Songs like Variations On "America" by US Marine Band
Based on a tempo of (+/- 10%) and a similar genre
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Johann Sebastian Bach
Fugue à la gigue
118 bpm • A# Maj • 03:12 • -22.75db
8% Popularity • 56% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
8% Popularity • 56% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
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US Marine Band
The Gallant Seventh
118 bpm • F Maj • 03:27 • -9.27db
6% Popularity • 54% Danceability • 63% Energy • 8% Liveness
91% Instrumentalness • 93% Positiveness
6% Popularity • 54% Danceability • 63% Energy • 8% Liveness
91% Instrumentalness • 93% Positiveness
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US Army Field Band
On the Mall
118 bpm • G# Maj • 03:17 • -12.99db
13% Popularity • 66% Danceability • 37% Energy • 29% Liveness
48% Instrumentalness • 91% Positiveness
13% Popularity • 66% Danceability • 37% Energy • 29% Liveness
48% Instrumentalness • 91% Positiveness
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David Maslanka
Concerto for Alto Saxophone and Wind Ens...
117 bpm • F Maj • 09:29 • -24db
11% Popularity • 21% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Percy Grainger
Green Bushes
118 bpm • A# Maj • 08:28 • -23.3db
10% Popularity • 32% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 36% Positiveness
10% Popularity • 32% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 36% Positiveness
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US Military Bands
Old Comrades
117 bpm • C# Maj • 04:30 • -15.36db
9% Popularity • 63% Danceability • 36% Energy • 14% Liveness
85% Instrumentalness • 83% Positiveness
9% Popularity • 63% Danceability • 36% Energy • 14% Liveness
85% Instrumentalness • 83% Positiveness
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Gustav Holst
Second Suite for Military Band, Op. 28 N...
118 bpm • F Maj • 04:38 • -22.45db
9% Popularity • 39% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 48% Positiveness
9% Popularity • 39% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 48% Positiveness
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US Marine Band
Variations On "America"
118 bpm • F Maj • 06:25 • -20db
12% Popularity • 37% Danceability • 9% Energy • 9% Liveness
69% Instrumentalness • 23% Positiveness
12% Popularity • 37% Danceability • 9% Energy • 9% Liveness
69% Instrumentalness • 23% Positiveness
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Kevin Day
Havana
117 bpm • C min • 07:58 • -16.13db
9% Popularity • 33% Danceability • 35% Energy • 15% Liveness
81% Instrumentalness • 19% Positiveness
9% Popularity • 33% Danceability • 35% Energy • 15% Liveness
81% Instrumentalness • 19% Positiveness
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US Army Band
National Emblem
117 bpm • C min • 03:03 • -11.64db
11% Popularity • 52% Danceability • 36% Energy • 28% Liveness
14% Instrumentalness • 63% Positiveness
11% Popularity • 52% Danceability • 36% Energy • 28% Liveness
14% Instrumentalness • 63% Positiveness
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Percy Grainger
In a Nutshell: IV. Gum-Suckers' March (V...
117 bpm • D# Maj • 03:39 • -14.72db
9% Popularity • 39% Danceability • 39% Energy • 8% Liveness
84% Instrumentalness • 62% Positiveness
9% Popularity • 39% Danceability • 39% Energy • 8% Liveness
84% Instrumentalness • 62% Positiveness
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Joseph Alessi
Carmen Fantasy - I. Prelude to Act IV: (...
119 bpm • D min • 02:29 • -19db
16% Popularity • 44% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
16% Popularity • 44% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Gustav Holst
Holst : The Planets Op.32 : VI Uranus, t...
117 bpm • C Maj • 06:02 • -19.66db
5% Popularity • 33% Danceability • 19% Energy • 19% Liveness
92% Instrumentalness • 8% Positiveness
5% Popularity • 33% Danceability • 19% Energy • 19% Liveness
92% Instrumentalness • 8% Positiveness
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Aaron Copland
Rodeo: I. Buckaroo Holiday
117 bpm • F Maj • 07:52 • -18db
13% Popularity • 39% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
13% Popularity • 39% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Arturo Márquez
Conga del Fuego Nuevo (Arr. O. Nickel fo...
