Songs like Violin Concerto "Distant Light": Andante I by Pēteris Vasks
Based on a tempo of (+/- 10%) and a similar genre
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Antonín Dvořák
String Quartet No. 12 in F Major, "Ameri...
87 bpm • D min • 06:25 • -24.06db
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
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Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
87 bpm • A Maj • 07:06 • -30.53db
48% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
48% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
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Giovanni Girolamo Kapsberger
Toccata arpeggiata
87 bpm • D min • 02:55 • -23.62db
14% Popularity • 21% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
14% Popularity • 21% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
33% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Alan Hovhaness
Prayer of St. Gregory, Op. 62b
87 bpm • A min • 04:49 • -24.9db
15% Popularity • 9% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
15% Popularity • 9% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Alexander Glazunov
Chant du menestrel for Cello and Orchest...
87 bpm • F# min • 04:01 • -33db
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:18 • -25db
19% Popularity • 18% Danceability • 5% Energy • 10% Liveness
81% Instrumentalness • 8% Positiveness
19% Popularity • 18% Danceability • 5% Energy • 10% Liveness
81% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
String Quartet No. 13 in B-Flat Major, O...
87 bpm • D# Maj • 07:49 • -31db
5% Popularity • 16% Danceability • 2% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
5% Popularity • 16% Danceability • 2% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Pēteris Vasks
Violin Concerto “Distant light” (199...
87 bpm • E min • 06:44 • -25.08db
9% Popularity • 10% Danceability • 8% Energy • 36% Liveness
19% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 8% Energy • 36% Liveness
19% Instrumentalness • 3% Positiveness
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Dobrinka Tabakova
Insight
86 bpm • D min • 09:35 • -15.44db
11% Popularity • 17% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Jean Sibelius
The Swan of Tuonela, Op. 22, No. 2
86 bpm • E min • 08:00 • -26.41db
26% Popularity • 17% Danceability • 7% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
26% Popularity • 17% Danceability • 7% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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William Walton
2 Pieces for Strings from Henry V: No. 1...
86 bpm • E min • 03:07 • -30db
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Philip Glass
Concerto for Violin and Orchestra: II. =...
86 bpm • C min • 08:46 • -32.66db
16% Popularity • 9% Danceability • 3% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 3% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: I. The Ki...
86 bpm • C min • 01:58 • -30.18db
40% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
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Dobrinka Tabakova
Nocturne (Arr. for Solo Violin and Piano...
86 bpm • C# min • 03:46 • -22.01db
40% Popularity • 24% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
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Takashi Yoshimatsu
White Landscapes, Op. 47a: II. Stillness...
88 bpm • E min • 03:15 • -32.56db
16% Popularity • 18% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Impromptu for Viola & Piano, Op. 33
88 bpm • G min • 01:55 • -21db
9% Popularity • 24% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 12% Positiveness
9% Popularity • 24% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 12% Positiveness
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Anatoly Lyadov
3 Morceaux, Op. 11: I. Prelude in B Mino...
88 bpm • E min • 03:32 • -27.47db
11% Popularity • 24% Danceability • 3% Energy • 7% Liveness
50% Instrumentalness • 5% Positiveness
11% Popularity • 24% Danceability • 3% Energy • 7% Liveness
50% Instrumentalness • 5% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Der Bote
86 bpm • C Maj • 09:13 • -39db
8% Popularity • 10% Danceability • 0% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 0% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
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Josquin des Prez
Mille regretz
86 bpm • F# min • 02:14 • -28.85db
28% Popularity • 17% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Geirr Tveitt
Vél komne Med Aera
86 bpm • E min • 03:28 • -16.52db
14% Popularity • 14% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: String Quartet in B Major, Op. 1...
89 bpm • A# min • 07:00 • -29db
3% Popularity • 10% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
3% Popularity • 10% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
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Dobrinka Tabakova
Concerto For Violoncello And Strings: II...
