Songs like Vengeance by Zack Hemsey
Based on a tempo of (+/- 10%) and a similar genre
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Tom Player
Forever Lost
83 bpm • F# min • 03:13 • -9.03db
33% Popularity • 8% Danceability • 48% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 8% Danceability • 48% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Zack Hemsey
Informing The Target
83 bpm • A Maj • 05:33 • -18.92db
20% Popularity • 68% Danceability • 36% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
20% Popularity • 68% Danceability • 36% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
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Kári Sigurðsson
Three Dudes Selling Billboards
82 bpm • C min • 04:10 • -8.04db
14% Popularity • 30% Danceability • 61% Energy • 8% Liveness
84% Instrumentalness • 20% Positiveness
14% Popularity • 30% Danceability • 61% Energy • 8% Liveness
84% Instrumentalness • 20% Positiveness
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Eternal Eclipse
Inferia
82 bpm • G# min • 02:48 • -13db
47% Popularity • 8% Danceability • 50% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
47% Popularity • 8% Danceability • 50% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Craig Armstrong
Mother’s Run
82 bpm • A min • 02:55 • -12.47db
16% Popularity • 8% Danceability • 44% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
16% Popularity • 8% Danceability • 44% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
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Tyler Bates
Baba Yaga
82 bpm • G# Maj • 01:45 • -13.52db
30% Popularity • 35% Danceability • 34% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
30% Popularity • 35% Danceability • 34% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Jack Trammell
Critical Mass
82 bpm • C# Maj • 02:22 • -6.37db
26% Popularity • 20% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Zack Hemsey
Vengeance
83 bpm • G# Maj • 06:33 • -9.34db
53% Popularity • 36% Danceability • 69% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
53% Popularity • 36% Danceability • 69% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Brand X Music
Beyond Limits
82 bpm • D Maj • 02:39 • -9.44db
12% Popularity • 41% Danceability • 60% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 41% Danceability • 60% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Tom Player
Desolation
84 bpm • F min • 05:06 • -10.11db
35% Popularity • 15% Danceability • 59% Energy • 31% Liveness
86% Instrumentalness • 6% Positiveness
35% Popularity • 15% Danceability • 59% Energy • 31% Liveness
86% Instrumentalness • 6% Positiveness
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Epic Score
All Guts No Glory
82 bpm • E Maj • 02:15 • -6.61db
38% Popularity • 44% Danceability • 73% Energy • 28% Liveness
64% Instrumentalness • 45% Positiveness
38% Popularity • 44% Danceability • 73% Energy • 28% Liveness
64% Instrumentalness • 45% Positiveness
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Jed Kurzel
Future Glory
84 bpm • A# min • 02:21 • -15db
28% Popularity • 23% Danceability • 68% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
28% Popularity • 23% Danceability • 68% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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Brian Tyler
Into Eternity
84 bpm • A# Maj • 03:41 • -18db
43% Popularity • 17% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
43% Popularity • 17% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Zack Hemsey
Vengeance (Instrumental)
82 bpm • G# Maj • 06:33 • -9.89db
31% Popularity • 26% Danceability • 69% Energy • 11% Liveness
78% Instrumentalness • 19% Positiveness
31% Popularity • 26% Danceability • 69% Energy • 11% Liveness
78% Instrumentalness • 19% Positiveness
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Brand X Music
Legion
84 bpm • G# Maj • 02:20 • -10.63db
34% Popularity • 43% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
34% Popularity • 43% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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2WEI
Neptune
84 bpm • A min • 03:13 • -8.93db
36% Popularity • 29% Danceability • 61% Energy • 7% Liveness
86% Instrumentalness • 6% Positiveness
36% Popularity • 29% Danceability • 61% Energy • 7% Liveness
86% Instrumentalness • 6% Positiveness
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Eternal Eclipse
Hidden Machinations
84 bpm • D min • 02:57 • -8.68db
49% Popularity • 45% Danceability • 70% Energy • 18% Liveness
70% Instrumentalness • 16% Positiveness
49% Popularity • 45% Danceability • 70% Energy • 18% Liveness
70% Instrumentalness • 16% Positiveness
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Joseph William Morgan
Enjoy the Silence
85 bpm • G# Maj • 04:01 • -6.02db
30% Popularity • 24% Danceability • 64% Energy • 11% Liveness
43% Instrumentalness • 13% Positiveness
30% Popularity • 24% Danceability • 64% Energy • 11% Liveness
43% Instrumentalness • 13% Positiveness
