Songs like Vaporware 04 by Donato Dozzy
Based on a tempo of (+/- 10%) and a similar genre
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Donato Dozzy
Flusso III
114 bpm • G Maj • 10:06 • -9.01db
8% Popularity • 76% Danceability • 85% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 76% Danceability • 85% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Susumu Yokota
Circular
114 bpm • A# min • 05:45 • -25.46db
10% Popularity • 77% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
10% Popularity • 77% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
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Purelink
Personal Velocity
114 bpm • A Maj • 04:22 • -20.16db
22% Popularity • 42% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
22% Popularity • 42% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Beaumont Hannant
Utuba
114 bpm • A# Maj • 08:12 • -13.32db
20% Popularity • 39% Danceability • 48% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
20% Popularity • 39% Danceability • 48% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Rod Modell
Beach
114 bpm • B min • 04:11 • -25.3db
35% Popularity • 64% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 45% Positiveness
35% Popularity • 64% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 45% Positiveness
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Shed
The Praetorian
115 bpm • G Maj • 02:22 • -20.34db
35% Popularity • 34% Danceability • 40% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
35% Popularity • 34% Danceability • 40% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
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Donato Dozzy
12H.4
114 bpm • C# Maj • 07:25 • -18.08db
8% Popularity • 62% Danceability • 52% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 62% Danceability • 52% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Psyche/BFC
How The West Was Won
114 bpm • C# Maj • 03:34 • -14.29db
21% Popularity • 76% Danceability • 41% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
21% Popularity • 76% Danceability • 41% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Autechre
Bronchusevenmx
113 bpm • B Maj • 09:44 • -17.05db
23% Popularity • 42% Danceability • 81% Energy • 9% Liveness
95% Instrumentalness • 78% Positiveness
23% Popularity • 42% Danceability • 81% Energy • 9% Liveness
95% Instrumentalness • 78% Positiveness
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Anthony Naples
Way Stone
115 bpm • C Maj • 01:51 • -25.57db
14% Popularity • 71% Danceability • 42% Energy • 56% Liveness
96% Instrumentalness • 96% Positiveness
14% Popularity • 71% Danceability • 42% Energy • 56% Liveness
96% Instrumentalness • 96% Positiveness
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Huerco S.
Ragtime U.S.A. (Warning)
113 bpm • G# Maj • 06:14 • -14.28db
10% Popularity • 62% Danceability • 55% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
10% Popularity • 62% Danceability • 55% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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The Detroit Escalator Co.
The Inverted Man (Dreaming)
115 bpm • A min • 02:50 • -19.31db
20% Popularity • 50% Danceability • 37% Energy • 10% Liveness
73% Instrumentalness • 71% Positiveness
20% Popularity • 50% Danceability • 37% Energy • 10% Liveness
73% Instrumentalness • 71% Positiveness
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Donato Dozzy
Vaporware 04
114 bpm • A min • 05:23 • -10.57db
14% Popularity • 67% Danceability • 99% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
14% Popularity • 67% Danceability • 99% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
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Claudio Fabrianesi
Fade Out
115 bpm • D min • 07:04 • -15.05db
6% Popularity • 72% Danceability • 38% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
6% Popularity • 72% Danceability • 38% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
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burger/ink
Milk & Honey
115 bpm • A Maj • 04:57 • -22db
23% Popularity • 75% Danceability • 22% Energy • 11% Liveness
97% Instrumentalness • 82% Positiveness
23% Popularity • 75% Danceability • 22% Energy • 11% Liveness
97% Instrumentalness • 82% Positiveness
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Andy Stott
Made Your Point
113 bpm • A# min • 06:03 • -15db
20% Popularity • 79% Danceability • 50% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
20% Popularity • 79% Danceability • 50% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Valentino Mora
Yant Suea
115 bpm • F# Maj • 06:28 • -16.96db
9% Popularity • 65% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
9% Popularity • 65% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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Terekke
Amaze
113 bpm • C# Maj • 05:57 • -20db
18% Popularity • 40% Danceability • 34% Energy • 51% Liveness
91% Instrumentalness • 15% Positiveness
18% Popularity • 40% Danceability • 34% Energy • 51% Liveness
91% Instrumentalness • 15% Positiveness
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Donato Dozzy
Test 3
115 bpm • B Maj • 07:16 • -20db
20% Popularity • 49% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
20% Popularity • 49% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
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Gescom
Cicada
115 bpm • F Maj • 08:36 • -15.66db
11% Popularity • 40% Danceability • 40% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
11% Popularity • 40% Danceability • 40% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Shed
Extreme Sat
112 bpm • C Maj • 03:19 • -15.61db
27% Popularity • 55% Danceability • 44% Energy • 14% Liveness
21% Instrumentalness • 69% Positiveness
27% Popularity • 55% Danceability • 44% Energy • 14% Liveness
21% Instrumentalness • 69% Positiveness
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Call Super
Sulu Sekou
112 bpm • C Maj • 04:24 • -12.69db
8% Popularity • 77% Danceability • 40% Energy • 10% Liveness
67% Instrumentalness • 11% Positiveness
8% Popularity • 77% Danceability • 40% Energy • 10% Liveness
67% Instrumentalness • 11% Positiveness
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Huerco S.
