • 52% Energy • 16% Liveness
99% Instrumentalness • 10% Positiveness
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Daniel Pemberton
The Born King
110 bpm • D min • 02:30 • -14.52db
44% Popularity • 36% Danceability • 20% Energy • 26% Liveness
82% Instrumentalness • 7% Positiveness
44% Popularity • 36% Danceability • 20% Energy • 26% Liveness
82% Instrumentalness • 7% Positiveness
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Dzivia
Flower Maiden (Guda Folk Choir)
110 bpm • F# min • 09:05 • -8.51db
38% Popularity • 20% Danceability • 54% Energy • 9% Liveness
31% Instrumentalness • 4% Positiveness
38% Popularity • 20% Danceability • 54% Energy • 9% Liveness
31% Instrumentalness • 4% Positiveness
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梶浦 由記
something wrong is happening
110 bpm • A min • 02:36 • -15.69db
12% Popularity • 31% Danceability • 46% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
12% Popularity • 31% Danceability • 46% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Frostudio Chambersonic
La VaguelettE Epic
110 bpm • A# min • 03:05 • -10.04db
38% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Sowulo
Ceorfan
89 bpm • C min • 04:08 • -10.14db
16% Popularity • 18% Danceability • 56% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
16% Popularity • 18% Danceability • 56% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
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石濱 翔
The Archives
110 bpm • A# Maj • 01:51 • -12.99db
15% Popularity • 50% Danceability • 69% Energy • 9% Liveness
10% Instrumentalness • 12% Positiveness
15% Popularity • 50% Danceability • 69% Energy • 9% Liveness
10% Instrumentalness • 12% Positiveness
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Reinhardt Buhr
When the Storm Comes
110 bpm • C min • 04:22 • -9.83db
25% Popularity • 55% Danceability • 40% Energy • 14% Liveness
91% Instrumentalness • 6% Positiveness
25% Popularity • 55% Danceability • 40% Energy • 14% Liveness
91% Instrumentalness • 6% Positiveness
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Daniel Pemberton
Together We Fight
110 bpm • D min • 04:48 • -15.14db
23% Popularity • 35% Danceability • 49% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
23% Popularity • 35% Danceability • 49% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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梶浦 由記
Ice Fang
110 bpm • F# Maj • 03:17 • -10.64db
11% Popularity • 48% Danceability • 79% Energy • 12% Liveness
94% Instrumentalness • 9% Positiveness
11% Popularity • 48% Danceability • 79% Energy • 12% Liveness
94% Instrumentalness • 9% Positiveness
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Bright & Black
Bloodgrind
110 bpm • C# Maj • 04:30 • -10.58db
18% Popularity • 48% Danceability • 74% Energy • 5% Liveness
56% Instrumentalness • 51% Positiveness
18% Popularity • 48% Danceability • 74% Energy • 5% Liveness
56% Instrumentalness • 51% Positiveness
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Chris Tilton
Assassin's Creed Nexus Main Theme
110 bpm • D min • 03:01 • -16.7db
21% Popularity • 45% Danceability • 30% Energy • 8% Liveness
69% Instrumentalness • 6% Positiveness
21% Popularity • 45% Danceability • 30% Energy • 8% Liveness
69% Instrumentalness • 6% Positiveness
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Alpine Universe
Pristine Mountain
110 bpm • A# Maj • 01:24 • -10.79db
40% Popularity • 36% Danceability • 51% Energy • 65% Liveness
87% Instrumentalness • 13% Positiveness
40% Popularity • 36% Danceability • 51% Energy • 65% Liveness
87% Instrumentalness • 13% Positiveness
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Akihiro Manabe
Dark Realm II
110 bpm • C Maj • 03:15 • -11.35db
13% Popularity • 20% Danceability • 36% Energy • 10% Liveness
62% Instrumentalness • 9% Positiveness
13% Popularity • 20% Danceability • 36% Energy • 10% Liveness
62% Instrumentalness • 9% Positiveness
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Jacob Bo Wilhelm Kaasgaard
I See You Wherever You Are
110 bpm • D min • 01:00 • -7.55db
16% Popularity • 44% Danceability • 49% Energy • 43% Liveness
96% Instrumentalness • 17% Positiveness
16% Popularity • 44% Danceability • 49% Energy • 43% Liveness
96% Instrumentalness • 17% Positiveness
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Samuel Sim
Puppet Show
110 bpm • A# Maj • 05:53 • -16db
20% Popularity • 16% Danceability • 31% Energy • 28% Liveness
92% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 31% Energy • 28% Liveness
92% Instrumentalness • 3% Positiveness
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Park Hyejin (DEVSISTERS)
Heroes of Dark Cacao
110 bpm • F Maj • 01:54 • -10db
22% Popularity • 34% Danceability • 49% Energy • 24% Liveness
71% Instrumentalness • 12% Positiveness
22% Popularity • 34% Danceability • 49% Energy • 24% Liveness
71% Instrumentalness • 12% Positiveness
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Daniel Pemberton
The Dark Crystal: Age Of Resistance
110 bpm • D min • 03:41 • -14db
37% Popularity • 28% Danceability • 33% Energy • 7% Liveness
7% Instrumentalness • 4% Positiveness
37% Popularity • 28% Danceability • 33% Energy • 7% Liveness
7% Instrumentalness • 4% Positiveness
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Friedrich Habetler
Nevertheless, Go Beyond
110 bpm • D min • 02:46 • -6.62db
13% Popularity • 16% Danceability • 53% Energy • 64% Liveness
67% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 53% Energy • 64% Liveness
67% Instrumentalness • 5% Positiveness
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![Akuma no Ko [A Child of Evil] (From](https://i.scdn.co/image/ab67616d00001e0297d625e1cd5d0d4f07af923c)
Pharozen
Akuma no Ko [A Child of Evil]
89 bpm • F# min • 01:38 • -8.98db
27% Popularity • 19% Danceability • 48% Energy • 11% Liveness
45% Instrumentalness • 13% Positiveness
27% Popularity • 19% Danceability • 48% Energy • 11% Liveness
45% Instrumentalness • 13% Positiveness