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Clinton Shorter
The Expanse
85 bpm • C Maj • 01:04 • -13.23db
45% Popularity • 9% Danceability • 36% Energy • 9% Liveness
26% Instrumentalness • 17% Positiveness
45% Popularity • 9% Danceability • 36% Energy • 9% Liveness
26% Instrumentalness • 17% Positiveness
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Zack Hemsey
Waiting Between Worlds
84 bpm • F# Maj • 08:14 • -11.81db
30% Popularity • 14% Danceability • 53% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
30% Popularity • 14% Danceability • 53% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
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Ghostwriter
Beyond
85 bpm • D Maj • 03:32 • -11.7db
28% Popularity • 29% Danceability • 51% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 29% Danceability • 51% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Sam Lee
The Devil & The Huntsman
85 bpm • C Maj • 04:18 • -9.39db
50% Popularity • 26% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
50% Popularity • 26% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Future Heroes
Archangel
85 bpm • A min • 03:47 • -13db
25% Popularity • 14% Danceability • 55% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
25% Popularity • 14% Danceability • 55% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Nathan Whitehead
Days Gone
81 bpm • D min • 03:41 • -16.68db
41% Popularity • 9% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 9% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Tom Player
Blade of Blood
80 bpm • C# Maj • 02:40 • -9.91db
18% Popularity • 33% Danceability • 65% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
18% Popularity • 33% Danceability • 65% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Zack Hemsey
Waiting Between Worlds (Instrumental)
85 bpm • F# Maj • 08:15 • -12.86db
26% Popularity • 11% Danceability • 38% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
26% Popularity • 11% Danceability • 38% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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Q-Factory by Robert Etoll
Eternal Empire
80 bpm • D min • 01:30 • -8db
36% Popularity • 57% Danceability • 63% Energy • 6% Liveness
74% Instrumentalness • 24% Positiveness
36% Popularity • 57% Danceability • 63% Energy • 6% Liveness
74% Instrumentalness • 24% Positiveness
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VOLK
The Wolves
80 bpm • F# min • 03:26 • -10db
38% Popularity • 40% Danceability • 56% Energy • 33% Liveness
13% Instrumentalness • 4% Positiveness
38% Popularity • 40% Danceability • 56% Energy • 33% Liveness
13% Instrumentalness • 4% Positiveness
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Anne Sophie Versnaeyen
Facing the Past
80 bpm • C min • 02:39 • -9.83db
45% Popularity • 41% Danceability • 52% Energy • 9% Liveness
40% Instrumentalness • 9% Positiveness
45% Popularity • 41% Danceability • 52% Energy • 9% Liveness
40% Instrumentalness • 9% Positiveness
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Kári Sigurðsson
Pearl
80 bpm • B min • 03:41 • -12.47db
28% Popularity • 31% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
28% Popularity • 31% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
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Tom Player
Ordinary Hero
86 bpm • C Maj • 02:46 • -9.97db
32% Popularity • 10% Danceability • 74% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 10% Danceability • 74% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Joseph William Morgan
Charges from the Sky
80 bpm • B min • 02:16 • -9.02db
34% Popularity • 28% Danceability • 64% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
34% Popularity • 28% Danceability • 64% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Steve Jablonsky
Autobots
80 bpm • G min • 02:33 • -14.76db
55% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
55% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Hildur Guðnadóttir
Bathroom Dance
86 bpm • G# min • 02:08 • -19.22db
55% Popularity • 17% Danceability • 7% Energy • 8% Liveness
26% Instrumentalness • 4% Positiveness
55% Popularity • 17% Danceability • 7% Energy • 8% Liveness
26% Instrumentalness • 4% Positiveness
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Veigar Margeirsson
Dawn of the Titans
86 bpm • G Maj • 02:33 • -10db
14% Popularity • 38% Danceability • 46% Energy • 9% Liveness
76% Instrumentalness • 18% Positiveness
14% Popularity • 38% Danceability • 46% Energy • 9% Liveness
76% Instrumentalness • 18% Positiveness
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Kári Sigurðsson
Beyond the Horizon
80 bpm • D min • 03:44 • -6db
31% Popularity • 49% Danceability • 62% Energy • 9% Liveness
71% Instrumentalness • 18% Positiveness
31% Popularity • 49% Danceability • 62% Energy • 9% Liveness
71% Instrumentalness • 18% Positiveness
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Future Heroes
As We Watch the Burning Embers Fall Gent...
