Songs like Villa By The Sea by Russ Freeman
Based on a tempo of (+/- 10%) and a similar genre
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Roger Smith
Workin It
97 bpm • C Maj • 05:16 • -8.67db
27% Popularity • 65% Danceability • 79% Energy • 5% Liveness
64% Instrumentalness • 78% Positiveness
27% Popularity • 65% Danceability • 79% Energy • 5% Liveness
64% Instrumentalness • 78% Positiveness
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Russ Freeman
Villa By The Sea
97 bpm • E min • 04:54 • -4.97db
25% Popularity • 66% Danceability • 93% Energy • 13% Liveness
69% Instrumentalness • 80% Positiveness
25% Popularity • 66% Danceability • 93% Energy • 13% Liveness
69% Instrumentalness • 80% Positiveness
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Nick Colionne
Always Thinkin' Of You
97 bpm • G# Maj • 04:09 • -9.45db
49% Popularity • 70% Danceability • 65% Energy • 5% Liveness
85% Instrumentalness • 79% Positiveness
49% Popularity • 70% Danceability • 65% Energy • 5% Liveness
85% Instrumentalness • 79% Positiveness
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Brian Hughes
You & I
97 bpm • G min • 04:49 • -9.53db
18% Popularity • 72% Danceability • 62% Energy • 8% Liveness
91% Instrumentalness • 70% Positiveness
18% Popularity • 72% Danceability • 62% Energy • 8% Liveness
91% Instrumentalness • 70% Positiveness
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Jeff Golub
Mercy Mercy Me
97 bpm • E Maj • 03:47 • -6.87db
47% Popularity • 74% Danceability • 56% Energy • 11% Liveness
35% Instrumentalness • 49% Positiveness
47% Popularity • 74% Danceability • 56% Energy • 11% Liveness
35% Instrumentalness • 49% Positiveness
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Jay Soto
Sunday Smile
97 bpm • E min • 03:45 • -7db
26% Popularity • 68% Danceability • 88% Energy • 6% Liveness
60% Instrumentalness • 81% Positiveness
26% Popularity • 68% Danceability • 88% Energy • 6% Liveness
60% Instrumentalness • 81% Positiveness
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Gail Jhonson
Pacific Breeze
97 bpm • F min • 03:44 • -9.92db
50% Popularity • 77% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 85% Positiveness
50% Popularity • 77% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 85% Positiveness
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Russ Freeman
Cool In The Shade
97 bpm • D# Maj • 04:16 • -8.16db
17% Popularity • 75% Danceability • 82% Energy • 9% Liveness
92% Instrumentalness • 74% Positiveness
17% Popularity • 75% Danceability • 82% Energy • 9% Liveness
92% Instrumentalness • 74% Positiveness
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Cy Touff
Keester Parade
98 bpm • G# Maj • 07:52 • -11.98db
1% Popularity • 66% Danceability • 20% Energy • 14% Liveness
40% Instrumentalness • 27% Positiveness
1% Popularity • 66% Danceability • 20% Energy • 14% Liveness
40% Instrumentalness • 27% Positiveness
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Dave Grusin
First-Time Love
98 bpm • G# Maj • 04:05 • -15.26db
30% Popularity • 69% Danceability • 33% Energy • 7% Liveness
91% Instrumentalness • 16% Positiveness
30% Popularity • 69% Danceability • 33% Energy • 7% Liveness
91% Instrumentalness • 16% Positiveness
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Spyro Gyra
Ariana
96 bpm • F# Maj • 05:07 • -9.89db
32% Popularity • 67% Danceability • 78% Energy • 6% Liveness
15% Instrumentalness • 73% Positiveness
32% Popularity • 67% Danceability • 78% Energy • 6% Liveness
15% Instrumentalness • 73% Positiveness
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Jeff Golub
On The Wes Side
96 bpm • A min • 04:26 • -11.33db
48% Popularity • 73% Danceability • 40% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
48% Popularity • 73% Danceability • 40% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
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David Benoit
Struttin'
96 bpm • C# Maj • 04:41 • -6.55db
10% Popularity • 69% Danceability • 69% Energy • 4% Liveness
64% Instrumentalness • 70% Positiveness
10% Popularity • 69% Danceability • 69% Energy • 4% Liveness
64% Instrumentalness • 70% Positiveness
