Songs like Visitation Song (feat. Jessica Schissel) by Aly Aleigha
Based on a tempo of (+/- 10%) and a similar genre
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Young Oceans
Praise the Lord Ye Heavens
140 bpm • G Maj • 04:32 • -6.34db
44% Popularity • 57% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 57% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Seeker & Servant
In Awe
140 bpm • D# Maj • 04:57 • -10db
34% Popularity • 62% Danceability • 64% Energy • 11% Liveness
11% Instrumentalness • 41% Positiveness
34% Popularity • 62% Danceability • 64% Energy • 11% Liveness
11% Instrumentalness • 41% Positiveness
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Jon Foreman
Thanks Be To God
140 bpm • A min • 04:02 • -9db
35% Popularity • 49% Danceability • 44% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
35% Popularity • 49% Danceability • 44% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
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Ian Yates
Loved by You
140 bpm • C# Maj • 04:52 • -12.41db
41% Popularity • 64% Danceability • 40% Energy • 14% Liveness
10% Instrumentalness • 31% Positiveness
41% Popularity • 64% Danceability • 40% Energy • 14% Liveness
10% Instrumentalness • 31% Positiveness
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Joshua Leventhal
Lion|Lamb
140 bpm • E Maj • 03:57 • -14db
46% Popularity • 52% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 52% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jonathan Ogden
By the Streams
140 bpm • G Maj • 05:06 • -12.55db
42% Popularity • 58% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 58% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Red Mountain Music
Why So Heavy?
140 bpm • E Maj • 02:37 • -11.79db
20% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Exodus Music
Psalm 90
140 bpm • F# min • 03:13 • -7.51db
25% Popularity • 48% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 48% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Lou Fellingham
Everlasting Arms (Lean Hard)
140 bpm • C Maj • 06:05 • -9.55db
10% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Cashmans
Hiding Places
140 bpm • A Maj • 03:29 • -10.41db
21% Popularity • 46% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 46% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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PJ Anderson
Mercy, Mercy
140 bpm • A Maj • 05:08 • -11.37db
11% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Red Rocks Worship
139
140 bpm • A# Maj • 03:37 • -9.06db
35% Popularity • 51% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 51% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Hunter G K Thompson
To Love You Rightly
140 bpm • C# Maj • 04:38 • -11.51db
31% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Lauren Daigle
Salt & Light
140 bpm • G Maj • 04:01 • -10.63db
45% Popularity • 54% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 54% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Aly Aleigha
The Labyrinth
140 bpm • B Maj • 06:34 • -10.02db
12% Popularity • 35% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 35% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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Skye Peterson
Messiah, You Have Come
140 bpm • B Maj • 04:08 • -8.19db
14% Popularity • 41% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 41% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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FOCUS
Be with Me
140 bpm • C Maj • 04:34 • -10.2db
13% Popularity • 24% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 24% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Rend Collective
Yahweh
140 bpm • C Maj • 05:21 • -6.42db
38% Popularity • 35% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 35% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Providence
How Long, How Long?
139 bpm • D Maj • 04:34 • -12.73db
11% Popularity • 39% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 39% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Noah Paul Harrison
So Lovely - Acoustic
140 bpm • A Maj • 06:15 • -10db
34% Popularity • 34% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 34% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Aly Aleigha
Visitation Song
140 bpm • F# min • 04:44 • -11.22db
20% Popularity • 36% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 36% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Erik Nieder
Faithful (Acoustic)
139 bpm • B Maj • 04:05 • -9db
53% Popularity • 52% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
53% Popularity • 52% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Andrew Ripp
Jericho (Acoustic)
141 bpm • G# Maj • 03:29 • -9db
38% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jonathan Ogden
You Came Down
139 bpm • A# Maj • 03:51 • -12.8db
33% Popularity • 63% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 63% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Liv Douglas
When the Well Runs Dry
139 bpm • D Maj • 04:00 • -11db
40% Popularity • 32% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 32% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Tenth Avenue North
Worn (Unplugged)
139 bpm • D Maj • 03:57 • -10.96db
30% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Free As a Bird
Above All
139 bpm • D Maj • 05:25 • -8.87db
30% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Taylor Tripodi
Stand in Awe
141 bpm • A# Maj • 05:10 • -9.4db
31% Popularity • 25% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 25% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Foto Sisters
Sovereign Ruler of the Skies
141 bpm • F Maj • 03:48 • -12db
24% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Dana Catherine
I Will Follow
142 bpm • G Maj • 04:16 • -11.82db
11% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jessica Schissel
Give You Rest
142 bpm • E Maj • 04:26 • -10.51db
3% Popularity • 38% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 38% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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John Ward
God I Look to You
142 bpm • D# Maj • 04:38 • -17.69db
33% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Sarah Sparks
Religion
142 bpm • A Maj • 02:23 • -11db
28% Popularity • 39% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 39% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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DOXOLOGY
