Songs like VCR Machine by Elliot Moss
Based on a tempo of (+/- 10%) and a similar genre
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Elliot Moss
VCR Machine
137 bpm • A min • 04:56 • -12db
1% Popularity • 27% Danceability • 35% Energy • 11% Liveness
11% Instrumentalness • 8% Positiveness
1% Popularity • 27% Danceability • 35% Energy • 11% Liveness
11% Instrumentalness • 8% Positiveness
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Cambio Sun
Weight of the World
137 bpm • G# min • 04:53 • -15.48db
10% Popularity • 49% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 38% Positiveness
10% Popularity • 49% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 38% Positiveness
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Michl
When You Loved Me Least
137 bpm • A# min • 03:36 • -9db
43% Popularity • 45% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 45% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Allan Rayman
Dear Allan
137 bpm • A min • 01:35 • -7.91db
27% Popularity • 39% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 39% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Seavera
Caving
137 bpm • B min • 03:07 • -6.56db
21% Popularity • 57% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 57% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Vök
Tension
136 bpm • F# min • 03:04 • -10.68db
35% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
35% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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St. South
Better Still
138 bpm • G# min • 03:55 • -16db
33% Popularity • 48% Danceability • 32% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
33% Popularity • 48% Danceability • 32% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
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ANIMA!
Self
138 bpm • D# min • 02:32 • -15.48db
15% Popularity • 29% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 29% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Keaton Henson
March
136 bpm • B Maj • 02:19 • -12.88db
21% Popularity • 23% Danceability • 24% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
21% Popularity • 23% Danceability • 24% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
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Lo-Fang
You're The Friend I Need
138 bpm • G Maj • 03:32 • -15.08db
16% Popularity • 49% Danceability • 27% Energy • 13% Liveness
3% Instrumentalness • 13% Positiveness
16% Popularity • 49% Danceability • 27% Energy • 13% Liveness
3% Instrumentalness • 13% Positiveness
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Marian Hill
Same Thing
138 bpm • G Maj • 05:28 • -21.14db
21% Popularity • 54% Danceability • 6% Energy • 9% Liveness
5% Instrumentalness • 11% Positiveness
21% Popularity • 54% Danceability • 6% Energy • 9% Liveness
5% Instrumentalness • 11% Positiveness
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Until The Ribbon Breaks
Goldfish
136 bpm • B min • 04:20 • -7db
6% Popularity • 58% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
6% Popularity • 58% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Arthur Beatrice
I Don't Get That Chill
138 bpm • D Maj • 03:58 • -13db
8% Popularity • 65% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
8% Popularity • 65% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
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Susie Suh
Everywhere
136 bpm • G# Maj • 03:34 • -8.53db
24% Popularity • 51% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 51% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Twin Caverns
Reprieve / Repave
138 bpm • B min • 03:06 • -10.62db
16% Popularity • 65% Danceability • 58% Energy • 11% Liveness
11% Instrumentalness • 16% Positiveness
16% Popularity • 65% Danceability • 58% Energy • 11% Liveness
11% Instrumentalness • 16% Positiveness
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GOSTO
Tell Me What You're Made Of
136 bpm • A# min • 04:21 • -8.95db
33% Popularity • 63% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
33% Popularity • 63% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Phoria
Undone
138 bpm • E min • 04:03 • -10.28db
22% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Mikky Ekko
Mourning Doves
136 bpm • C Maj • 04:18 • -9db
20% Popularity • 48% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 48% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Elliot Moss
Faraday Cage
136 bpm • B min • 03:42 • -10db
1% Popularity • 51% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
1% Popularity • 51% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Emmecosta
Snowboy
136 bpm • A# min • 03:55 • -9.43db
9% Popularity • 62% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 62% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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AaRON
2:22
136 bpm • C# Maj • 04:00 • -9.91db
29% Popularity • 58% Danceability • 32% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
29% Popularity • 58% Danceability • 32% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Patrick Watson
Turn Into the Noise
138 bpm • A min • 06:42 • -13.2db
30% Popularity • 40% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
30% Popularity • 40% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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Odina
