Songs like Villancicos: Riu Chiu by Mateo Flecha
Based on a tempo of (+/- 10%) and a similar genre
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Jacques Arcadelt
Il bianco e dolce cigno
127 bpm • E Maj • 02:11 • -14db
16% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: Gloria Tibi Domine ...
127 bpm • A min • 01:48 • -26.36db
16% Popularity • 19% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Mateo Flecha
La Bomba
127 bpm • F# Maj • 11:04 • -15.21db
0% Popularity • 39% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 39% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Jean Mouton
Tota pulchra es
128 bpm • D min • 01:44 • -15.41db
12% Popularity • 17% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
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Loyset Compère
Quis numerare queat: I. Quis numerare qu...
128 bpm • F Maj • 01:32 • -18.87db
9% Popularity • 17% Danceability • 24% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
9% Popularity • 17% Danceability • 24% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
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Jordi Savall
Triste España sin ventura (villancico) ...
128 bpm • A min • 06:54 • -19.08db
9% Popularity • 18% Danceability • 17% Energy • 8% Liveness
70% Instrumentalness • 7% Positiveness
9% Popularity • 18% Danceability • 17% Energy • 8% Liveness
70% Instrumentalness • 7% Positiveness
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Philippe Verdelot
Se mai provasti donna
128 bpm • G# min • 01:33 • -18.88db
20% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Eustache du Caurroy
At The Crossroads... : Fantaisie à 3 su...
128 bpm • D min • 01:47 • -26.52db
16% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
16% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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Mateo Flecha
La Bomba
126 bpm • A# Maj • 10:22 • -22.75db
0% Popularity • 29% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 29% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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A5 Vocal Ensemble
Guerrero: Alma mirad vuestro Dios
128 bpm • G# min • 02:48 • -18.74db
9% Popularity • 29% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 29% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Howard Skempton
And There Was War in Heaven
128 bpm • F Maj • 04:34 • -24.58db
11% Popularity • 17% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Piffaro
Alla Caccia
129 bpm • D Maj • 01:22 • -17db
11% Popularity • 68% Danceability • 5% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
11% Popularity • 68% Danceability • 5% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
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Claudin de Sermisy
Lamentations de Jérémie pour le samedi...
129 bpm • F Maj • 05:23 • -16.63db
10% Popularity • 17% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 17% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Orazio Vecchi
Saltarello detto Trivella
129 bpm • A min • 02:36 • -27db
9% Popularity • 34% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 34% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Mateo Flecha
La bomba
128 bpm • C Maj • 11:20 • -20.31db
1% Popularity • 34% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 34% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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![Dances: Galliard [22] cover art](https://i.scdn.co/image/ab67616d00001e02c3336736e770b698ae7e58d0)
Anthony Holborne
Dances: Galliard [22]
129 bpm • F Maj • 01:13 • -16.96db
8% Popularity • 43% Danceability • 8% Energy • 6% Liveness
58% Instrumentalness • 64% Positiveness
8% Popularity • 43% Danceability • 8% Energy • 6% Liveness
58% Instrumentalness • 64% Positiveness
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Juan Arañés
Chacona: "Una sarao de la chacona"
129 bpm • F Maj • 01:19 • -20db
11% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
11% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
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Jordi Savall
Hoy Comamos Y Bevamos
125 bpm • F Maj • 02:29 • -15.53db
9% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Philippe Verdelot
Madonna qual certezza
129 bpm • F# min • 02:20 • -16.12db
10% Popularity • 28% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 28% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Cesare Negri
So ben mi chi ha bon tempo
130 bpm • G min • 01:38 • -22db
21% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
21% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
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Mateo Flecha
Cancionero De Upsala: Ríu Ríu Ríu Ch�...
126 bpm • G min • 01:40 • -14.64db
0% Popularity • 64% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 64% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Domenico Scarlatti
Stabat Mater Dolorosa à dix voix: Staba...
129 bpm • B min • 02:45 • -17.84db
9% Popularity • 18% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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John Dowland
Unquiet Thoughts
124 bpm • G min • 03:24 • -20db
9% Popularity • 44% Danceability • 5% Energy • 32% Liveness
1% Instrumentalness • 39% Positiveness
9% Popularity • 44% Danceability • 5% Energy • 32% Liveness
1% Instrumentalness • 39% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Johannes Ockeghem
Intemerata Dei mater: III. Aspiciat faci...
