Songs like Variations for Piano, Op. 27: 2. Sehr schnell by Anton Webern
Based on a tempo of (+/- 10%) and a similar genre
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Eteri Andjaparidze
Toccata In D Minor, Op. 11: Allegro Marc...
109 bpm • E min • 04:25 • -28db
27% Popularity • 37% Danceability • 13% Energy • 8% Liveness
97% Instrumentalness • 35% Positiveness
27% Popularity • 37% Danceability • 13% Energy • 8% Liveness
97% Instrumentalness • 35% Positiveness
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Béla Bartók
Divertimento for Strings, Sz. 113: I. Al...
108 bpm • A# Maj • 08:20 • -17.83db
10% Popularity • 23% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
10% Popularity • 23% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Anton Webern
Concerto for 9 Instruments, Op. 24: II. ...
110 bpm • C min • 01:29 • -30.33db
5% Popularity • 62% Danceability • 2% Energy • 7% Liveness
57% Instrumentalness • 48% Positiveness
5% Popularity • 62% Danceability • 2% Energy • 7% Liveness
57% Instrumentalness • 48% Positiveness
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Alban Berg
Violin Concerto "To the Memory of an Ang...
110 bpm • F min • 11:51 • -18.82db
9% Popularity • 22% Danceability • 16% Energy • 10% Liveness
33% Instrumentalness • 3% Positiveness
9% Popularity • 22% Danceability • 16% Energy • 10% Liveness
33% Instrumentalness • 3% Positiveness
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Rebecca Clarke
Chinese Puzzle
108 bpm • G Maj • 01:29 • -36db
17% Popularity • 41% Danceability • 4% Energy • 15% Liveness
96% Instrumentalness • 53% Positiveness
17% Popularity • 41% Danceability • 4% Energy • 15% Liveness
96% Instrumentalness • 53% Positiveness
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Alexander Scriabin
Vers la flamme, Op. 72: Allegro moderato...
108 bpm • C min • 05:43 • -17.38db
11% Popularity • 35% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 35% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Claude Debussy
String Quartet in G Minor, Op. 10, L. 85...
108 bpm • C min • 03:49 • -18.55db
13% Popularity • 51% Danceability • 19% Energy • 15% Liveness
69% Instrumentalness • 60% Positiveness
13% Popularity • 51% Danceability • 19% Energy • 15% Liveness
69% Instrumentalness • 60% Positiveness
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Iannis Xenakis
6 Chansons: No. 1. Ca sent le musc… (I...
108 bpm • A min • 01:07 • -29.64db
23% Popularity • 35% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
23% Popularity • 35% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
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Anton Webern
4 Lieder für Sopran und Kammerorchester...
108 bpm • G Maj • 02:19 • -24.02db
0% Popularity • 30% Danceability • 3% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 3% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
Symphony No. 3: Andante con noto
110 bpm • C Maj • 03:34 • -29db
15% Popularity • 16% Danceability • 0% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 0% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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Colin McPhee
Tabuh-Tabuhan: I. Ostinatos
108 bpm • D min • 07:05 • -18db
10% Popularity • 29% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
10% Popularity • 29% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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György Ligeti
Ligeti: Hamburg Concerto: VI. Capriccio
111 bpm • F Maj • 01:09 • -20db
8% Popularity • 35% Danceability • 12% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
8% Popularity • 35% Danceability • 12% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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Milton Babbitt
Semi-Simple Variations
111 bpm • E Maj • 01:15 • -28.82db
12% Popularity • 40% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
12% Popularity • 40% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VI. Danse ...