Mercy Tree
142 bpm • G# Maj • 05:10 • -8.78db
15% Popularity • 33% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 33% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Christa Wells
One Day
138 bpm • D Maj • 04:13 • -13.03db
27% Popularity • 55% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 55% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Land of Color
Collide
138 bpm • C# min • 02:49 • -9.75db
44% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Robbie Seay Band
Psalm 130 (I Wait)
142 bpm • G Maj • 05:32 • -10.8db
19% Popularity • 43% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 43% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Aly Aleigha
Ransom Blood
138 bpm • G Maj • 04:59 • -8.48db
13% Popularity • 35% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 35% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Lily Hooten
Hope Will Heal
142 bpm • D# Maj • 03:56 • -14.86db
29% Popularity • 44% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 44% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Providence
We Will Feast in the House of Zion
142 bpm • E Maj • 04:20 • -5.91db
15% Popularity • 43% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 43% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Emilie Weiss
Altar
142 bpm • D# Maj • 05:17 • -8.8db
17% Popularity • 57% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 57% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Tori Harris
Face to Face
142 bpm • C# Maj • 03:39 • -7.56db
11% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Fr. Tansi
Nani Chineke
138 bpm • D# Maj • 04:12 • -18.01db
11% Popularity • 30% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
11% Popularity • 30% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
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Verses
Zechariah 9:9
138 bpm • B Maj • 03:53 • -9.04db
31% Popularity • 47% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 47% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Brilliance
Now and at the Hour
138 bpm • G Maj • 03:19 • -12.1db
38% Popularity • 51% Danceability • 27% Energy • 20% Liveness
4% Instrumentalness • 26% Positiveness
38% Popularity • 51% Danceability • 27% Energy • 20% Liveness
4% Instrumentalness • 26% Positiveness
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FOCUS
Consuming Fire
137 bpm • B min • 06:53 • -10.98db
11% Popularity • 21% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 21% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Josh Garrels
No Longer Slaves
137 bpm • F# Maj • 04:26 • -11.93db
39% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Atlas Rhoads
He Cries
143 bpm • D Maj • 06:42 • -7.46db
18% Popularity • 33% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 33% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Taylor Tripodi
We Are Alive
143 bpm • E Maj • 03:54 • -8.37db
15% Popularity • 46% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 46% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Andrew Marcus
Abide in Me
137 bpm • B Maj • 03:40 • -14db
37% Popularity • 30% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 30% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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A New Liturgy
Do It Again (Reading)
143 bpm • C Maj • 01:23 • -15.36db
30% Popularity • 52% Danceability • 27% Energy • 58% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 52% Danceability • 27% Energy • 58% Liveness
0% Instrumentalness • 63% Positiveness
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Sarah Sparks
The Artist
137 bpm • C Maj • 01:57 • -15.25db
35% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Brilliance
Gravity of Love
144 bpm • A Maj • 04:18 • -10db
33% Popularity • 38% Danceability • 45% Energy • 24% Liveness
2% Instrumentalness • 17% Positiveness
33% Popularity • 38% Danceability • 45% Energy • 24% Liveness
2% Instrumentalness • 17% Positiveness
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Cageless Birds
Mt. Zion
144 bpm • G Maj • 06:15 • -9.01db
31% Popularity • 30% Danceability • 29% Energy • 13% Liveness
2% Instrumentalness • 7% Positiveness
31% Popularity • 30% Danceability • 29% Energy • 13% Liveness
2% Instrumentalness • 7% Positiveness
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Shelly Moore Band
Jesus, I Come
144 bpm • A# Maj • 04:08 • -8.45db
21% Popularity • 50% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 50% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Psallos
The Lord Is a Mighty King
136 bpm • D Maj • 04:43 • -12db
30% Popularity • 47% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 47% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Red Mountain Music
Come All Ye Pining
136 bpm • F# Maj • 03:17 • -11.87db
19% Popularity • 27% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 27% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Grace Fellowship Church
Jesus Came
144 bpm • A Maj • 04:48 • -9.09db
12% Popularity • 58% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 58% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Jessica Schissel
The Dance
144 bpm • A Maj • 03:46 • -10.79db
1% Popularity • 45% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 45% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Taylor Tripodi
Here I Am
144 bpm • G Maj • 06:01 • -5.82db
12% Popularity • 43% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
12% Popularity • 43% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Refuge Worship
Fortress (Acoustic)
136 bpm • D# Maj • 04:09 • -12.8db
36% Popularity • 54% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 54% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Psallos
In the Eventide
136 bpm • D# Maj • 04:49 • -12.57db
20% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Adam Henry
Nothing I Hold onto
136 bpm • G Maj • 06:43 • -16.9db
32% Popularity • 65% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 65% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Erik Nieder
O Rock Eternal
136 bpm • D Maj • 05:13 • -11.75db
50% Popularity • 40% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 40% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Jill Phillips
I'd Rather Have Jesus
136 bpm • G Maj • 03:50 • -10.93db
28% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Skye Peterson
Cedar Of Lebanon
136 bpm • F# Maj • 04:24 • -8.53db
29% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Aly Aleigha
Gallicantu
136 bpm • D Maj • 04:54 • -16.47db
15% Popularity • 45% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
15% Popularity • 45% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
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Jackie François
My Soul Rejoices
136 bpm • G# Maj • 03:19 • -8db
9% Popularity • 45% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 45% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Josh Garrels
What a Friend
145 bpm • F# Maj • 04:06 • -13.86db
45% Popularity • 47% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 47% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sarah Hart
How Can I Keep from Singing
145 bpm • C# Maj • 01:20 • -19.46db
19% Popularity • 44% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 44% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Bifrost Arts
Wisdom and Grace
145 bpm • F# Maj • 02:59 • -9.17db
38% Popularity • 57% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 57% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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The Corner Room
Psalm 16
145 bpm • D Maj • 03:50 • -10db
34% Popularity • 50% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 50% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
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Simple Hymns
Joyful (The One Who Saves)
135 bpm • D Maj • 03:55 • -8.73db
16% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Molly Skaggs
Prodigals and Perfections
145 bpm • D# Maj • 05:54 • -9.81db
11% Popularity • 34% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 34% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Seeker & Servant
Sovereign Hands
135 bpm • E Maj • 05:31 • -8.58db
26% Popularity • 23% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 23% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Allan McKinlay
Love Is
145 bpm • A# Maj • 04:42 • -12.78db
36% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Bifrost Arts
Lesser Loves
135 bpm • D Maj • 04:00 • -10.83db
33% Popularity • 61% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 61% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Mason Harms
Hold the Stars
135 bpm • A# Maj • 04:54 • -12.9db
30% Popularity • 65% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 65% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Fr. Tansi
Song of the Beloved
135 bpm • D# Maj • 02:58 • -13.28db
14% Popularity • 53% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 53% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Tracy Nitschke
Good Grace
135 bpm • B Maj • 03:48 • -16db
38% Popularity • 45% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 45% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Elle Limebear
Seasons
146 bpm • A# Maj • 04:50 • -6.22db
27% Popularity • 39% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 39% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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the quiet hours
how great thou art
146 bpm • E Maj • 04:32 • -12.66db
36% Popularity • 60% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 60% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Journey Collective
Doxology / Come, Thou Fount Of Every Ble...
146 bpm • D Maj • 04:42 • -8.36db
22% Popularity • 42% Danceability • 51% Energy • 64% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 42% Danceability • 51% Energy • 64% Liveness
0% Instrumentalness • 24% Positiveness
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Ike Ndolo
Memorial
146 bpm • G Maj • 04:21 • -9db
20% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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The Liturgists
God Our Mother Intro
146 bpm • A Maj • 01:25 • -19.66db
16% Popularity • 40% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 40% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Joel Limpic
Blessed Is the Man (Psalm 1:1-3)
134 bpm • C Maj • 05:13 • -13db
23% Popularity • 49% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 49% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Josh Blakesley Band
Beautiful Is Your Love
134 bpm • F# Maj • 04:21 • -10.83db
19% Popularity • 36% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 36% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Brilliance
Dust We Are and Shall Return
134 bpm • F Maj • 03:19 • -12db
43% Popularity • 55% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 55% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Renzema
Caught In The Reeds (Moses)
134 bpm • A Maj • 04:09 • -7db
49% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
49% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Skye Peterson
Eventide
147 bpm • A Maj • 03:52 • -10.01db
13% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Kara Young
Man of Sorrows, Hallelujah! What a Savio...
147 bpm • G# Maj • 04:34 • -23.28db
11% Popularity • 29% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 29% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Bethel Music
The Light in You
147 bpm • F Maj • 04:23 • -11.23db
47% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Many
Forgive Us
133 bpm • D Maj • 03:13 • -13.04db
21% Popularity • 40% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 40% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Fr. Tansi
Day
133 bpm • A# Maj • 03:22 • -10.7db
16% Popularity • 65% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 65% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Brogan Gaskill
Oh to Know
133 bpm • D Maj • 04:05 • -17.49db
18% Popularity • 44% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 44% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Kyle Church
Time to Be Found
133 bpm • C# min • 02:46 • -10.8db
28% Popularity • 61% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 61% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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Josh Garrels
Fear Thou Not
133 bpm • F# Maj • 01:23 • -16.1db
46% Popularity • 27% Danceability • 2% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 27% Danceability • 2% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Joshua Leventhal
T H E M E N D I N G
148 bpm • A Maj • 03:58 • -17.05db
32% Popularity • 52% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 52% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