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Russ Freeman
Samba Del Luna
97 bpm • E Maj • 05:08 • -9.09db
27% Popularity • 64% Danceability • 63% Energy • 10% Liveness
21% Instrumentalness • 49% Positiveness
27% Popularity • 64% Danceability • 63% Energy • 10% Liveness
21% Instrumentalness • 49% Positiveness
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Jazz Holdouts
Morning Breeze
98 bpm • C Maj • 04:12 • -9db
48% Popularity • 72% Danceability • 62% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
48% Popularity • 72% Danceability • 62% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Freddie Ravel
Conversations
96 bpm • F min • 04:45 • -9.92db
32% Popularity • 72% Danceability • 64% Energy • 5% Liveness
82% Instrumentalness • 90% Positiveness
32% Popularity • 72% Danceability • 64% Energy • 5% Liveness
82% Instrumentalness • 90% Positiveness
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Marion Meadows
Black Pearl
96 bpm • A# Maj • 04:27 • -6.63db
22% Popularity • 72% Danceability • 67% Energy • 52% Liveness
4% Instrumentalness • 77% Positiveness
22% Popularity • 72% Danceability • 67% Energy • 52% Liveness
4% Instrumentalness • 77% Positiveness
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Scott Wilkie
Sailcats
98 bpm • C Maj • 05:18 • -11.82db
4% Popularity • 70% Danceability • 65% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
4% Popularity • 70% Danceability • 65% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Jay Soto
Just Like That
96 bpm • F min • 03:52 • -6.8db
30% Popularity • 74% Danceability • 86% Energy • 7% Liveness
69% Instrumentalness • 77% Positiveness
30% Popularity • 74% Danceability • 86% Energy • 7% Liveness
69% Instrumentalness • 77% Positiveness
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Russ Freeman
Easter Island
97 bpm • D min • 05:36 • -13.06db
14% Popularity • 65% Danceability • 58% Energy • 36% Liveness
10% Instrumentalness • 77% Positiveness
14% Popularity • 65% Danceability • 58% Energy • 36% Liveness
10% Instrumentalness • 77% Positiveness
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Les Sabler
Crescent City Strut
98 bpm • D min • 04:07 • -8.41db
26% Popularity • 72% Danceability • 46% Energy • 32% Liveness
80% Instrumentalness • 57% Positiveness
26% Popularity • 72% Danceability • 46% Energy • 32% Liveness
80% Instrumentalness • 57% Positiveness
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Chris Geith
Watch Your Step
96 bpm • E min • 03:50 • -6.84db
43% Popularity • 65% Danceability • 78% Energy • 14% Liveness
82% Instrumentalness • 71% Positiveness
43% Popularity • 65% Danceability • 78% Energy • 14% Liveness
82% Instrumentalness • 71% Positiveness
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Kevin Toney
Just Like The First Time
98 bpm • G Maj • 04:39 • -7.4db
38% Popularity • 72% Danceability • 59% Energy • 9% Liveness
69% Instrumentalness • 57% Positiveness
38% Popularity • 72% Danceability • 59% Energy • 9% Liveness
69% Instrumentalness • 57% Positiveness
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Norman Brown
West Coast Coolin'
98 bpm • A# min • 04:30 • -8db
50% Popularity • 69% Danceability • 63% Energy • 31% Liveness
87% Instrumentalness • 57% Positiveness
50% Popularity • 69% Danceability • 63% Energy • 31% Liveness
87% Instrumentalness • 57% Positiveness
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Rocco Ventrella
On The Night
98 bpm • F Maj • 05:03 • -8.45db
19% Popularity • 71% Danceability • 54% Energy • 30% Liveness
87% Instrumentalness • 51% Positiveness
19% Popularity • 71% Danceability • 54% Energy • 30% Liveness
87% Instrumentalness • 51% Positiveness
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Russ Freeman
Sweetwater
98 bpm • F# min • 04:36 • -9.93db
15% Popularity • 70% Danceability • 65% Energy • 18% Liveness
20% Instrumentalness • 36% Positiveness
15% Popularity • 70% Danceability • 65% Energy • 18% Liveness
20% Instrumentalness • 36% Positiveness
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Joe McBride
Midnight In Madrid
96 bpm • F min • 04:40 • -10.1db
42% Popularity • 68% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 74% Positiveness