107 bpm • C# Maj • 06:03 • -14db
16% Popularity • 43% Danceability • 22% Energy • 23% Liveness
88% Instrumentalness • 16% Positiveness
16% Popularity • 43% Danceability • 22% Energy • 23% Liveness
88% Instrumentalness • 16% Positiveness
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Anton Webern
6 Pieces for Large Orchestra, Op. 6: II....
107 bpm • C# Maj • 01:27 • -17.21db
0% Popularity • 32% Danceability • 20% Energy • 48% Liveness
40% Instrumentalness • 16% Positiveness
0% Popularity • 32% Danceability • 20% Energy • 48% Liveness
40% Instrumentalness • 16% Positiveness
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Iannis Xenakis
6 Chansons: No. 6. Soustra, dance
107 bpm • A# Maj • 01:24 • -18db
10% Popularity • 28% Danceability • 28% Energy • 33% Liveness
86% Instrumentalness • 69% Positiveness
10% Popularity • 28% Danceability • 28% Energy • 33% Liveness
86% Instrumentalness • 69% Positiveness
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Igor Stravinsky
Agon: Double Pas de quatre
112 bpm • D Maj • 01:23 • -21db
10% Popularity • 56% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 26% Positiveness
10% Popularity • 56% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 26% Positiveness
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Charles Ives
Central Park in the Dark - Live
106 bpm • A# min • 07:10 • -21.26db
10% Popularity • 15% Danceability • 4% Energy • 9% Liveness
66% Instrumentalness • 10% Positiveness
10% Popularity • 15% Danceability • 4% Energy • 9% Liveness
66% Instrumentalness • 10% Positiveness
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Krzysztof Penderecki
Symphony No. 3: Vivace
112 bpm • G min • 10:58 • -23.33db
7% Popularity • 38% Danceability • 16% Energy • 9% Liveness
83% Instrumentalness • 14% Positiveness
7% Popularity • 38% Danceability • 16% Energy • 9% Liveness
83% Instrumentalness • 14% Positiveness
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Olivier Messiaen
4 Etudes de rythme: Mode de valeurs et d...
112 bpm • E Maj • 04:07 • -27db
11% Popularity • 60% Danceability • 2% Energy • 18% Liveness
16% Instrumentalness • 9% Positiveness
11% Popularity • 60% Danceability • 2% Energy • 18% Liveness
16% Instrumentalness • 9% Positiveness
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John Cage
The Seasons: 6. Summer
106 bpm • D min • 03:36 • -32.68db
13% Popularity • 55% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
13% Popularity • 55% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
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Anton Webern
Klavierstück in E Minor - 3
111 bpm • E min • 01:08 • -32db
28% Popularity • 41% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 20% Positiveness
28% Popularity • 41% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 20% Positiveness
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Unsuk Chin
Piano Concerto: Movement I
106 bpm • A Maj • 04:07 • -15.96db
10% Popularity • 31% Danceability • 45% Energy • 21% Liveness
50% Instrumentalness • 28% Positiveness
10% Popularity • 31% Danceability • 45% Energy • 21% Liveness
50% Instrumentalness • 28% Positiveness
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Charles Ives
Symphony No. 2: I. Andante moderato - Li...
112 bpm • D Maj • 06:16 • -19db
9% Popularity • 18% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
9% Popularity • 18% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Arnold Schoenberg
Pierrot Lunaire, Op. 21 (1912) / Part 1:...
112 bpm • G# Maj • 01:38 • -34.78db
15% Popularity • 33% Danceability • 1% Energy • 22% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 33% Danceability • 1% Energy • 22% Liveness
0% Instrumentalness • 10% Positiveness
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Toru Takemitsu
Saegirarenai kyusoku (Uninterrupted Rest...
112 bpm • A# Maj • 01:55 • -30db
17% Popularity • 61% Danceability • 1% Energy • 8% Liveness
69% Instrumentalness • 8% Positiveness
17% Popularity • 61% Danceability • 1% Energy • 8% Liveness
69% Instrumentalness • 8% Positiveness
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Paul Hindemith
Symphonie "Mathis der Maler": 1. Engelko...
106 bpm • G Maj • 08:24 • -17.49db
11% Popularity • 26% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
11% Popularity • 26% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Anton Webern
2 Lieder, Op. 19: II. Ziehn die Schafe v...
105 bpm • B min • 01:00 • -25db
0% Popularity • 40% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 40% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Germaine Tailleferre
Concerto pour piano
105 bpm • D Maj • 04:52 • -17.47db
10% Popularity • 46% Danceability • 24% Energy • 25% Liveness
88% Instrumentalness • 50% Positiveness
10% Popularity • 46% Danceability • 24% Energy • 25% Liveness
88% Instrumentalness • 50% Positiveness
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Maurice Ravel
L'enfant et les sortilèges, M. 71, Pt. ...
