Songs like Violin Sonata in G Minor, "The Devil's Trill" (arr. F. Kreisler for violin and piano) by Fritz Kreisler
Based on a tempo of (+/- 10%) and a similar genre
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
118 bpm • B min • 03:37 • -17db
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
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Johann Sebastian Bach
Sonata for Violin Solo No. 1 in G Minor,...
116 bpm • G min • 05:25 • -16.03db
33% Popularity • 38% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 38% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
119 bpm • F Maj • 09:32 • -19db
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
57% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
57% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. M...
119 bpm • G min • 07:15 • -12.97db
47% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
47% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
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Franz Liszt
6 Grandes études de Paganini, S. 141: N...
115 bpm • G# min • 04:30 • -25.4db
29% Popularity • 37% Danceability • 20% Energy • 9% Liveness
43% Instrumentalness • 38% Positiveness
29% Popularity • 37% Danceability • 20% Energy • 9% Liveness
43% Instrumentalness • 38% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
115 bpm • F Maj • 10:21 • -16db
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Fritz Kreisler
Kreisler: 3 Old Viennese Dances: I. Lieb...
114 bpm • F Maj • 03:17 • -18.68db
4% Popularity • 58% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 45% Positiveness
4% Popularity • 58% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 45% Positiveness
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Johann Sebastian Bach
Concerto for 2 Violins in D Minor, BWV 1...
114 bpm • D min • 03:13 • -12db
37% Popularity • 62% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 62% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Wolfgang Amadeus Mozart
Violin Concerto No. 3 in G Major, K. 216...
119 bpm • G Maj • 09:20 • -19.93db
32% Popularity • 46% Danceability • 10% Energy • 25% Liveness
67% Instrumentalness • 39% Positiveness
32% Popularity • 46% Danceability • 10% Energy • 25% Liveness
67% Instrumentalness • 39% Positiveness
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Sergei Rachmaninoff
10 Preludes, Op. 23: No. 5 in G Minor: A...
114 bpm • G min • 03:53 • -20.52db
35% Popularity • 38% Danceability • 16% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
35% Popularity • 38% Danceability • 16% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Jenő Hubay
Carmen (Bizet) - Fantasie brillante
114 bpm • D Maj • 08:52 • -18db
23% Popularity • 38% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
23% Popularity • 38% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Pablo de Sarasate
Zapateado Op. 23
113 bpm • A Maj • 03:21 • -18db
37% Popularity • 55% Danceability • 29% Energy • 11% Liveness
30% Instrumentalness • 64% Positiveness
37% Popularity • 55% Danceability • 29% Energy • 11% Liveness
30% Instrumentalness • 64% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
60% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
60% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 5 ...
113 bpm • G min • 03:47 • -22db
28% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
28% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Niccolò Paganini
Sonata concertata in A Major, Op. 61, MS...
122 bpm • E Maj • 01:56 • -25db
47% Popularity • 50% Danceability • 12% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
47% Popularity • 50% Danceability • 12% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
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Fritz Kreisler
Praeludium and Allegro in the style of P...
112 bpm • E min • 05:55 • -20db
19% Popularity • 38% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
19% Popularity • 38% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
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Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
112 bpm • D min • 01:54 • -23.16db
51% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
51% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
112 bpm • E Maj • 03:16 • -16.45db
35% Popularity • 46% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 46% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Jenő Hubay
Carmen, fantasie brillante, Op. 3, No. 3...
122 bpm • B min • 03:26 • -15.53db
19% Popularity • 33% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 14% Positiveness
19% Popularity • 33% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 14% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:16 • -19db
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Charles-Auguste de Bériot
Violin Concerto No. 9 in A Minor, Op. 10...
123 bpm • E Maj • 03:41 • -26.7db
17% Popularity • 22% Danceability • 5% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 22% Danceability • 5% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A minor, BWV 10...
123 bpm • A min • 03:47 • -11.1db
31% Popularity • 47% Danceability • 41% Energy • 16% Liveness
4% Instrumentalness • 64% Positiveness
31% Popularity • 47% Danceability • 41% Energy • 16% Liveness
4% Instrumentalness • 64% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
111 bpm • F min • 01:27 • -22db
51% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
51% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
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Wolfgang Amadeus Mozart
Sonata for Piano and Violin in E Minor, ...
124 bpm • E min • 05:37 • -21.19db
52% Popularity • 35% Danceability • 12% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
52% Popularity • 35% Danceability • 12% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Arcadi Volodos
Turkish March (After W.A. Mozart)
124 bpm • A Maj • 02:56 • -21db
30% Popularity • 45% Danceability • 29% Energy • 15% Liveness
76% Instrumentalness • 71% Positiveness
30% Popularity • 45% Danceability • 29% Energy • 15% Liveness
76% Instrumentalness • 71% Positiveness
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Johann Sebastian Bach
Violin Partita No. 1 in B Minor, BWV 100...
124 bpm • B min • 04:14 • -20.98db
31% Popularity • 41% Danceability • 23% Energy • 14% Liveness
91% Instrumentalness • 97% Positiveness
31% Popularity • 41% Danceability • 23% Energy • 14% Liveness
91% Instrumentalness • 97% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Allegro mode...
110 bpm • D Maj • 02:04 • -22db
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
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Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
110 bpm • G min • 06:21 • -30.95db
12% Popularity • 20% Danceability • 1% Energy • 9% Liveness
9% Instrumentalness • 5% Positiveness
12% Popularity • 20% Danceability • 1% Energy • 9% Liveness
9% Instrumentalness • 5% Positiveness
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Mikhail Glinka
Viola Sonata in D Minor: I. Allegro mode...
125 bpm • D min • 09:02 • -20db
13% Popularity • 30% Danceability • 13% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
13% Popularity • 30% Danceability • 13% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): IV...
109 bpm • F Maj • 02:48 • -22db
45% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
45% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
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Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
126 bpm • A Maj • 03:34 • -17db
47% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
47% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Henri Vieuxtemps
Capriccio for Solo Viola, Op. 55
126 bpm • C min • 03:25 • -24db
15% Popularity • 28% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
15% Popularity • 28% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Niccolò Paganini
Paganini: Cantabile in D Major, Op. 17
109 bpm • A Maj • 03:53 • -21.66db
31% Popularity • 29% Danceability • 9% Energy • 12% Liveness
11% Instrumentalness • 15% Positiveness
31% Popularity • 29% Danceability • 9% Energy • 12% Liveness
11% Instrumentalness • 15% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
108 bpm • E min • 06:25 • -32.01db
25% Popularity • 45% Danceability • 0% Energy • 6% Liveness
86% Instrumentalness • 13% Positiveness
25% Popularity • 45% Danceability • 0% Energy • 6% Liveness
86% Instrumentalness • 13% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
28% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
28% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Allegro Appassionato Op. 43
127 bpm • E min • 03:54 • -25db
20% Popularity • 29% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
20% Popularity • 29% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
108 bpm • F# min • 05:33 • -28db
42% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Erno Rozsa
Violin Concerto No. 4 In D Minor, MS 60:...
108 bpm • D min • 10:49 • -20.74db
38% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
38% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Vladimir Horowitz
Saint-Saens - Danse macabre, S555/R240 (...
108 bpm • D# Maj • 09:17 • -22.08db
22% Popularity • 39% Danceability • 24% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 39% Danceability • 24% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Leopold Godowsky
12 Schubert Songs: Heidenroslein (Hedge ...
127 bpm • G Maj • 02:02 • -27db
44% Popularity • 46% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
44% Popularity • 46% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Antonio Vivaldi
Concerto For 4 Violins In B Minor, Op. 3...
107 bpm • B min • 03:54 • -14.17db
40% Popularity • 50% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 50% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Lang Lang
6 Moments musicaux, Op. 94, D. 780: No. ...
128 bpm • F min • 02:02 • -23db
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
► Preview
Johannes Brahms
Hungarian Dance No. 5 in G Minor, WoO 1,...
107 bpm • F# min • 02:30 • -18.67db
51% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
51% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
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Fritz Kreisler
Schön Rosmarin
107 bpm • G Maj • 01:58 • -21db
37% Popularity • 47% Danceability • 14% Energy • 26% Liveness
68% Instrumentalness • 63% Positiveness
37% Popularity • 47% Danceability • 14% Energy • 26% Liveness
68% Instrumentalness • 63% Positiveness
► Preview
Jenő Hubay
Carmen, fantasie brillante, Op. 3, No. 3...
107 bpm • G Maj • 03:31 • -11db
21% Popularity • 49% Danceability • 32% Energy • 7% Liveness
6% Instrumentalness • 35% Positiveness
21% Popularity • 49% Danceability • 32% Energy • 7% Liveness
6% Instrumentalness • 35% Positiveness
► Preview
Maurice Ravel
Tzigane, M. 76
128 bpm • D Maj • 09:29 • -20db
25% Popularity • 39% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
25% Popularity • 39% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
► Preview
Charles-Auguste de Bériot
9 Studies: No. 1. Allegro agitato
129 bpm • G Maj • 01:38 • -22db
38% Popularity • 44% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 68% Positiveness
38% Popularity • 44% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 68% Positiveness
► Preview
Camille Saint-Saëns
Introduction et Rondo capriccioso in A M...
129 bpm • C Maj • 09:02 • -26db
26% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
26% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
► Preview
AntonÃn Dvořák
Gypsy Songs, Op. 55: No. 4, Songs My Mot...
106 bpm • C min • 02:21 • -14.78db
3% Popularity • 32% Danceability • 20% Energy • 8% Liveness
18% Instrumentalness • 17% Positiveness
3% Popularity • 32% Danceability • 20% Energy • 8% Liveness
18% Instrumentalness • 17% Positiveness
► Preview
Franz Liszt
Études d‘exécution transcendante, S....
106 bpm • A Maj • 07:25 • -20.76db
10% Popularity • 34% Danceability • 21% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
10% Popularity • 34% Danceability • 21% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Nathan Milstein
Paganiniana
129 bpm • A min • 08:47 • -17db
14% Popularity • 41% Danceability • 14% Energy • 7% Liveness
59% Instrumentalness • 12% Positiveness
14% Popularity • 41% Danceability • 14% Energy • 7% Liveness
59% Instrumentalness • 12% Positiveness
► Preview
Pablo de Sarasate
Carmen Fantasy, Op. 25: III. Lento assai
106 bpm • C Maj • 02:07 • -26.47db
29% Popularity • 26% Danceability • 5% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 5% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Fritz Kreisler
Alt-Wiener Tanzweisen: No. 3, Schön Ros...
106 bpm • G Maj • 02:00 • -18.13db
7% Popularity • 58% Danceability • 27% Energy • 7% Liveness
13% Instrumentalness • 83% Positiveness
7% Popularity • 58% Danceability • 27% Energy • 7% Liveness
13% Instrumentalness • 83% Positiveness
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Wolfgang Amadeus Mozart
Rondo in A Minor, K. 511
130 bpm • D min • 10:02 • -22.47db
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Johann Sebastian Bach
Violin Concerto No. 1 in A Minor, BWV 10...
105 bpm • A min • 03:23 • -14.4db
36% Popularity • 57% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
36% Popularity • 57% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
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Niccolò Paganini
Violin Concerto No. 2 in B Minor, Op. 7,...
