Songs like Valentine by Nils Lofgren
Based on a tempo of (+/- 10%) and a similar genre
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Patti Scialfa
Rose
98 bpm • A# Maj • 05:11 • -5.67db
8% Popularity • 66% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 66% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Bruce Cockburn
If I Had A Rocket Launcher
98 bpm • E min • 05:29 • -6.34db
8% Popularity • 59% Danceability • 88% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 59% Danceability • 88% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
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Nils Lofgren
Valentine
98 bpm • A Maj • 06:14 • -15.22db
26% Popularity • 55% Danceability • 38% Energy • 4% Liveness
1% Instrumentalness • 52% Positiveness
26% Popularity • 55% Danceability • 38% Energy • 4% Liveness
1% Instrumentalness • 52% Positiveness
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Jackie Leven
Some Ancient Misty Morning
98 bpm • A Maj • 04:34 • -14.13db
10% Popularity • 57% Danceability • 42% Energy • 7% Liveness
3% Instrumentalness • 76% Positiveness
10% Popularity • 57% Danceability • 42% Energy • 7% Liveness
3% Instrumentalness • 76% Positiveness
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Iain Matthews
Seven Bridges Road
98 bpm • G Maj • 04:05 • -12.31db
32% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Dire Straits
The Man's Too Strong
98 bpm • G Maj • 04:38 • -10db
47% Popularity • 61% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 61% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Jerry Lee Lewis
Folsom Prison Blues
98 bpm • B min • 03:53 • -6.12db
22% Popularity • 71% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 71% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Robbie Robertson
I Hear You Paint Houses
99 bpm • A Maj • 05:03 • -7.83db
27% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Nils Lofgren
Blue Eyes Don't
98 bpm • G Maj • 05:11 • -8.36db
14% Popularity • 74% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 74% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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T Bone Burnett
After All These Years - 2006 Remaster
99 bpm • D Maj • 03:12 • -10.9db
17% Popularity • 40% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 40% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Elvis Costello & The Attractions
Good Year For The Roses
97 bpm • A Maj • 03:08 • -10.96db
47% Popularity • 51% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 51% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Dire Straits
Fade To Black
98 bpm • D min • 03:47 • -14.85db
53% Popularity • 53% Danceability • 28% Energy • 9% Liveness
13% Instrumentalness • 13% Positiveness
53% Popularity • 53% Danceability • 28% Energy • 9% Liveness
13% Instrumentalness • 13% Positiveness
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The Notting Hillbillies
That's Where I Belong
99 bpm • D Maj • 02:50 • -20db
37% Popularity • 63% Danceability • 25% Energy • 19% Liveness
1% Instrumentalness • 74% Positiveness
37% Popularity • 63% Danceability • 25% Energy • 19% Liveness
1% Instrumentalness • 74% Positiveness
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Stan Webb
The Thrill Has Gone (Live)
99 bpm • A min • 06:52 • -10.11db
25% Popularity • 39% Danceability • 55% Energy • 99% Liveness
10% Instrumentalness • 16% Positiveness
25% Popularity • 39% Danceability • 55% Energy • 99% Liveness
10% Instrumentalness • 16% Positiveness
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Nils Lofgren
When I Find Love
98 bpm • G Maj • 02:57 • -10.39db
9% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Byrds
Ballad of Easy Rider
97 bpm • D Maj • 02:04 • -12db
44% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
44% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
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Ray Wilson
Song for a Friend
97 bpm • D Maj • 04:26 • -12.34db
31% Popularity • 32% Danceability • 39% Energy • 19% Liveness
3% Instrumentalness • 17% Positiveness
31% Popularity • 32% Danceability • 39% Energy • 19% Liveness
3% Instrumentalness • 17% Positiveness