42% Popularity • 68% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 74% Positiveness
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Gail Jhonson
My Soldier
96 bpm • D Maj • 04:21 • -9.05db
30% Popularity • 64% Danceability • 69% Energy • 8% Liveness
95% Instrumentalness • 89% Positiveness
30% Popularity • 64% Danceability • 69% Energy • 8% Liveness
95% Instrumentalness • 89% Positiveness
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Steve Oliver
Tradewinds
96 bpm • G# Maj • 04:21 • -7.3db
30% Popularity • 60% Danceability • 68% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
30% Popularity • 60% Danceability • 68% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
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Ray Obiedo
Moodswing
98 bpm • A min • 04:39 • -12.46db
28% Popularity • 76% Danceability • 44% Energy • 11% Liveness
75% Instrumentalness • 65% Positiveness
28% Popularity • 76% Danceability • 44% Energy • 11% Liveness
75% Instrumentalness • 65% Positiveness
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Jeff Lorber
Angel In Paris
96 bpm • C min • 05:12 • -12.96db
38% Popularity • 60% Danceability • 45% Energy • 17% Liveness
82% Instrumentalness • 40% Positiveness
38% Popularity • 60% Danceability • 45% Energy • 17% Liveness
82% Instrumentalness • 40% Positiveness
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Benny Goodman
Breakfast Feud (Live)
98 bpm • C min • 04:22 • -11.19db
1% Popularity • 59% Danceability • 64% Energy • 82% Liveness
0% Instrumentalness • 80% Positiveness
1% Popularity • 59% Danceability • 64% Energy • 82% Liveness
0% Instrumentalness • 80% Positiveness
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Russ Freeman
Brave New World
98 bpm • D min • 04:13 • -6.9db
11% Popularity • 63% Danceability • 80% Energy • 7% Liveness
3% Instrumentalness • 65% Positiveness
11% Popularity • 63% Danceability • 80% Energy • 7% Liveness
3% Instrumentalness • 65% Positiveness
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Chris Botti
Lisa
99 bpm • G min • 05:08 • -9.81db
33% Popularity • 71% Danceability • 51% Energy • 8% Liveness
86% Instrumentalness • 30% Positiveness
33% Popularity • 71% Danceability • 51% Energy • 8% Liveness
86% Instrumentalness • 30% Positiveness
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Jeff Kashiwa
Around The World
95 bpm • E Maj • 04:32 • -6.29db
20% Popularity • 58% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
20% Popularity • 58% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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David Benoit
Rejoyce
99 bpm • E min • 04:44 • -8.75db
32% Popularity • 69% Danceability • 62% Energy • 7% Liveness
18% Instrumentalness • 85% Positiveness
32% Popularity • 69% Danceability • 62% Energy • 7% Liveness
18% Instrumentalness • 85% Positiveness
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Jeff Lorber
Chopsticks
96 bpm • E min • 03:58 • -10.11db
40% Popularity • 74% Danceability • 80% Energy • 3% Liveness
84% Instrumentalness • 74% Positiveness
40% Popularity • 74% Danceability • 80% Energy • 3% Liveness
84% Instrumentalness • 74% Positiveness
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Special EFX
Till We Meet Again
95 bpm • F min • 05:14 • -8.97db
10% Popularity • 67% Danceability • 66% Energy • 7% Liveness
84% Instrumentalness • 46% Positiveness
10% Popularity • 67% Danceability • 66% Energy • 7% Liveness
84% Instrumentalness • 46% Positiveness
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Russ Freeman
Paradise Cove
98 bpm • C# Maj • 04:37 • -14.17db
12% Popularity • 73% Danceability • 50% Energy • 7% Liveness
68% Instrumentalness • 78% Positiveness
12% Popularity • 73% Danceability • 50% Energy • 7% Liveness
68% Instrumentalness • 78% Positiveness
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Paula Atherton
Marimba Island
99 bpm • F# min • 04:43 • -8.16db
21% Popularity • 64% Danceability • 75% Energy • 8% Liveness
59% Instrumentalness • 72% Positiveness
21% Popularity • 64% Danceability • 75% Energy • 8% Liveness
59% Instrumentalness • 72% Positiveness