85 bpm • F Maj • 08:42 • -19db
29% Popularity • 14% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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Philip Glass
Études: No. 5 - Reworked By Christian B...
89 bpm • F min • 04:27 • -35.27db
26% Popularity • 16% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Antonín Dvořák
From the Bohemian Forest, Op. 68, B. 133...
85 bpm • C# Maj • 05:58 • -26db
24% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Pēteris Vasks
Cello Concerto No. 2 "Klātbūtne": I. A...
85 bpm • A min • 05:18 • -21.22db
4% Popularity • 17% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Manuel de Falla
Asturiana - I
89 bpm • F min • 02:51 • -36.31db
19% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
19% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
34% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Marin Marais
Pièces de viole, Livre 3 - Suite No. 7 ...
89 bpm • F# Maj • 02:27 • -26db
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
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Samuel Barber
String Quartet, Op. 11: II. Adagio
85 bpm • A# min • 08:49 • -24db
23% Popularity • 17% Danceability • 7% Energy • 23% Liveness
71% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 7% Energy • 23% Liveness
71% Instrumentalness • 3% Positiveness
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Tõnu Kõrvits
Songs from Dolores's Songbook: No. 7, Az...
85 bpm • B Maj • 02:47 • -30db
27% Popularity • 14% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Pēteris Vasks
Ķekatu dziesma
85 bpm • C Maj • 02:50 • -19.87db
2% Popularity • 27% Danceability • 29% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
2% Popularity • 27% Danceability • 29% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: I. Prel...
85 bpm • C# Maj • 01:40 • -31.51db
33% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
33% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Andreas Scholl
Stabat Mater
85 bpm • F Maj • 02:01 • -11.05db
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Dobrinka Tabakova
Concerto For Violoncello And Strings: I....
89 bpm • E min • 07:19 • -15.29db
12% Popularity • 28% Danceability • 44% Energy • 17% Liveness
86% Instrumentalness • 42% Positiveness
12% Popularity • 28% Danceability • 44% Energy • 17% Liveness
86% Instrumentalness • 42% Positiveness
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Pēteris Vasks
Oboe Concerto: I. Morning Pastorale
89 bpm • E min • 07:02 • -20.48db
6% Popularity • 13% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
6% Popularity • 13% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
85 bpm • C# Maj • 07:29 • -21.88db
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Samuel Barber
String Quartet, Op. 11: II. Molto adagio
90 bpm • A# min • 06:52 • -26.61db
27% Popularity • 10% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 10% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
Phantasy Quintet: I. Prelude: Lento ma n...
90 bpm • G min • 04:06 • -30.02db
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
19% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
19% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Augenblicke einer Serenade
90 bpm • D Maj • 02:29 • -35.54db
20% Popularity • 22% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 6% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Pēteris Vasks
Concerto No. 2 for Cello and String Orch...
85 bpm • A min • 09:30 • -24.33db
6% Popularity • 9% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
6% Popularity • 9% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Giovanni Sollima
Violoncelles, Vibrez!
90 bpm • D Maj • 11:11 • -21.06db
5% Popularity • 22% Danceability • 20% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
5% Popularity • 22% Danceability • 20% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
► Preview
William Byrd
Ave verum corpus
84 bpm • A min • 04:07 • -27.68db
22% Popularity • 9% Danceability • 5% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
22% Popularity • 9% Danceability • 5% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
Jordi Savall
Lachrimae Antiquae
90 bpm • A min • 04:41 • -21.68db
18% Popularity • 10% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
18% Popularity • 10% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Jean Sibelius
6 Impromptus, Op. 5: Impromptu No. 5 in ...
84 bpm • B min • 03:07 • -28db
41% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Pēteris Vasks
Violin Concerto “Distant light” (199...