105 bpm • G Maj • 02:42 • -29.79db
23% Popularity • 15% Danceability • 6% Energy • 31% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 15% Danceability • 6% Energy • 31% Liveness
1% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Suite for Piano, Op. 25: I. Präludium
105 bpm • A# Maj • 00:54 • -21db
25% Popularity • 34% Danceability • 22% Energy • 19% Liveness
86% Instrumentalness • 38% Positiveness
25% Popularity • 34% Danceability • 22% Energy • 19% Liveness
86% Instrumentalness • 38% Positiveness
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Valentin Silvestrov
Cantata No. 4: No. 2, Pastoral
113 bpm • G Maj • 02:10 • -40.88db
20% Popularity • 17% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Grażyna Bacewicz
Concerto for String Orchestra: III. Vivo
113 bpm • D min • 05:03 • -19db
10% Popularity • 44% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
10% Popularity • 44% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Anton Webern
3 Traditional Rhymes, Op. 17: Liebste Ju...
105 bpm • B Maj • 01:02 • -25.83db
6% Popularity • 54% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
6% Popularity • 54% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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John Adams
Adams: Nixon in China: Act I, Scene 1 - ...
105 bpm • A min • 02:53 • -34db
20% Popularity • 22% Danceability • 3% Energy • 32% Liveness
96% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 3% Energy • 32% Liveness
96% Instrumentalness • 6% Positiveness
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György Ligeti
Ligeti: Hamburg Concerto: III. Aria, Aks...
114 bpm • C Maj • 01:05 • -23.59db
13% Popularity • 38% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 55% Positiveness
13% Popularity • 38% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 55% Positiveness
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Maurice Ravel
Ma mère l'oye, M.60: 1. Pavane de la Be...
105 bpm • C Maj • 01:38 • -43db
34% Popularity • 39% Danceability • 0% Energy • 5% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 39% Danceability • 0% Energy • 5% Liveness
95% Instrumentalness • 7% Positiveness
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Igor Stravinsky
Les Noces, Première partie, Premier tab...
114 bpm • A Maj • 05:09 • -22.88db
11% Popularity • 40% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 40% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
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Alban Berg
Piano Sonata No. 1 - Mässig bewegt - St...
104 bpm • B Maj • 12:57 • -22db
16% Popularity • 34% Danceability • 12% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 34% Danceability • 12% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Schubert
6 German Dances, D. 820 (arr. A. Webern)...
114 bpm • A# Maj • 01:39 • -34db
4% Popularity • 35% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 35% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Anton Webern
Passacaglia for Large Orchestra, Op. 1
105 bpm • A# min • 10:09 • -19.23db
1% Popularity • 15% Danceability • 15% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 15% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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John Cage
Apartment House 1776: Harmony No. 1, Coo...
104 bpm • G Maj • 01:33 • -27db
32% Popularity • 15% Danceability • 1% Energy • 13% Liveness
70% Instrumentalness • 8% Positiveness
32% Popularity • 15% Danceability • 1% Energy • 13% Liveness
70% Instrumentalness • 8% Positiveness
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Pierre Boulez
Structures, Book 1: Piece No. 1
114 bpm • F min • 03:26 • -33.23db
9% Popularity • 58% Danceability • 1% Energy • 7% Liveness
24% Instrumentalness • 12% Positiveness
9% Popularity • 58% Danceability • 1% Energy • 7% Liveness
24% Instrumentalness • 12% Positiveness
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Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: II. Andant...
104 bpm • C# Maj • 08:01 • -27db
11% Popularity • 25% Danceability • 2% Energy • 18% Liveness
17% Instrumentalness • 3% Positiveness
11% Popularity • 25% Danceability • 2% Energy • 18% Liveness
17% Instrumentalness • 3% Positiveness
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Claude Debussy
String Quartet In G Minor, Op. 10, L. 85...