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The Sax Pack
The Sax Pack
99 bpm • G Maj • 03:34 • -6db
47% Popularity • 78% Danceability • 69% Energy • 7% Liveness
73% Instrumentalness • 71% Positiveness
47% Popularity • 78% Danceability • 69% Energy • 7% Liveness
73% Instrumentalness • 71% Positiveness
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Gerald Albright
Winelight
99 bpm • F min • 05:52 • -6.98db
33% Popularity • 78% Danceability • 79% Energy • 11% Liveness
84% Instrumentalness • 67% Positiveness
33% Popularity • 78% Danceability • 79% Energy • 11% Liveness
84% Instrumentalness • 67% Positiveness
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Jeff Lorber
Point Venus
96 bpm • D min • 04:30 • -7db
33% Popularity • 60% Danceability • 85% Energy • 26% Liveness
92% Instrumentalness • 78% Positiveness
33% Popularity • 60% Danceability • 85% Energy • 26% Liveness
92% Instrumentalness • 78% Positiveness
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Blake Aaron
If You Were Mine
95 bpm • G# Maj • 04:02 • -8db
43% Popularity • 56% Danceability • 65% Energy • 12% Liveness
91% Instrumentalness • 53% Positiveness
43% Popularity • 56% Danceability • 65% Energy • 12% Liveness
91% Instrumentalness • 53% Positiveness
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Les Sabler
Esselle's Dance
95 bpm • G Maj • 04:30 • -10.3db
36% Popularity • 72% Danceability • 59% Energy • 9% Liveness
88% Instrumentalness • 46% Positiveness
36% Popularity • 72% Danceability • 59% Energy • 9% Liveness
88% Instrumentalness • 46% Positiveness
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Althea Rene
In the Moment
95 bpm • C Maj • 04:11 • -13.35db
41% Popularity • 70% Danceability • 57% Energy • 14% Liveness
83% Instrumentalness • 81% Positiveness
41% Popularity • 70% Danceability • 57% Energy • 14% Liveness
83% Instrumentalness • 81% Positiveness
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Brian Clay
Honey Grove Lane
95 bpm • F min • 03:47 • -8db
36% Popularity • 57% Danceability • 76% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
36% Popularity • 57% Danceability • 76% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
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Gota
In The City Life
99 bpm • G Maj • 03:36 • -9.53db
47% Popularity • 72% Danceability • 62% Energy • 11% Liveness
55% Instrumentalness • 64% Positiveness
47% Popularity • 72% Danceability • 62% Energy • 11% Liveness
55% Instrumentalness • 64% Positiveness
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Norman Brown
Soul Dance
95 bpm • F min • 04:14 • -7db
44% Popularity • 70% Danceability • 72% Energy • 10% Liveness
48% Instrumentalness • 84% Positiveness
44% Popularity • 70% Danceability • 72% Energy • 10% Liveness
48% Instrumentalness • 84% Positiveness
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The Rippingtons
Pastels On Canvas
95 bpm • D Maj • 04:54 • -7.33db
24% Popularity • 66% Danceability • 64% Energy • 7% Liveness
69% Instrumentalness • 63% Positiveness
24% Popularity • 66% Danceability • 64% Energy • 7% Liveness
69% Instrumentalness • 63% Positiveness
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Jeff Golub
Silhouette
95 bpm • A# min • 04:40 • -10.62db
38% Popularity • 74% Danceability • 47% Energy • 12% Liveness
80% Instrumentalness • 65% Positiveness
38% Popularity • 74% Danceability • 47% Energy • 12% Liveness
80% Instrumentalness • 65% Positiveness
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Bob Mamet
Calabay
95 bpm • F Maj • 04:43 • -11.12db
14% Popularity • 59% Danceability • 74% Energy • 6% Liveness
84% Instrumentalness • 79% Positiveness
14% Popularity • 59% Danceability • 74% Energy • 6% Liveness
84% Instrumentalness • 79% Positiveness
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Brian Hughes
One 2 One
95 bpm • E min • 05:26 • -11db
21% Popularity • 66% Danceability • 63% Energy • 7% Liveness
91% Instrumentalness • 75% Positiveness
21% Popularity • 66% Danceability • 63% Energy • 7% Liveness
91% Instrumentalness • 75% Positiveness
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Benny Goodman
Girl Crazy, Act II: But Not for Me (Live...
