Songs like Vighneshwari Chalisa by Hari Om Sharan
Based on a tempo of (+/- 10%) and a similar genre
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Dhruv Sharma
Radhe Tere Charno Ki
74 bpm • F# min • 05:49 • -11.15db
39% Popularity • 38% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 38% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Mayur Jain
Wala Adinath
74 bpm • A Maj • 05:47 • -8.69db
35% Popularity • 61% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 61% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Rasraj Ji Maharaj
Sankat Mochan Hanuman-Lofi Bhajan
74 bpm • F min • 04:10 • -10.84db
58% Popularity • 38% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 38% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Prem Prakash Dubey
Kunjika Stotram
74 bpm • F# min • 04:27 • -7.89db
45% Popularity • 48% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 48% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jagjit
Ooh Palanhare
74 bpm • F# Maj • 06:49 • -7db
37% Popularity • 42% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 42% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Uma Mohan
Totakashtakam
75 bpm • B min • 04:41 • -9.14db
32% Popularity • 78% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 78% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Dhruv Sharma
Radhika Gori Se
75 bpm • F# Maj • 04:17 • -10.35db
50% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Kavita Raam
Lagan Tumse Laga Baithe
73 bpm • G# Maj • 05:57 • -7.38db
39% Popularity • 39% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 39% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Baps Swaminarayan Sanstha
Tamari Moorti Vina
75 bpm • G Maj • 07:13 • -15.81db
26% Popularity • 45% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 45% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Prem Prakash Dubey
Neel Saraswati Stotram
73 bpm • A Maj • 05:09 • -8.5db
38% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Shri Ravindra
Shri Panchmukhi Hanumat Kavacham
75 bpm • C# Maj • 13:54 • -15.79db
22% Popularity • 53% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 53% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Sachin Limaye
Guru Brahma Guru Vishnu
76 bpm • C# Maj • 01:27 • -14.21db
37% Popularity • 23% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 23% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Chetna
O Kanha Ab Toh Murli
76 bpm • C Maj • 04:06 • -6.13db
58% Popularity • 45% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
58% Popularity • 45% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Dipali Bhatt
Vaishnav Jan To Tene
76 bpm • C# Maj • 06:09 • -8.9db
19% Popularity • 42% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 42% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Pujya Prembhushanji Maharaj
Sita Ram Sita Ram Kahiye
76 bpm • F min • 07:06 • -8.41db
46% Popularity • 43% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 43% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Jainam Varia
Tara Mast Gulabi Gaal
76 bpm • G# Maj • 04:32 • -11.06db
38% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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SHRI PREM PRAKASH DUBEY
Siddha Kunjika Stotram
76 bpm • F# min • 04:15 • -7db
39% Popularity • 48% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 48% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Mukesh Bagda
Dena Ho to Deejiye
76 bpm • C# Maj • 07:20 • -2.93db
43% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Anil Hanslas
Krishan Govind Govind
77 bpm • D# Maj • 11:09 • -12db
23% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Nikhil Verma
Krishna Krishna
71 bpm • G# min • 02:07 • -8.25db
50% Popularity • 31% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 31% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Amitabh Bachchan
Karpurgauram
71 bpm • D# Maj • 01:25 • -14db
58% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Shri Ram Mantra
Shloka
78 bpm • C# Maj • 01:06 • -16db
49% Popularity • 39% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 39% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Chitra Vichitra Ji Maharaj
Sawre KO Dil Me Basa Kar
77 bpm • A# min • 10:11 • -4.04db
16% Popularity • 50% Danceability • 92% Energy • 51% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 50% Danceability • 92% Energy • 51% Liveness
0% Instrumentalness • 73% Positiveness
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Seven
Shree Suktham
69 bpm • G Maj • 03:40 • -10db
41% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Anil Hanslas
He Ram Tum Bade Dayalu Ho
79 bpm • G min • 06:27 • -11db
28% Popularity • 47% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 47% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Govind Krsna Das
Radharani Lage
79 bpm • G Maj • 06:21 • -12.24db
32% Popularity • 67% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 67% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Hari Om Sharan
Krishna Damodaram Vasudevam
80 bpm • D# Maj • 08:27 • -9.63db
25% Popularity • 34% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 34% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Anjali Jain
Shani Dev Mantra
69 bpm • D# Maj • 05:27 • -4db