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Mick Jagger
Old Habits Reprise
99 bpm • A# Maj • 02:11 • -11.79db
40% Popularity • 55% Danceability • 38% Energy • 10% Liveness
16% Instrumentalness • 11% Positiveness
40% Popularity • 55% Danceability • 38% Energy • 10% Liveness
16% Instrumentalness • 11% Positiveness
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The Notting Hillbillies
Run Me Down
99 bpm • A Maj • 02:24 • -15db
37% Popularity • 69% Danceability • 48% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
37% Popularity • 69% Danceability • 48% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
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David Knopfler
Lonely Is The Night
99 bpm • A# Maj • 03:36 • -14.19db
34% Popularity • 74% Danceability • 50% Energy • 7% Liveness
48% Instrumentalness • 94% Positiveness
34% Popularity • 74% Danceability • 50% Energy • 7% Liveness
48% Instrumentalness • 94% Positiveness
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Nils Lofgren
Blue Skies - Live
97 bpm • C# Maj • 04:16 • -13.88db
12% Popularity • 46% Danceability • 34% Energy • 43% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 46% Danceability • 34% Energy • 43% Liveness
0% Instrumentalness • 46% Positiveness
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Al Stewart
Almost Lucy
97 bpm • A min • 03:41 • -14db
35% Popularity • 72% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 72% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Ray Bonneville
Listen
97 bpm • G min • 03:48 • -14db
33% Popularity • 61% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 73% Positiveness
33% Popularity • 61% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 73% Positiveness
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Beth Hart, Joe Bonamassa
I'd Rather Go Blind (Live)
99 bpm • A Maj • 10:01 • -10db
39% Popularity • 40% Danceability • 52% Energy • 71% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 40% Danceability • 52% Energy • 71% Liveness
0% Instrumentalness • 45% Positiveness
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William Topley
Sea Fever
97 bpm • A min • 04:35 • -6.6db
14% Popularity • 39% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 39% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Mike Scott
Wonderful Disguise
99 bpm • F min • 03:32 • -14.36db
31% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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John Mayall
Sensitive Kind
97 bpm • F min • 05:16 • -11.37db
38% Popularity • 77% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 71% Positiveness
38% Popularity • 77% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 71% Positiveness
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Marianne Faithfull
As Tears Go By
97 bpm • E Maj • 03:52 • -11db
25% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Dire Straits
Love Over Gold
96 bpm • F Maj • 06:15 • -14.06db
51% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 8% Positiveness
51% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 8% Positiveness
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Nils Lofgren
Goin' Back - Live 1992
96 bpm • A Maj • 04:20 • -20.59db
11% Popularity • 52% Danceability • 32% Energy • 67% Liveness
32% Instrumentalness • 35% Positiveness
11% Popularity • 52% Danceability • 32% Energy • 67% Liveness
32% Instrumentalness • 35% Positiveness
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The Greg Kihn Band
Remember
100 bpm • A min • 06:40 • -7.33db
28% Popularity • 46% Danceability • 86% Energy • 14% Liveness
6% Instrumentalness • 65% Positiveness
28% Popularity • 46% Danceability • 86% Energy • 14% Liveness
6% Instrumentalness • 65% Positiveness
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Little Steven
Princess Of Little Italy
96 bpm • A Maj • 05:13 • -9.06db
19% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Al Stewart
Night Train to Munich
96 bpm • B min • 04:25 • -7.99db
22% Popularity • 63% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 63% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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Joanne Shaw Taylor
Wild Is the Wind