99 bpm • C# Maj • 02:42 • -15.37db
3% Popularity • 47% Danceability • 37% Energy • 91% Liveness
0% Instrumentalness • 41% Positiveness
3% Popularity • 47% Danceability • 37% Energy • 91% Liveness
0% Instrumentalness • 41% Positiveness
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Freddie Ravel
Sunny Side Up
95 bpm • B min • 04:11 • -10db
44% Popularity • 76% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 90% Positiveness
44% Popularity • 76% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 90% Positiveness
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Warren Hill
La Dolce Vita
95 bpm • D Maj • 05:25 • -6.59db
48% Popularity • 66% Danceability • 67% Energy • 7% Liveness
1% Instrumentalness • 25% Positiveness
48% Popularity • 66% Danceability • 67% Energy • 7% Liveness
1% Instrumentalness • 25% Positiveness
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Blake Aaron
Shine
95 bpm • D Maj • 04:00 • -6db
33% Popularity • 71% Danceability • 84% Energy • 20% Liveness
13% Instrumentalness • 63% Positiveness
33% Popularity • 71% Danceability • 84% Energy • 20% Liveness
13% Instrumentalness • 63% Positiveness
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Kim Waters
The Ride
95 bpm • G Maj • 04:50 • -8.43db
39% Popularity • 70% Danceability • 58% Energy • 6% Liveness
63% Instrumentalness • 75% Positiveness
39% Popularity • 70% Danceability • 58% Energy • 6% Liveness
63% Instrumentalness • 75% Positiveness
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Russ Freeman
Polo In The Palisades
95 bpm • B Maj • 05:29 • -16.86db
28% Popularity • 62% Danceability • 50% Energy • 7% Liveness
84% Instrumentalness • 62% Positiveness
28% Popularity • 62% Danceability • 50% Energy • 7% Liveness
84% Instrumentalness • 62% Positiveness
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Joe McBride
Kickin' It
99 bpm • B min • 03:56 • -10.06db
34% Popularity • 62% Danceability • 57% Energy • 14% Liveness
64% Instrumentalness • 69% Positiveness
34% Popularity • 62% Danceability • 57% Energy • 14% Liveness
64% Instrumentalness • 69% Positiveness
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Tom Grant
Firefly
99 bpm • C Maj • 04:29 • -22.93db
30% Popularity • 64% Danceability • 37% Energy • 7% Liveness
89% Instrumentalness • 48% Positiveness
30% Popularity • 64% Danceability • 37% Energy • 7% Liveness
89% Instrumentalness • 48% Positiveness
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Soul Ballet
Smooth Vegas
99 bpm • B min • 03:49 • -8.1db
23% Popularity • 74% Danceability • 66% Energy • 6% Liveness
76% Instrumentalness • 47% Positiveness
23% Popularity • 74% Danceability • 66% Energy • 6% Liveness
76% Instrumentalness • 47% Positiveness
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Urban Knights
The Gypsy
100 bpm • G Maj • 03:56 • -9.82db
42% Popularity • 76% Danceability • 60% Energy • 31% Liveness
82% Instrumentalness • 84% Positiveness
42% Popularity • 76% Danceability • 60% Energy • 31% Liveness
82% Instrumentalness • 84% Positiveness
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Jeff Golub
Playin' It Cool
95 bpm • F# min • 04:49 • -10db
33% Popularity • 74% Danceability • 62% Energy • 7% Liveness
45% Instrumentalness • 77% Positiveness
33% Popularity • 74% Danceability • 62% Energy • 7% Liveness
45% Instrumentalness • 77% Positiveness
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Russ Freeman
Drive
100 bpm • G Maj • 04:30 • -8.06db
18% Popularity • 74% Danceability • 78% Energy • 10% Liveness
80% Instrumentalness • 42% Positiveness
