Songs like Waitin' For You to Blow by Bonnie Raitt
Based on a tempo of (+/- 10%) and a similar genre
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John Hiatt
Terms of My Surrender
108 bpm • B Maj • 03:29 • -12db
47% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
47% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Keb' Mo'
’62 Chevy
108 bpm • E Maj • 03:28 • -3.6db
33% Popularity • 83% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 83% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Bonnie Raitt
I Know - 2008 Remaster
108 bpm • D Maj • 03:47 • -6.38db
35% Popularity • 62% Danceability • 84% Energy • 23% Liveness
1% Instrumentalness • 87% Positiveness
35% Popularity • 62% Danceability • 84% Energy • 23% Liveness
1% Instrumentalness • 87% Positiveness
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Leon Russell
It Takes A Lot To Laugh, It Takes A Trai...
108 bpm • A# Maj • 04:03 • -12.2db
30% Popularity • 52% Danceability • 38% Energy • 15% Liveness
12% Instrumentalness • 43% Positiveness
30% Popularity • 52% Danceability • 38% Energy • 15% Liveness
12% Instrumentalness • 43% Positiveness
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Robben Ford
White Rock Beer...8 Cents
108 bpm • B min • 05:53 • -6.02db
19% Popularity • 56% Danceability • 80% Energy • 18% Liveness
49% Instrumentalness • 59% Positiveness
19% Popularity • 56% Danceability • 80% Energy • 18% Liveness
49% Instrumentalness • 59% Positiveness
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Taj Mahal
Cornbread, Peas, Black Molasses
108 bpm • D Maj • 03:43 • -9.24db
26% Popularity • 51% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 51% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Ana Popovic
Catfish Blues
108 bpm • G min • 02:19 • -6.71db
44% Popularity • 73% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 73% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Eric Gales
I Gotta Go
108 bpm • C# Maj • 03:36 • -7.98db
14% Popularity • 63% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 63% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Bonnie Raitt
Waitin' For You to Blow
108 bpm • A# Maj • 05:27 • -6.6db
34% Popularity • 73% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 73% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Ry Cooder
The Very Thing That Makes You Rich (Make...
108 bpm • G# min • 05:32 • -21db
36% Popularity • 58% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 58% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Rodney Crowell
Something Has To Change
108 bpm • E Maj • 04:01 • -7.07db
33% Popularity • 80% Danceability • 62% Energy • 12% Liveness
17% Instrumentalness • 86% Positiveness
33% Popularity • 80% Danceability • 62% Energy • 12% Liveness
17% Instrumentalness • 86% Positiveness
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Van Morrison
Nervous Breakdown
107 bpm • A# min • 05:09 • -8.51db
22% Popularity • 79% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
22% Popularity • 79% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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Dr. John
Sleeping Dogs Best Left Alone
107 bpm • F min • 03:59 • -7.19db
12% Popularity • 75% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 75% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Jontavious Willis
The World is in a Tangle
109 bpm • E Maj • 03:19 • -6db
18% Popularity • 89% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 89% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Bonnie Raitt
The Road's My Middle Name
108 bpm • C# min • 03:31 • -14.76db
30% Popularity • 66% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 66% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Cain
Born To Play
109 bpm • D Maj • 03:17 • -4.5db
34% Popularity • 44% Danceability • 68% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 44% Danceability • 68% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
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Rodney Crowell
Reckless
107 bpm • D Maj • 03:30 • -10.22db
38% Popularity • 64% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 45% Positiveness
38% Popularity • 64% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 45% Positiveness
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Little Feat
Sailin' Shoes
109 bpm • C Maj • 02:51 • -10db
43% Popularity • 74% Danceability • 39% Energy • 21% Liveness
1% Instrumentalness • 42% Positiveness
43% Popularity • 74% Danceability • 39% Energy • 21% Liveness
1% Instrumentalness • 42% Positiveness
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Leon Russell
Dixie Lullaby
107 bpm • C Maj • 02:35 • -11.47db
32% Popularity • 65% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 65% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Roomful Of Blues
She Quit Me Again
107 bpm • F Maj • 04:39 • -7.65db
12% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Bonnie Raitt
Blame it On Me
108 bpm • D Maj • 05:47 • -8db
34% Popularity • 56% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 56% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Savoy Brown
Blues All Around
107 bpm • D min • 04:08 • -6.71db
28% Popularity • 55% Danceability • 90% Energy • 42% Liveness
1% Instrumentalness • 67% Positiveness
28% Popularity • 55% Danceability • 90% Energy • 42% Liveness
1% Instrumentalness • 67% Positiveness
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Tab Benoit
Blues So Bad
110 bpm • G Maj • 03:49 • -8.07db
33% Popularity • 75% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 80% Positiveness
33% Popularity • 75% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 80% Positiveness
