Songs like Villain - Bonus Track by Hedley
Based on a tempo of (+/- 10%) and a similar genre
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Capital Lights
Caroline
143 bpm • F min • 03:25 • -4.79db
25% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Jesse McCartney
Daddy's Little Girl
143 bpm • D Maj • 02:43 • -3db
26% Popularity • 72% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 72% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Marianas Trench
One Love
144 bpm • D Maj • 04:01 • -4.77db
42% Popularity • 56% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 56% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Every Avenue
Girl Like That
144 bpm • F# Maj • 03:12 • -5db
39% Popularity • 65% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 65% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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These Kids Wear Crowns
Jumpstart
144 bpm • A Maj • 03:28 • -3.7db
35% Popularity • 57% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 57% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Scott Helman
Kinda Complicated
142 bpm • G Maj • 03:01 • -4.95db
32% Popularity • 47% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 47% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Rob Thomas
Mockingbird
142 bpm • C Maj • 04:00 • -5.5db
43% Popularity • 57% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 57% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Elijah Woods x Jamie Fine
You
142 bpm • D Maj • 03:25 • -6.8db
35% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Reece Mastin
Shut Up & Kiss Me
145 bpm • G# Maj • 03:24 • -2.15db
41% Popularity • 55% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 55% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Every Avenue
I Forgive You
142 bpm • F# Maj • 03:20 • -3db
37% Popularity • 59% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 59% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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MKTO
No More Second Chances
145 bpm • A Maj • 03:18 • -7.06db
32% Popularity • 58% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 58% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Maybe Next Summer
You're Mine
141 bpm • G Maj • 03:00 • -11db
29% Popularity • 40% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 40% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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My Favorite Highway
Say So
145 bpm • E Maj • 03:40 • -3.38db
24% Popularity • 55% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 55% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Andy Grammer
Fences
146 bpm • C Maj • 03:38 • -5.7db
3% Popularity • 53% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
3% Popularity • 53% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Lee DeWyze
Me And My Jealousy
140 bpm • F# Maj • 03:34 • -4.34db
16% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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A Great Big World
Won't Stop Running
146 bpm • A# Maj • 03:46 • -6.97db
29% Popularity • 64% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 64% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Hedley
Headphones
140 bpm • A# Maj • 03:33 • -5.01db
30% Popularity • 57% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 57% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Sam Tsui
Make It Up
140 bpm • C# Maj • 03:34 • -3.42db
27% Popularity • 62% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 62% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Matt Webb
Again and Again
140 bpm • F Maj • 03:18 • -5.05db
8% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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The White Tie Affair
Take It Home
140 bpm • D Maj • 03:19 • -5db
18% Popularity • 62% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 62% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Reece Mastin
Closer To The Edge
140 bpm • F# Maj • 03:34 • -3.64db
11% Popularity • 42% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 42% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
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Rob Thomas
This Is How a Heart Breaks
140 bpm • C Maj • 03:50 • -4.35db
49% Popularity • 60% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 60% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Thriving Ivory
Where We Belong
140 bpm • B Maj • 03:46 • -4db
35% Popularity • 43% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 43% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Andy Grammer
Kiss You Slow
140 bpm • C Maj • 04:15 • -6.17db
8% Popularity • 55% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 55% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Water Color
Stick Around
140 bpm • B min • 03:32 • -4.6db
23% Popularity • 47% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 47% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Kingsfoil
Give It Up Now
147 bpm • C# Maj • 02:55 • -5.66db
18% Popularity • 51% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 51% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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The White Tie Affair
Candle (Sick And Tired)
139 bpm • C Maj • 03:50 • -6db
21% Popularity • 56% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 56% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Honor Society
Why Didn't I?