90 bpm • C Maj • 01:45 • -21.91db
8% Popularity • 33% Danceability • 4% Energy • 33% Liveness
76% Instrumentalness • 13% Positiveness
8% Popularity • 33% Danceability • 4% Energy • 33% Liveness
76% Instrumentalness • 13% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Caroline Shaw
And the Swallow
90 bpm • A# min • 04:01 • -26.65db
29% Popularity • 11% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
29% Popularity • 11% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Henryk Górecki
Symphony No. 3, Op. 36 "Symphony of Sorr...
90 bpm • A# min • 08:54 • -24db
24% Popularity • 15% Danceability • 4% Energy • 16% Liveness
72% Instrumentalness • 3% Positiveness
24% Popularity • 15% Danceability • 4% Energy • 16% Liveness
72% Instrumentalness • 3% Positiveness
► Preview
Mieczysław Weinberg
Aria, Op. 9
90 bpm • A# Maj • 03:46 • -22.1db
15% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Germaine Tailleferre
Sonata for Solo Harp: I. Allegretto
84 bpm • C# Maj • 03:16 • -28db
22% Popularity • 24% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
22% Popularity • 24% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Pēteris Vasks
Vasks: Concerto for Violin and String Or...
84 bpm • C Maj • 06:50 • -30.4db
1% Popularity • 13% Danceability • 2% Energy • 43% Liveness
0% Instrumentalness • 3% Positiveness
1% Popularity • 13% Danceability • 2% Energy • 43% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
John Adams
Adams: The Death of Klinghoffer, Prologu...
90 bpm • F min • 08:40 • -22.14db
31% Popularity • 17% Danceability • 4% Energy • 8% Liveness
61% Instrumentalness • 5% Positiveness
31% Popularity • 17% Danceability • 4% Energy • 8% Liveness
61% Instrumentalness • 5% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
► Preview
Henryk Górecki
Miserere, Op. 44: 2. Domine Deus noster-...
90 bpm • C Maj • 02:16 • -49.17db
20% Popularity • 15% Danceability • 0% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
20% Popularity • 15% Danceability • 0% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
► Preview
James MacMillan
A Child's Prayer
84 bpm • E min • 04:19 • -28db
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
37% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
37% Instrumentalness • 3% Positiveness
► Preview
Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
33% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Pēteris Vasks
Cantabile
90 bpm • A min • 09:31 • -19db
10% Popularity • 10% Danceability • 13% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 13% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
John Tavener
The Protecting Veil: The Dormition of th...
84 bpm • G Maj • 07:09 • -30.57db
10% Popularity • 15% Danceability • 1% Energy • 19% Liveness
29% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 19% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Béla Bartók
6 Roumanian Folk Dances, BB 68, Sz. 56: ...
91 bpm • B min • 01:05 • -34.03db
35% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
35% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Morten Lauridsen
Lux aeterna: I. Introitus
91 bpm • D Maj • 07:53 • -23db
20% Popularity • 14% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Reynaldo Hahn
Chansons grises: V. L'heure exquise
83 bpm • D Maj • 03:32 • -37db
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Nocturnes, CD 98: I. Nuages
83 bpm • C Maj • 06:21 • -35db
27% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Pēteris Vasks
Summer Dances: I. Broadly, Sonorously
84 bpm • A min • 01:40 • -28.11db
2% Popularity • 9% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 6% Positiveness
2% Popularity • 9% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 6% Positiveness
► Preview
Giacomo Puccini
Crisantemi
91 bpm • C# min • 05:28 • -24db
12% Popularity • 16% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Phantasy Quintet: III. Alla Sarabanda
83 bpm • F min • 02:59 • -39.45db
13% Popularity • 19% Danceability • 0% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 0% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
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John Tavener
The Lamb
83 bpm • A min • 04:14 • -39.3db
23% Popularity • 8% Danceability • 1% Energy • 6% Liveness
11% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 1% Energy • 6% Liveness
11% Instrumentalness • 3% Positiveness
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The Hilliard Ensemble
"Mille Regretz" (Després)
83 bpm • B Maj • 02:03 • -26db
22% Popularity • 21% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
22% Popularity • 21% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
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Henryk Górecki
Concerto-Notturno: I. Lento
83 bpm • C Maj • 04:24 • -20db
9% Popularity • 10% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Pēteris Vasks
Concerto for Viola & String Orchestra: I...