80 bpm • F Maj • 03:22 • -11db
35% Popularity • 31% Danceability • 49% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
35% Popularity • 31% Danceability • 49% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Fringe Element
Rise of the Fallen
86 bpm • F min • 03:02 • -12.21db
37% Popularity • 34% Danceability • 58% Energy • 13% Liveness
93% Instrumentalness • 9% Positiveness
37% Popularity • 34% Danceability • 58% Energy • 13% Liveness
93% Instrumentalness • 9% Positiveness
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Steve Jablonsky
Scorponok
80 bpm • F# min • 04:56 • -12.84db
45% Popularity • 50% Danceability • 59% Energy • 18% Liveness
86% Instrumentalness • 20% Positiveness
45% Popularity • 50% Danceability • 59% Energy • 18% Liveness
86% Instrumentalness • 20% Positiveness
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2WEI
Crimson Blaze
80 bpm • C# Maj • 04:00 • -9.72db
34% Popularity • 24% Danceability • 53% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 24% Danceability • 53% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Mitchell Broom
Aeon
80 bpm • C# min • 04:27 • -15db
11% Popularity • 22% Danceability • 32% Energy • 9% Liveness
74% Instrumentalness • 6% Positiveness
11% Popularity • 22% Danceability • 32% Energy • 9% Liveness
74% Instrumentalness • 6% Positiveness
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Kári Sigurðsson
Oracle
80 bpm • G min • 03:50 • -10db
28% Popularity • 33% Danceability • 55% Energy • 12% Liveness
97% Instrumentalness • 9% Positiveness
28% Popularity • 33% Danceability • 55% Energy • 12% Liveness
97% Instrumentalness • 9% Positiveness
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Aram Zero
Jäger Elite
80 bpm • D min • 03:57 • -10db
11% Popularity • 30% Danceability • 48% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 30% Danceability • 48% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Sebastian Böhm
Paint It Black
80 bpm • C# min • 03:22 • -6.29db
47% Popularity • 21% Danceability • 84% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
47% Popularity • 21% Danceability • 84% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Steve Jablonsky
No Sacrifice, No Victory
80 bpm • G min • 02:57 • -15.78db
51% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
51% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Ghostwriter
War Drums
86 bpm • G Maj • 01:01 • -10.43db
47% Popularity • 51% Danceability • 70% Energy • 18% Liveness
46% Instrumentalness • 23% Positiveness
47% Popularity • 51% Danceability • 70% Energy • 18% Liveness
46% Instrumentalness • 23% Positiveness
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Ursine Vulpine
I'm Going To Drive Until It Burns My Bon...