119 bpm • A min • 05:02 • -14.64db
22% Popularity • 36% Danceability • 28% Energy • 36% Liveness
1% Instrumentalness • 60% Positiveness
22% Popularity • 36% Danceability • 28% Energy • 36% Liveness
1% Instrumentalness • 60% Positiveness
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Adam Gorb
Yiddish Dances: IV. Hora. Andante con mo...
117 bpm • A Maj • 04:24 • -28db
8% Popularity • 22% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
8% Popularity • 22% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March "Seven...
117 bpm • G# Maj • 03:27 • -20.27db
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
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US Marine Band
Who's Who in Navy Blue March
116 bpm • A# Maj • 02:51 • -10.49db
4% Popularity • 61% Danceability • 54% Energy • 18% Liveness
95% Instrumentalness • 74% Positiveness
4% Popularity • 61% Danceability • 54% Energy • 18% Liveness
95% Instrumentalness • 74% Positiveness
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US Navy Band
The Fairest of the Fair
117 bpm • D# Maj • 03:41 • -17.37db
6% Popularity • 49% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 96% Positiveness
6% Popularity • 49% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 96% Positiveness
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Aaron Copland
Rodeo: V. Hoe Down
119 bpm • D Maj • 04:52 • -18db
22% Popularity • 42% Danceability • 22% Energy • 4% Liveness
95% Instrumentalness • 32% Positiveness
22% Popularity • 42% Danceability • 22% Energy • 4% Liveness
95% Instrumentalness • 32% Positiveness
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US Army Band
Bravura
116 bpm • C min • 02:58 • -13db
16% Popularity • 49% Danceability • 27% Energy • 19% Liveness
55% Instrumentalness • 70% Positiveness
16% Popularity • 49% Danceability • 27% Energy • 19% Liveness
55% Instrumentalness • 70% Positiveness
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Pierre La Plante
American Riversongs
120 bpm • A# Maj • 06:26 • -18.54db
19% Popularity • 38% Danceability • 25% Energy • 85% Liveness
84% Instrumentalness • 32% Positiveness
19% Popularity • 38% Danceability • 25% Energy • 85% Liveness
84% Instrumentalness • 32% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite (arr. G. Jacob):...
119 bpm • F min • 02:50 • -20db
16% Popularity • 46% Danceability • 8% Energy • 6% Liveness
78% Instrumentalness • 64% Positiveness
16% Popularity • 46% Danceability • 8% Energy • 6% Liveness
78% Instrumentalness • 64% Positiveness
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US Marine Band
White Rose
116 bpm • C# Maj • 03:31 • -13.17db
8% Popularity • 70% Danceability • 56% Energy • 71% Liveness
96% Instrumentalness • 69% Positiveness
8% Popularity • 70% Danceability • 56% Energy • 71% Liveness
96% Instrumentalness • 69% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
27% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
27% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
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Anonymous
Summer Dances
120 bpm • F Maj • 06:05 • -21.17db
10% Popularity • 29% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
10% Popularity • 29% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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US Army Band
The Rifle Regiment
120 bpm • C# Maj • 03:10 • -12db
10% Popularity • 63% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 63% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Malcolm Arnold
Four Scottish Dances, Op. 59 - Produced
116 bpm • F Maj • 03:48 • -25.67db
10% Popularity • 18% Danceability • 10% Energy • 14% Liveness
48% Instrumentalness • 6% Positiveness
10% Popularity • 18% Danceability • 10% Energy • 14% Liveness
48% Instrumentalness • 6% Positiveness
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John Mackey
Strange Humors
120 bpm • C min • 05:32 • -14.1db
23% Popularity • 34% Danceability • 46% Energy • 6% Liveness
76% Instrumentalness • 11% Positiveness
23% Popularity • 34% Danceability • 46% Energy • 6% Liveness
76% Instrumentalness • 11% Positiveness
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US Marine Band
Vientos Y Tangos
120 bpm • B min • 11:18 • -20.05db
11% Popularity • 43% Danceability • 14% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