Plucked from the Ground, Towards the Sun
116 bpm • C# Maj • 06:49 • -16.53db
12% Popularity • 56% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
12% Popularity • 56% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
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Pole
Ãœberfahrt
116 bpm • G Maj • 08:04 • -17.85db
12% Popularity • 76% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 51% Positiveness
12% Popularity • 76% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 51% Positiveness
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Donato Dozzy
Test 3 - Vocal Version
115 bpm • B Maj • 07:14 • -16.79db
31% Popularity • 74% Danceability • 40% Energy • 12% Liveness
87% Instrumentalness • 31% Positiveness
31% Popularity • 74% Danceability • 40% Energy • 12% Liveness
87% Instrumentalness • 31% Positiveness
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Thomas Fehlmann
Von Oben
112 bpm • C# min • 06:25 • -12.09db
17% Popularity • 55% Danceability • 52% Energy • 11% Liveness
81% Instrumentalness • 47% Positiveness
17% Popularity • 55% Danceability • 52% Energy • 11% Liveness
81% Instrumentalness • 47% Positiveness
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Steve Hauschildt
Aequus
116 bpm • D min • 06:18 • -14.76db
11% Popularity • 56% Danceability • 65% Energy • 16% Liveness
71% Instrumentalness • 13% Positiveness
11% Popularity • 56% Danceability • 65% Energy • 16% Liveness
71% Instrumentalness • 13% Positiveness
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Terekke
Need U
116 bpm • A# Maj • 05:44 • -21.19db
20% Popularity • 74% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
20% Popularity • 74% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
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DJ Python
Todo Era Azul - Siempre Dub
112 bpm • F Maj • 04:34 • -10.92db
12% Popularity • 34% Danceability • 74% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
12% Popularity • 34% Danceability • 74% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
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Jan Jelinek
Universal Band Silhouette
112 bpm • A# Maj • 07:06 • -12.68db
16% Popularity • 31% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
16% Popularity • 31% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Ø
Scene 1
116 bpm • G Maj • 06:52 • -20.92db
10% Popularity • 71% Danceability • 23% Energy • 6% Liveness
55% Instrumentalness • 70% Positiveness
10% Popularity • 71% Danceability • 23% Energy • 6% Liveness
55% Instrumentalness • 70% Positiveness
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Thomas Fehlmann
In The Wind II
116 bpm • C min • 03:35 • -19.65db
24% Popularity • 34% Danceability • 35% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
24% Popularity • 34% Danceability • 35% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Huerco S.
