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Violin
Songs like
Violin
by
Amos Lee
Based on a tempo of (+/- 10%) and a similar genre
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Amos Lee
Violin
128 bpm • G# min • 05:18 • -7.95db
43% Popularity • 46% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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Ken Yates
Roll Me on Home
128 bpm • D# Maj • 04:24 • -9.01db
28% Popularity • 72% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Aoife O'Donovan
Red & White & Blue & Gold
128 bpm • B Maj • 03:20 • -10db
47% Popularity • 61% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Roo Panes
My Sweet Refuge
128 bpm • C Maj • 04:41 • -12.58db
38% Popularity • 45% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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William Wild
Feather
128 bpm • G Maj • 04:12 • -19db
35% Popularity • 38% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Mieka Pauley
Devil's Got My Secret
128 bpm • C Maj • 04:35 • -10db
7% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Amos Lee
Learned A Lot
128 bpm • C Maj • 04:30 • -10db
35% Popularity • 56% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 32% Positiveness
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Chuck Prophet
No Other Love
127 bpm • C Maj • 03:53 • -10.61db
33% Popularity • 53% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Leon Bridges
River
128 bpm • G# Maj • 04:00 • -10.79db
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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James Morrison
Just Like A Child
129 bpm • C Maj • 03:17 • -13db
42% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Matthew Barber
One True Love
127 bpm • D# Maj • 03:34 • -10.43db
22% Popularity • 58% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
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Melissa McClelland
Brake
127 bpm • F# Maj • 04:39 • -14.49db
9% Popularity • 52% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Amos Lee
Colors
129 bpm • G Maj • 02:40 • -13.4db
62% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Greg Laswell
This Woman's Work
129 bpm • G# Maj • 03:12 • -11db
42% Popularity • 35% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
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Tyrone Wells
When All Is Said And Done
130 bpm • D Maj • 02:47 • -10.98db
14% Popularity • 59% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Trevor Hall
Green Mountain State
130 bpm • D# Maj • 04:34 • -11.66db
58% Popularity • 69% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Wood Brothers
Lovin' Arms
130 bpm • E Maj • 03:20 • -10db
40% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Michael Logen
St. Christopher (On My Way)
130 bpm • G Maj • 03:16 • -8db
29% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Amos Lee
Seen It All Before
126 bpm • D Maj • 04:15 • -11.36db
46% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Jason Isbell
Cover Me Up
130 bpm • D# Maj • 04:53 • -15.91db
36% Popularity • 47% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Greg Laswell
Girls Just Want To Have Fun
130 bpm • B Maj • 02:36 • -19db
41% Popularity • 40% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
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Dawes
Crack The Case
130 bpm • F Maj • 05:54 • -10db
40% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Ingrid Michaelson
Keep Breathing
126 bpm • G Maj • 03:25 • -12db
51% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Kathleen Edwards
A Soft Place To Land
126 bpm • C Maj • 04:25 • -10.11db
22% Popularity • 35% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Amos Lee
Hello Again
126 bpm • F min • 04:09 • -10db
25% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Tracy Chapman
Change
126 bpm • F Maj • 05:05 • -9.42db
52% Popularity • 76% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Bob Schneider
Magic Wand
131 bpm • D Maj • 03:12 • -10.02db
16% Popularity • 50% Danceability • 36% Energy • 21% Liveness
28% Instrumentalness • 16% Positiveness
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Iron & Wine
Time After Time
125 bpm • C# Maj • 02:50 • -13.3db
65% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
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Matthew Barber
Modern Woman
131 bpm • A min • 03:38 • -16db
28% Popularity • 45% Danceability • 22% Energy • 12% Liveness
10% Instrumentalness • 47% Positiveness
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Amy Stroup
Hold onto Hope Love
131 bpm • C# Maj • 04:57 • -10db
26% Popularity • 48% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Amos Lee
Spirit
130 bpm • F# Maj • 04:50 • -7.12db
19% Popularity • 54% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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The Lone Bellow
Then Came the Morning
125 bpm • A# Maj • 04:11 • -6db
28% Popularity • 46% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Forest Sun
Diamond
131 bpm • D Maj • 02:46 • -13db
42% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Alexi Murdoch