11% Popularity • 43% Danceability • 14% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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Samuel R. Hazo
Perthshire Majesty
116 bpm • A# Maj • 04:35 • -16db
19% Popularity • 17% Danceability • 17% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 17% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
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US Navy Band
Semper Fidelis
116 bpm • C Maj • 02:51 • -12.61db
15% Popularity • 74% Danceability • 43% Energy • 5% Liveness
95% Instrumentalness • 87% Positiveness
15% Popularity • 74% Danceability • 43% Energy • 5% Liveness
95% Instrumentalness • 87% Positiveness
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William Walton
Crown Imperial
116 bpm • C Maj • 06:42 • -15.9db
25% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
25% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: II. Sea Songs
116 bpm • G# Maj • 03:57 • -23db
14% Popularity • 35% Danceability • 17% Energy • 24% Liveness
91% Instrumentalness • 58% Positiveness
14% Popularity • 35% Danceability • 17% Energy • 24% Liveness
91% Instrumentalness • 58% Positiveness
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Gustav Holst
Holst: Suite for Military Band No. 2 in ...
116 bpm • F Maj • 04:45 • -17.13db
2% Popularity • 58% Danceability • 18% Energy • 25% Liveness
91% Instrumentalness • 56% Positiveness
2% Popularity • 58% Danceability • 18% Energy • 25% Liveness
91% Instrumentalness • 56% Positiveness
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US Marine Band
Children's March : "Over the Hills and F...
120 bpm • A# Maj • 07:03 • -22.08db
17% Popularity • 49% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 36% Positiveness
17% Popularity • 49% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 36% Positiveness
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Robert Jager
Third Suite, I: March - Robert E. Jager
120 bpm • F Maj • 02:22 • -16.55db
11% Popularity • 40% Danceability • 33% Energy • 11% Liveness
72% Instrumentalness • 31% Positiveness
11% Popularity • 40% Danceability • 33% Energy • 11% Liveness
72% Instrumentalness • 31% Positiveness
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US Navy Band
March Grandioso
120 bpm • D# Maj • 02:43 • -14.54db
13% Popularity • 41% Danceability • 40% Energy • 23% Liveness
95% Instrumentalness • 82% Positiveness
13% Popularity • 41% Danceability • 40% Energy • 23% Liveness
95% Instrumentalness • 82% Positiveness
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US Army Band and Chorus
National Emblem March
116 bpm • D# Maj • 03:03 • -10.21db
20% Popularity • 43% Danceability • 47% Energy • 25% Liveness
78% Instrumentalness • 69% Positiveness
20% Popularity • 43% Danceability • 47% Energy • 25% Liveness
78% Instrumentalness • 69% Positiveness
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Launy Grøndahl
Trombone Concerto (1st version): III. Fi...
121 bpm • F# Maj • 05:11 • -23db
11% Popularity • 37% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
11% Popularity • 37% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Samuel R. Hazo
Sevens
121 bpm • A# min • 03:57 • -16.92db
16% Popularity • 44% Danceability • 32% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
16% Popularity • 44% Danceability • 32% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
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US Air Force Concert Band
Danse Bacchanale
121 bpm • D min • 07:28 • -19db
14% Popularity • 35% Danceability • 21% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
14% Popularity • 35% Danceability • 21% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
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Vladimir Cosma
Euphonium Concerto: I. Allegro assai
115 bpm • C Maj • 09:14 • -19.11db
12% Popularity • 36% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
12% Popularity • 36% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Johan de Meij
Joropo
115 bpm • D min • 03:17 • -13db
22% Popularity • 53% Danceability • 30% Energy • 17% Liveness
88% Instrumentalness • 69% Positiveness
22% Popularity • 53% Danceability • 30% Energy • 17% Liveness
88% Instrumentalness • 69% Positiveness
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Øystein Baadsvik
Bass Tuba Concerto in F Minor: I. Prelud...