On The Embankment
117 bpm • C# Maj • 05:56 • -22.35db
21% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
21% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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Visible Cloaks
Mask
111 bpm • D# min • 05:37 • -15.36db
15% Popularity • 46% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 8% Positiveness
15% Popularity • 46% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 8% Positiveness
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Function
Inter
117 bpm • D# min • 06:50 • -12.4db
12% Popularity • 52% Danceability • 71% Energy • 38% Liveness
84% Instrumentalness • 4% Positiveness
12% Popularity • 52% Danceability • 71% Energy • 38% Liveness
84% Instrumentalness • 4% Positiveness
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André Hommen
Pantone - Donato Dozzy Remix
117 bpm • C# Maj • 05:36 • -9.21db
2% Popularity • 78% Danceability • 82% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
2% Popularity • 78% Danceability • 82% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Bochum Welt
Chicago
117 bpm • G Maj • 03:35 • -8.26db
12% Popularity • 49% Danceability • 67% Energy • 8% Liveness
97% Instrumentalness • 21% Positiveness
12% Popularity • 49% Danceability • 67% Energy • 8% Liveness
97% Instrumentalness • 21% Positiveness
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Monolake
Indigo
117 bpm • D# min • 08:37 • -25.33db
17% Popularity • 40% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
17% Popularity • 40% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Lee Gamble
Flatland
118 bpm • A# Maj • 01:33 • -24.65db
16% Popularity • 24% Danceability • 22% Energy • 11% Liveness
97% Instrumentalness • 13% Positiveness
16% Popularity • 24% Danceability • 22% Energy • 11% Liveness
97% Instrumentalness • 13% Positiveness
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Anna Caragnano
Luci
110 bpm • A# Maj • 01:59 • -21.09db
8% Popularity • 27% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Huerco S.
Quivira
118 bpm • C# Maj • 05:01 • -10db
10% Popularity • 59% Danceability • 79% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
10% Popularity • 59% Danceability • 79% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
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Cio D'Or
Off - Original Mix
118 bpm • G# Maj • 05:09 • -24.05db
15% Popularity • 47% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 47% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Huerta
Blanket Dub
118 bpm • C min • 06:14 • -10.77db
17% Popularity • 56% Danceability • 71% Energy • 17% Liveness
94% Instrumentalness • 33% Positiveness
17% Popularity • 56% Danceability • 71% Energy • 17% Liveness
94% Instrumentalness • 33% Positiveness
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Donato Dozzy
Test 7
118 bpm • D# min • 08:10 • -15db
18% Popularity • 75% Danceability • 68% Energy • 6% Liveness
93% Instrumentalness • 86% Positiveness
18% Popularity • 75% Danceability • 68% Energy • 6% Liveness
93% Instrumentalness • 86% Positiveness
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Abfahrt Hinwil
Sonic Surface
118 bpm • A min • 04:45 • -9.39db
12% Popularity • 75% Danceability • 73% Energy • 9% Liveness
80% Instrumentalness • 18% Positiveness
12% Popularity • 75% Danceability • 73% Energy • 9% Liveness
80% Instrumentalness • 18% Positiveness
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Thomas Fehlmann
Karnickel
110 bpm • D Maj • 02:55 • -12.66db
24% Popularity • 46% Danceability • 54% Energy • 16% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 46% Danceability • 54% Energy • 16% Liveness
93% Instrumentalness • 10% Positiveness
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Kenny Larkin
Hello
118 bpm • C# Maj • 03:28 • -8.46db
10% Popularity • 44% Danceability • 42% Energy • 12% Liveness
15% Instrumentalness • 7% Positiveness
10% Popularity • 44% Danceability • 42% Energy • 12% Liveness
15% Instrumentalness • 7% Positiveness
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Auscultation
Vanda
118 bpm • E min • 10:17 • -10db
15% Popularity • 59% Danceability • 84% Energy • 11% Liveness
9% Instrumentalness • 31% Positiveness
15% Popularity • 59% Danceability • 84% Energy • 11% Liveness
9% Instrumentalness • 31% Positiveness
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Voices from The Lake
Iyo
110 bpm • G Maj • 10:42 • -25.22db
19% Popularity • 64% Danceability • 37% Energy • 36% Liveness
90% Instrumentalness • 7% Positiveness
19% Popularity • 64% Danceability • 37% Energy • 36% Liveness