105 bpm • B min • 08:43 • -23.55db
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
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Pablo de Sarasate
Spanish Dances, Op. 21: No. 1. Malaguena
130 bpm • D Maj • 05:02 • -20.12db
14% Popularity • 31% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 27% Positiveness
14% Popularity • 31% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 27% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: 2. Liebesleid
105 bpm • A Maj • 03:56 • -23.8db
15% Popularity • 28% Danceability • 5% Energy • 8% Liveness
66% Instrumentalness • 11% Positiveness
15% Popularity • 28% Danceability • 5% Energy • 8% Liveness
66% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Fantasia in D Minor, K. 397
130 bpm • D Maj • 05:36 • -23.22db
23% Popularity • 37% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
23% Popularity • 37% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
49% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
49% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Manuel de Falla
Danse Espagnole
104 bpm • A min • 03:45 • -12.99db
10% Popularity • 49% Danceability • 26% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
10% Popularity • 49% Danceability • 26% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
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Pablo de Sarasate
Introduction and Tarantella, Op. 43
106 bpm • G Maj • 05:15 • -18.57db
25% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
25% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
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Fritz Kreisler
Praeludium and Allegro
130 bpm • E min • 05:18 • -22.16db
6% Popularity • 44% Danceability • 18% Energy • 25% Liveness
54% Instrumentalness • 28% Positiveness
6% Popularity • 44% Danceability • 18% Energy • 25% Liveness
54% Instrumentalness • 28% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Nathan Milstein
Paganiniana (Variations) For Violin Solo
104 bpm • A min • 07:32 • -22.02db
30% Popularity • 45% Danceability • 11% Energy • 4% Liveness
82% Instrumentalness • 26% Positiveness
30% Popularity • 45% Danceability • 11% Energy • 4% Liveness
82% Instrumentalness • 26% Positiveness
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Leopold Godowsky
Triakontameron: No. 11, Alt-Wien (Arr. J...
104 bpm • G Maj • 02:16 • -17db
25% Popularity • 34% Danceability • 13% Energy • 16% Liveness
70% Instrumentalness • 23% Positiveness
25% Popularity • 34% Danceability • 13% Energy • 16% Liveness
70% Instrumentalness • 23% Positiveness
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Johannes Brahms
Cello Sonata No. 1 in E Minor, Op. 38: I...
104 bpm • A min • 05:27 • -26db
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Fantasia for Piano in D Minor, K...
132 bpm • D Maj • 05:58 • -27db
28% Popularity • 43% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
28% Popularity • 43% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Fritz Kreisler
Liebesfreud
107 bpm • F Maj • 03:39 • -15.37db
3% Popularity • 39% Danceability • 17% Energy • 10% Liveness
61% Instrumentalness • 38% Positiveness
3% Popularity • 39% Danceability • 17% Energy • 10% Liveness
61% Instrumentalness • 38% Positiveness
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Robert Schumann
Five Pieces In Folk-style, Op.102: I. Va...
104 bpm • F Maj • 03:18 • -25.66db
32% Popularity • 38% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
32% Popularity • 38% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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Aram Khachaturian
Toccata
104 bpm • G# min • 04:35 • -24.09db
21% Popularity • 32% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Alexander Scriabin
8 Études, Op. 42: No. 5 in C-Sharp Mino...
132 bpm • C# min • 03:33 • -23db
31% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
31% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Claude Debussy
Valse romantique, L. 71
103 bpm • F min • 03:25 • -26db
37% Popularity • 33% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
37% Popularity • 33% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Sonata for 2 Pianos in D Major, K. 448/3...
132 bpm • A Maj • 08:23 • -21db
49% Popularity • 38% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
49% Popularity • 38% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
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Franz Liszt
Mephisto Waltz No. 1, S. 514
132 bpm • E Maj • 11:02 • -20.16db
46% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Liebesfreud
104 bpm • F Maj • 03:33 • -20.41db
16% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Robert Schumann
Piano Quartet in E flat, Op. 47: 3. Anda...
104 bpm • A# Maj • 07:12 • -29.42db
22% Popularity • 15% Danceability • 3% Energy • 12% Liveness
62% Instrumentalness • 7% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 12% Liveness
62% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