18% Popularity • 74% Danceability • 78% Energy • 10% Liveness
80% Instrumentalness • 42% Positiveness
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Doc Powell
Circumstances
100 bpm • E min • 04:44 • -10db
27% Popularity • 71% Danceability • 45% Energy • 6% Liveness
85% Instrumentalness • 58% Positiveness
27% Popularity • 71% Danceability • 45% Energy • 6% Liveness
85% Instrumentalness • 58% Positiveness
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Nite Flyte
Open Your Heart
100 bpm • F# min • 03:23 • -8db
35% Popularity • 60% Danceability • 68% Energy • 8% Liveness
92% Instrumentalness • 59% Positiveness
35% Popularity • 60% Danceability • 68% Energy • 8% Liveness
92% Instrumentalness • 59% Positiveness
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Steve Oliver
Good to Go
100 bpm • A min • 04:04 • -6.2db
10% Popularity • 73% Danceability • 94% Energy • 16% Liveness
88% Instrumentalness • 91% Positiveness
10% Popularity • 73% Danceability • 94% Energy • 16% Liveness
88% Instrumentalness • 91% Positiveness
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Norman Brown
Out'a Nowhere
100 bpm • F min • 04:51 • -9.23db
48% Popularity • 73% Danceability • 52% Energy • 34% Liveness
85% Instrumentalness • 42% Positiveness
48% Popularity • 73% Danceability • 52% Energy • 34% Liveness
85% Instrumentalness • 42% Positiveness
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Kilauea
Bedroom Eyes
94 bpm • D min • 05:15 • -13db
27% Popularity • 64% Danceability • 42% Energy • 9% Liveness
79% Instrumentalness • 57% Positiveness
27% Popularity • 64% Danceability • 42% Energy • 9% Liveness
79% Instrumentalness • 57% Positiveness
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Dave Bradshaw Jr.
Jumpstep
100 bpm • C# Maj • 03:53 • -9db
17% Popularity • 68% Danceability • 70% Energy • 7% Liveness
28% Instrumentalness • 85% Positiveness
17% Popularity • 68% Danceability • 70% Energy • 7% Liveness
28% Instrumentalness • 85% Positiveness
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Blake Aaron
Encantadora
100 bpm • G# Maj • 04:10 • -9db
44% Popularity • 72% Danceability • 75% Energy • 11% Liveness
9% Instrumentalness • 65% Positiveness
44% Popularity • 72% Danceability • 75% Energy • 11% Liveness
9% Instrumentalness • 65% Positiveness
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Rob Zinn
All In
100 bpm • C Maj • 03:47 • -8.41db
36% Popularity • 69% Danceability • 57% Energy • 13% Liveness
86% Instrumentalness • 55% Positiveness
36% Popularity • 69% Danceability • 57% Energy • 13% Liveness
86% Instrumentalness • 55% Positiveness
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Hiroshima
Side Street
100 bpm • E min • 04:29 • -9db
21% Popularity • 71% Danceability • 75% Energy • 13% Liveness
88% Instrumentalness • 81% Positiveness
21% Popularity • 71% Danceability • 75% Energy • 13% Liveness
88% Instrumentalness • 81% Positiveness
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Tom Grant
Aint Nobody
100 bpm • C# Maj • 03:58 • -6.01db
26% Popularity • 63% Danceability • 77% Energy • 9% Liveness
32% Instrumentalness • 55% Positiveness
26% Popularity • 63% Danceability • 77% Energy • 9% Liveness
32% Instrumentalness • 55% Positiveness
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Rocco Ventrella
Winelight
100 bpm • F min • 06:46 • -8.67db
23% Popularity • 70% Danceability • 59% Energy • 6% Liveness
60% Instrumentalness • 61% Positiveness
23% Popularity • 70% Danceability • 59% Energy • 6% Liveness
60% Instrumentalness • 61% Positiveness
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Paul Jackson, Jr.
