Songs like Voices Near The Hypocentre by Lanark Artefax
Based on a tempo of (+/- 10%) and a similar genre
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Huerco S.
Kraanvogel
81 bpm • A min • 05:38 • -17db
19% Popularity • 24% Danceability • 52% Energy • 8% Liveness
86% Instrumentalness • 51% Positiveness
19% Popularity • 24% Danceability • 52% Energy • 8% Liveness
86% Instrumentalness • 51% Positiveness
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Lanark Artefax
Voices Near The Hypocentre
81 bpm • C Maj • 06:10 • -7db
16% Popularity • 22% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 9% Positiveness
16% Popularity • 22% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 9% Positiveness
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Sky H1
Tell Me
81 bpm • C Maj • 02:26 • -10db
9% Popularity • 24% Danceability • 35% Energy • 11% Liveness
48% Instrumentalness • 16% Positiveness
9% Popularity • 24% Danceability • 35% Energy • 11% Liveness
48% Instrumentalness • 16% Positiveness
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Arovane
Theme - 2022 Remaster
82 bpm • A# min • 03:40 • -6.12db
27% Popularity • 52% Danceability • 81% Energy • 6% Liveness
78% Instrumentalness • 51% Positiveness
27% Popularity • 52% Danceability • 81% Energy • 6% Liveness
78% Instrumentalness • 51% Positiveness
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Space Afrika
Sd/Tl
82 bpm • C# Maj • 05:26 • -25db
16% Popularity • 32% Danceability • 24% Energy • 33% Liveness
81% Instrumentalness • 7% Positiveness
16% Popularity • 32% Danceability • 24% Energy • 33% Liveness
81% Instrumentalness • 7% Positiveness
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Anthony Naples
Alto
80 bpm • A min • 02:58 • -17.02db
34% Popularity • 13% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
34% Popularity • 13% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
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Lee Gamble
Untitled Reversion
83 bpm • B min • 02:58 • -21.04db
9% Popularity • 20% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 7% Positiveness
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Bjarki
Two-brainedness
83 bpm • D# min • 01:26 • -13.18db
26% Popularity • 41% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
26% Popularity • 41% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Sky H1
I Think I Am
83 bpm • E min • 03:33 • -6db
22% Popularity • 16% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
22% Popularity • 16% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
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E-Saggila
Stars Dying In Succession
78 bpm • F# min • 03:45 • -6db
8% Popularity • 10% Danceability • 72% Energy • 24% Liveness
90% Instrumentalness • 14% Positiveness
8% Popularity • 10% Danceability • 72% Energy • 24% Liveness
90% Instrumentalness • 14% Positiveness
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Autechre
VLetrmx
78 bpm • C Maj • 08:27 • -15.86db
30% Popularity • 9% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Ways Regained
84 bpm • D Maj • 02:39 • -17.1db
20% Popularity • 29% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Lanark Artefax
Styx
84 bpm • G min • 04:48 • -10.2db
5% Popularity • 27% Danceability • 65% Energy • 14% Liveness
33% Instrumentalness • 7% Positiveness
5% Popularity • 27% Danceability • 65% Energy • 14% Liveness
33% Instrumentalness • 7% Positiveness
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Burial
State Forest
77 bpm • G Maj • 08:03 • -27.24db
25% Popularity • 15% Danceability • 23% Energy • 28% Liveness
91% Instrumentalness • 7% Positiveness
25% Popularity • 15% Danceability • 23% Energy • 28% Liveness
91% Instrumentalness • 7% Positiveness
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Sky H1
Huit
79 bpm • F# Maj • 03:50 • -21db
28% Popularity • 10% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Varg²™
Music For Breakups
77 bpm • D# Maj • 07:12 • -8.97db
10% Popularity • 7% Danceability • 50% Energy • 84% Liveness
88% Instrumentalness • 7% Positiveness
10% Popularity • 7% Danceability • 50% Energy • 84% Liveness
88% Instrumentalness • 7% Positiveness
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SHXCXCHCXSH
Ss
77 bpm • A min • 02:31 • -14.46db
22% Popularity • 20% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
22% Popularity • 20% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Demdike Stare
Sourcer
77 bpm • C# Maj • 05:28 • -7.96db