36% Popularity • 62% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 62% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Sooryagayathri
Payoji Maine - Recreated Version
80 bpm • D Maj • 05:28 • -6.68db
28% Popularity • 54% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 54% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Upasana Mehta
Kon Kehta Hai Bhagwan Aate Nhi
80 bpm • D# Maj • 04:45 • -5.77db
48% Popularity • 67% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 67% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Kavita Raam
Raghupati Raghav Raja Ram Original
80 bpm • D Maj • 04:11 • -4.79db
57% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Mahek Sheth
Mane Yaad Aavse Taro Sathvaro
80 bpm • F Maj • 02:57 • -10db
32% Popularity • 56% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 56% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Dhruv Sharma
Mere Man Mein Baso Nandlaal
80 bpm • D# Maj • 03:45 • -19.05db
32% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Hari Om Sharan
Japle Hari Ka Naam Sannjh Sakare
80 bpm • F min • 04:58 • -9.26db
11% Popularity • 48% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 48% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Pujya Prembhushanji Maharaj
Ram Aayenge
81 bpm • D# Maj • 07:14 • -6.13db
45% Popularity • 44% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 44% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 82% Positiveness
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Upasana Mehta
Apna Bana Lo Shyam
80 bpm • F# Maj • 08:22 • -5.96db
39% Popularity • 62% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 62% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Morari Bapu
Shree Vrundavan Radhe Radhe
81 bpm • C# Maj • 02:08 • -8db
46% Popularity • 26% Danceability • 67% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 26% Danceability • 67% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
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Prem Prakash Dubey
Pratah Kalin Surya Aradhana Mantra
81 bpm • F# Maj • 01:19 • -11.82db
55% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Nandlal Chhanga
Radha Raman
81 bpm • G Maj • 04:14 • -10.19db
32% Popularity • 59% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 59% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Hari Om Sharan
Sain Teri Yaad Maha Sukhdai
81 bpm • B Maj • 05:31 • -10.88db
14% Popularity • 30% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 30% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Shahnaz Akhtar
Mori Maiya Ki Chunar Ud Jaye
81 bpm • C# Maj • 06:22 • -3.98db
34% Popularity • 61% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 61% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Upasana Mehta
Shyama Aan Baso Vrindawan Mein
80 bpm • C# min • 08:59 • -5.03db
40% Popularity • 61% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 61% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Mridul Krishna Sastri Ji
Mujhe Charno Se Lagale
81 bpm • F# Maj • 05:11 • -9.62db
18% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Kanchhan Srivas
Kanha Kahan Ho
81 bpm • D min • 04:24 • -8.18db
57% Popularity • 46% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
57% Popularity • 46% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Vinod Agarwal
Lala Ko Palne
81 bpm • B Maj • 01:05 • -8.48db
32% Popularity • 57% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 57% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Hari Om Sharan
Jai Ganesh Gannath
81 bpm • C# Maj • 06:41 • -12.52db
24% Popularity • 57% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 57% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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ISKCON Bangalore
Sri Venkatesha Stotram
67 bpm • D Maj • 05:29 • -15.16db
41% Popularity • 24% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
41% Popularity • 24% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Babla Mehta
Bheja Hai Bulawa Tune Sheranwaliye
82 bpm • E min • 05:25 • -9.08db
52% Popularity • 49% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
52% Popularity • 49% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Asha Bhosle
Sarvamangala Mangalye
82 bpm • B Maj • 00:55 • -5.16db
43% Popularity • 52% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 52% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Sachin Limaye
Tan Man Dhan Shriji Na Charno Ma
82 bpm • B Maj • 06:13 • -7.78db
22% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Mridul Krishna Sastri Ji
Gobind Mero Hai
82 bpm • F# Maj • 04:40 • -10.58db
19% Popularity • 34% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 34% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Maanya Arora
Mithe Ras Se Bharyo Radha Rani Lage
82 bpm • C# min • 03:56 • -7.53db
60% Popularity • 68% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 68% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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Lalitya Munshaw
Govind Bolo Hari 'Dhun' - O
83 bpm • C Maj • 05:09 • -5.82db
21% Popularity • 32% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 32% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Payal Dev
Kaun Kehte Hain Bhagwan Aate Nahi (Achyu...