80 bpm • A# Maj • 03:16 • -14db
18% Popularity • 14% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
18% Popularity • 14% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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2WEI
In the End
80 bpm • F# min • 04:02 • -11.1db
47% Popularity • 12% Danceability • 58% Energy • 10% Liveness
35% Instrumentalness • 6% Positiveness
47% Popularity • 12% Danceability • 58% Energy • 10% Liveness
35% Instrumentalness • 6% Positiveness
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Nick Tzios
Mechanized
80 bpm • A Maj • 02:18 • -7db
28% Popularity • 22% Danceability • 69% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
28% Popularity • 22% Danceability • 69% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Hampus Naeselius
Race against Time
79 bpm • G min • 04:00 • -13db
23% Popularity • 18% Danceability • 25% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 25% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Arrival to Earth
79 bpm • C min • 05:26 • -16.4db
61% Popularity • 10% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
61% Popularity • 10% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Brian Delgado
Fallen Empire
79 bpm • C# Maj • 02:31 • -10.5db
43% Popularity • 9% Danceability • 39% Energy • 10% Liveness
38% Instrumentalness • 3% Positiveness
43% Popularity • 9% Danceability • 39% Energy • 10% Liveness
38% Instrumentalness • 3% Positiveness
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Eternal Eclipse
Shape of Lies
87 bpm • G# Maj • 02:52 • -11.24db
51% Popularity • 38% Danceability • 61% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
51% Popularity • 38% Danceability • 61% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Mark Petrie
Richat
79 bpm • D# min • 02:22 • -9.02db
41% Popularity • 34% Danceability • 40% Energy • 12% Liveness
79% Instrumentalness • 7% Positiveness
41% Popularity • 34% Danceability • 40% Energy • 12% Liveness
79% Instrumentalness • 7% Positiveness
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Tyler Bates
On The Hunt
88 bpm • D Maj • 02:11 • -10.25db
34% Popularity • 56% Danceability • 78% Energy • 8% Liveness
68% Instrumentalness • 33% Positiveness
34% Popularity • 56% Danceability • 78% Energy • 8% Liveness
68% Instrumentalness • 33% Positiveness
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Aleksandar Dimitrijevic
Soul of a Warrior (2015)
78 bpm • F Maj • 01:56 • -12.15db
43% Popularity • 22% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
43% Popularity • 22% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Zack Hemsey
Don't Get In My Way
88 bpm • G# Maj • 06:48 • -6.18db
51% Popularity • 65% Danceability • 74% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
51% Popularity • 65% Danceability • 74% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
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Daniel Pemberton
The Legend of Excalibur
89 bpm • G Maj • 02:43 • -15.03db
36% Popularity • 18% Danceability • 28% Energy • 14% Liveness
61% Instrumentalness • 3% Positiveness
36% Popularity • 18% Danceability • 28% Energy • 14% Liveness
61% Instrumentalness • 3% Positiveness
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E.S. Posthumus
Arise
88 bpm • F Maj • 04:12 • -10db
35% Popularity • 56% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 56% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Tony Anderson
Darkest Night
89 bpm • G min • 04:28 • -14.96db
39% Popularity • 18% Danceability • 33% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 33% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Tyler Bates
Excomunicado
88 bpm • G Maj • 01:25 • -9db
43% Popularity • 60% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
43% Popularity • 60% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Epic Score
Ride to Glory
78 bpm • G# Maj • 02:13 • -7.93db
51% Popularity • 48% Danceability • 71% Energy • 6% Liveness
98% Instrumentalness • 41% Positiveness
51% Popularity • 48% Danceability • 71% Energy • 6% Liveness
98% Instrumentalness • 41% Positiveness
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Tom Player
AXIS
77 bpm • A# Maj • 03:51 • -7.96db
37% Popularity • 38% Danceability • 80% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
37% Popularity • 38% Danceability • 80% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Matias Puumala
Last Light
89 bpm • A min • 02:27 • -9.7db
25% Popularity • 14% Danceability • 66% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
25% Popularity • 14% Danceability • 66% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
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Steve Jablonsky