9% Popularity • 47% Danceability • 66% Energy • 10% Liveness
48% Instrumentalness • 38% Positiveness
9% Popularity • 47% Danceability • 66% Energy • 10% Liveness
48% Instrumentalness • 38% Positiveness
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Mark Fell
Untitled 1
85 bpm • A# min • 01:44 • -11.54db
10% Popularity • 67% Danceability • 44% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
10% Popularity • 67% Danceability • 44% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Burial
Subtemple
85 bpm • G Maj • 07:23 • -16db
18% Popularity • 37% Danceability • 50% Energy • 16% Liveness
26% Instrumentalness • 10% Positiveness
18% Popularity • 37% Danceability • 50% Energy • 16% Liveness
26% Instrumentalness • 10% Positiveness
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Rolando Simmons
Yuo're Life You'r Tsois
76 bpm • A min • 05:56 • -7.81db
14% Popularity • 55% Danceability • 98% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
14% Popularity • 55% Danceability • 98% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Laurel Halo
Public Art - Mixed
86 bpm • C min • 01:08 • -9.71db
30% Popularity • 36% Danceability • 91% Energy • 45% Liveness
87% Instrumentalness • 9% Positiveness
30% Popularity • 36% Danceability • 91% Energy • 45% Liveness
87% Instrumentalness • 9% Positiveness
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Two Lone Swordsmen
As Worldly Pleasures Wave Goodbye….
87 bpm • G min • 05:37 • -15db
21% Popularity • 32% Danceability • 60% Energy • 6% Liveness
83% Instrumentalness • 26% Positiveness
21% Popularity • 32% Danceability • 60% Energy • 6% Liveness
83% Instrumentalness • 26% Positiveness
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East Of Oceans
Neverlasting Love
75 bpm • D# min • 08:17 • -8.76db
14% Popularity • 38% Danceability • 93% Energy • 16% Liveness
96% Instrumentalness • 13% Positiveness
14% Popularity • 38% Danceability • 93% Energy • 16% Liveness
96% Instrumentalness • 13% Positiveness
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Overmono
Harp Open
88 bpm • C Maj • 02:16 • -14.23db
17% Popularity • 10% Danceability • 38% Energy • 27% Liveness
76% Instrumentalness • 5% Positiveness
17% Popularity • 10% Danceability • 38% Energy • 27% Liveness
76% Instrumentalness • 5% Positiveness
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Lord Of The Isles
One Lifetime is not Enough for Us
88 bpm • A min • 03:09 • -12.51db
23% Popularity • 10% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 10% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Lanark Artefax
Ferthenheap
74 bpm • D min • 03:01 • -15.77db
12% Popularity • 30% Danceability • 20% Energy • 31% Liveness
77% Instrumentalness • 11% Positiveness
12% Popularity • 30% Danceability • 20% Energy • 31% Liveness
77% Instrumentalness • 11% Positiveness
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Mark Fell
Untitled 3
90 bpm • B min • 04:42 • -12.49db
8% Popularity • 66% Danceability • 40% Energy • 41% Liveness
1% Instrumentalness • 51% Positiveness
8% Popularity • 66% Danceability • 40% Energy • 41% Liveness
1% Instrumentalness • 51% Positiveness
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Lorenzo Senni
Elegant, And Never Tiring - mixed
73 bpm • E Maj • 02:44 • -7.1db
17% Popularity • 37% Danceability • 74% Energy • 27% Liveness
86% Instrumentalness • 36% Positiveness
17% Popularity • 37% Danceability • 74% Energy • 27% Liveness
86% Instrumentalness • 36% Positiveness
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Donato Dozzy
Vaporware 06
90 bpm • C Maj • 04:48 • -11.32db
13% Popularity • 38% Danceability • 60% Energy • 7% Liveness
58% Instrumentalness • 52% Positiveness
13% Popularity • 38% Danceability • 60% Energy • 7% Liveness
58% Instrumentalness • 52% Positiveness
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Barker
Look How Hard I've Tried
90 bpm • G min • 05:16 • -9.25db
30% Popularity • 71% Danceability • 98% Energy • 9% Liveness
77% Instrumentalness • 90% Positiveness
30% Popularity • 71% Danceability • 98% Energy • 9% Liveness
77% Instrumentalness • 90% Positiveness
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Frank Bretschneider
Elektrik
90 bpm • A# Maj • 05:10 • -14.75db
11% Popularity • 70% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
11% Popularity • 70% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Dedekind Cut
Conversations With Angels
73 bpm • F min • 08:33 • -22.64db
13% Popularity • 14% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