83 bpm • D Maj • 04:54 • -3db
60% Popularity • 39% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 39% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Asha Bhosle
Sancha Naam Tera
83 bpm • G# Maj • 04:50 • -15db
34% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Shri Ravindra
Shri Satrunjaya Hanumatstotram
83 bpm • C# Maj • 07:13 • -15.13db
14% Popularity • 53% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 53% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Rajalakshmee Sanjay
Maha Ganapathim
83 bpm • A Maj • 04:06 • -11.87db
41% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Palak Muchhal
Vaishnav Jan To
83 bpm • G# min • 04:38 • -7.94db
26% Popularity • 47% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 47% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Hari Om Sharan
Kirtan (Samapti)
83 bpm • F# Maj • 06:15 • -10.65db
16% Popularity • 28% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 28% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Shailendra Bharti
Stuti
84 bpm • D Maj • 01:22 • -10.17db
40% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Tulsi Kumar
Aaye Ram Mere
84 bpm • A Maj • 03:29 • -6.68db
38% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Manoj Mishra
He Krishna Gopal Hari
84 bpm • C# Maj • 06:01 • -5.51db
37% Popularity • 63% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 63% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Anjali Jain
Shyama Aan Baso Vrindavan Mein
85 bpm • C# min • 04:34 • -8.88db
44% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Jaya Kishori ji
Ek Nazar Kripa Ki
85 bpm • D Maj • 08:32 • -5db
39% Popularity • 44% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 44% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Hari Om Sharan
Pranvaun Pawan Kumar(Shlok), Ramdoot Mah...
84 bpm • C# Maj • 07:59 • -11.63db
28% Popularity • 52% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 52% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Soli Kapadiya
Prabhu Tara Geet Mare
84 bpm • D min • 05:22 • -11.22db
22% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Abhilasha Chellam
Madhurashtakam - Adharam Madhuram
85 bpm • G# min • 04:21 • -11.38db
34% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Shailendra Bharti
Mara Ghatama Birajata
85 bpm • E Maj • 08:04 • -12.75db
25% Popularity • 71% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 71% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Maanya Arora
Achyutam Keshavam
86 bpm • D Maj • 04:53 • -13db
44% Popularity • 59% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 59% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Aishwarya Majmudar
Banwaari Krishna Muraari
86 bpm • G Maj • 03:49 • -4.59db
47% Popularity • 67% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 67% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Hari Om Sharan
Jai Jai Hanuman Dayamat
84 bpm • F Maj • 03:37 • -16.27db
13% Popularity • 38% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 38% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Prem Bhushan Maharaj
Hari Naam Nahi To Jeena Kiya Re
86 bpm • E min • 09:23 • -8.07db
34% Popularity • 37% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 37% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
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Vikram Hazra
Nikunj Mein Biraje
87 bpm • G# min • 05:54 • -7db
32% Popularity • 35% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 35% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Morari Bapu
Sitaram Sitaram
87 bpm • G# min • 07:23 • -4.46db
28% Popularity • 33% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 33% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Maanya Arora
Om Jai Jagdish Hare
86 bpm • D Maj • 05:24 • -13.03db
37% Popularity • 59% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 59% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Anjali Jain
Shyam Chudi Bechne Aaya
87 bpm • F# Maj • 06:37 • -12db
25% Popularity • 49% Danceability • 57% Energy • 44% Liveness
1% Instrumentalness • 96% Positiveness
25% Popularity • 49% Danceability • 57% Energy • 44% Liveness
1% Instrumentalness • 96% Positiveness
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Sachin Limaye
Mara Ghatmaa Birajta Shreenathji
88 bpm • F Maj • 09:30 • -6.35db
17% Popularity • 45% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 45% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Kailash Kher