114 bpm • C min • 03:46 • -26db
7% Popularity • 45% Danceability • 12% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
7% Popularity • 45% Danceability • 12% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
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Franz Schubert
6 German Dances, D. 820 (arr. A. Webern)...
105 bpm • G# Maj • 00:58 • -33db
8% Popularity • 33% Danceability • 0% Energy • 31% Liveness
41% Instrumentalness • 24% Positiveness
8% Popularity • 33% Danceability • 0% Energy • 31% Liveness
41% Instrumentalness • 24% Positiveness
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Anton Webern
Kantate No. 2, Op. 31: V. Freundselig is...
104 bpm • G# Maj • 03:26 • -24.2db
0% Popularity • 34% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 34% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Ives
Set of 5 Take-offs: Song Without (Good) ...
104 bpm • C Maj • 04:05 • -36db
19% Popularity • 44% Danceability • 0% Energy • 6% Liveness
73% Instrumentalness • 17% Positiveness
19% Popularity • 44% Danceability • 0% Energy • 6% Liveness
73% Instrumentalness • 17% Positiveness
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Andrew Norman
The Companion Guide To Rome: II Benedett...
115 bpm • G Maj • 01:39 • -16.16db
10% Popularity • 38% Danceability • 17% Energy • 23% Liveness
88% Instrumentalness • 22% Positiveness
10% Popularity • 38% Danceability • 17% Energy • 23% Liveness
88% Instrumentalness • 22% Positiveness
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Arnold Schoenberg
Violin Concerto, Op. 36: II. Andante gra...
103 bpm • D min • 07:29 • -22.86db
15% Popularity • 24% Danceability • 10% Energy • 30% Liveness
34% Instrumentalness • 5% Positiveness
15% Popularity • 24% Danceability • 10% Energy • 30% Liveness
34% Instrumentalness • 5% Positiveness
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Kaija Saariaho
7 Papillons: No. 3. —
103 bpm • D Maj • 01:32 • -29.17db
21% Popularity • 30% Danceability • 9% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
21% Popularity • 30% Danceability • 9% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Franz Schubert
6 German Dances, D. 820 (arr. A. Webern)...
104 bpm • G# Maj • 01:30 • -36db
4% Popularity • 33% Danceability • 0% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
4% Popularity • 33% Danceability • 0% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Olivier Messiaen
Quartet for the End of Time
103 bpm • F# Maj • 02:39 • -24db
12% Popularity • 37% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
12% Popularity • 37% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
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George Crumb
Black Angels: II. Absence
115 bpm • G min • 05:25 • -23.13db
9% Popularity • 29% Danceability • 5% Energy • 8% Liveness
34% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 5% Energy • 8% Liveness
34% Instrumentalness • 4% Positiveness
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Aaron Copland
Night Thoughts (Homage to Ives) (1972)
103 bpm • C min • 07:49 • -24db
7% Popularity • 63% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
7% Popularity • 63% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Arnold Schoenberg
Schoenberg: 3 Piano Pieces, Op. 11: No. ...
103 bpm • G# Maj • 04:00 • -32db
17% Popularity • 39% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
17% Popularity • 39% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Alexander Scriabin
Piano Sonata No. 9, Op. 68 "Black Mass"
103 bpm • C Maj • 08:08 • -21.15db
6% Popularity • 32% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
6% Popularity • 32% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Alban Berg
Schließe mir die Augen beide
117 bpm • C Maj • 01:08 • -23db
29% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
29% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
John Cage
The Seasons: 1. Prelude I
116 bpm • C Maj • 02:01 • -39.33db
15% Popularity • 64% Danceability • 0% Energy • 10% Liveness
31% Instrumentalness • 50% Positiveness
15% Popularity • 64% Danceability • 0% Energy • 10% Liveness
31% Instrumentalness • 50% Positiveness
► Preview
Julian Scriabin
Prelude in C Major, Op. 2: II. Prelude i...
117 bpm • B Maj • 01:15 • -28db
37% Popularity • 34% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
37% Popularity • 34% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
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Anton Webern
2 Lieder after Poems by Rainer Maria Ril...
117 bpm • A# min • 01:11 • -22.9db
0% Popularity • 41% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 41% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Béla Bartók
Bartók: String Quartet No. 4 in C Major...