13% Popularity • 14% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Varg²™
Stambanan
91 bpm • F min • 06:40 • -11.55db
9% Popularity • 54% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
9% Popularity • 54% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Lanark Artefax
Corra Linn
93 bpm • G# min • 05:08 • -6db
17% Popularity • 37% Danceability • 91% Energy • 34% Liveness
84% Instrumentalness • 44% Positiveness
17% Popularity • 37% Danceability • 91% Energy • 34% Liveness
84% Instrumentalness • 44% Positiveness
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DjRUM
Showreel, Pt. 2
93 bpm • G# Maj • 09:01 • -10.63db
22% Popularity • 27% Danceability • 79% Energy • 13% Liveness
69% Instrumentalness • 14% Positiveness
22% Popularity • 27% Danceability • 79% Energy • 13% Liveness
69% Instrumentalness • 14% Positiveness
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Aïsha Devi
Adera
93 bpm • G# Maj • 03:43 • -7.94db
11% Popularity • 15% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Sky H1
Arctis
93 bpm • G Maj • 02:49 • -19db
30% Popularity • 17% Danceability • 37% Energy • 36% Liveness
98% Instrumentalness • 23% Positiveness
30% Popularity • 17% Danceability • 37% Energy • 36% Liveness
98% Instrumentalness • 23% Positiveness
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Mira Calix
Sparrow
94 bpm • C# Maj • 06:03 • -8.66db
18% Popularity • 72% Danceability • 68% Energy • 14% Liveness
90% Instrumentalness • 34% Positiveness
18% Popularity • 72% Danceability • 68% Energy • 14% Liveness
90% Instrumentalness • 34% Positiveness
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TM404
303/303/303/303/707/808
94 bpm • B min • 06:28 • -14.18db
10% Popularity • 72% Danceability • 72% Energy • 19% Liveness
57% Instrumentalness • 55% Positiveness
10% Popularity • 72% Danceability • 72% Energy • 19% Liveness
57% Instrumentalness • 55% Positiveness
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Jan Jelinek
Lady Gaga, You Once Said In An Interview...
94 bpm • D min • 02:17 • -15.64db
19% Popularity • 25% Danceability • 45% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
19% Popularity • 25% Danceability • 45% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Peder Mannerfelt
Lucid in the Sky
69 bpm • A min • 05:10 • -11.52db
9% Popularity • 15% Danceability • 62% Energy • 79% Liveness
75% Instrumentalness • 14% Positiveness
9% Popularity • 15% Danceability • 62% Energy • 79% Liveness
75% Instrumentalness • 14% Positiveness
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Space Afrika
Uwëm/Creātiōn
69 bpm • G Maj • 05:21 • -20.69db
21% Popularity • 16% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
21% Popularity • 16% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Claro Intelecto
Sunshine
95 bpm • C# Maj • 06:02 • -9.14db
17% Popularity • 66% Danceability • 76% Energy • 19% Liveness
90% Instrumentalness • 16% Positiveness
17% Popularity • 66% Danceability • 76% Energy • 19% Liveness
90% Instrumentalness • 16% Positiveness
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SSIEGE
Boxe
95 bpm • G min • 02:43 • -9.96db
17% Popularity • 44% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
17% Popularity • 44% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
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Datassette
Vocoder Mic Tap Loop Verb
96 bpm • C min • 01:10 • -22.85db
29% Popularity • 70% Danceability • 24% Energy • 16% Liveness
94% Instrumentalness • 59% Positiveness
29% Popularity • 70% Danceability • 24% Energy • 16% Liveness
94% Instrumentalness • 59% Positiveness
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Dauwd
Murmure
96 bpm • B min • 04:47 • -15.25db
31% Popularity • 62% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
31% Popularity • 62% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
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Dasha Rush
Outer Space
96 bpm • A# min • 03:56 • -22.11db
8% Popularity • 32% Danceability • 38% Energy • 8% Liveness
93% Instrumentalness • 14% Positiveness
8% Popularity • 32% Danceability • 38% Energy • 8% Liveness
93% Instrumentalness • 14% Positiveness
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Pearson Sound
Raindrops, Pt. II
97 bpm • A# min • 02:39 • -23db
26% Popularity • 51% Danceability • 12% Energy • 11% Liveness
64% Instrumentalness • 41% Positiveness
26% Popularity • 51% Danceability • 12% Energy • 11% Liveness
64% Instrumentalness • 41% Positiveness