Father
135 bpm • C min • 04:08 • -13db
24% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Flo Morrissey
If You Can't Love This All Goes Away
135 bpm • A min • 03:38 • -9.3db
12% Popularity • 34% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
12% Popularity • 34% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Two Feet
Twisted
135 bpm • B Maj • 03:17 • -11.99db
62% Popularity • 56% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 56% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Conner Youngblood
The Badlands
135 bpm • A Maj • 02:49 • -19.05db
13% Popularity • 30% Danceability • 5% Energy • 8% Liveness
18% Instrumentalness • 4% Positiveness
13% Popularity • 30% Danceability • 5% Energy • 8% Liveness
18% Instrumentalness • 4% Positiveness
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Fractures
Cadence
139 bpm • A min • 04:19 • -9.28db
18% Popularity • 61% Danceability • 56% Energy • 12% Liveness
3% Instrumentalness • 27% Positiveness
18% Popularity • 61% Danceability • 56% Energy • 12% Liveness
3% Instrumentalness • 27% Positiveness
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Lo-Fang
#88
135 bpm • G Maj • 05:48 • -10db
37% Popularity • 55% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 40% Positiveness
37% Popularity • 55% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 40% Positiveness
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Elliot Moss
Big Bad Wolf
135 bpm • C Maj • 03:41 • -8db
2% Popularity • 62% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
2% Popularity • 62% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Chet Faker
Cigarettes & Loneliness
135 bpm • G Maj • 07:52 • -11.56db
26% Popularity • 70% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 40% Positiveness
26% Popularity • 70% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 40% Positiveness
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Wet
These Days
135 bpm • D Maj • 04:25 • -14db
31% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Thomston
Expiry Date
139 bpm • B min • 02:58 • -11.02db
3% Popularity • 69% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
3% Popularity • 69% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Little Red Lung
Our Ghost
139 bpm • F# min • 04:49 • -12.57db
12% Popularity • 23% Danceability • 28% Energy • 23% Liveness
41% Instrumentalness • 18% Positiveness
12% Popularity • 23% Danceability • 28% Energy • 23% Liveness
41% Instrumentalness • 18% Positiveness
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Nuit Oceān
Island
135 bpm • C# min • 04:49 • -23.77db
13% Popularity • 48% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 48% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Morly
The Choir
135 bpm • B min • 03:21 • -12db
19% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Sanders Bohlke
The Loved Ones
139 bpm • A# min • 04:43 • -12.58db
30% Popularity • 36% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
30% Popularity • 36% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Tash Sultana
Gemini
140 bpm • G# Maj • 04:08 • -8.42db
45% Popularity • 32% Danceability • 44% Energy • 12% Liveness
16% Instrumentalness • 15% Positiveness
45% Popularity • 32% Danceability • 44% Energy • 12% Liveness
16% Instrumentalness • 15% Positiveness
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S. Carey
We Fell - Alt. Version
140 bpm • C Maj • 04:06 • -14.96db
12% Popularity • 58% Danceability • 41% Energy • 9% Liveness
7% Instrumentalness • 31% Positiveness
12% Popularity • 58% Danceability • 41% Energy • 9% Liveness
7% Instrumentalness • 31% Positiveness
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Elliot Moss
My Statue Sinking
140 bpm • C# Maj • 01:34 • -16.17db
36% Popularity • 17% Danceability • 13% Energy • 21% Liveness
97% Instrumentalness • 4% Positiveness
36% Popularity • 17% Danceability • 13% Energy • 21% Liveness
97% Instrumentalness • 4% Positiveness
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Stateless
Bloodstream - Quartet Session
140 bpm • F# min • 05:01 • -12db
38% Popularity • 47% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
38% Popularity • 47% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
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BØRNS
It's You
134 bpm • F Maj • 03:58 • -10.37db
33% Popularity • 23% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 23% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Zola Blood
Islands
140 bpm • A min • 03:23 • -10.18db
35% Popularity • 60% Danceability • 40% Energy • 8% Liveness
48% Instrumentalness • 31% Positiveness
35% Popularity • 60% Danceability • 40% Energy • 8% Liveness
48% Instrumentalness • 31% Positiveness
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Fhin
Those Waves
140 bpm • F# Maj • 04:40 • -16db
22% Popularity • 29% Danceability • 31% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
22% Popularity • 29% Danceability • 31% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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Twin Caverns
Pyramid
140 bpm • A Maj • 04:15 • -8db
21% Popularity • 66% Danceability • 51% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
21% Popularity • 66% Danceability • 51% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
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Kan Wakan
Why Don't You Save Me?