91 bpm • B min • 09:48 • -21.16db
4% Popularity • 13% Danceability • 7% Energy • 9% Liveness
16% Instrumentalness • 3% Positiveness
4% Popularity • 13% Danceability • 7% Energy • 9% Liveness
16% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Jennifer Higdon
String poetic: II. Nocturne
91 bpm • C Maj • 04:46 • -24db
21% Popularity • 16% Danceability • 5% Energy • 9% Liveness
49% Instrumentalness • 5% Positiveness
21% Popularity • 16% Danceability • 5% Energy • 9% Liveness
49% Instrumentalness • 5% Positiveness
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Tigran Mansurian
Requiem: Agnus Dei
83 bpm • D min • 03:41 • -43db
12% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Max Richter
Mercy
91 bpm • A# min • 05:31 • -23db
32% Popularity • 16% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 3% Positiveness
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Mieczysław Weinberg
Cello Concerto in C Minor, Op. 43: I. Ad...
91 bpm • A# Maj • 04:05 • -22db
12% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
12% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
91 bpm • F min • 04:01 • -29.86db
25% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
25% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Ola Gjeilo
Serenity (O Magnum Mysterium)
83 bpm • G Maj • 05:39 • -27db
22% Popularity • 8% Danceability • 6% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
22% Popularity • 8% Danceability • 6% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Béla Bartók
6 Romanian Folk Dances, BB 68, Sz. 56: 4...
83 bpm • D Maj • 02:49 • -14db
16% Popularity • 13% Danceability • 18% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 18% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 2. San...
83 bpm • F Maj • 01:43 • -30db
27% Popularity • 20% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
27% Popularity • 20% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Vladimir Martynov
The Beatitudes
92 bpm • A# Maj • 05:15 • -32.19db
31% Popularity • 28% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
31% Popularity • 28% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Paul Mealor
Now Sleeps The Crimson Petal (Four Madri...
83 bpm • F# Maj • 03:17 • -31db
39% Popularity • 16% Danceability • 1% Energy • 8% Liveness
12% Instrumentalness • 3% Positiveness
39% Popularity • 16% Danceability • 1% Energy • 8% Liveness
12% Instrumentalness • 3% Positiveness
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G. I. Gurdjieff
Woman´s Prayer
83 bpm • F min • 01:58 • -30db
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Eight Part Songs, Op. 115: III. The Blue...
83 bpm • F# Maj • 03:56 • -37.71db
36% Popularity • 17% Danceability • 0% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
36% Popularity • 17% Danceability • 0% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Einojuhani Rautavaara
Deux Sérénades (Written for Hilary Hah...
92 bpm • A min • 07:50 • -25.19db
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Luciano Berio
Six Encores: Wasserklavier
82 bpm • C# Maj • 02:02 • -41.51db
24% Popularity • 41% Danceability • 0% Energy • 7% Liveness
77% Instrumentalness • 11% Positiveness
24% Popularity • 41% Danceability • 0% Energy • 7% Liveness
77% Instrumentalness • 11% Positiveness
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Vladimir Martynov
Martynov: "Come in!", Movement II
82 bpm • A Maj • 04:21 • -22db
32% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
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Samuel Barber
To be sung on the water, Op. 42, No. 2
82 bpm • C min • 03:17 • -34.26db
21% Popularity • 9% Danceability • 1% Energy • 13% Liveness
56% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 1% Energy • 13% Liveness
56% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Elegy for Solo Viola
82 bpm • C min • 05:29 • -25db
14% Popularity • 8% Danceability • 1% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 1% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