Sacrifice
89 bpm • D min • 06:46 • -18.58db
45% Popularity • 10% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Two Steps from Hell
Invincible (Instrumental)
89 bpm • G# Maj • 02:50 • -7.86db
34% Popularity • 26% Danceability • 78% Energy • 6% Liveness
60% Instrumentalness • 31% Positiveness
34% Popularity • 26% Danceability • 78% Energy • 6% Liveness
60% Instrumentalness • 31% Positiveness
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Tyler Bates
Chop Shop
78 bpm • G Maj • 02:51 • -14.18db
33% Popularity • 17% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Jo Wandrini
Sciophobia
77 bpm • A Maj • 04:44 • -11.3db
37% Popularity • 33% Danceability • 42% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 33% Danceability • 42% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Julia Aks
Dance Of The Two Wolves
77 bpm • G# Maj • 01:47 • -6.54db
41% Popularity • 40% Danceability • 91% Energy • 6% Liveness
80% Instrumentalness • 23% Positiveness
41% Popularity • 40% Danceability • 91% Energy • 6% Liveness
80% Instrumentalness • 23% Positiveness
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Heavy Melody
Born From Gods (Epiic Choir Remix)
77 bpm • G min • 03:09 • -12.85db
18% Popularity • 49% Danceability • 38% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
18% Popularity • 49% Danceability • 38% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
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Trevor Morris
Floki Appears to Kill Athelstan
90 bpm • C# min • 03:11 • -18.25db
51% Popularity • 48% Danceability • 34% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
51% Popularity • 48% Danceability • 34% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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8Dawn
The Eternal Guardians
90 bpm • G# Maj • 02:08 • -18db
37% Popularity • 37% Danceability • 41% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
37% Popularity • 37% Danceability • 41% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Tyler Bates
Man Of Focus
89 bpm • G Maj • 03:24 • -10db
37% Popularity • 25% Danceability • 52% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
37% Popularity • 25% Danceability • 52% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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IMAscore
Tear Down the Bridges
77 bpm • E min • 03:07 • -9db
33% Popularity • 13% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 13% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jed Kurzel
You're Not Alone
90 bpm • F# Maj • 05:52 • -16db
26% Popularity • 31% Danceability • 37% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
26% Popularity • 31% Danceability • 37% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Autobots Reunite
90 bpm • B min • 02:57 • -10.56db
51% Popularity • 56% Danceability • 53% Energy • 13% Liveness
83% Instrumentalness • 42% Positiveness
51% Popularity • 56% Danceability • 53% Energy • 13% Liveness
83% Instrumentalness • 42% Positiveness
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Brian Tyler
Further
90 bpm • A min • 04:04 • -10.62db
41% Popularity • 15% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
41% Popularity • 15% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Berend Salverda
Rogue
90 bpm • F min • 01:42 • -10db
46% Popularity • 66% Danceability • 70% Energy • 10% Liveness
68% Instrumentalness • 53% Positiveness
46% Popularity • 66% Danceability • 70% Energy • 10% Liveness
68% Instrumentalness • 53% Positiveness
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Epic Score
They Hit Without Warning
90 bpm • D Maj • 02:45 • -8.9db
41% Popularity • 60% Danceability • 49% Energy • 19% Liveness
7% Instrumentalness • 6% Positiveness
41% Popularity • 60% Danceability • 49% Energy • 19% Liveness
7% Instrumentalness • 6% Positiveness
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Future Heroes
Io
90 bpm • G min • 03:48 • -14db
33% Popularity • 27% Danceability • 52% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 27% Danceability • 52% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Jed Kurzel
Leap Of Faith
90 bpm • C# Maj • 01:40 • -13db
31% Popularity • 34% Danceability • 64% Energy • 21% Liveness
68% Instrumentalness • 9% Positiveness
31% Popularity • 34% Danceability • 64% Energy • 21% Liveness
68% Instrumentalness • 9% Positiveness
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Black Hydra
The Prophet
90 bpm • C# Maj • 02:45 • -11.01db
22% Popularity • 43% Danceability • 60% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
22% Popularity • 43% Danceability • 60% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Instrumental Core