On Eagle's Wings
100 bpm • D min • 04:50 • -8db
26% Popularity • 64% Danceability • 67% Energy • 14% Liveness
92% Instrumentalness • 89% Positiveness
26% Popularity • 64% Danceability • 67% Energy • 14% Liveness
92% Instrumentalness • 89% Positiveness
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Tony Craddock, Jr.
Sunrise (Remix)
100 bpm • F Maj • 03:46 • -5.02db
19% Popularity • 67% Danceability • 77% Energy • 9% Liveness
55% Instrumentalness • 77% Positiveness
19% Popularity • 67% Danceability • 77% Energy • 9% Liveness
55% Instrumentalness • 77% Positiveness
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Reza Khan
Dreamwalker
100 bpm • B min • 04:29 • -5db
26% Popularity • 62% Danceability • 83% Energy • 10% Liveness
84% Instrumentalness • 65% Positiveness
26% Popularity • 62% Danceability • 83% Energy • 10% Liveness
84% Instrumentalness • 65% Positiveness
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Jackiem Joyner
Elevation
100 bpm • E min • 04:44 • -5.8db
50% Popularity • 78% Danceability • 72% Energy • 16% Liveness
20% Instrumentalness • 71% Positiveness
50% Popularity • 78% Danceability • 72% Energy • 16% Liveness
20% Instrumentalness • 71% Positiveness
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Jay Soto
Oasis
100 bpm • A# min • 03:43 • -7.02db
22% Popularity • 72% Danceability • 87% Energy • 12% Liveness
60% Instrumentalness • 86% Positiveness
22% Popularity • 72% Danceability • 87% Energy • 12% Liveness
60% Instrumentalness • 86% Positiveness
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Blake Aaron
Fall For You
100 bpm • B min • 04:57 • -6.52db
29% Popularity • 69% Danceability • 91% Energy • 6% Liveness
80% Instrumentalness • 86% Positiveness
29% Popularity • 69% Danceability • 91% Energy • 6% Liveness
80% Instrumentalness • 86% Positiveness
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Kim Waters
Hudson River Nights
100 bpm • G Maj • 04:54 • -7.43db
28% Popularity • 70% Danceability • 79% Energy • 12% Liveness
11% Instrumentalness • 72% Positiveness
28% Popularity • 70% Danceability • 79% Energy • 12% Liveness
11% Instrumentalness • 72% Positiveness
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Nick Colionne
Got to Keep It Moving
100 bpm • G# min • 04:51 • -6db
22% Popularity • 68% Danceability • 82% Energy • 7% Liveness
36% Instrumentalness • 89% Positiveness
22% Popularity • 68% Danceability • 82% Energy • 7% Liveness
36% Instrumentalness • 89% Positiveness
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Chris Camozzi
Ring Of Gold
100 bpm • C# min • 04:24 • -9.6db
16% Popularity • 54% Danceability • 78% Energy • 3% Liveness
80% Instrumentalness • 50% Positiveness
16% Popularity • 54% Danceability • 78% Energy • 3% Liveness
80% Instrumentalness • 50% Positiveness
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David Benoit
Club Havana
100 bpm • C# min • 05:36 • -6.46db
23% Popularity • 70% Danceability • 75% Energy • 6% Liveness
46% Instrumentalness • 89% Positiveness
23% Popularity • 70% Danceability • 75% Energy • 6% Liveness
46% Instrumentalness • 89% Positiveness
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Matt Marshak
A Silent Knowing
100 bpm • E min • 04:36 • -10db
12% Popularity • 73% Danceability • 61% Energy • 10% Liveness
62% Instrumentalness • 65% Positiveness
12% Popularity • 73% Danceability • 61% Energy • 10% Liveness
62% Instrumentalness • 65% Positiveness