115 bpm • A# min • 04:09 • -21.2db
10% Popularity • 46% Danceability • 14% Energy • 24% Liveness
94% Instrumentalness • 35% Positiveness
10% Popularity • 46% Danceability • 14% Energy • 24% Liveness
94% Instrumentalness • 35% Positiveness
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Bands of the US Army, Navy, Air Force, Marines, and Coast Guard
The Washington Post
121 bpm • F Maj • 02:35 • -12db
17% Popularity • 63% Danceability • 57% Energy • 14% Liveness
95% Instrumentalness • 86% Positiveness
17% Popularity • 63% Danceability • 57% Energy • 14% Liveness
95% Instrumentalness • 86% Positiveness
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Adam Gorb
Yiddish Dances: I. Khosidl. Andante
121 bpm • F min • 03:16 • -24db
10% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
10% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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David Maslanka
Mvt. 1. Song: Fire in the Earth, Maslank...
121 bpm • F Maj • 09:10 • -21.89db
15% Popularity • 22% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
15% Popularity • 22% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
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US Marine Band
Guadalcanal March
115 bpm • G# Maj • 02:46 • -14.15db
1% Popularity • 52% Danceability • 32% Energy • 27% Liveness
94% Instrumentalness • 58% Positiveness
1% Popularity • 52% Danceability • 32% Energy • 27% Liveness
94% Instrumentalness • 58% Positiveness
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Camille Saint-Saëns
Morceau de concert, Op. 94: I. Allegro m...
121 bpm • F min • 03:25 • -17.88db
16% Popularity • 39% Danceability • 7% Energy • 17% Liveness
40% Instrumentalness • 34% Positiveness
16% Popularity • 39% Danceability • 7% Energy • 17% Liveness
40% Instrumentalness • 34% Positiveness
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Joseph Horovitz
Concerto for Euphonium and Chamber Orche...
122 bpm • F min • 05:17 • -36db
9% Popularity • 35% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
9% Popularity • 35% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
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Bands of the US Army, Navy, Air Force, Marines, and Coast Guard
The Stars and Stripes Forever
122 bpm • G# Maj • 03:34 • -11.83db
24% Popularity • 60% Danceability • 59% Energy • 14% Liveness
79% Instrumentalness • 80% Positiveness
24% Popularity • 60% Danceability • 59% Energy • 14% Liveness
79% Instrumentalness • 80% Positiveness
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Jan van der Roost
Puszta: Four Gipsy Dances: II. -
122 bpm • C Maj • 02:29 • -17.29db
11% Popularity • 23% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Aaron Copland
Rodeo: IV. Hoe-Down
122 bpm • D Maj • 04:27 • -19.85db
23% Popularity • 46% Danceability • 21% Energy • 15% Liveness
95% Instrumentalness • 25% Positiveness
23% Popularity • 46% Danceability • 21% Energy • 15% Liveness
95% Instrumentalness • 25% Positiveness
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Gustav Holst
Holst: Suite for Military Band No. 2 in ...
122 bpm • F Maj • 03:39 • -24db
0% Popularity • 40% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 23% Positiveness
0% Popularity • 40% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 23% Positiveness
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USAF Heritage of American Band
National Emblem
122 bpm • F Maj • 02:58 • -12.02db
16% Popularity • 60% Danceability • 45% Energy • 17% Liveness
88% Instrumentalness • 54% Positiveness
16% Popularity • 60% Danceability • 45% Energy • 17% Liveness
88% Instrumentalness • 54% Positiveness
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Alfred Reed
2 Suite for Band: I. Son Montuno
122 bpm • C min • 02:44 • -20db
9% Popularity • 41% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
9% Popularity • 41% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
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Giuseppe Verdi
Grand March from Aida (Act II, Scene 2)
114 bpm • D# Maj • 06:08 • -14db
11% Popularity • 41% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 35% Positiveness
11% Popularity • 41% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 35% Positiveness
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Gérard Besse
Suite française : IV. Alsace-Lorraine
114 bpm • D min • 03:59 • -17db
4% Popularity • 21% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
4% Popularity • 21% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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US Marine Band
The Pride of the Wolverines
122 bpm • F Maj • 03:37 • -15.52db
1% Popularity • 58% Danceability • 49% Energy • 23% Liveness
78% Instrumentalness • 92% Positiveness
1% Popularity • 58% Danceability • 49% Energy • 23% Liveness
78% Instrumentalness • 92% Positiveness
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Joseph Alessi
Carmen Fantasy - IV. Habenera: (Bizet)
114 bpm • A# Maj • 03:30 • -21db
16% Popularity • 44% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
16% Popularity • 44% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Gustav Holst
Holst: Suite for Military Band No. 2 in ...