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Vril
Manium
98 bpm • D min • 04:45 • -23.16db
24% Popularity • 12% Danceability • 10% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
24% Popularity • 12% Danceability • 10% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
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Lorenzo Senni
Pointillistict
100 bpm • G Maj • 03:13 • -13.07db
9% Popularity • 81% Danceability • 32% Energy • 6% Liveness
87% Instrumentalness • 59% Positiveness
9% Popularity • 81% Danceability • 32% Energy • 6% Liveness
87% Instrumentalness • 59% Positiveness
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Second Woman
100407jd7
101 bpm • A# min • 04:06 • -7.76db
10% Popularity • 58% Danceability • 88% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
10% Popularity • 58% Danceability • 88% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Raime
Some Things Can Happen Just Like This
100 bpm • D Maj • 04:33 • -16.62db
10% Popularity • 61% Danceability • 20% Energy • 9% Liveness
73% Instrumentalness • 14% Positiveness
10% Popularity • 61% Danceability • 20% Energy • 9% Liveness
73% Instrumentalness • 14% Positiveness
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Helena Hauff
Dreams in Colour
101 bpm • D# Maj • 01:41 • -12.31db
33% Popularity • 36% Danceability • 43% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
33% Popularity • 36% Danceability • 43% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Leif
Pteridium
102 bpm • A Maj • 03:51 • -19db
8% Popularity • 45% Danceability • 60% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
8% Popularity • 45% Danceability • 60% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Vril
Spes
100 bpm • B min • 07:42 • -18.69db
11% Popularity • 16% Danceability • 63% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 63% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Gramm
Non-Relations
103 bpm • D min • 06:07 • -16.53db
10% Popularity • 55% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 55% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Lord Of The Isles
Waiting in Arisaig
103 bpm • A min • 06:43 • -11db
27% Popularity • 57% Danceability • 54% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
27% Popularity • 57% Danceability • 54% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Thomas Fehlmann
Chapter M (driving)
104 bpm • C# Maj • 01:58 • -14.73db
34% Popularity • 51% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
34% Popularity • 51% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
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Helena Hauff
Barrow Boot Boys
101 bpm • D# min • 06:04 • -8.56db
11% Popularity • 66% Danceability • 74% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
11% Popularity • 66% Danceability • 74% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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MP Productions
In My Heart (July '19)
105 bpm • B min • 04:44 • -14.29db
18% Popularity • 34% Danceability • 78% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
18% Popularity • 34% Danceability • 78% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
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Roly Porter
Mass
104 bpm • F# min • 05:47 • -12.47db
10% Popularity • 18% Danceability • 55% Energy • 17% Liveness
92% Instrumentalness • 13% Positiveness
10% Popularity • 18% Danceability • 55% Energy • 17% Liveness
92% Instrumentalness • 13% Positiveness
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Vril
Anima Mundi
105 bpm • A min • 04:10 • -20.33db
14% Popularity • 24% Danceability • 32% Energy • 13% Liveness
83% Instrumentalness • 13% Positiveness
14% Popularity • 24% Danceability • 32% Energy • 13% Liveness
83% Instrumentalness • 13% Positiveness
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Joy Orbison
w Dad
105 bpm • G# Maj • 01:51 • -21.6db
31% Popularity • 38% Danceability • 36% Energy • 17% Liveness
34% Instrumentalness • 12% Positiveness
31% Popularity • 38% Danceability • 36% Energy • 17% Liveness
34% Instrumentalness • 12% Positiveness
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Sky H1
Darklite
105 bpm • G# min • 05:21 • -13db
24% Popularity • 54% Danceability • 64% Energy • 34% Liveness
55% Instrumentalness • 60% Positiveness
24% Popularity • 54% Danceability • 64% Energy • 34% Liveness
55% Instrumentalness • 60% Positiveness
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Huerco S.