100 bpm • A min • 07:10 • -6.51db
29% Popularity • 62% Danceability • 68% Energy • 26% Liveness
1% Instrumentalness • 54% Positiveness
29% Popularity • 62% Danceability • 68% Energy • 26% Liveness
1% Instrumentalness • 54% Positiveness
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Robbie Robertson
Fallen Angel
100 bpm • G# Maj • 05:53 • -18db
31% Popularity • 56% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 56% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Green Splinter Group
Burglar
96 bpm • F Maj • 05:55 • -9.68db
27% Popularity • 80% Danceability • 49% Energy • 12% Liveness
5% Instrumentalness • 64% Positiveness
27% Popularity • 80% Danceability • 49% Energy • 12% Liveness
5% Instrumentalness • 64% Positiveness
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The Notting Hillbillies
Will You Miss Me
100 bpm • C# Maj • 03:50 • -15db
47% Popularity • 60% Danceability • 46% Energy • 9% Liveness
46% Instrumentalness • 70% Positiveness
47% Popularity • 60% Danceability • 46% Energy • 9% Liveness
46% Instrumentalness • 70% Positiveness
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Van Morrison
In the Days Before Rock 'N' Roll
96 bpm • G Maj • 08:12 • -10.58db
27% Popularity • 48% Danceability • 72% Energy • 10% Liveness
16% Instrumentalness • 53% Positiveness
27% Popularity • 48% Danceability • 72% Energy • 10% Liveness
16% Instrumentalness • 53% Positiveness
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Nils Lofgren
All Out - Live
96 bpm • D Maj • 03:21 • -11.83db
10% Popularity • 37% Danceability • 40% Energy • 73% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 37% Danceability • 40% Energy • 73% Liveness
0% Instrumentalness • 22% Positiveness
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Randy Newman
Rider in the Rain
95 bpm • C Maj • 03:54 • -19db
28% Popularity • 59% Danceability • 24% Energy • 7% Liveness
5% Instrumentalness • 46% Positiveness
28% Popularity • 59% Danceability • 24% Energy • 7% Liveness
5% Instrumentalness • 46% Positiveness
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Robbie Robertson
Sonny Got Caught In The Moonlight
96 bpm • G min • 03:50 • -14.36db
26% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Allan Taylor
The Beat Hotel
101 bpm • B min • 06:58 • -13.56db
29% Popularity • 47% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 47% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Patty Smyth
Ode to Billy Joe
101 bpm • G Maj • 06:07 • -13.44db
34% Popularity • 74% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 74% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Paul McCartney
No Other Baby
101 bpm • E Maj • 04:17 • -8.27db
26% Popularity • 65% Danceability • 46% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
26% Popularity • 65% Danceability • 46% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
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Nils Lofgren
Love Is the Best Glue
101 bpm • A Maj • 03:03 • -6.67db
5% Popularity • 70% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
5% Popularity • 70% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Mike Scott
She Is so Beautiful
95 bpm • D Maj • 03:56 • -10db
39% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Crosby, Stills & Nash
Cathedral
102 bpm • B Maj • 05:17 • -16db
42% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Little Village
The Solar Sex Panel
102 bpm • F min • 03:46 • -9db
23% Popularity • 71% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 71% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Elvis Costello
Don't Let Me Be Misunderstood
94 bpm • B min • 03:21 • -9.27db
42% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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David Knopfler
Soul Kissing
102 bpm • C Maj • 04:41 • -14.86db
21% Popularity • 71% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 71% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Mangalia and the Maga Band
Man in the White House
102 bpm • C Maj • 04:25 • -10.29db
7% Popularity • 78% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 78% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Paul Simon
One-Trick Pony - Live at the Agora Theat...
