Songs like Wait for You (feat. Zoe Wees) by Tom Walker
Based on a tempo of (+/- 10%) and a similar genre
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The Script
I Want It All
160 bpm • F min • 03:07 • -6.23db
51% Popularity • 44% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 44% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Clara Mae
Crash
160 bpm • F# Maj • 03:10 • -7db
39% Popularity • 36% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 36% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Benson Boone
ROOM FOR 2
160 bpm • D Maj • 02:31 • -5.64db
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Tom Walker
Not Giving In
160 bpm • D min • 03:48 • -7.17db
45% Popularity • 47% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 47% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Will Linley
miss me (when you're gone)
160 bpm • F# Maj • 03:04 • -5.53db
53% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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KAMRAD
Blame It on the Lights
160 bpm • G# min • 03:05 • -6db
45% Popularity • 66% Danceability • 79% Energy • 17% Liveness
1% Instrumentalness • 79% Positiveness
45% Popularity • 66% Danceability • 79% Energy • 17% Liveness
1% Instrumentalness • 79% Positiveness
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P!nk
Cover Me In Sunshine
160 bpm • F Maj • 02:18 • -6.86db
64% Popularity • 47% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
64% Popularity • 47% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Freya Ridings
You Mean The World To Me
161 bpm • D# Maj • 03:12 • -7.36db
42% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Alexander Stewart
blame's on me
159 bpm • C# min • 02:18 • -17.12db
71% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
71% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Tom Walker
Dominoes
160 bpm • D min • 04:03 • -6.45db
31% Popularity • 60% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 60% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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The Script
Run Through Walls
159 bpm • D Maj • 03:26 • -3.64db
51% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 34% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dean Lewis
Hurtless
163 bpm • C Maj • 03:00 • -6db
69% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
69% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Isaiah Firebrace
What Happened to Us
162 bpm • C Maj • 03:07 • -5.72db
42% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Sam Ryder
More
157 bpm • D Maj • 03:48 • -2.78db
47% Popularity • 26% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 26% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Walker
Wait for You
160 bpm • C# Maj • 02:33 • -4.27db
60% Popularity • 50% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
60% Popularity • 50% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Henry Moodie
you were there for me
164 bpm • F# Maj • 03:15 • -4.4db
64% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
64% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Bow Anderson
New Wave
164 bpm • F min • 03:10 • -6.18db
34% Popularity • 48% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 48% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Dean Lewis
Waves
157 bpm • B min • 04:00 • -7.19db
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Sandro Cavazza
Lean On Me
156 bpm • F# Maj • 03:02 • -7.99db
57% Popularity • 80% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
57% Popularity • 80% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Zoe Wees
Overthinking
164 bpm • G Maj • 03:01 • -5db
48% Popularity • 56% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 56% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Tom Walker
Angels
161 bpm • A min • 03:28 • -6.06db
44% Popularity • 58% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 58% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Cian Ducrot
I'll Be Waiting
156 bpm • C# Maj • 02:52 • -4.11db
70% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
70% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Forest Blakk
If You Love Her - Meghan Trainor
156 bpm • C# Maj • 03:35 • -7.16db
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Myle
Not Ready
155 bpm • C# Maj • 03:00 • -6.43db
46% Popularity • 63% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 63% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Tate McRae
rubberband
155 bpm • A# Maj • 02:27 • -8.91db
64% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Faouzia
You Don't Even Know Me
166 bpm • F# min • 02:59 • -4.79db
50% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Walker
Serotonin
164 bpm • B min • 02:57 • -4.84db
52% Popularity • 55% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 55% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Rhys Lewis
No Right To Love You - Acoustic
166 bpm • C# Maj • 03:49 • -10.59db
57% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Grace Davies
used to you
154 bpm • C# Maj • 03:28 • -7.94db
45% Popularity • 39% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 39% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Myle
Mutual
153 bpm • A# min • 02:40 • -6.79db
48% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Faouzia
Minefields
153 bpm • C# min • 03:10 • -5.02db
63% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
63% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Tom Walker
How Can You Sleep at Night?