Rushing To Paradise
107 bpm • A# Maj • 09:27 • -13.16db
11% Popularity • 57% Danceability • 55% Energy • 7% Liveness
50% Instrumentalness • 28% Positiveness
11% Popularity • 57% Danceability • 55% Energy • 7% Liveness
50% Instrumentalness • 28% Positiveness
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Dettinger
Blond 2
110 bpm • D# min • 06:16 • -11.34db
15% Popularity • 39% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
15% Popularity • 39% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Thomas Fehlmann
Vergessen
110 bpm • C Maj • 02:26 • -22db
34% Popularity • 41% Danceability • 27% Energy • 63% Liveness
83% Instrumentalness • 7% Positiveness
34% Popularity • 41% Danceability • 27% Energy • 63% Liveness
83% Instrumentalness • 7% Positiveness
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Vril
Statera Rerum
110 bpm • A# min • 08:06 • -19.68db
17% Popularity • 51% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
17% Popularity • 51% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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The Black Dog
Cup Noodle
110 bpm • A# min • 03:30 • -20.82db
42% Popularity • 70% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
42% Popularity • 70% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
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K-Lone
Old Fashioned
110 bpm • G Maj • 10:13 • -15.17db
14% Popularity • 66% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 66% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Phoenecia
Grrl Trrbl
110 bpm • D Maj • 05:24 • -11.75db
15% Popularity • 79% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
15% Popularity • 79% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Huerco S.
Press On (Ruff Rub)
111 bpm • A min • 05:52 • -9db
8% Popularity • 48% Danceability • 72% Energy • 11% Liveness
75% Instrumentalness • 17% Positiveness
8% Popularity • 48% Danceability • 72% Energy • 11% Liveness
75% Instrumentalness • 17% Positiveness
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Sky H1
Bird Strike
110 bpm • A# Maj • 04:43 • -20.68db
16% Popularity • 16% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Second Woman
/
112 bpm • D Maj • 03:47 • -12db
10% Popularity • 52% Danceability • 49% Energy • 15% Liveness
83% Instrumentalness • 2% Positiveness
10% Popularity • 52% Danceability • 49% Energy • 15% Liveness
83% Instrumentalness • 2% Positiveness
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Lanark Artefax
Flickering Debris
111 bpm • F# Maj • 02:17 • -7.78db
20% Popularity • 34% Danceability • 96% Energy • 7% Liveness
75% Instrumentalness • 11% Positiveness
20% Popularity • 34% Danceability • 96% Energy • 7% Liveness
75% Instrumentalness • 11% Positiveness
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Powell
So We Went Electric
112 bpm • B min • 06:39 • -6.8db
8% Popularity • 77% Danceability • 86% Energy • 19% Liveness
81% Instrumentalness • 32% Positiveness
8% Popularity • 77% Danceability • 86% Energy • 19% Liveness
81% Instrumentalness • 32% Positiveness
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Helena Hauff
Entropy Created You And Me
112 bpm • C min • 02:42 • -15.05db
10% Popularity • 24% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
10% Popularity • 24% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
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Pessimist
Spirals
112 bpm • C# Maj • 06:01 • -15.12db
13% Popularity • 48% Danceability • 57% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 48% Danceability • 57% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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DJ Python
Todo Era Azul - Siempre Dub
112 bpm • F Maj • 04:34 • -10.92db
11% Popularity • 34% Danceability • 74% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
11% Popularity • 34% Danceability • 74% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
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Shed
Keep Time
112 bpm • D Maj • 03:01 • -11db
23% Popularity • 70% Danceability • 59% Energy • 26% Liveness
87% Instrumentalness • 12% Positiveness
23% Popularity • 70% Danceability • 59% Energy • 26% Liveness
87% Instrumentalness • 12% Positiveness
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Gramm
70gr
112 bpm • C# Maj • 06:19 • -16.94db
9% Popularity • 82% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 50% Positiveness
9% Popularity • 82% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 50% Positiveness
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Terekke
Amaze
113 bpm • C# Maj • 05:57 • -20db
18% Popularity • 40% Danceability • 34% Energy • 51% Liveness
91% Instrumentalness • 15% Positiveness
18% Popularity • 40% Danceability • 34% Energy • 51% Liveness
91% Instrumentalness • 15% Positiveness
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Huerco S.