140 bpm • E min • 03:41 • -9db
25% Popularity • 45% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 45% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Elliot Moss
Lazy - Short Version
140 bpm • A# Maj • 02:47 • -13.82db
34% Popularity • 73% Danceability • 48% Energy • 11% Liveness
66% Instrumentalness • 39% Positiveness
34% Popularity • 73% Danceability • 48% Energy • 11% Liveness
66% Instrumentalness • 39% Positiveness
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Nuit Oceān
Rain
140 bpm • G# min • 03:46 • -11db
30% Popularity • 56% Danceability • 32% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
30% Popularity • 56% Danceability • 32% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
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Chet Faker
Gold
140 bpm • C# Maj • 04:41 • -9.44db
47% Popularity • 67% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 67% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Built For The Sea
Ghosts & Images
140 bpm • B min • 04:05 • -11.42db
8% Popularity • 52% Danceability • 38% Energy • 10% Liveness
27% Instrumentalness • 18% Positiveness
8% Popularity • 52% Danceability • 38% Energy • 10% Liveness
27% Instrumentalness • 18% Positiveness
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Lo-Fang
#88
134 bpm • G Maj • 06:48 • -9.49db
24% Popularity • 52% Danceability • 33% Energy • 8% Liveness
4% Instrumentalness • 34% Positiveness
24% Popularity • 52% Danceability • 33% Energy • 8% Liveness
4% Instrumentalness • 34% Positiveness
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Twin Caverns
The Crown
140 bpm • A min • 03:56 • -7.23db
18% Popularity • 62% Danceability • 40% Energy • 11% Liveness
16% Instrumentalness • 22% Positiveness
18% Popularity • 62% Danceability • 40% Energy • 11% Liveness
16% Instrumentalness • 22% Positiveness
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Elliot Moss
Lazy
140 bpm • A# Maj • 03:29 • -14.05db
32% Popularity • 70% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 38% Positiveness
32% Popularity • 70% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 38% Positiveness
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Duologue
Underworld
134 bpm • C min • 04:48 • -11.25db
14% Popularity • 65% Danceability • 40% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
14% Popularity • 65% Danceability • 40% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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Glass Animals
Cocoa Hooves
134 bpm • G min • 04:12 • -13.06db
41% Popularity • 63% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
41% Popularity • 63% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Oliver Riot
We Popped the Moon
134 bpm • A Maj • 03:03 • -13db
33% Popularity • 57% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
33% Popularity • 57% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Jens Kuross
Steadier
134 bpm • C Maj • 03:55 • -22.16db
16% Popularity • 45% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 45% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Nearly Oratorio
Tin
134 bpm • F min • 04:12 • -10.6db
16% Popularity • 65% Danceability • 34% Energy • 12% Liveness
15% Instrumentalness • 25% Positiveness
16% Popularity • 65% Danceability • 34% Energy • 12% Liveness
15% Instrumentalness • 25% Positiveness
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Elliot Moss
How I Fell
140 bpm • D Maj • 04:26 • -13db
24% Popularity • 75% Danceability • 45% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
24% Popularity • 75% Danceability • 45% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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Twin Caverns
Swell
141 bpm • D min • 04:03 • -8.6db
35% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Houses
What We Lost
133 bpm • C Maj • 04:17 • -8.52db
13% Popularity • 33% Danceability • 57% Energy • 36% Liveness
72% Instrumentalness • 19% Positiveness
13% Popularity • 33% Danceability • 57% Energy • 36% Liveness
72% Instrumentalness • 19% Positiveness
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Active Child
Evening Ceremony
133 bpm • F# Maj • 04:07 • -10.78db
9% Popularity • 59% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 59% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Foreign Fields
Correct Me
133 bpm • B min • 05:02 • -13.58db
22% Popularity • 26% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 8% Positiveness
22% Popularity • 26% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 8% Positiveness
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Oliver Riot
Harder
132 bpm • G Maj • 04:00 • -12.17db