102 bpm • G Maj • 03:53 • -9.6db
36% Popularity • 71% Danceability • 58% Energy • 94% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 71% Danceability • 58% Energy • 94% Liveness
0% Instrumentalness • 63% Positiveness
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Jackie Leven
Working Alone/A Blessing
94 bpm • F# min • 08:21 • -17.02db
10% Popularity • 40% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
10% Popularity • 40% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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The Black Sorrows
The Chosen Ones
94 bpm • A Maj • 04:06 • -11db
29% Popularity • 68% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 68% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Sweet D'buster
Still Believe
94 bpm • E min • 04:06 • -12.79db
19% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Traffic
Holy Ground
94 bpm • G Maj • 07:50 • -11.02db
17% Popularity • 46% Danceability • 34% Energy • 10% Liveness
9% Instrumentalness • 9% Positiveness
17% Popularity • 46% Danceability • 34% Energy • 10% Liveness
9% Instrumentalness • 9% Positiveness
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David Knopfler
Tears Fall
94 bpm • F Maj • 03:04 • -14.32db
19% Popularity • 38% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 38% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Moody Blues
Driftwood
102 bpm • D Maj • 05:01 • -16db
33% Popularity • 35% Danceability • 40% Energy • 19% Liveness
3% Instrumentalness • 40% Positiveness
33% Popularity • 35% Danceability • 40% Energy • 19% Liveness
3% Instrumentalness • 40% Positiveness
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Hothouse Flowers
Isn't It Amazing
94 bpm • C Maj • 05:50 • -8.83db
29% Popularity • 46% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 46% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Jones
Set 'em Up, Joe
103 bpm • F min • 04:54 • -11.63db
28% Popularity • 51% Danceability • 52% Energy • 72% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 51% Danceability • 52% Energy • 72% Liveness
0% Instrumentalness • 36% Positiveness
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Elliott Murphy
Losing it
103 bpm • D Maj • 04:48 • -9.28db
18% Popularity • 65% Danceability • 46% Energy • 25% Liveness
1% Instrumentalness • 48% Positiveness
18% Popularity • 65% Danceability • 46% Energy • 25% Liveness
1% Instrumentalness • 48% Positiveness
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Allan Taylor
Kerouac's Dream
93 bpm • G Maj • 03:57 • -13.62db
22% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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David Knopfler
St Swithun's Day
94 bpm • G# Maj • 04:34 • -9.2db
14% Popularity • 54% Danceability • 54% Energy • 10% Liveness
19% Instrumentalness • 40% Positiveness
14% Popularity • 54% Danceability • 54% Energy • 10% Liveness
19% Instrumentalness • 40% Positiveness
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Van Morrison
Philosopher's Stone - Remastered
93 bpm • C Maj • 06:06 • -6db
35% Popularity • 52% Danceability • 53% Energy • 14% Liveness
6% Instrumentalness • 52% Positiveness
35% Popularity • 52% Danceability • 53% Energy • 14% Liveness
6% Instrumentalness • 52% Positiveness
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Lindsey Buckingham
Carnival Begin
103 bpm • A min • 04:40 • -5.29db
21% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Them
Friday's Child - True Stereo
103 bpm • D Maj • 03:45 • -10db
29% Popularity • 61% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 61% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Nils Lofgren
Cry On
93 bpm • C Maj • 02:57 • -8.33db
6% Popularity • 64% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
6% Popularity • 64% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Hothouse Flowers
Santa Monica
93 bpm • A Maj • 04:36 • -12.33db
13% Popularity • 64% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 41% Positiveness
13% Popularity • 64% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 41% Positiveness
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Pavlov's Dog
She Came Shining
103 bpm • C Maj • 04:20 • -11.9db
19% Popularity • 46% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 46% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Crosby & Nash
Lay Me Down
93 bpm • A# min • 03:36 • -10.6db
42% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Snowy White
This Feeling
93 bpm • A min • 03:18 • -9db
44% Popularity • 62% Danceability • 37% Energy • 6% Liveness
6% Instrumentalness • 17% Positiveness
44% Popularity • 62% Danceability • 37% Energy • 6% Liveness
6% Instrumentalness • 17% Positiveness
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Magna Carta
Two Old Friends
103 bpm • D# Maj • 03:36 • -16.5db
17% Popularity • 44% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 44% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Rick Danko
Driftin' Away
103 bpm • F Maj • 05:12 • -10.62db
8% Popularity • 61% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 61% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Southside Johnny And The Asbury Jukes
It's Been A Long Time
103 bpm • A Maj • 05:31 • -10db
25% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Elliott Murphy
Not enough time
104 bpm • A min • 04:39 • -10.52db