Ragtime U.S.A. (Warning)
113 bpm • G# Maj • 06:14 • -14.28db
10% Popularity • 62% Danceability • 55% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
10% Popularity • 62% Danceability • 55% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Autechre
Bronchusevenmx
113 bpm • B Maj • 09:44 • -17.05db
23% Popularity • 42% Danceability • 81% Energy • 9% Liveness
95% Instrumentalness • 78% Positiveness
23% Popularity • 42% Danceability • 81% Energy • 9% Liveness
95% Instrumentalness • 78% Positiveness
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Porter Ricks
Anguilla Electrica
113 bpm • A# min • 07:10 • -14.26db
10% Popularity • 83% Danceability • 73% Energy • 14% Liveness
83% Instrumentalness • 39% Positiveness
10% Popularity • 83% Danceability • 73% Energy • 14% Liveness
83% Instrumentalness • 39% Positiveness
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Shed
Extreme Sat
112 bpm • C Maj • 03:19 • -15.61db
26% Popularity • 55% Danceability • 44% Energy • 14% Liveness
21% Instrumentalness • 69% Positiveness
26% Popularity • 55% Danceability • 44% Energy • 14% Liveness
21% Instrumentalness • 69% Positiveness
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Lanark Artefax
Metallur
113 bpm • D Maj • 04:02 • -7.34db
32% Popularity • 70% Danceability • 84% Energy • 14% Liveness
88% Instrumentalness • 61% Positiveness
32% Popularity • 70% Danceability • 84% Energy • 14% Liveness
88% Instrumentalness • 61% Positiveness
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Sky H1
Elysian Heights
113 bpm • F min • 04:06 • -11db
25% Popularity • 34% Danceability • 78% Energy • 10% Liveness
87% Instrumentalness • 53% Positiveness
25% Popularity • 34% Danceability • 78% Energy • 10% Liveness
87% Instrumentalness • 53% Positiveness
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Batu
Foraged In The Margins
113 bpm • G# Maj • 01:42 • -17.62db
25% Popularity • 17% Danceability • 21% Energy • 27% Liveness
4% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 21% Energy • 27% Liveness
4% Instrumentalness • 3% Positiveness
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SSIEGE
Regina
113 bpm • A min • 03:25 • -9.95db
23% Popularity • 66% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
23% Popularity • 66% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Varg²™
Skaeliptom
114 bpm • F# Maj • 06:26 • -15.47db
8% Popularity • 71% Danceability • 26% Energy • 19% Liveness
86% Instrumentalness • 16% Positiveness
8% Popularity • 71% Danceability • 26% Energy • 19% Liveness
86% Instrumentalness • 16% Positiveness
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Mount Kimbie
You Took Your Time - Lee Gamble Remix
114 bpm • D# min • 05:56 • -16.33db
14% Popularity • 62% Danceability • 46% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
14% Popularity • 62% Danceability • 46% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Beaumont Hannant
Utuba
114 bpm • A# Maj • 08:12 • -13.32db
20% Popularity • 39% Danceability • 48% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
20% Popularity • 39% Danceability • 48% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Topdown Dialectic
A4
114 bpm • C# Maj • 04:01 • -12db
10% Popularity • 59% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
10% Popularity • 59% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Donato Dozzy
Vaporware 04
114 bpm • A min • 05:23 • -10.57db
14% Popularity • 67% Danceability • 99% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
14% Popularity • 67% Danceability • 99% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
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Patricia
Liminal States
115 bpm • F Maj • 05:03 • -12.15db
22% Popularity • 66% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
22% Popularity • 66% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
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Shed
The Praetorian
115 bpm • G Maj • 02:22 • -20.34db
35% Popularity • 34% Danceability • 40% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
35% Popularity • 34% Danceability • 40% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