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Mavis Staples
You Got To Move
110 bpm • A Maj • 02:41 • -9.48db
29% Popularity • 46% Danceability • 85% Energy • 75% Liveness
3% Instrumentalness • 52% Positiveness
29% Popularity • 46% Danceability • 85% Energy • 75% Liveness
3% Instrumentalness • 52% Positiveness
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Susan Tedeschi
Lord Protect My Child
106 bpm • G# Maj • 04:44 • -6.75db
33% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Leon Russell
Wild Horses
106 bpm • F Maj • 03:37 • -13.72db
32% Popularity • 65% Danceability • 48% Energy • 20% Liveness
1% Instrumentalness • 83% Positiveness
32% Popularity • 65% Danceability • 48% Energy • 20% Liveness
1% Instrumentalness • 83% Positiveness
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Bonnie Raitt
Unnecessarily Mercenary
109 bpm • G min • 03:49 • -5.23db
13% Popularity • 61% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 61% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Rosanne Cash
A Feather's Not A Bird
110 bpm • C min • 03:18 • -6.26db
38% Popularity • 71% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 71% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Maria Muldaur
I'm Vaccinated & I'm Ready For Love
110 bpm • F Maj • 03:45 • -4db
15% Popularity • 73% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 73% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Keb' Mo'
So Easy
110 bpm • A# Maj • 03:08 • -7.04db
24% Popularity • 78% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 78% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Tinsley Ellis
Beat The Devil
106 bpm • A min • 03:49 • -3db
33% Popularity • 65% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
33% Popularity • 65% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
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Seth Walker
Memory Pain
106 bpm • C Maj • 02:34 • -9.29db
24% Popularity • 79% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 79% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Bonnie Raitt
Spit Of Love
109 bpm • C# Maj • 04:44 • -8.96db
15% Popularity • 55% Danceability • 59% Energy • 24% Liveness
2% Instrumentalness • 44% Positiveness
15% Popularity • 55% Danceability • 59% Energy • 24% Liveness
2% Instrumentalness • 44% Positiveness
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Vaneese Thomas
Bad Man
110 bpm • D Maj • 04:39 • -5.81db
7% Popularity • 84% Danceability • 62% Energy • 8% Liveness
12% Instrumentalness • 56% Positiveness
7% Popularity • 84% Danceability • 62% Energy • 8% Liveness
12% Instrumentalness • 56% Positiveness
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Toronzo Cannon
Insurance
106 bpm • E Maj • 04:34 • -5.52db
22% Popularity • 71% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
22% Popularity • 71% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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B.B. King
Ask Me No Questions - Single Version
110 bpm • A Maj • 03:08 • -13.79db
39% Popularity • 74% Danceability • 39% Energy • 4% Liveness
11% Instrumentalness • 70% Positiveness
39% Popularity • 74% Danceability • 39% Energy • 4% Liveness
11% Instrumentalness • 70% Positiveness
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Mavis Staples
I Wish I Knew How It Would Feel To Be Fr...
111 bpm • G Maj • 03:42 • -6db
37% Popularity • 74% Danceability • 79% Energy • 92% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 74% Danceability • 79% Energy • 92% Liveness
0% Instrumentalness • 81% Positiveness
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North Mississippi Allstars
See the Moon
111 bpm • A# min • 03:21 • -10db
43% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Susan Tedeschi
True
111 bpm • A min • 03:20 • -4.84db
35% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Derek Trucks Band
Sweet Inspiration
111 bpm • A Maj • 04:38 • -6.3db
47% Popularity • 63% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 63% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 44% Positiveness
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Toronzo Cannon
The Chicago Way
111 bpm • E min • 04:22 • -4.87db
26% Popularity • 56% Danceability • 93% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
26% Popularity • 56% Danceability • 93% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Rick Estrin & The Nightcats
She Nuts Up
111 bpm • F min • 04:17 • -3.99db
20% Popularity • 79% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 79% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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John Hiatt
All The Lilacs In Ohio
111 bpm • G Maj • 03:29 • -10db
50% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Keb' Mo'
I Remember You
105 bpm • C Maj • 04:55 • -9db
46% Popularity • 90% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 96% Positiveness
46% Popularity • 90% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 96% Positiveness
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Trudy Lynn
Golden Girl Blues
105 bpm • C Maj • 05:07 • -6.19db
22% Popularity • 65% Danceability • 76% Energy • 21% Liveness
6% Instrumentalness • 81% Positiveness
22% Popularity • 65% Danceability • 76% Energy • 21% Liveness
6% Instrumentalness • 81% Positiveness
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Lowell George
Easy Money
105 bpm • D Maj • 03:31 • -12db
29% Popularity • 66% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 66% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Dr. John
Give Myself A Good Talkin’ To
111 bpm • A min • 03:54 • -10.14db