124 bpm • F Maj • 02:23 • -18.71db
9% Popularity • 17% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
9% Popularity • 17% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
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Anónimo
Se eu no mundo fiz algum cantar
130 bpm • G Maj • 03:17 • -24.52db
12% Popularity • 27% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 27% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Mateo Flecha
El Toro
128 bpm • E Maj • 04:51 • -19db
4% Popularity • 39% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
4% Popularity • 39% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Klaus-Martin Bresgott
Esti dal - Nachtlied
130 bpm • F Maj • 02:41 • -23.92db
17% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
34% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
34% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Jacques Arcadelt
Missa Noe Noe: II. Gloria
124 bpm • D min • 04:28 • -25.11db
9% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
9% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
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Jacob Clemens non Papa
Sanctus
130 bpm • D Maj • 02:31 • -29db
22% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Diego Pisador
La mananna de San Juan
131 bpm • A min • 04:44 • -20.68db
9% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Mateo Flecha
La Negrina
128 bpm • G# Maj • 08:46 • -24.25db
1% Popularity • 29% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 29% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Carlo Gesualdo
Itene, o miei sospiri
131 bpm • C Maj • 04:11 • -19.28db
14% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Gaspar Sanz
Zarabanda Española: Improvisación
123 bpm • C# Maj • 04:18 • -25.36db
8% Popularity • 43% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
8% Popularity • 43% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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Santiago De Murcia
Folias Gallegas (arr. G. Herreid)
132 bpm • G# Maj • 01:35 • -28db
24% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
24% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
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Tylman Susato
Danserye: Ronde: Il estoit une filette
123 bpm • F Maj • 01:36 • -25db
11% Popularity • 39% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 57% Positiveness
11% Popularity • 39% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 57% Positiveness
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Mateo Flecha
La Bomba (Dindirindín). Ensalada
128 bpm • C Maj • 02:56 • -16.05db
9% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
123 bpm • E Maj • 04:33 • -29.95db
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
123 bpm • E min • 01:10 • -24db
25% Popularity • 28% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
25% Popularity • 28% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Vincenzo Ruffo
Missa Quarti Toni: Agnus Dei
132 bpm • D min • 02:52 • -17.73db
14% Popularity • 16% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
14% Popularity • 16% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Pierre de la Rue
Absalon fili mi
122 bpm • A# Maj • 05:00 • -27.7db
7% Popularity • 17% Danceability • 6% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 6% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
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Psalterium
Dindirindin
122 bpm • D# min • 01:44 • -18db
14% Popularity • 32% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 32% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Mateo Flecha
El Jubilate
125 bpm • E Maj • 07:08 • -20.75db
3% Popularity • 36% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
3% Popularity • 36% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Piffaro
Greyner, Zanner
132 bpm • A Maj • 01:16 • -17db
20% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
20% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
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Jordi Savall
Recercada Quarta Sobre La Folia, 1553 (O...
122 bpm • F Maj • 01:30 • -19db
27% Popularity • 38% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
27% Popularity • 38% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
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Capella de Ministrers
La Viuda
132 bpm • A# Maj • 14:46 • -10.45db
0% Popularity • 36% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 36% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Juan de Araujo
Hanacpachap cussisuinim
132 bpm • C# min • 04:23 • -27.03db
4% Popularity • 24% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 10% Positiveness
4% Popularity • 24% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 10% Positiveness
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Jean Mouton
Celeste beneficium - Audiutorium nostrum
132 bpm • F Maj • 06:15 • -18db
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Mateo Flecha
Haec est victoria "La Guerra"
125 bpm • D Maj • 01:32 • -9.84db
0% Popularity • 35% Danceability • 49% Energy • 12% Liveness
11% Instrumentalness • 30% Positiveness
0% Popularity • 35% Danceability • 49% Energy • 12% Liveness
11% Instrumentalness • 30% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Sanctus
132 bpm • D# Maj • 01:23 • -19.76db
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Joan Ambrosio Dalza
Piva
122 bpm • G Maj • 01:56 • -27db
29% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
29% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
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Morten Lauridsen
Seek not to Know my Love
122 bpm • F Maj • 02:30 • -17.58db
7% Popularity • 57% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 57% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
122 bpm • E min • 01:22 • -28db
16% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Antoine Brumel
Mater patris et filia
133 bpm • C# Maj • 03:43 • -24.2db
10% Popularity • 16% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Mateo Flecha
Todos los buenos soldados
129 bpm • C Maj • 03:03 • -9.96db
1% Popularity • 47% Danceability • 50% Energy • 11% Liveness
98% Instrumentalness • 27% Positiveness
1% Popularity • 47% Danceability • 50% Energy • 11% Liveness
98% Instrumentalness • 27% Positiveness
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Richard Dering
Almaine
133 bpm • G Maj • 01:51 • -23.92db
8% Popularity • 35% Danceability • 3% Energy • 6% Liveness
98% Instrumentalness • 57% Positiveness
8% Popularity • 35% Danceability • 3% Energy • 6% Liveness
98% Instrumentalness • 57% Positiveness
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Speech to Mortals
Dark November
133 bpm • D Maj • 01:13 • -36.44db
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Gaspar Sanz
Paradetas
121 bpm • D Maj • 02:18 • -21.11db
17% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
17% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
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Anónimo
Maria Balteira que se queria
121 bpm • G Maj • 05:09 • -22db
12% Popularity • 38% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 38% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Anthony Holborne
Dances: Galliard [32]
121 bpm • D# Maj • 01:18 • -22db
8% Popularity • 46% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
8% Popularity • 46% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Mateo Flecha
Que Farem del Pobre Joan
123 bpm • C min • 03:32 • -22.59db
0% Popularity • 32% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 32% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Orlande de Lassus
Bonjour, et puis, quelles nouvelles ?