114 bpm • D min • 01:11 • -12.34db
1% Popularity • 70% Danceability • 37% Energy • 8% Liveness
86% Instrumentalness • 93% Positiveness
1% Popularity • 70% Danceability • 37% Energy • 8% Liveness
86% Instrumentalness • 93% Positiveness
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US Navy Band
Anchors Aweigh
122 bpm • F Maj • 02:45 • -15.83db
12% Popularity • 55% Danceability • 41% Energy • 17% Liveness
88% Instrumentalness • 86% Positiveness
12% Popularity • 55% Danceability • 41% Energy • 17% Liveness
88% Instrumentalness • 86% Positiveness
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Eric Whitacre
Ghost Train Triptych: I. The Ride
122 bpm • A# min • 05:35 • -22db
11% Popularity • 38% Danceability • 25% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
11% Popularity • 38% Danceability • 25% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
► Preview
Jan van der Roost
Puszta: Four Gipsy Dances: I. -
113 bpm • C min • 03:08 • -15db
14% Popularity • 46% Danceability • 12% Energy • 14% Liveness
8% Instrumentalness • 27% Positiveness
14% Popularity • 46% Danceability • 12% Energy • 14% Liveness
8% Instrumentalness • 27% Positiveness
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US Marine Band
El Capitan
122 bpm • G min • 02:21 • -11.61db
15% Popularity • 63% Danceability • 50% Energy • 13% Liveness
93% Instrumentalness • 54% Positiveness
15% Popularity • 63% Danceability • 50% Energy • 13% Liveness
93% Instrumentalness • 54% Positiveness
► Preview
David Maslanka
On This Bright Morning
113 bpm • A# Maj • 08:40 • -22.2db
5% Popularity • 17% Danceability • 5% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 5% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Joseph Alessi
T-Bone Concerto
113 bpm • C Maj • 06:06 • -14db
12% Popularity • 46% Danceability • 24% Energy • 5% Liveness
84% Instrumentalness • 31% Positiveness
12% Popularity • 46% Danceability • 24% Energy • 5% Liveness
84% Instrumentalness • 31% Positiveness
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United States Air Force Heritage of America Band
76 Trombones from "The Music Man"
123 bpm • C Maj • 03:13 • -14db
23% Popularity • 45% Danceability • 41% Energy • 3% Liveness
96% Instrumentalness • 73% Positiveness
23% Popularity • 45% Danceability • 41% Energy • 3% Liveness
96% Instrumentalness • 73% Positiveness
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William Walton
Crown Imperial: Coronation March (arr. J...