90% Instrumentalness • 7% Positiveness
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The Black Dog
Cup Noodle
110 bpm • A# min • 03:30 • -20.82db
42% Popularity • 70% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
42% Popularity • 70% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
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Dominik Eulberg
Eintagsfliege - Donato Dozzy Remix
110 bpm • B min • 07:15 • -14.76db
17% Popularity • 57% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 67% Positiveness
17% Popularity • 57% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 67% Positiveness
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Pole
Silberfisch
110 bpm • E min • 06:36 • -17db
24% Popularity • 55% Danceability • 54% Energy • 22% Liveness
61% Instrumentalness • 37% Positiveness
24% Popularity • 55% Danceability • 54% Energy • 22% Liveness
61% Instrumentalness • 37% Positiveness
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Dr Alex Paterson
Loving You Live
118 bpm • C# Maj • 04:00 • -16db
22% Popularity • 17% Danceability • 42% Energy • 30% Liveness
96% Instrumentalness • 14% Positiveness
22% Popularity • 17% Danceability • 42% Energy • 30% Liveness
96% Instrumentalness • 14% Positiveness
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Anna Caragnano
Fraledune
110 bpm • G# Maj • 02:36 • -24.13db
7% Popularity • 61% Danceability • 6% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
7% Popularity • 61% Danceability • 6% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
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Voices from The Lake
Circe + S.T. - VFTL Rework
110 bpm • C# Maj • 14:04 • -23.56db
21% Popularity • 62% Danceability • 36% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
21% Popularity • 62% Danceability • 36% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
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Thomas Fehlmann
Soft Park
110 bpm • C# Maj • 03:05 • -9.04db
31% Popularity • 76% Danceability • 52% Energy • 9% Liveness
94% Instrumentalness • 49% Positiveness
31% Popularity • 76% Danceability • 52% Energy • 9% Liveness
94% Instrumentalness • 49% Positiveness
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Cv313
Beyond Starlit Sky
118 bpm • F# min • 09:22 • -15db
13% Popularity • 46% Danceability • 77% Energy • 7% Liveness
28% Instrumentalness • 48% Positiveness
13% Popularity • 46% Danceability • 77% Energy • 7% Liveness
28% Instrumentalness • 48% Positiveness
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Pole
Karussel
110 bpm • C# Maj • 06:40 • -21db
12% Popularity • 81% Danceability • 35% Energy • 67% Liveness
85% Instrumentalness • 23% Positiveness
12% Popularity • 81% Danceability • 35% Energy • 67% Liveness
85% Instrumentalness • 23% Positiveness
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B12
Basic Emotion
110 bpm • G# Maj • 04:51 • -16.43db
20% Popularity • 81% Danceability • 28% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
20% Popularity • 81% Danceability • 28% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
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Vril
Statera Rerum
110 bpm • A# min • 08:06 • -19.68db
17% Popularity • 51% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
17% Popularity • 51% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Voices from The Lake
Vega
110 bpm • G Maj • 08:35 • -18.05db
19% Popularity • 72% Danceability • 69% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
19% Popularity • 72% Danceability • 69% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Thomas Fehlmann
Vergessen
110 bpm • C Maj • 02:26 • -22db
34% Popularity • 41% Danceability • 27% Energy • 63% Liveness
83% Instrumentalness • 7% Positiveness
34% Popularity • 41% Danceability • 27% Energy • 63% Liveness
83% Instrumentalness • 7% Positiveness
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Dettinger
Blond 2
110 bpm • D# min • 06:16 • -11.34db
15% Popularity • 39% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
15% Popularity • 39% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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![Nonneo - Donato Dozzy Remix [Mixed] cover art](https://i.scdn.co/image/ab67616d00001e02d42ff4b97bde32368a50b614)
Tin Man
Nonneo - Donato Dozzy Remix [Mixed]
119 bpm • C# Maj • 06:09 • -21.95db
1% Popularity • 44% Danceability • 34% Energy • 13% Liveness
95% Instrumentalness • 47% Positiveness
1% Popularity • 44% Danceability • 34% Energy • 13% Liveness
95% Instrumentalness • 47% Positiveness