March of Warriors
90 bpm • F Maj • 05:20 • -6.16db
35% Popularity • 54% Danceability • 76% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
35% Popularity • 54% Danceability • 76% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
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Iván Torrent
The Awakening
90 bpm • G# min • 04:28 • -14db
31% Popularity • 42% Danceability • 40% Energy • 22% Liveness
74% Instrumentalness • 20% Positiveness
31% Popularity • 42% Danceability • 40% Energy • 22% Liveness
74% Instrumentalness • 20% Positiveness
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8Dawn
This Is Why I Was Born
90 bpm • F min • 03:44 • -14.54db
36% Popularity • 40% Danceability • 52% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
36% Popularity • 40% Danceability • 52% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
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Daniel Pemberton
King Arthur: Legend of the Sword
90 bpm • D Maj • 02:52 • -9.96db
42% Popularity • 46% Danceability • 64% Energy • 33% Liveness
91% Instrumentalness • 82% Positiveness
42% Popularity • 46% Danceability • 64% Energy • 33% Liveness
91% Instrumentalness • 82% Positiveness
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Brand X Music
Weaponize
90 bpm • F min • 02:52 • -9.84db
12% Popularity • 46% Danceability • 45% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
12% Popularity • 46% Danceability • 45% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Future Heroes
Sound and Fury
90 bpm • C min • 04:11 • -12db
17% Popularity • 41% Danceability • 37% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
17% Popularity • 41% Danceability • 37% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
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Steven Price
I'm Scared Too
90 bpm • C min • 03:45 • -22db
32% Popularity • 10% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
32% Popularity • 10% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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John Murphy
Leaving England
76 bpm • F Maj • 02:32 • -13.7db
35% Popularity • 9% Danceability • 24% Energy • 21% Liveness
79% Instrumentalness • 3% Positiveness
35% Popularity • 9% Danceability • 24% Energy • 21% Liveness
79% Instrumentalness • 3% Positiveness
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Damned Anthem
Deities and Destroyers
90 bpm • F min • 02:23 • -5.1db
17% Popularity • 16% Danceability • 88% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
17% Popularity • 16% Danceability • 88% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Audiomachine
So Say We All
91 bpm • A# Maj • 03:19 • -8.94db
47% Popularity • 41% Danceability • 74% Energy • 6% Liveness
84% Instrumentalness • 16% Positiveness
47% Popularity • 41% Danceability • 74% Energy • 6% Liveness
84% Instrumentalness • 16% Positiveness
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2WEI
Run Baby Run
75 bpm • D min • 02:56 • -9.63db
44% Popularity • 35% Danceability • 77% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
44% Popularity • 35% Danceability • 77% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Daniel Pemberton
The Lady in the Lake
75 bpm • D Maj • 03:07 • -18.33db
32% Popularity • 26% Danceability • 31% Energy • 23% Liveness
86% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 31% Energy • 23% Liveness
86% Instrumentalness • 4% Positiveness
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Mischa "Book" Chillak
Ready or Not
75 bpm • G min • 02:33 • -7.62db
45% Popularity • 46% Danceability • 72% Energy • 13% Liveness
62% Instrumentalness • 6% Positiveness
45% Popularity • 46% Danceability • 72% Energy • 13% Liveness
62% Instrumentalness • 6% Positiveness
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John Murphy
In the House - In a Heartbeat
76 bpm • D min • 04:18 • -15.3db
55% Popularity • 43% Danceability • 11% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
55% Popularity • 43% Danceability • 11% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
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Tom Player
Takedown
75 bpm • A# Maj • 02:55 • -8.62db
34% Popularity • 48% Danceability • 68% Energy • 16% Liveness
47% Instrumentalness • 28% Positiveness
34% Popularity • 48% Danceability • 68% Energy • 16% Liveness
47% Instrumentalness • 28% Positiveness
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Audiomachine
Wars of Faith
91 bpm • C min • 03:51 • -13.13db
45% Popularity • 16% Danceability • 43% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
45% Popularity • 16% Danceability • 43% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