113 bpm • C Maj • 06:10 • -10db
11% Popularity • 37% Danceability • 45% Energy • 8% Liveness
75% Instrumentalness • 21% Positiveness
11% Popularity • 37% Danceability • 45% Energy • 8% Liveness
75% Instrumentalness • 21% Positiveness
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Samuel R. Hazo
Across the Halfpipe
113 bpm • A# Maj • 04:08 • -5.19db
8% Popularity • 47% Danceability • 60% Energy • 18% Liveness
11% Instrumentalness • 35% Positiveness
8% Popularity • 47% Danceability • 60% Energy • 18% Liveness
11% Instrumentalness • 35% Positiveness
► Preview
US Marine Band
Moorside March from "A Moorside Suite"
123 bpm • A# Maj • 04:27 • -18.79db
9% Popularity • 38% Danceability • 18% Energy • 71% Liveness
93% Instrumentalness • 46% Positiveness
9% Popularity • 38% Danceability • 18% Energy • 71% Liveness
93% Instrumentalness • 46% Positiveness
► Preview
Jean-Baptiste Arban
Fantaisie Brillante - Instrumental
123 bpm • A# Maj • 08:16 • -19.96db
15% Popularity • 45% Danceability • 15% Energy • 22% Liveness
90% Instrumentalness • 29% Positiveness
15% Popularity • 45% Danceability • 15% Energy • 22% Liveness
90% Instrumentalness • 29% Positiveness
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US Continental Army Band
Black Granite
113 bpm • C# Maj • 03:56 • -17.77db
11% Popularity • 28% Danceability • 21% Energy • 20% Liveness
94% Instrumentalness • 28% Positiveness
11% Popularity • 28% Danceability • 21% Energy • 20% Liveness
94% Instrumentalness • 28% Positiveness
► Preview
Henri Tomasi
Tomasi: Trumpet Concerto: I. Allegro - C...
113 bpm • F Maj • 07:14 • -17.43db
8% Popularity • 37% Danceability • 19% Energy • 23% Liveness
86% Instrumentalness • 7% Positiveness
8% Popularity • 37% Danceability • 19% Energy • 23% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
John Mackey
Strange Humors
113 bpm • D# Maj • 05:24 • -11db
20% Popularity • 48% Danceability • 24% Energy • 6% Liveness
70% Instrumentalness • 17% Positiveness
20% Popularity • 48% Danceability • 24% Energy • 6% Liveness
70% Instrumentalness • 17% Positiveness
► Preview
Igor Stravinsky
Octet for Wind Instruments : I. Sinfonia
113 bpm • D# Maj • 04:04 • -15db
12% Popularity • 57% Danceability • 16% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
12% Popularity • 57% Danceability • 16% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Samuel R. Hazo
Blue and Green Music
112 bpm • F min • 04:20 • -17.69db
15% Popularity • 17% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
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James Barnes
Danza Sinfonica
124 bpm • C# Maj • 10:43 • -16.93db
10% Popularity • 36% Danceability • 23% Energy • 5% Liveness
59% Instrumentalness • 11% Positiveness
10% Popularity • 36% Danceability • 23% Energy • 5% Liveness
59% Instrumentalness • 11% Positiveness
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Sergei Prokofiev
March from The Love for Three Oranges, O...
124 bpm • G# Maj • 01:30 • -14.43db
10% Popularity • 45% Danceability • 36% Energy • 18% Liveness
5% Instrumentalness • 42% Positiveness
10% Popularity • 45% Danceability • 36% Energy • 18% Liveness
5% Instrumentalness • 42% Positiveness
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US Army Band
The Purple Carnival
124 bpm • C# Maj • 03:32 • -12db
10% Popularity • 52% Danceability • 36% Energy • 28% Liveness
56% Instrumentalness • 37% Positiveness
10% Popularity • 52% Danceability • 36% Energy • 28% Liveness
56% Instrumentalness • 37% Positiveness
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Hugh Stuart
3 Ayres from Gloucester: No. 3. The Fief...
112 bpm • D min • 01:09 • -18.17db
18% Popularity • 38% Danceability • 27% Energy • 22% Liveness
82% Instrumentalness • 13% Positiveness
18% Popularity • 38% Danceability • 27% Energy • 22% Liveness
82% Instrumentalness • 13% Positiveness
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Malcolm Arnold
Prelude, Siciliano & Rondo: Prelude
124 bpm • A# Maj • 01:52 • -18db
20% Popularity • 35% Danceability • 12% Energy • 22% Liveness
77% Instrumentalness • 10% Positiveness
20% Popularity • 35% Danceability • 12% Energy • 22% Liveness
77% Instrumentalness • 10% Positiveness
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US Navy Band
Under the Double Eagle
112 bpm • D# Maj • 02:41 • -15.89db
14% Popularity • 60% Danceability • 28% Energy • 6% Liveness
89% Instrumentalness • 80% Positiveness
14% Popularity • 60% Danceability • 28% Energy • 6% Liveness
89% Instrumentalness • 80% Positiveness
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The University of Illinois Symphonic Band
Scenes from the Louvre: III. The Kings o...
112 bpm • G Maj • 03:01 • -19.89db
11% Popularity • 24% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 19% Positiveness
11% Popularity • 24% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 19% Positiveness
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United States Air Force Heritage of America Band
American Patrol
112 bpm • D# Maj • 04:18 • -17.09db
18% Popularity • 57% Danceability • 26% Energy • 5% Liveness
91% Instrumentalness • 51% Positiveness
18% Popularity • 57% Danceability • 26% Energy • 5% Liveness
91% Instrumentalness • 51% Positiveness
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US Marine Band
La Fiesta Mexicana: III. Carnival
112 bpm • F Maj • 06:10 • -19.61db
14% Popularity • 31% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
14% Popularity • 31% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: IV. March "Folk...
125 bpm • A# Maj • 03:44 • -17.83db
19% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
19% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
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Roger Cichy
Quartets
111 bpm • D# Maj • 09:08 • -14.43db
9% Popularity • 38% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
9% Popularity • 38% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
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US Military Bands
The Thunderer
125 bpm • F Maj • 02:37 • -11.49db
15% Popularity • 61% Danceability • 53% Energy • 26% Liveness
88% Instrumentalness • 82% Positiveness
15% Popularity • 61% Danceability • 53% Energy • 26% Liveness
88% Instrumentalness • 82% Positiveness
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The University of Illinois Symphonic Band
Scenes from the Louvre: II. Children's G...
111 bpm • F Maj • 02:12 • -29.67db
9% Popularity • 30% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 18% Positiveness
9% Popularity • 30% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 18% Positiveness
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Frank Erickson
Toccata for Band
125 bpm • G Maj • 05:27 • -16db
17% Popularity • 29% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 10% Positiveness
17% Popularity • 29% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 10% Positiveness
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US Marine Band
Farewell To A Slavic Woman
125 bpm • D# min • 02:36 • -16.67db
16% Popularity • 55% Danceability • 42% Energy • 6% Liveness
94% Instrumentalness • 51% Positiveness
16% Popularity • 55% Danceability • 42% Energy • 6% Liveness
94% Instrumentalness • 51% Positiveness
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Robert W. Smith
Songs of Sailor and Sea
125 bpm • A# Maj • 08:29 • -19db
12% Popularity • 26% Danceability • 21% Energy • 90% Liveness
87% Instrumentalness • 12% Positiveness
12% Popularity • 26% Danceability • 21% Energy • 90% Liveness
87% Instrumentalness • 12% Positiveness
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Florence Beatrice Price
Symphony No. 1 in E Minor: III. Juba Dan...
111 bpm • F Maj • 03:40 • -21.63db
20% Popularity • 47% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 24% Positiveness
20% Popularity • 47% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 24% Positiveness
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Donald Grantham
J'ai ete au bal (I Went to the Dance)
126 bpm • A# min • 09:43 • -27.6db
11% Popularity • 32% Danceability • 3% Energy • 8% Liveness
52% Instrumentalness • 9% Positiveness
11% Popularity • 32% Danceability • 3% Energy • 8% Liveness
52% Instrumentalness • 9% Positiveness
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Percy Grainger
Children's March "Over the Hills and Far...
126 bpm • A# Maj • 06:44 • -15.5db
13% Popularity • 43% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
13% Popularity • 43% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Ferde Grofé
Grand Canyon Suite: I Sunrise
111 bpm • A Maj • 05:25 • -17.03db
12% Popularity • 17% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
12% Popularity • 17% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