139 bpm • A# Maj • 03:49 • -7db
8% Popularity • 63% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 63% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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The Latency
Fork In The Road
138 bpm • F# Maj • 03:31 • -5.31db
12% Popularity • 49% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 49% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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My Favorite Highway
The Chase
148 bpm • B Maj • 04:04 • -4.73db
15% Popularity • 55% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 55% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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David Cook
The Last Goodbye
137 bpm • D Maj • 03:00 • -5db
27% Popularity • 54% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 54% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Kristina Maria
Animal
137 bpm • G# Maj • 03:26 • -1.91db
25% Popularity • 66% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 66% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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The Click Five
Good Day
150 bpm • C# Maj • 03:09 • -2db
36% Popularity • 57% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 57% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Stereo Skyline
Sorry I Stole Your Girlfriend
150 bpm • G Maj • 02:25 • -4db
27% Popularity • 62% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 62% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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The Latency
Still In Love (With You)
138 bpm • G# Maj • 03:45 • -5.81db
14% Popularity • 43% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 43% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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My Favorite Highway
Getaway Car
137 bpm • D Maj • 04:17 • -4db
25% Popularity • 61% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 61% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Jesse McCartney
Shake
150 bpm • F# Maj • 03:08 • -3db
42% Popularity • 77% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 77% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Hedley
Got Love
150 bpm • F Maj • 03:20 • -4.77db
17% Popularity • 64% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 64% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Shawn Desman
Shiver
136 bpm • C min • 03:23 • -7db
36% Popularity • 69% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 69% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Rob Thomas
Someday
136 bpm • A# Maj • 04:07 • -6db
51% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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The Latency
Tonight, I Love You
150 bpm • F# Maj • 03:44 • -5.87db
18% Popularity • 47% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 47% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Daughtry
Crawling Back To You
151 bpm • C min • 03:45 • -3db
51% Popularity • 43% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 43% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Cassio Monroe
Under The Lights
135 bpm • C Maj • 03:13 • -5db
26% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Hedley
Beautiful Girl
136 bpm • E Maj • 04:09 • -6.41db
20% Popularity • 57% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 57% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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He Is We
Fall
135 bpm • D Maj • 03:39 • -5db
27% Popularity • 59% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 59% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Reece Mastin
Rebel and the Reason
135 bpm • E min • 03:44 • -5db
20% Popularity • 65% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 65% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Maine
Listen to Your Heart
135 bpm • G# Maj • 03:15 • -3.67db
28% Popularity • 57% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 57% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Nick Carter
19 in 99
152 bpm • C Maj • 03:25 • -2.97db
33% Popularity • 61% Danceability • 93% Energy • 55% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 61% Danceability • 93% Energy • 55% Liveness
0% Instrumentalness • 96% Positiveness
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Runner Runner
So Obvious
152 bpm • E Maj • 03:46 • -5.41db
24% Popularity • 46% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 46% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Hedley
Anything
152 bpm • G Maj • 03:11 • -6.47db
43% Popularity • 67% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 67% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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A Great Big World
Oasis
134 bpm • F Maj • 03:23 • -5db
35% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Marianas Trench
Fallout
152 bpm • E Maj • 04:14 • -5.01db
52% Popularity • 48% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 48% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Christian Burghardt
Safe Place to Land
134 bpm • A# Maj • 03:56 • -4.23db
24% Popularity • 63% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 63% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Click Five
Catch Your Wave
134 bpm • D Maj • 02:52 • -1db
40% Popularity • 56% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 56% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Runner Runner
So Obvious
152 bpm • E Maj • 03:58 • -5.74db
31% Popularity • 41% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 41% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Rob Thomas
I Think We'd Feel Good Together
134 bpm • F# min • 03:00 • -4.68db
36% Popularity • 66% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 66% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Cobra Starship
Fool Like Me
134 bpm • A Maj • 03:40 • -3.23db
23% Popularity • 57% Danceability • 92% Energy • 85% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 57% Danceability • 92% Energy • 85% Liveness
0% Instrumentalness • 68% Positiveness
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Victoria Duffield
Break My Heart
134 bpm • E Maj • 03:52 • -3.15db
32% Popularity • 55% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 55% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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O.A.R.