133 bpm • C Maj • 01:58 • -11db
11% Popularity • 30% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 30% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Claudio Monteverdi
Dixit dominus I
133 bpm • C Maj • 07:41 • -22.03db
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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John Sheppard
Sheppard: Beata nobis gaudia - 7. Sit la...
120 bpm • A Maj • 00:52 • -34.74db
12% Popularity • 26% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 26% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Johannes Ockeghem
Missa L'homme arme: Kyrie (Missa L' homm...
134 bpm • B Maj • 02:20 • -27.64db
10% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Anónimo
Joam Rodriguiz foi desmar a Balteira
134 bpm • D Maj • 03:36 • -23db
12% Popularity • 26% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 26% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Mateo Flecha
Flecha el Viejo: La Guerra
132 bpm • D# Maj • 01:36 • -11.2db
0% Popularity • 60% Danceability • 28% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
0% Popularity • 60% Danceability • 28% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Rappresentatione di Anima e di Corpo (Re...
135 bpm • G Maj • 01:34 • -23db
22% Popularity • 24% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
22% Popularity • 24% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
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Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
24% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
24% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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Paschal de l'Estocart
Octonaires de la vanité du monde, Livre...
135 bpm • C# min • 01:00 • -21.57db
11% Popularity • 22% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
26% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Mateo Flecha
Falalalan
121 bpm • G# min • 02:01 • -15.91db
1% Popularity • 58% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 58% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Heinrich Isaac
Innsbruck, ich muß dich lassen
135 bpm • C Maj • 01:57 • -29.02db
16% Popularity • 15% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
16% Popularity • 15% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Anónimo
Pasión: Vere Languóres. Alto Solo.
119 bpm • A Maj • 03:21 • -14.78db
14% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Carlo Gesualdo
Qual fora, donna, un dolce Ohime
135 bpm • F min • 02:51 • -23.41db
18% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Llibre Vermell De Montserrat
Cunctissimus concanentes
119 bpm • F Maj • 03:45 • -13.57db
26% Popularity • 44% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
26% Popularity • 44% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
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Jehan de Lescurel
A vous, douce debonnaire (Rondeau) W!
136 bpm • C# Maj • 03:39 • -27db
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Mateo Flecha
El fuego
134 bpm • G min • 09:49 • -21.03db
1% Popularity • 30% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 30% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere a 9: No. 2, Et secundum multitu...
136 bpm • B min • 01:26 • -27.48db
15% Popularity • 20% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
15% Popularity • 20% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: Vosaltres Tots Que ...
136 bpm • G min • 02:53 • -22.04db
10% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Miguel de Fuenllana
Morenica, dame un beso
119 bpm • C Maj • 02:00 • -20db
11% Popularity • 42% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
11% Popularity • 42% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: IV. Te per orbem terrar...
118 bpm • C Maj • 03:31 • -22.21db
9% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Mateo Flecha
Viva Nuestro Capitán "La Guerra"
134 bpm • F Maj • 01:55 • -8.45db
0% Popularity • 46% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 46% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Carlo Gesualdo
Illumina faciem tuam
136 bpm • F Maj • 03:37 • -21.06db
10% Popularity • 15% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Capella de Ministrers
Alta
118 bpm • A# Maj • 01:20 • -22.47db
9% Popularity • 71% Danceability • 14% Energy • 12% Liveness
99% Instrumentalness • 3% Positiveness
9% Popularity • 71% Danceability • 14% Energy • 12% Liveness
99% Instrumentalness • 3% Positiveness
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Giovanni Ambrosio
Ballo Francese chiamato Petit Rinense (A...
136 bpm • A# Maj • 01:40 • -27.47db
18% Popularity • 54% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
18% Popularity • 54% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Claude Gervaise
Allemandes - Arranged by Piffaro
118 bpm • G# Maj • 03:17 • -22db
12% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
12% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Juan de Anchieta
Con amores, la mi madre (arr. Bob Chilco...
137 bpm • F Maj • 02:19 • -25.4db
9% Popularity • 20% Danceability • 4% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 4% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
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Mateo Flecha
Jerigonza
134 bpm • F Maj • 02:07 • -21.9db
0% Popularity • 52% Danceability • 4% Energy • 7% Liveness
15% Instrumentalness • 21% Positiveness
0% Popularity • 52% Danceability • 4% Energy • 7% Liveness
15% Instrumentalness • 21% Positiveness
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Alfonso Letelier
Tres Madrigales Campesinos, Op. 40 para ...
117 bpm • E Maj • 03:10 • -21.4db
8% Popularity • 27% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 27% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Johann Caspar Kerll
Missa pro defunctis: II. Kyrie
138 bpm • F Maj • 02:01 • -18.24db
22% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
O Primavera, gioventu dell'anno
138 bpm • E Maj • 02:37 • -19.62db
10% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
10% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
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Anónimo
O que Balteira ora quer vingar
117 bpm • G Maj • 05:14 • -26db
12% Popularity • 28% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 28% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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John Dowland
Lachrimae or Seven Tears: V. Lachrimae c...
117 bpm • G# min • 03:17 • -21.3db
11% Popularity • 17% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
11% Popularity • 17% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