24% Popularity • 58% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 58% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Mike Scott
Love Anyway
93 bpm • E Maj • 06:41 • -5.76db
26% Popularity • 36% Danceability • 83% Energy • 42% Liveness
1% Instrumentalness • 47% Positiveness
26% Popularity • 36% Danceability • 83% Energy • 42% Liveness
1% Instrumentalness • 47% Positiveness
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Snowy White
Softly
93 bpm • C# min • 03:37 • -13.73db
38% Popularity • 64% Danceability • 26% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
38% Popularity • 64% Danceability • 26% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
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Southside Johnny
Walk Away Renee
92 bpm • G Maj • 04:20 • -5.29db
23% Popularity • 62% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 62% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Andy Fairweather Low
Hymn 4 My Soul
92 bpm • C Maj • 03:19 • -7db
29% Popularity • 82% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 82% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Bob Geldof
Deep In The Heart Of Nowhere
92 bpm • B min • 01:19 • -31.96db
9% Popularity • 55% Danceability • 2% Energy • 13% Liveness
51% Instrumentalness • 36% Positiveness
9% Popularity • 55% Danceability • 2% Energy • 13% Liveness
51% Instrumentalness • 36% Positiveness
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Nils Lofgren
People Will Come
92 bpm • G min • 04:23 • -6.4db
6% Popularity • 72% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
6% Popularity • 72% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Mike Scott
Personal
104 bpm • F# Maj • 02:14 • -13.28db
39% Popularity • 77% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 77% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Hothouse Flowers
Gypsy Fair
104 bpm • D Maj • 03:50 • -10.69db
24% Popularity • 60% Danceability • 57% Energy • 12% Liveness
3% Instrumentalness • 74% Positiveness
24% Popularity • 60% Danceability • 57% Energy • 12% Liveness
3% Instrumentalness • 74% Positiveness
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Mick Hucknall
That's How Strong My Love Is
104 bpm • A# Maj • 03:21 • -9db
27% Popularity • 60% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 60% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Dion
Song For Sam Cooke (Here In America)
104 bpm • G Maj • 04:24 • -7.53db
22% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dennis Canario Music
Chasing Cars
104 bpm • F# Maj • 04:31 • -10.97db
8% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Randy Newman
Bad News from Home
104 bpm • F min • 02:47 • -19.65db
17% Popularity • 56% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 56% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Notting Hillbillies
Your Own Sweet Way
104 bpm • D min • 04:31 • -19.49db
49% Popularity • 51% Danceability • 18% Energy • 8% Liveness
68% Instrumentalness • 60% Positiveness
49% Popularity • 51% Danceability • 18% Energy • 8% Liveness
68% Instrumentalness • 60% Positiveness
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Don Henley
Searching For A Heart
104 bpm • B Maj • 04:05 • -11.09db
29% Popularity • 74% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 74% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Nils Lofgren
Big Tears Fall - Live
92 bpm • A Maj • 05:17 • -11.52db
14% Popularity • 38% Danceability • 25% Energy • 93% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 38% Danceability • 25% Energy • 93% Liveness
0% Instrumentalness • 12% Positiveness
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Mike Scott
I Know She's in the Building
92 bpm • G Maj • 03:16 • -8.19db
29% Popularity • 54% Danceability • 57% Energy • 49% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 54% Danceability • 57% Energy • 49% Liveness
0% Instrumentalness • 78% Positiveness
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Snowy White
The Situation
105 bpm • E min • 05:06 • -7.57db
38% Popularity • 78% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
38% Popularity • 78% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
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Elliott Murphy
Home again
105 bpm • C Maj • 04:30 • -9.67db
16% Popularity • 47% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 47% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Notting Hillbillies
Please Baby
104 bpm • C Maj • 03:49 • -21.31db
32% Popularity • 55% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 55% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Little Village
Fool Who Knows
105 bpm • E Maj • 03:45 • -8.98db
22% Popularity • 72% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 72% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Nils Lofgren
Goin' Back
105 bpm • A Maj • 03:47 • -11.29db
8% Popularity • 72% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 89% Positiveness
8% Popularity • 72% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 89% Positiveness
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Richard Thompson
Persuasion
92 bpm • C Maj • 04:38 • -11.77db
37% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Grin
Just a Poem
105 bpm • A Maj • 02:41 • -12.77db
3% Popularity • 47% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
3% Popularity • 47% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