Two Hands Up
153 bpm • B Maj • 03:09 • -3.54db
35% Popularity • 51% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 51% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
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A Change of Pace
Weekend Warriors
133 bpm • A Maj • 03:03 • -4.87db
35% Popularity • 53% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 53% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Runner Runner
Unstoppable
134 bpm • G Maj • 03:19 • -6.67db
13% Popularity • 66% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 66% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Rob Thomas
Real World '09
153 bpm • A Maj • 02:45 • -5.66db
30% Popularity • 51% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 51% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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This Century
Love Killer
133 bpm • A# Maj • 03:37 • -4.02db
10% Popularity • 60% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 60% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Heffron Drive
Parallel
133 bpm • G# Maj • 03:20 • -4db
35% Popularity • 61% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 61% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Astoria Kings
Come Alive
154 bpm • C# Maj • 03:46 • -3.25db
15% Popularity • 54% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 54% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Shawn Hook
Reminding Me
133 bpm • A min • 03:29 • -4.86db
46% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Stefano
I'm on a Roll
132 bpm • F# Maj • 03:39 • -5db
33% Popularity • 66% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 66% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Fefe Dobson
Ghost
132 bpm • E min • 03:46 • -3db
38% Popularity • 60% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 60% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Victoria Duffield
Shut Up and Dance
132 bpm • F# Maj • 03:54 • -3db
31% Popularity • 70% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 70% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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PRTY H3RO
Young & Shameless
132 bpm • G Maj • 03:37 • -4db
15% Popularity • 58% Danceability • 93% Energy • 74% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 58% Danceability • 93% Energy • 74% Liveness
0% Instrumentalness • 80% Positiveness
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Jason Lancaster
Climb Up To My Window
155 bpm • C Maj • 03:11 • -4.04db
28% Popularity • 46% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 46% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Project Dirty
Skywalker
132 bpm • D Maj • 03:53 • -3db
20% Popularity • 43% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 43% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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SoMo
Kings & Queens (Throw It Up)
132 bpm • G# Maj • 03:41 • -5.05db
40% Popularity • 53% Danceability • 81% Energy • 11% Liveness
5% Instrumentalness • 46% Positiveness
40% Popularity • 53% Danceability • 81% Energy • 11% Liveness
5% Instrumentalness • 46% Positiveness
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Marianas Trench
Good To You
156 bpm • G Maj • 03:04 • -5db
46% Popularity • 41% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 41% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Daughtry
I'll Fight
155 bpm • F# Maj • 03:00 • -4db
48% Popularity • 59% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
48% Popularity • 59% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Ferras
Hollywood's Not America - Matrix Version
156 bpm • F Maj • 03:15 • -6db
29% Popularity • 48% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 48% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Mercy Mercedes
All We've Ever Known
131 bpm • E Maj • 03:19 • -5.45db
23% Popularity • 61% Danceability • 83% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 61% Danceability • 83% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
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Orianthi
According To You
131 bpm • F Maj • 03:20 • -2.55db
45% Popularity • 61% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 61% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Honor Society
See U in the Dark
157 bpm • C Maj • 03:30 • -7.83db
16% Popularity • 53% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 53% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Stereo Skyline
Unglued
130 bpm • G# Maj • 03:19 • -3.3db
23% Popularity • 63% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 63% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Reed Deming
Crash Test Dummy (Broken)
130 bpm • E Maj • 03:02 • -5db
27% Popularity • 53% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 53% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Rob Thomas
Trust You
130 bpm • F# Maj • 03:08 • -6.65db
32% Popularity • 66% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 66% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
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The White Tie Affair
If I Fall
130 bpm • D Maj • 03:36 • -3.68db
9% Popularity • 55% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 55% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 63% Positiveness
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New Politics
West End Kids
130 bpm • E Maj • 03:32 • -1.91db
40% Popularity • 60% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 60% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 52% Positiveness
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All Time Low
Good Times
130 bpm • G Maj • 03:44 • -6.31db
50% Popularity • 56% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 56% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Maroon 5
Unkiss Me
130 bpm • F# Maj • 03:58 • -6.54db
49% Popularity • 53% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 53% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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The Workday Release
Love in a Box
130 bpm • D# Maj • 02:44 • -11.5db
12% Popularity • 77% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 77% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Mercy Mercedes
The Perfect Scene
130 bpm • F# Maj • 02:50 • -4.84db
35% Popularity • 60% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 60% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Kristina Maria
Move Like a Soldier
130 bpm • A min • 03:02 • -6.29db
35% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Victoria Duffield
Feel
130 bpm • A min • 03:03 • -6db
19% Popularity • 74% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 74% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Trevor Guthrie
Soundwave
130 bpm • E Maj • 03:58 • -4.23db
34% Popularity • 51% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 51% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Friday Night Boys
Stupid Love Letter
130 bpm • C# Maj • 02:56 • -6db
22% Popularity • 62% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 62% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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These Kids Wear Crowns
I Wanna Dance With Somebody - CHR Mix
130 bpm • C# Maj • 02:56 • -3.93db
19% Popularity • 64% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 64% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Every Avenue
Mindset
130 bpm • G Maj • 03:26 • -3db
43% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Mercy Mercedes
The Perfect Scene
130 bpm • F# Maj • 03:13 • -5db
19% Popularity • 67% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 67% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Reece Mastin
She Calls This Love
130 bpm • F# Maj • 03:40 • -4db
17% Popularity • 56% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 56% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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City of Lions
We Will Cary On
130 bpm • F# Maj • 03:06 • -6.93db
24% Popularity • 51% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 51% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Cher Lloyd
Behind The Music
158 bpm • F Maj • 03:42 • -4.16db
24% Popularity • 60% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 60% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