155 bpm • C# min • 03:36 • -8.38db
40% Popularity • 45% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 45% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Cian Ducrot
hurt so bad
168 bpm • D Maj • 04:02 • -6.53db
46% Popularity • 46% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 46% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Teddy Failure
Tissues
152 bpm • E Maj • 02:33 • -5.76db
48% Popularity • 72% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 72% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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BANNERS
Half Light
152 bpm • A# Maj • 03:05 • -7.5db
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Justin Bieber
Lonely - Acoustic
169 bpm • B min • 02:35 • -10.61db
47% Popularity • 36% Danceability • 12% Energy • 68% Liveness
0% Instrumentalness • 12% Positiveness
47% Popularity • 36% Danceability • 12% Energy • 68% Liveness
0% Instrumentalness • 12% Positiveness
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clide
broken parts
151 bpm • C Maj • 03:05 • -12.42db
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Tom Walker
The Best Is Yet to Come
166 bpm • A Maj • 02:46 • -8db
59% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Lewis Capaldi
Pointless
169 bpm • E Maj • 03:51 • -4.03db
71% Popularity • 34% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
71% Popularity • 34% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Rhys Lewis
Be Your Man
170 bpm • A min • 04:00 • -8.24db
36% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Zoe Wees
Lonely
170 bpm • C# min • 03:12 • -4db
38% Popularity • 54% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 54% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
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Rasmus Hagen
Someone Just Like You
170 bpm • C# Maj • 03:16 • -5.76db
38% Popularity • 66% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 66% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Bow Anderson
20s
150 bpm • D Maj • 03:04 • -6.72db
58% Popularity • 63% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 63% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Tom Walker
Something to Believe In
154 bpm • C min • 03:40 • -6.55db
34% Popularity • 57% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 57% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Jess Glynne
Take Me Home
150 bpm • A Maj • 04:25 • -6.16db
65% Popularity • 56% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
65% Popularity • 56% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Faouzia
Tears of Gold
150 bpm • F min • 02:56 • -5.7db
65% Popularity • 59% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
65% Popularity • 59% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Munn
can you hear me?
150 bpm • D Maj • 03:05 • -7.83db
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Mimi Webb
Before I Go
150 bpm • F# Maj • 03:07 • -5.23db
53% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Hansen
better off without me
150 bpm • C Maj • 02:50 • -7db
73% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
73% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Tom Walker
Heartbeats
170 bpm • D# min • 03:12 • -5.46db
30% Popularity • 45% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 45% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Alan Walker
Fake A Smile
150 bpm • C Maj • 02:45 • -5.73db
50% Popularity • 43% Danceability • 54% Energy • 44% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 43% Danceability • 54% Energy • 44% Liveness
0% Instrumentalness • 26% Positiveness
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Alexander Stewart
Halo
150 bpm • D Maj • 02:41 • -7.21db
63% Popularity • 47% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
63% Popularity • 47% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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LÉON
Hope Is a Heartache
171 bpm • F Maj • 03:21 • -6.63db
57% Popularity • 47% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 47% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Grace Carter
Blame
171 bpm • F# min • 04:11 • -8.16db
51% Popularity • 34% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 34% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Smith
To Die For
172 bpm • C Maj • 03:13 • -7.87db
58% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Munn
i don't wanna lose again
172 bpm • C# Maj • 02:44 • -7.59db
43% Popularity • 51% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 51% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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Astrid S
It's Ok If You Forget Me
172 bpm • F# Maj • 03:24 • -7.63db
57% Popularity • 56% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 56% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Tom Walker
Just You and I - Acoustic
172 bpm • A Maj • 03:18 • -7.58db
58% Popularity • 48% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 48% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Kygo
Lose Somebody
148 bpm • C# Maj • 03:19 • -6.88db
67% Popularity • 58% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
67% Popularity • 58% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Elina
Paper Planes
148 bpm • C# Maj • 03:19 • -12.48db
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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World's First Cinema
Red Run Cold
148 bpm • G min • 03:43 • -7.4db