Orange Sky
125 bpm • D Maj • 06:19 • -20.54db
59% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
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Greg Laswell
Take A Bow
125 bpm • D Maj • 03:59 • -11db
30% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Head And The Heart
Let's Be Still
131 bpm • A Maj • 04:28 • -10.72db
58% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Amos Lee
Clear Blue Eyes
126 bpm • F# Maj • 03:02 • -10.3db
25% Popularity • 51% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 30% Positiveness
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JJ Grey & Mofro
The Sun Is Shining Down
131 bpm • C# Maj • 05:58 • -6.56db
45% Popularity • 43% Danceability • 41% Energy • 9% Liveness
10% Instrumentalness • 17% Positiveness
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Lizz Wright
When I Fall
125 bpm • G Maj • 03:54 • -12.98db
23% Popularity • 38% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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John Mayer
Daughters
125 bpm • D Maj • 03:57 • -7.82db
66% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Joy Williams
Don't Let Me Down
131 bpm • B Maj • 03:00 • -14.9db
48% Popularity • 71% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ben Harper And The Innocent Criminals
Goodbye To You
125 bpm • C Maj • 05:06 • -14.27db
17% Popularity • 32% Danceability • 31% Energy • 10% Liveness
43% Instrumentalness • 13% Positiveness
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Amos Lee
Night Train
130 bpm • C Maj • 03:30 • -15.1db
42% Popularity • 73% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Forest Sun
Morningbird
132 bpm • F Maj • 03:41 • -12.38db
32% Popularity • 47% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Lizz Wright
Song For Mia
125 bpm • G Maj • 04:52 • -8.11db
14% Popularity • 34% Danceability • 41% Energy • 10% Liveness
41% Instrumentalness • 32% Positiveness
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Luke Sital-Singh
Nearly Morning
132 bpm • C Maj • 04:32 • -11db
30% Popularity • 54% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Joy Williams
Front Porch
124 bpm • C# Maj • 03:51 • -10.02db
57% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Joe Purdy
rainy day lament
132 bpm • G Maj • 09:13 • -13.92db
24% Popularity • 35% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Amos Lee
One Lonely Light
125 bpm • G# Maj • 03:35 • -7.46db
10% Popularity • 58% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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John Mayer
Born and Raised
132 bpm • C Maj • 04:47 • -9.21db
55% Popularity • 66% Danceability • 38% Energy • 28% Liveness
1% Instrumentalness • 31% Positiveness
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James Vincent McMorrow
We Don't Eat
124 bpm • G Maj • 04:55 • -12db
30% Popularity • 46% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Brendan James
The Sun Will Rise
132 bpm • F Maj • 03:47 • -8db
20% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Darlingside
Hold Your Head Up High
132 bpm • A Maj • 03:37 • -11.31db
41% Popularity • 38% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Michelle Featherstone
I'm There Too
133 bpm • D Maj • 06:10 • -14.13db
18% Popularity • 45% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Amos Lee
Keep It Loose, Keep It Tight
132 bpm • E Maj • 03:08 • -11.69db
56% Popularity • 58% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Band of Horses
On My Way Back Home
124 bpm • C Maj • 03:28 • -7.83db
41% Popularity • 56% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
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Sleeping At Last
Every Little Thing She Does Is Magic
133 bpm • C# Maj • 03:16 • -9.58db
54% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Dawes
All Your Favorite Bands
133 bpm • G Maj • 03:35 • -8db
45% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Colbie Caillat
In Love Again
123 bpm • F Maj • 03:30 • -9.62db
43% Popularity • 62% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Jeffrey Foucault
Cheap Suit
133 bpm • D# Maj • 02:38 • -17db
41% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Amos Lee
Sympathize
124 bpm • A# Maj • 03:04 • -10.48db
33% Popularity • 73% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Alexi Murdoch
Through The Dark
123 bpm • G Maj • 05:30 • -19db
41% Popularity • 57% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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The Civil Wars
20 Years
123 bpm • B min • 03:01 • -12.49db
31% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Mick McAuley
To Make You Feel My Love
134 bpm • E Maj • 04:42 • -10.24db
32% Popularity • 58% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Bros. Landreth
Let It Lie
134 bpm • F# Maj • 04:03 • -11.56db
27% Popularity • 67% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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John Mayer
Slow Dancing in a Burning Room
134 bpm • C# min • 04:02 • -8.69db
75% Popularity • 67% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Amos Lee