101 bpm • G Maj • 05:59 • -28.66db
9% Popularity • 19% Danceability • 3% Energy • 14% Liveness
49% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 3% Energy • 14% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Thomas Adès
Märchentänze (Orchestral Version): III...
117 bpm • F# min • 02:07 • -22db
25% Popularity • 35% Danceability • 5% Energy • 6% Liveness
62% Instrumentalness • 45% Positiveness
25% Popularity • 35% Danceability • 5% Energy • 6% Liveness
62% Instrumentalness • 45% Positiveness
► Preview
![Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding] cover art](https://i.scdn.co/image/ab67616d00001e02946bbad1fa051db2cacde94d)
Susan Bickley
Les Noces, Scene 1: The Tresses (At the ...
118 bpm • E Maj • 05:02 • -23.14db
24% Popularity • 45% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 45% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
John Cage
The Seasons: 4. Spring
118 bpm • D min • 02:26 • -31.16db
13% Popularity • 37% Danceability • 2% Energy • 18% Liveness
93% Instrumentalness • 8% Positiveness
13% Popularity • 37% Danceability • 2% Energy • 18% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Iannis Xenakis
6 Chansons: No. 3. Une perdrix descendai...
101 bpm • F# min • 01:29 • -29.39db
12% Popularity • 33% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
12% Popularity • 33% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
► Preview
Anton Webern
6 Pieces for Large Orchestra, Op. 6: I. ...
101 bpm • B min • 01:11 • -21.43db
0% Popularity • 20% Danceability • 6% Energy • 29% Liveness
60% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 6% Energy • 29% Liveness
60% Instrumentalness • 4% Positiveness
► Preview
Toru Takemitsu
Saegirarenai kyusoku (Uninterrupted Rest...
100 bpm • C Maj • 03:03 • -24.95db
13% Popularity • 58% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 19% Positiveness
13% Popularity • 58% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 19% Positiveness
► Preview
Paul Hindemith
In einer Nacht, Op. 15: No. 2, Sehr lang...
100 bpm • C# min • 01:24 • -34db
44% Popularity • 47% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 47% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Claude Debussy
String Quartet In G Minor, Op. 10, L. 85...
100 bpm • F# Maj • 07:41 • -31.15db
9% Popularity • 14% Danceability • 2% Energy • 8% Liveness
18% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 2% Energy • 8% Liveness
18% Instrumentalness • 3% Positiveness
► Preview
Olivier Messiaen
Quatuor pour la fin du Temps: I. Liturgi...
100 bpm • F min • 02:42 • -30db
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Lili Boulanger
D'un jardin clair
100 bpm • B Maj • 02:29 • -30.62db
21% Popularity • 49% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
21% Popularity • 49% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Gérard Pesson
Nebenstück
100 bpm • C Maj • 08:05 • -37db
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Krzysztof Penderecki
3 Pieces in Old Style: No. 3. Menuetto I...
119 bpm • D Maj • 02:08 • -19db
21% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
21% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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David Abramovitz
Chants Populaires: Chanson Espagnole
99 bpm • G Maj • 02:25 • -27db
30% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Franz Schubert
Deutsche Tänze, D. 820: II. [without te...
99 bpm • G# Maj • 01:26 • -30.95db
0% Popularity • 31% Danceability • 1% Energy • 28% Liveness
6% Instrumentalness • 8% Positiveness
0% Popularity • 31% Danceability • 1% Energy • 28% Liveness
6% Instrumentalness • 8% Positiveness
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Claude Debussy
String Quartet in G Minor, Op. 10: I. An...
121 bpm • D min • 06:25 • -22db
4% Popularity • 28% Danceability • 11% Energy • 26% Liveness
77% Instrumentalness • 12% Positiveness
4% Popularity • 28% Danceability • 11% Energy • 26% Liveness
77% Instrumentalness • 12% Positiveness
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Béla Bartók
Piano Concerto No. 2, Sz. 95: I. Allegro
98 bpm • D Maj • 10:10 • -19db
23% Popularity • 40% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
23% Popularity • 40% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Olivier Messiaen
Turangalîla Symphonie: 5. Joie du sang ...