39% Popularity • 48% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 48% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Niall Horan
Black And White
148 bpm • D Maj • 03:13 • -6.02db
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Hansen
without you with me
147 bpm • D Maj • 02:54 • -5.95db
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Tom Walker
Be Myself
172 bpm • A min • 04:01 • -5.32db
33% Popularity • 43% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 43% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Benson Boone
Ghost Town
174 bpm • C Maj • 03:13 • -10.06db
55% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
55% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Justin Jesso
Bigger Than
175 bpm • E Maj • 03:26 • -5db
43% Popularity • 41% Danceability • 68% Energy • 60% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 41% Danceability • 68% Energy • 60% Liveness
0% Instrumentalness • 40% Positiveness
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Rosie Darling
Witness
174 bpm • D Maj • 03:55 • -9.76db
52% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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LÉON
Die For You
146 bpm • F# Maj • 03:37 • -5.87db
47% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Tom Walker
Wait for You
149 bpm • C# Maj • 02:52 • -4.17db
44% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Marco Mengoni
Hola (I Say)
146 bpm • D Maj • 03:47 • -4.88db
53% Popularity • 53% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
53% Popularity • 53% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Mimi Webb
Halfway
145 bpm • C# min • 03:17 • -3.5db
46% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Natalie Taylor
Surrender
145 bpm • F min • 03:03 • -8.57db
70% Popularity • 39% Danceability • 45% Energy • 11% Liveness
18% Instrumentalness • 8% Positiveness
70% Popularity • 39% Danceability • 45% Energy • 11% Liveness
18% Instrumentalness • 8% Positiveness
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Cian Ducrot
I'll Be Waiting - Choir Version
177 bpm • C# Maj • 02:56 • -6.28db
49% Popularity • 39% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 39% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Ruben
Dear God
177 bpm • C# min • 02:59 • -8db
42% Popularity • 49% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 49% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Tom Walker
Silver Lining
148 bpm • C min • 03:22 • -6.17db
34% Popularity • 49% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 49% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Tate McRae
feel like shit
145 bpm • G Maj • 03:23 • -7.17db
70% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
70% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Kodaline
Everyone Changes - Gabriel Aplin
144 bpm • G# Maj • 03:28 • -8db
41% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sam Ryder
Tiny Riot
177 bpm • C min • 03:24 • -4.19db
50% Popularity • 53% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 53% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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BANNERS
Perfectly Broken
144 bpm • F Maj • 03:08 • -8.57db
55% Popularity • 64% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
55% Popularity • 64% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tom Walker
Wait for You - Acoustic
149 bpm • A# min • 02:56 • -7db
31% Popularity • 37% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 37% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Olivia Rodrigo
drivers license
144 bpm • A# Maj • 04:02 • -8.81db
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Smith
My Oasis
144 bpm • A# min • 02:59 • -9db
57% Popularity • 69% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 69% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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BANNERS
Got It In You
144 bpm • G Maj • 03:41 • -9.16db
51% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Matthew Nolan
My Mistakes
144 bpm • G# Maj • 03:14 • -10.29db
44% Popularity • 46% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 46% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Tom Walker
Better Half of Me - Acoustic
174 bpm • D# Maj • 03:48 • -9.72db
42% Popularity • 34% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 34% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Mimi Webb
Reasons
178 bpm • F# Maj • 02:42 • -10db
46% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jack Curley
Alice
179 bpm • D Maj • 02:39 • -12.55db
32% Popularity • 47% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 47% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Clara Mae
Missing You Sucks
180 bpm • C Maj • 02:58 • -7db
41% Popularity • 34% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 34% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Noah Cyrus
Young & Sad
142 bpm • G min • 03:10 • -8.5db
54% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Cian Ducrot
Part Of Me
142 bpm • C# Maj • 03:22 • -5.65db
62% Popularity • 63% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
62% Popularity • 63% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Tom Walker
Wait for You - Matrix & Futurebound Remi...
174 bpm • A# min • 03:40 • -4.25db
27% Popularity • 50% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 50% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Mimi Webb
Lonely In Love
143 bpm • A# Maj • 03:06 • -5db
42% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