Simple Things
132 bpm • A# Maj • 03:21 • -11.82db
33% Popularity • 50% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Joel P West
Summer Storm
134 bpm • E Maj • 03:10 • -7db
33% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Andrew Duhon
Shelter You Through
122 bpm • F# Maj • 04:13 • -7db
28% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Meadows
The Only Boy Awake
122 bpm • F Maj • 02:43 • -10.29db
52% Popularity • 52% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
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The Milk Carton Kids
Michigan
122 bpm • A# Maj • 05:30 • -15db
54% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Benjamin Taylor
Wicked Way
122 bpm • A# Maj • 02:27 • -11db
32% Popularity • 78% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Amos Lee
Burden
132 bpm • A# Maj • 03:22 • -6.88db
15% Popularity • 65% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Lori McKenna
Wreck You
134 bpm • A Maj • 03:18 • -13.58db
35% Popularity • 48% Danceability • 23% Energy • 44% Liveness
0% Instrumentalness • 33% Positiveness
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James Vincent McMorrow
And If My Heart Should Somehow Stop
122 bpm • D Maj • 04:34 • -9.82db
11% Popularity • 57% Danceability • 43% Energy • 16% Liveness
42% Instrumentalness • 21% Positiveness
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Little Big Town
Can't Go Back
122 bpm • D# Maj • 03:43 • -12.74db
16% Popularity • 59% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Iron & Wine
Love Vigilantes
122 bpm • D# Maj • 03:26 • -13.64db
53% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Miner
Carousel
122 bpm • C Maj • 03:23 • -5db
27% Popularity • 36% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Amos Lee
Mountains Of Sorrow
134 bpm • D Maj • 04:02 • -7.72db
17% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Luke Sital-Singh
Killing Me
135 bpm • A Maj • 04:21 • -8.27db
32% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Grace Potter & The Nocturnals
Apologies
135 bpm • F Maj • 05:12 • -9.1db
35% Popularity • 38% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Andrew Duhon
Too Late
121 bpm • B Maj • 04:21 • -10.6db
29% Popularity • 75% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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John Mayer
Slow Dancing in a Burning Room - Acousti...
135 bpm • E Maj • 03:52 • -10.24db
54% Popularity • 61% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sheryl Crow
I Shall Believe
135 bpm • E Maj • 05:33 • -14db
44% Popularity • 55% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Amos Lee
Chill In The Air
134 bpm • F# Maj • 04:27 • -10db
42% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Revivalists
To Love Somebody - Made In Muscle Shoals
121 bpm • A# Maj • 04:44 • -9db
40% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The New Basement Tapes
When I Get My Hands On You
135 bpm • C# min • 03:10 • -13.94db
60% Popularity • 91% Danceability • 21% Energy • 10% Liveness
8% Instrumentalness • 48% Positiveness
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Ryan Montbleau
I Was Just Leaving
136 bpm • F# Maj • 02:58 • -10.44db
49% Popularity • 62% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Jill Andrews
These Words
121 bpm • B Maj • 04:50 • -13.71db
21% Popularity • 53% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Bruno Merz
For You Now
136 bpm • E Maj • 03:42 • -19db
36% Popularity • 66% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 28% Positiveness
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Amos Lee
Behind Me Now
134 bpm • C Maj • 04:47 • -9.53db
25% Popularity • 40% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
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Wild Rivers
Heart Attack
120 bpm • F Maj • 04:20 • -13.54db
58% Popularity • 67% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Sara Watkins
Without A Word
136 bpm • B Maj • 03:58 • -14.5db
47% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Sleeping At Last
The Safety Dance
136 bpm • F Maj • 03:26 • -10db
43% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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John Mayer
Waitin' On The Day
120 bpm • G Maj • 04:33 • -8.63db
50% Popularity • 66% Danceability • 44% Energy • 14% Liveness
5% Instrumentalness • 30% Positiveness
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Cloud Cult
You Were Born
120 bpm • F Maj • 02:31 • -16.79db
42% Popularity • 70% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Amos Lee
Hang On, Hang On
135 bpm • F# Maj • 04:10 • -17.03db
44% Popularity • 55% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Kristin Diable
Honey Leave the Light On
120 bpm • C# Maj • 04:09 • -10db
18% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Garrett Kato
Sweet Jane
120 bpm • E Maj • 03:20 • -10.74db
41% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Trent Dabbs
Better Off Now
120 bpm • E Maj • 04:14 • -13.44db
21% Popularity • 67% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Violin