Shiv Lingashtkam
88 bpm • E min • 03:17 • -7.85db
36% Popularity • 66% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 66% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Vikram Hazra
Dena Ho To Dijiye
88 bpm • D Maj • 10:17 • -14db
32% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Nandlal Chhanga
Radha Rani Shyam Diwani
88 bpm • F# Maj • 04:20 • -10.58db
34% Popularity • 58% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 58% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Prem Prakash Dubey
Saraswati Vandana
88 bpm • A Maj • 03:23 • -6db
33% Popularity • 40% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 40% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Shridhay Shri Mridul krishna shastri ji maharaj
Zari Ki Pagdi Bandhe Sundar Ankho Wala
88 bpm • G# Maj • 06:59 • -5.87db
29% Popularity • 55% Danceability • 76% Energy • 61% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 55% Danceability • 76% Energy • 61% Liveness
0% Instrumentalness • 82% Positiveness
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Sachin Limaye
Ghat Ma Giridhari Ne
88 bpm • F min • 04:51 • -10db
16% Popularity • 59% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 59% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Anjali Jain
Kabhi Ram Banke Kabhi Sham Banke
88 bpm • B min • 07:48 • -12db
51% Popularity • 57% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 57% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Hari Om Sharan
Aarti Kijye Hanuman Lala Ki
88 bpm • A Maj • 07:11 • -5.18db
17% Popularity • 52% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 52% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Vivek Prakash
Hanuman Chalisa
88 bpm • C# Maj • 09:58 • -9db
23% Popularity • 45% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 45% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Prem Prakash Dubey
Golvallawaaha Swaha
88 bpm • F# min • 01:10 • -6.79db
56% Popularity • 62% Danceability • 60% Energy • 55% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 62% Danceability • 60% Energy • 55% Liveness
0% Instrumentalness • 41% Positiveness
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Pu.Acharya Udayratna Suriji M.s.
Raja Aapo Have Dada
89 bpm • E Maj • 08:24 • -7.19db
33% Popularity • 40% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 40% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Swasti Mehul
RadhaKrishna Bhajan Mashup
89 bpm • D Maj • 06:16 • -9db
40% Popularity • 40% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 40% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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Chitra Singh
Muraliya Baje Jamuna Re Teer
89 bpm • F Maj • 05:21 • -12db
15% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Hari Om Sharan
Jai Jai Hanuman Gosai Kripa Karo Maharaj
88 bpm • E Maj • 06:57 • -10db
44% Popularity • 46% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 46% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Shailendra Bharti
Navkar Mantra
89 bpm • F Maj • 03:50 • -11.09db
42% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Prem Prakash Dubey
Krishnaya Vasudevaya
89 bpm • F# min • 01:36 • -7.51db
48% Popularity • 56% Danceability • 56% Energy • 77% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 56% Danceability • 56% Energy • 77% Liveness
0% Instrumentalness • 15% Positiveness
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Susmirata Dawalkar
Ya Kundendu
89 bpm • C Maj • 02:11 • -14.92db
52% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Seven
Krishnashtakam
90 bpm • G Maj • 06:49 • -11.84db
40% Popularity • 51% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 51% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Babla Mehta
Ramdoot Baldham Ki Pawanputra Birvaan Ki
90 bpm • F Maj • 03:42 • -12db
22% Popularity • 57% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 57% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Hari Om Sharan
Samapti
89 bpm • C# Maj • 02:12 • -14.19db
11% Popularity • 30% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
11% Popularity • 30% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
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Dhruv Sharma
Radha Rani - Bhajan Mashup
90 bpm • D Maj • 09:04 • -15.24db
55% Popularity • 65% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 65% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