12% Popularity • 85% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
12% Popularity • 85% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
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Susan Tedeschi
You Need To Be With Me
104 bpm • A min • 03:04 • -5.46db
34% Popularity • 77% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 77% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Marcus King
Blues Worse Than I Ever Had
105 bpm • A Maj • 03:31 • -8.5db
41% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Tony Bennett
I Gotta Right To Sing The Blues
112 bpm • C min • 03:53 • -11.46db
22% Popularity • 62% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 62% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Little Feat
All That You Dream
112 bpm • A Maj • 03:33 • -7db
46% Popularity • 63% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 63% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Stephen Stills
Nothin' to Do but Today
112 bpm • G Maj • 02:43 • -8db
35% Popularity • 83% Danceability • 78% Energy • 7% Liveness
14% Instrumentalness • 94% Positiveness
35% Popularity • 83% Danceability • 78% Energy • 7% Liveness
14% Instrumentalness • 94% Positiveness
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The Derek Trucks Band
Key To The Highway - Live
112 bpm • A Maj • 06:22 • -6.12db
34% Popularity • 40% Danceability • 73% Energy • 95% Liveness
2% Instrumentalness • 50% Positiveness
34% Popularity • 40% Danceability • 73% Energy • 95% Liveness
2% Instrumentalness • 50% Positiveness
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Alice Di Micele
Chinook Blues
104 bpm • B min • 05:09 • -10.69db
25% Popularity • 64% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 64% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Robben Ford & The Blue Line
When I Leave Here - Original Version
104 bpm • A# min • 04:57 • -8db
24% Popularity • 51% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 51% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Robert Cray Band
Baby's Arms
104 bpm • A Maj • 02:55 • -7.23db
32% Popularity • 68% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 68% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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Little Feat
On Your Way Down - Live
112 bpm • F# Maj • 06:33 • -12.6db
16% Popularity • 60% Danceability • 52% Energy • 70% Liveness
3% Instrumentalness • 41% Positiveness
16% Popularity • 60% Danceability • 52% Energy • 70% Liveness
3% Instrumentalness • 41% Positiveness
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Bonnie Raitt
If You Need Somebody
104 bpm • D Maj • 05:10 • -5.94db
19% Popularity • 75% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 75% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Taj Mahal
Packing Up Getting Ready to Go
104 bpm • G Maj • 02:49 • -9.8db
18% Popularity • 73% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 73% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Randall Bramblett
Get in Get Out
104 bpm • G Maj • 03:28 • -6.14db
32% Popularity • 69% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 69% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Keb' Mo'
She Just Wants To Dance
112 bpm • D Maj • 03:28 • -9.58db
43% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Jim Allchin
Healing Ground
104 bpm • A min • 03:45 • -8db
25% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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The Robert Cray Band
I Shiver
112 bpm • A min • 05:08 • -9db
35% Popularity • 77% Danceability • 69% Energy • 8% Liveness
8% Instrumentalness • 96% Positiveness
35% Popularity • 77% Danceability • 69% Energy • 8% Liveness
8% Instrumentalness • 96% Positiveness
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Bonnie Raitt
Need You Tonight
104 bpm • A# min • 03:19 • -6db
36% Popularity • 72% Danceability • 67% Energy • 3% Liveness
1% Instrumentalness • 76% Positiveness
36% Popularity • 72% Danceability • 67% Energy • 3% Liveness
1% Instrumentalness • 76% Positiveness
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North Mississippi Allstars
Outside
104 bpm • A# min • 04:58 • -12.47db
33% Popularity • 87% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
33% Popularity • 87% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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A.J. Croce
Better Day
103 bpm • A Maj • 02:15 • -14db
36% Popularity • 72% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 72% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Emanuel Casablanca
Bloodshot Eyes
113 bpm • E min • 03:41 • -6.43db
25% Popularity • 70% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 65% Positiveness
25% Popularity • 70% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 65% Positiveness
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John Hiatt
Cry To Me
113 bpm • G Maj • 03:55 • -5db
51% Popularity • 65% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 65% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Randall Bramblett
Rocket To Nowhere
113 bpm • E min • 04:50 • -8db
18% Popularity • 84% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 84% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Bonnie Raitt
Used To Rule The World
103 bpm • B min • 04:13 • -5.95db
25% Popularity • 68% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 68% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Deanna Bogart
Fine By Me Good Bayou
103 bpm • C Maj • 03:56 • -9.42db
10% Popularity • 73% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 73% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Rodney Crowell
I'm All About Love
113 bpm • C# Maj • 03:52 • -8.43db
9% Popularity • 68% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 68% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Koko Taylor
Come To Mama
103 bpm • G# Maj • 04:48 • -7.98db
30% Popularity • 70% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 70% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 89% Positiveness
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Van Morrison
Money From America
103 bpm • C Maj • 07:35 • -5.82db
23% Popularity • 53% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 53% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Mavis Staples
This Is My Country
103 bpm • C Maj • 04:34 • -6.99db
16% Popularity • 64% Danceability • 85% Energy • 90% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 64% Danceability • 85% Energy • 90% Liveness
0% Instrumentalness • 80% Positiveness
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Bonnie Raitt
Love Me Like A Man - Live
103 bpm • B min • 05:11 • -12.05db
19% Popularity • 52% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 52% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Little Feat
Long Distance Love
114 bpm • G Maj • 02:43 • -12db
54% Popularity • 79% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 79% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Lucinda Williams
Hot Blood
103 bpm • D min • 06:19 • -9db
28% Popularity • 52% Danceability • 60% Energy • 13% Liveness
15% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 60% Energy • 13% Liveness
15% Instrumentalness • 43% Positiveness
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The Nighthawks
I'll Come Running Back To You
114 bpm • A Maj • 04:11 • -12.34db
12% Popularity • 63% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 63% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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A.J. Croce
So Much Fun
114 bpm • G Maj • 03:10 • -7.44db
31% Popularity • 67% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 67% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Debbie Davies
Life Of The Party
102 bpm • B min • 03:51 • -8db
30% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Bonnie Raitt
What You're Doin' To Me
114 bpm • A# min • 04:53 • -5.03db
18% Popularity • 67% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 67% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Levon Helm
Stuff You Gotta Watch
114 bpm • C Maj • 03:38 • -6.79db
27% Popularity • 83% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 83% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Lucinda Williams
Righteously
102 bpm • G Maj • 04:38 • -9.78db
43% Popularity • 68% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 68% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Connor Selby
The Deep End - Bonus Track
102 bpm • G# Maj • 06:11 • -8.24db
12% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Dave Mason
Bring It on Home to Me
115 bpm • A# Maj • 02:54 • -10.73db
30% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Amazing Rhythm Aces
Who Will the Next Fool Be - Remastered
102 bpm • E Maj • 02:48 • -11db
32% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Albert Collins
If You Love Me Like You Say
115 bpm • C Maj • 04:08 • -13db
47% Popularity • 68% Danceability • 51% Energy • 5% Liveness
5% Instrumentalness • 96% Positiveness
47% Popularity • 68% Danceability • 51% Energy • 5% Liveness
5% Instrumentalness • 96% Positiveness
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Mavis Staples
Turn Me Around - Live
115 bpm • C Maj • 04:20 • -5.87db
18% Popularity • 40% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 40% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
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Fantastic Negrito
Nibbadip
115 bpm • B Maj • 03:47 • -7.2db
29% Popularity • 71% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 71% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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The California Honeydrops
Call It Home
101 bpm • F# min • 04:08 • -7.68db
40% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Little Feat
Roll Um Easy
115 bpm • E Maj • 02:31 • -16.46db
56% Popularity • 69% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 69% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Ray Bonneville
Reckless Feeling
101 bpm • G# Maj • 03:30 • -11.27db
39% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Bernard Allison
So Excited
101 bpm • C Maj • 03:22 • -11.49db
15% Popularity • 64% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 64% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Carl Verheyen
Someday After a While
115 bpm • F Maj • 04:30 • -6.11db
30% Popularity • 72% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 72% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Bonnie Raitt
Finest Lovin' Man - 2008 Remaster
101 bpm • E min • 04:42 • -8.02db
36% Popularity • 68% Danceability • 51% Energy • 6% Liveness
5% Instrumentalness • 88% Positiveness
36% Popularity • 68% Danceability • 51% Energy • 6% Liveness
5% Instrumentalness • 88% Positiveness
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Suzie Vinnick
Walking by Myself
116 bpm • D Maj • 02:44 • -9.11db
35% Popularity • 75% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 75% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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David Crosby
Woodstock
116 bpm • G Maj • 03:34 • -10.77db
22% Popularity • 68% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 68% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