121 bpm • D# min • 06:41 • -18.55db
12% Popularity • 34% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 22% Positiveness
12% Popularity • 34% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 22% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1 in E-Flat Major, Op...
122 bpm • D# Maj • 06:22 • -18.2db
10% Popularity • 49% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
10% Popularity • 49% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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Ludwig van Beethoven
String Quartet in B Flat Major, Op. 130:...
97 bpm • D# Maj • 07:13 • -30.62db
19% Popularity • 13% Danceability • 4% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 4% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Anton Webern
Vier Lieder für Gesang und Klavier, Op....
98 bpm • C# min • 01:33 • -22.18db
0% Popularity • 47% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 47% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Franz Schubert
6 German Dances, D. 820 (arr. A. Webern)...
121 bpm • A# Maj • 01:14 • -32.31db
5% Popularity • 42% Danceability • 0% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
5% Popularity • 42% Danceability • 0% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
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Béla Bartók
3 Studies for Piano, Op. 18, Sz. 72: No....
98 bpm • F Maj • 02:11 • -21.94db
12% Popularity • 36% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
12% Popularity • 36% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Arnold Schoenberg
Pierrot Lunaire, Op. 21 (1912) / Part 2:...
97 bpm • G Maj • 02:09 • -30.51db
15% Popularity • 27% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 27% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Francis Poulenc
Les animaux modèles Suite, FP 111: VI. ...
123 bpm • F# min • 03:42 • -19.48db
17% Popularity • 17% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: II. Vocali...
97 bpm • F# min • 05:01 • -19db
19% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
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Anton Webern
Kantate No. 2, Op. 31: III. Schöpfen au...
97 bpm • F min • 02:19 • -20.61db
0% Popularity • 30% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 30% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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Kaija Saariaho
7 Papillons: No. 6. —
96 bpm • G Maj • 02:02 • -36db
19% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Béla Bartók
Music for Strings, Percussion and Celest...
121 bpm • C# Maj • 06:35 • -16db
13% Popularity • 30% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
13% Popularity • 30% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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John Cage
Sonatas and Interludes for Prepared Pian...
123 bpm • C# Maj • 02:32 • -29.06db
17% Popularity • 40% Danceability • 21% Energy • 8% Liveness
67% Instrumentalness • 23% Positiveness
17% Popularity • 40% Danceability • 21% Energy • 8% Liveness
67% Instrumentalness • 23% Positiveness
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Witold Lutosławski
Jeux vénitiens, Pt. 1
123 bpm • F# min • 02:24 • -23db
9% Popularity • 38% Danceability • 9% Energy • 34% Liveness
9% Instrumentalness • 15% Positiveness
9% Popularity • 38% Danceability • 9% Energy • 34% Liveness
9% Instrumentalness • 15% Positiveness
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Arnold Schoenberg
Pierrot Lunaire, Op. 21 (1912) / Part 1:...
96 bpm • B min • 01:24 • -39db
12% Popularity • 30% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 30% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Anton Webern
Symphony, Op. 21: I. Ruhig schreitend
97 bpm • G# Maj • 06:25 • -29.07db
0% Popularity • 17% Danceability • 1% Energy • 59% Liveness
7% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 1% Energy • 59% Liveness
7% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
Symphony No. 3: Allegro con brio
96 bpm • G Maj • 10:27 • -22.5db
10% Popularity • 33% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
10% Popularity • 33% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: IV. Interm...
96 bpm • F# Maj • 01:41 • -17db
17% Popularity • 40% Danceability • 16% Energy • 34% Liveness
20% Instrumentalness • 38% Positiveness
17% Popularity • 40% Danceability • 16% Energy • 34% Liveness
20% Instrumentalness • 38% Positiveness
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Igor Stravinsky
In Memoriam Dylan Thomas: Do Not Go Gent...
96 bpm • E min • 07:48 • -26db
11% Popularity • 20% Danceability • 5% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 5% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Grażyna Bacewicz
Concerto for String Orchestra: I. Allegr...
125 bpm • C Maj • 04:49 • -18db
12% Popularity • 40% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
12% Popularity • 40% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