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Anthony Naples
365
119 bpm • A min • 03:09 • -13.44db
35% Popularity • 34% Danceability • 33% Energy • 12% Liveness
77% Instrumentalness • 20% Positiveness
35% Popularity • 34% Danceability • 33% Energy • 12% Liveness
77% Instrumentalness • 20% Positiveness
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RX-101
Dopamine
119 bpm • F Maj • 06:05 • -21.14db
15% Popularity • 52% Danceability • 32% Energy • 18% Liveness
92% Instrumentalness • 14% Positiveness
15% Popularity • 52% Danceability • 32% Energy • 18% Liveness
92% Instrumentalness • 14% Positiveness
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Voices from The Lake
In Giova
110 bpm • C# Maj • 10:12 • -20.72db
15% Popularity • 64% Danceability • 38% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 64% Danceability • 38% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Thomas Fehlmann
Alles, Immer
110 bpm • A# min • 06:18 • -10db
21% Popularity • 68% Danceability • 79% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
21% Popularity • 68% Danceability • 79% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Shed
Stp 2
119 bpm • G Maj • 01:40 • -16.29db
20% Popularity • 20% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Basic Channel
Mutism
109 bpm • A# Maj • 05:56 • -32.54db
18% Popularity • 25% Danceability • 12% Energy • 16% Liveness
89% Instrumentalness • 15% Positiveness
18% Popularity • 25% Danceability • 12% Energy • 16% Liveness
89% Instrumentalness • 15% Positiveness
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GAS
Pop 4
119 bpm • G# Maj • 09:51 • -15db
36% Popularity • 48% Danceability • 74% Energy • 16% Liveness
84% Instrumentalness • 71% Positiveness
36% Popularity • 48% Danceability • 74% Energy • 16% Liveness
84% Instrumentalness • 71% Positiveness
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Pole
Kirschenessen
120 bpm • G Maj • 05:20 • -20.28db
17% Popularity • 81% Danceability • 48% Energy • 12% Liveness
42% Instrumentalness • 27% Positiveness
17% Popularity • 81% Danceability • 48% Energy • 12% Liveness
42% Instrumentalness • 27% Positiveness
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Voices from The Lake
Manuvex
110 bpm • G Maj • 07:33 • -21.94db
16% Popularity • 64% Danceability • 32% Energy • 34% Liveness
92% Instrumentalness • 6% Positiveness
16% Popularity • 64% Danceability • 32% Energy • 34% Liveness
92% Instrumentalness • 6% Positiveness
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Thomas Fehlmann
Cityscape
110 bpm • B Maj • 04:08 • -11.59db
18% Popularity • 84% Danceability • 71% Energy • 16% Liveness
82% Instrumentalness • 30% Positiveness
18% Popularity • 84% Danceability • 71% Energy • 16% Liveness
82% Instrumentalness • 30% Positiveness
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Shed
The Traveller
120 bpm • C Maj • 02:08 • -26.68db
33% Popularity • 39% Danceability • 40% Energy • 16% Liveness
97% Instrumentalness • 3% Positiveness
33% Popularity • 39% Danceability • 40% Energy • 16% Liveness
97% Instrumentalness • 3% Positiveness
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Porter Ricks
Nautical Nuba
120 bpm • A# min • 08:56 • -19.01db
9% Popularity • 83% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 33% Positiveness
9% Popularity • 83% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 33% Positiveness
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Terekke
Tack
120 bpm • C min • 04:05 • -22db
22% Popularity • 68% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
22% Popularity • 68% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Robert Leiner
To Places You've Never Been
120 bpm • F# Maj • 08:11 • -17db
18% Popularity • 58% Danceability • 61% Energy • 14% Liveness
85% Instrumentalness • 47% Positiveness
18% Popularity • 58% Danceability • 61% Energy • 14% Liveness
85% Instrumentalness • 47% Positiveness
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Seefeel
Fracture
120 bpm • B min • 05:54 • -11db
18% Popularity • 58% Danceability • 95% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
18% Popularity • 58% Danceability • 95% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Thomas Fehlmann
Falling Into Your Eyes
110 bpm • G min • 04:08 • -14.31db
21% Popularity • 24% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Caterina Barbieri
Scratches on the Readable Surface
120 bpm • C# min • 05:56 • -10.26db
22% Popularity • 49% Danceability • 99% Energy • 11% Liveness
80% Instrumentalness • 81% Positiveness
22% Popularity • 49% Danceability • 99% Energy • 11% Liveness
