Songs like Wade In De Water by Millikin University Choir
Based on a tempo of (+/- 10%) and a similar genre
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
17% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
20% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Francis Poulenc
Margoton va t'a l'iau
134 bpm • E min • 02:03 • -24.52db
8% Popularity • 57% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 57% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
17% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Jefferey L. Ames
I've Been in the Storm So Long (version ...
135 bpm • E min • 04:58 • -25.5db
8% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Bob Chilcott
O Danny boy - SATB
135 bpm • D Maj • 03:04 • -26.47db
7% Popularity • 21% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
7% Popularity • 21% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Atlanta Master Chorale
Fare Thee Well, Love
133 bpm • F# Maj • 04:47 • -26.28db
10% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
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Elaine Hagenberg
Measure Me, Sky!
135 bpm • A# Maj • 04:16 • -16db
22% Popularity • 20% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
22% Popularity • 20% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Millikin University Choir
Till Minne
135 bpm • D min • 03:00 • -35.08db
0% Popularity • 16% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Sydney Guillaume
Gagòt (Live)
133 bpm • C# Maj • 05:20 • -23.58db
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
10% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Millikin University Choir
Cantus Goriosus
133 bpm • C Maj • 04:07 • -20.92db
0% Popularity • 19% Danceability • 9% Energy • 8% Liveness
52% Instrumentalness • 6% Positiveness
0% Popularity • 19% Danceability • 9% Energy • 8% Liveness
52% Instrumentalness • 6% Positiveness
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Emma Lou Diemer
3 Madrigals: No. 1. O Mistress Mine, Whe...
135 bpm • G min • 01:00 • -23.4db
16% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Jason Max Ferdinand Singers
A Prayer
133 bpm • G Maj • 05:15 • -22.88db
19% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Marques L.A. Garrett
My heart be brave - SATB
136 bpm • G# Maj • 04:16 • -30.03db
12% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Octarium
Fa Una Canzona
132 bpm • A# Maj • 01:12 • -25.85db
10% Popularity • 29% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 29% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Millikin University Choir
Lord Make Us Instruments of Your Peace
136 bpm • F Maj • 03:52 • -32db
19% Popularity • 19% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Eric William Barnum
Afternoon on a Hill
132 bpm • D Maj • 04:41 • -16db
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Festival Canticle: Worthy Is Christ (Thi...
132 bpm • B min • 03:47 • -23.67db
16% Popularity • 16% Danceability • 16% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
16% Popularity • 16% Danceability • 16% Energy • 12% Liveness
78% Instrumentalness • 17% Positiveness
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The Singers - Minnesota Choral Artists
Prayer
136 bpm • A Maj • 04:48 • -22.35db
13% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Unknown
Randall Thompson : Alleluia
136 bpm • D Maj • 05:03 • -18.81db
7% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Josquin des Prez
Ave Maria
136 bpm • C Maj • 06:07 • -25.7db
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
17% Instrumentalness • 5% Positiveness
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
17% Instrumentalness • 5% Positiveness
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Millikin University Choir
Nunc Dimittis
136 bpm • E Maj • 02:28 • -23.76db
1% Popularity • 18% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
1% Popularity • 18% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Thomas Weelkes
As Vesta Was
132 bpm • F Maj • 03:50 • -21.36db
7% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Eg...
132 bpm • D Maj • 04:40 • -38db
10% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
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Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
9% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Stacey V. Gibbs
Hold On!
131 bpm • F# min • 03:37 • -13.51db
10% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Randall Thompson
Alleluia
137 bpm • D Maj • 06:20 • -29.8db
7% Popularity • 16% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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The Concordia Choir
My Soul's Been Anchored in the Lord
137 bpm • A Maj • 03:12 • -24.58db
18% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Rejoice, O Virgin
137 bpm • F# Maj • 02:23 • -28.15db
14% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
27% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Stacey V. Gibbs
Somebody Talkin' 'Bout Jesus
131 bpm • G min • 02:53 • -13.43db
9% Popularity • 25% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 25% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Millikin University Choir
Verbum Supernum Prodiens
131 bpm • D min • 02:05 • -23.14db
3% Popularity • 20% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
3% Popularity • 20% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Why the Caged Bird Sings
137 bpm • B Maj • 08:51 • -28.9db
8% Popularity • 16% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 3% Positiveness
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BBC Radio 4 Daily Service Singers
Make Me A Channel Of Your Peace (Prayer ...