32% Popularity • 46% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 46% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
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Elliot Moss
I'll Drive
134 bpm • F# min • 03:27 • -10.38db
25% Popularity • 73% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
25% Popularity • 73% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Blackchords
A Thin Line
132 bpm • A min • 03:37 • -11db
15% Popularity • 32% Danceability • 31% Energy • 28% Liveness
49% Instrumentalness • 4% Positiveness
15% Popularity • 32% Danceability • 31% Energy • 28% Liveness
49% Instrumentalness • 4% Positiveness
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Phoria
Red
142 bpm • F min • 05:48 • -11.59db
31% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Active Child
Darling
133 bpm • A# Maj • 04:22 • -13.67db
2% Popularity • 62% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
2% Popularity • 62% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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AaRON
Shades of Blue
132 bpm • A min • 03:59 • -9.19db
30% Popularity • 51% Danceability • 60% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
30% Popularity • 51% Danceability • 60% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
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Smoke Season
Opaque
132 bpm • C# Maj • 04:31 • -8.77db
24% Popularity • 33% Danceability • 45% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
24% Popularity • 33% Danceability • 45% Energy • 8% Liveness
4% Instrumentalness • 15% Positiveness
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Elliot Moss
Falling Down and Getting Hurt
133 bpm • G# min • 04:51 • -10.51db
30% Popularity • 70% Danceability • 48% Energy • 7% Liveness
82% Instrumentalness • 72% Positiveness
30% Popularity • 70% Danceability • 48% Energy • 7% Liveness
82% Instrumentalness • 72% Positiveness
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Glass Animals
Holiest
132 bpm • F min • 03:21 • -7.82db
52% Popularity • 50% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 50% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Sarah Jaffe
Don't Disconnect
132 bpm • A Maj • 04:54 • -17.68db
18% Popularity • 39% Danceability • 2% Energy • 10% Liveness
20% Instrumentalness • 25% Positiveness
18% Popularity • 39% Danceability • 2% Energy • 10% Liveness
20% Instrumentalness • 25% Positiveness
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Glass Face
Roses
142 bpm • D Maj • 04:00 • -12.37db
14% Popularity • 46% Danceability • 27% Energy • 26% Liveness
1% Instrumentalness • 17% Positiveness
14% Popularity • 46% Danceability • 27% Energy • 26% Liveness
1% Instrumentalness • 17% Positiveness
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Tom Rosenthal
All of Them Dreams
131 bpm • D min • 02:32 • -14.68db
40% Popularity • 45% Danceability • 18% Energy • 13% Liveness
22% Instrumentalness • 25% Positiveness
40% Popularity • 45% Danceability • 18% Energy • 13% Liveness
22% Instrumentalness • 25% Positiveness
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Bibio
The Way You Talk
131 bpm • G# min • 02:50 • -16db
37% Popularity • 42% Danceability • 22% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
37% Popularity • 42% Danceability • 22% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
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Elliot Moss
Smile in the Rain - Live Blackbox Record...
132 bpm • C# Maj • 02:54 • -12.89db
7% Popularity • 36% Danceability • 30% Energy • 48% Liveness
1% Instrumentalness • 13% Positiveness
7% Popularity • 36% Danceability • 30% Energy • 48% Liveness
1% Instrumentalness • 13% Positiveness
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Glass Animals
Cocoa Hooves - Stripped
131 bpm • D min • 03:35 • -19.35db
36% Popularity • 56% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 56% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Keaton Henson
If I Don't Have To
144 bpm • D# min • 03:37 • -11.55db
21% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Chet Faker
Dead Body
130 bpm • C Maj • 03:54 • -15.49db
23% Popularity • 64% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 64% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Patrick Watson
Where The Wild Things Are
144 bpm • C min • 03:52 • -14.78db
25% Popularity • 55% Danceability • 43% Energy • 11% Liveness
36% Instrumentalness • 26% Positiveness
25% Popularity • 55% Danceability • 43% Energy • 11% Liveness
36% Instrumentalness • 26% Positiveness
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Stateless
Blue Fire
130 bpm • F min • 04:35 • -7.83db
19% Popularity • 67% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
19% Popularity • 67% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Elliot Moss
Down With A Fight
143 bpm • B min • 04:20 • -12.85db
29% Popularity • 66% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 52% Positiveness
29% Popularity • 66% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 52% Positiveness
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St. South
Lover
130 bpm • G Maj • 04:36 • -13.55db
21% Popularity • 75% Danceability • 25% Energy • 8% Liveness
30% Instrumentalness • 7% Positiveness
21% Popularity • 75% Danceability • 25% Energy • 8% Liveness
30% Instrumentalness • 7% Positiveness
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MOTHICA
No One
130 bpm • C Maj • 04:19 • -9.19db
20% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Lo-Fang
Permutations
130 bpm • F# min • 03:31 • -9.38db
23% Popularity • 66% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 66% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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The Analog Affair
We Were Lovers
130 bpm • E min • 03:41 • -7.9db
31% Popularity • 51% Danceability • 45% Energy • 35% Liveness
57% Instrumentalness • 13% Positiveness
31% Popularity • 51% Danceability • 45% Energy • 35% Liveness
57% Instrumentalness • 13% Positiveness
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Fe
Daffodils of Paris
130 bpm • E min • 03:17 • -18.38db
8% Popularity • 36% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 36% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Elliot Moss
Altitude
131 bpm • E min • 03:31 • -11.66db
30% Popularity • 65% Danceability • 40% Energy • 40% Liveness
5% Instrumentalness • 6% Positiveness
30% Popularity • 65% Danceability • 40% Energy • 40% Liveness
5% Instrumentalness • 6% Positiveness
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WYATT
Attention - Radio Edit
130 bpm • F# min • 03:48 • -11.86db
22% Popularity • 60% Danceability • 54% Energy • 20% Liveness
46% Instrumentalness • 32% Positiveness
22% Popularity • 60% Danceability • 54% Energy • 20% Liveness
46% Instrumentalness • 32% Positiveness
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Fhin
Feel Your Face
130 bpm • E min • 03:46 • -11.39db
35% Popularity • 51% Danceability • 23% Energy • 11% Liveness
16% Instrumentalness • 9% Positiveness
35% Popularity • 51% Danceability • 23% Energy • 11% Liveness
16% Instrumentalness • 9% Positiveness
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Jack Garratt
Remnants
130 bpm • C min • 05:57 • -13.73db
23% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Haux
Caves - Kyson Remix
130 bpm • D# min • 03:41 • -11.38db
15% Popularity • 53% Danceability • 30% Energy • 11% Liveness
20% Instrumentalness • 6% Positiveness
15% Popularity • 53% Danceability • 30% Energy • 11% Liveness
20% Instrumentalness • 6% Positiveness
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Joni Payne
Contemporary Love
130 bpm • F# Maj • 03:43 • -15db
18% Popularity • 50% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
18% Popularity • 50% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Elliot Moss
Silver + Gold - Live Blackbox Recording
130 bpm • D Maj • 04:29 • -12.41db
7% Popularity • 72% Danceability • 22% Energy • 13% Liveness
2% Instrumentalness • 11% Positiveness
7% Popularity • 72% Danceability • 22% Energy • 13% Liveness
2% Instrumentalness • 11% Positiveness
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Flagship
Hollywood Underwater
130 bpm • B Maj • 02:56 • -10.9db
11% Popularity • 41% Danceability • 34% Energy • 27% Liveness
17% Instrumentalness • 34% Positiveness
11% Popularity • 41% Danceability • 34% Energy • 27% Liveness
17% Instrumentalness • 34% Positiveness
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Lo-Fang
Permutations III
130 bpm • F# min • 04:04 • -12.21db
13% Popularity • 56% Danceability • 32% Energy • 27% Liveness
3% Instrumentalness • 14% Positiveness
13% Popularity • 56% Danceability • 32% Energy • 27% Liveness
3% Instrumentalness • 14% Positiveness
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Zeds Dead
lost birds
145 bpm • D Maj • 02:47 • -8.07db
43% Popularity • 48% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 48% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Satchmode
In/Between
129 bpm • C Maj • 02:57 • -16.4db
16% Popularity • 45% Danceability • 22% Energy • 16% Liveness
14% Instrumentalness • 10% Positiveness
16% Popularity • 45% Danceability • 22% Energy • 16% Liveness
14% Instrumentalness • 10% Positiveness