80% Instrumentalness • 81% Positiveness
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Shed
Taken Effect
120 bpm • G Maj • 04:56 • -10.86db
25% Popularity • 77% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 56% Positiveness
25% Popularity • 77% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 56% Positiveness
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Moon Diagrams
Nightmoves
120 bpm • B Maj • 06:38 • -14.56db
22% Popularity • 65% Danceability • 28% Energy • 65% Liveness
94% Instrumentalness • 8% Positiveness
22% Popularity • 65% Danceability • 28% Energy • 65% Liveness
94% Instrumentalness • 8% Positiveness
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Juan Atkins
Odyssey
120 bpm • C min • 07:27 • -18.83db
19% Popularity • 58% Danceability • 42% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
19% Popularity • 58% Danceability • 42% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
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Jan Jelinek
Rock In The Video Age
120 bpm • F# min • 08:03 • -13db
32% Popularity • 67% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
32% Popularity • 67% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Terekke
Mix 91
120 bpm • C# Maj • 05:21 • -15.93db
16% Popularity • 81% Danceability • 51% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
16% Popularity • 81% Danceability • 51% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Tin Man
Falling Acid
120 bpm • G Maj • 08:00 • -11db
13% Popularity • 80% Danceability • 61% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 80% Danceability • 61% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Bochum Welt
Garden (NYC Mix)
120 bpm • C Maj • 02:42 • -18db
28% Popularity • 31% Danceability • 36% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 31% Danceability • 36% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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CHLOE (Thévenin)
Mare A Mare - Sequenza Version - Donato ...
120 bpm • G# Maj • 05:55 • -11.7db
6% Popularity • 81% Danceability • 64% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
6% Popularity • 81% Danceability • 64% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Susumu Yokota
Genshi
120 bpm • F Maj • 04:57 • -17.47db
32% Popularity • 44% Danceability • 57% Energy • 7% Liveness
93% Instrumentalness • 21% Positiveness
32% Popularity • 44% Danceability • 57% Energy • 7% Liveness
93% Instrumentalness • 21% Positiveness
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Cio D'Or
And On
120 bpm • A# Maj • 06:55 • -22db
9% Popularity • 45% Danceability • 45% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 45% Danceability • 45% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Thomas Fehlmann
Window
120 bpm • C# Maj • 08:54 • -14.73db
19% Popularity • 77% Danceability • 65% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
19% Popularity • 77% Danceability • 65% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Acronym
Mu 1
120 bpm • F# min • 08:22 • -11.5db
7% Popularity • 47% Danceability • 67% Energy • 71% Liveness
91% Instrumentalness • 53% Positiveness
7% Popularity • 47% Danceability • 67% Energy • 71% Liveness
91% Instrumentalness • 53% Positiveness
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Rod Modell
Kingston
120 bpm • C# Maj • 06:05 • -17.57db
32% Popularity • 81% Danceability • 52% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
32% Popularity • 81% Danceability • 52% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
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Andy Stott
Florence
120 bpm • G# Maj • 04:25 • -16.53db
16% Popularity • 78% Danceability • 53% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
16% Popularity • 78% Danceability • 53% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Tin Man
No New Violence
120 bpm • A# min • 06:35 • -22.58db
14% Popularity • 75% Danceability • 34% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
14% Popularity • 75% Danceability • 34% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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Juan Atkins
Mars Garden
120 bpm • A# min • 04:13 • -17.04db
13% Popularity • 92% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
13% Popularity • 92% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Balil
Merck
120 bpm • F Maj • 04:33 • -14.51db
14% Popularity • 62% Danceability • 70% Energy • 11% Liveness
71% Instrumentalness • 20% Positiveness
14% Popularity • 62% Danceability • 70% Energy • 11% Liveness
71% Instrumentalness • 20% Positiveness