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Blake Aaron
Bumpin' on the Wes Side
100 bpm • F Maj • 05:27 • -8db
43% Popularity • 72% Danceability • 69% Energy • 12% Liveness
70% Instrumentalness • 67% Positiveness
43% Popularity • 72% Danceability • 69% Energy • 12% Liveness
70% Instrumentalness • 67% Positiveness
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Sean U
Key West
100 bpm • F min • 03:48 • -6.28db
28% Popularity • 67% Danceability • 92% Energy • 9% Liveness
74% Instrumentalness • 72% Positiveness
28% Popularity • 67% Danceability • 92% Energy • 9% Liveness
74% Instrumentalness • 72% Positiveness
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Nite Flyte
Square Route
100 bpm • F# min • 03:25 • -9.44db
33% Popularity • 62% Danceability • 66% Energy • 7% Liveness
86% Instrumentalness • 57% Positiveness
33% Popularity • 62% Danceability • 66% Energy • 7% Liveness
86% Instrumentalness • 57% Positiveness
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Paolo Rustichelli
My Geisha
94 bpm • D# min • 03:50 • -3.48db
19% Popularity • 62% Danceability • 92% Energy • 9% Liveness
86% Instrumentalness • 80% Positiveness
19% Popularity • 62% Danceability • 92% Energy • 9% Liveness
86% Instrumentalness • 80% Positiveness
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David Benoit
Mirage
94 bpm • G Maj • 05:59 • -13.33db
14% Popularity • 58% Danceability • 61% Energy • 5% Liveness
86% Instrumentalness • 68% Positiveness
14% Popularity • 58% Danceability • 61% Energy • 5% Liveness
86% Instrumentalness • 68% Positiveness
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Brian Tarquin
Charlemagne
94 bpm • F Maj • 03:50 • -9.46db
41% Popularity • 63% Danceability • 60% Energy • 6% Liveness
28% Instrumentalness • 42% Positiveness
41% Popularity • 63% Danceability • 60% Energy • 6% Liveness
28% Instrumentalness • 42% Positiveness
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Carol Albert
Fire & Water
94 bpm • E min • 04:10 • -8.26db
41% Popularity • 58% Danceability • 73% Energy • 32% Liveness
63% Instrumentalness • 71% Positiveness
41% Popularity • 58% Danceability • 73% Energy • 32% Liveness
63% Instrumentalness • 71% Positiveness
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Soul Ballet
LAViSH
94 bpm • F min • 07:12 • -7.96db
14% Popularity • 60% Danceability • 75% Energy • 16% Liveness
61% Instrumentalness • 63% Positiveness
14% Popularity • 60% Danceability • 75% Energy • 16% Liveness
61% Instrumentalness • 63% Positiveness
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Chris Geith
Nice To Meet You
94 bpm • C Maj • 04:41 • -7.15db
32% Popularity • 60% Danceability • 87% Energy • 8% Liveness
74% Instrumentalness • 66% Positiveness
32% Popularity • 60% Danceability • 87% Energy • 8% Liveness
74% Instrumentalness • 66% Positiveness
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Brian Hughes
There She Goes
94 bpm • C min • 05:19 • -8.92db
17% Popularity • 72% Danceability • 68% Energy • 10% Liveness
71% Instrumentalness • 44% Positiveness
17% Popularity • 72% Danceability • 68% Energy • 10% Liveness
71% Instrumentalness • 44% Positiveness
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Earl Klugh
The Traveler
100 bpm • G min • 04:02 • -10.85db
17% Popularity • 58% Danceability • 63% Energy • 15% Liveness
72% Instrumentalness • 90% Positiveness
17% Popularity • 58% Danceability • 63% Energy • 15% Liveness
72% Instrumentalness • 90% Positiveness