138 bpm • E Maj • 03:16 • -32.3db
10% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Elaine Hagenberg
The Music of Stillness - SATB
130 bpm • F# Maj • 05:37 • -24db
22% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
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Oasis Chorale
Let Thy Holy Presence
138 bpm • C# min • 03:15 • -28.5db
3% Popularity • 17% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
3% Popularity • 17% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
10% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
10% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Dan Forrest
Jubilate Deo: I. Jubilate Deo (Oh Be Joy...
138 bpm • D Maj • 08:56 • -13db
12% Popularity • 28% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 28% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: VIII. Praise th...
138 bpm • G# Maj • 02:48 • -21.61db
7% Popularity • 15% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
12% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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Don MacDonald
When the Earth Stands Still
130 bpm • B min • 03:00 • -27db
10% Popularity • 18% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 18% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Marie-Claire Saindon
Terre-Neuve
138 bpm • D Maj • 02:15 • -22.73db
8% Popularity • 23% Danceability • 8% Energy • 27% Liveness
11% Instrumentalness • 5% Positiveness
8% Popularity • 23% Danceability • 8% Energy • 27% Liveness
11% Instrumentalness • 5% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
31% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
13% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Ave Generosa
130 bpm • F min • 04:55 • -27.96db
17% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Paul J. Christiansen
Wondrous Love
139 bpm • G# min • 02:39 • -27.8db
20% Popularity • 24% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
20% Popularity • 24% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Algirdas Martiniatis
Alleluia
139 bpm • C Maj • 04:19 • -27db
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
► Preview
David N. Childs
Weep No more
129 bpm • D Maj • 04:02 • -28.23db
14% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Emma Lou Diemer
Three Madrigals: III. Sigh no more, ladi...
139 bpm • G Maj • 01:22 • -23.55db
11% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
17% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Millikin University Choir
The Singing Heart
129 bpm • F min • 03:16 • -24.28db
1% Popularity • 20% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
1% Popularity • 20% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Atlanta Master Chorale
When Memory Fades
129 bpm • G Maj • 05:02 • -32.01db
11% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Benedictines of Mary, Queen of Apostles
Let All Mortal Flesh Keep Silence
129 bpm • D min • 02:58 • -20.56db
33% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
33% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
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Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
13% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
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Rosephanye Powell
Still I Rise
129 bpm • D# Maj • 03:53 • -17.4db
10% Popularity • 31% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 31% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Sydney Guillaume
Twa Tanbou
129 bpm • A min • 03:50 • -19.49db
10% Popularity • 41% Danceability • 35% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 41% Danceability • 35% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
33% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
33% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Millikin University Choir
Pingst (Pentacost)
129 bpm • G Maj • 02:46 • -25.94db
1% Popularity • 20% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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The Concordia Choir
Witness
140 bpm • D Maj • 02:53 • -20.99db
24% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Voce
Nocturnes: Sure On This Shining Night
128 bpm • C# Maj • 04:40 • -27.46db
7% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
7% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
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Atlanta Master Chorale
Hark, I Hear the Harps Eternal
128 bpm • C Maj • 02:13 • -21db
21% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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William Walton
A Litany: Drop, Drop Slow Tears
128 bpm • C Maj • 03:12 • -29.79db
7% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Millikin University Choir
No Fairer Land
129 bpm • G Maj • 02:39 • -23.48db
1% Popularity • 24% Danceability • 7% Energy • 9% Liveness
26% Instrumentalness • 10% Positiveness
1% Popularity • 24% Danceability • 7% Energy • 9% Liveness
26% Instrumentalness • 10% Positiveness
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Kim André Arnesen
O Sacrum Convivium
140 bpm • C Maj • 05:55 • -28db
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
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Jake Runestad
I Will Lift Mine Eyes
128 bpm • C# Maj • 04:36 • -26db
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
32% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
27% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Pavel Chesnokov
All Night Vigil, Op. 9: No. 18, Bless Th...
127 bpm • C Maj • 03:07 • -26db
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
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Millikin University Choir
Rotala (Ring Dance)
128 bpm • F# Maj • 01:42 • -19.71db
1% Popularity • 36% Danceability • 25% Energy • 14% Liveness
8% Instrumentalness • 22% Positiveness
1% Popularity • 36% Danceability • 25% Energy • 14% Liveness
8% Instrumentalness • 22% Positiveness
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Sydney Guillaume
Tchaka (Live)
127 bpm • A min • 04:52 • -16db
4% Popularity • 31% Danceability • 39% Energy • 86% Liveness
0% Instrumentalness • 27% Positiveness
4% Popularity • 31% Danceability • 39% Energy • 86% Liveness
0% Instrumentalness • 27% Positiveness
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Tucson Chamber Artists & Eric Holtan
Erev Shel Shoshanim
141 bpm • C min • 03:31 • -21db
11% Popularity • 18% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
11% Popularity • 18% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness