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Waiting - PAL Remix
Songs like
Waiting - PAL Remix
by
Alice Boman
Based on a tempo of (+/- 10%) and a similar genre
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Alice Boman
Waiting - PAL Remix
168 bpm • D# Maj • 05:14 • -18db
37% Popularity • 28% Danceability • 36% Energy • 10% Liveness
72% Instrumentalness • 23% Positiveness
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Fenne Lily
Three Oh Nine
170 bpm • G min • 03:32 • -11.54db
38% Popularity • 62% Danceability • 22% Energy • 13% Liveness
2% Instrumentalness • 37% Positiveness
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Sylvan Esso
Come Down
169 bpm • F Maj • 02:57 • -17.8db
37% Popularity • 35% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Bibio
Curls
165 bpm • E Maj • 03:17 • -11db
59% Popularity • 43% Danceability • 35% Energy • 72% Liveness
80% Instrumentalness • 22% Positiveness
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Jealous of the Birds
Dandelion
164 bpm • C# Maj • 03:04 • -15.04db
41% Popularity • 40% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Angel Olsen
White Fire
172 bpm • F min • 06:55 • -18.86db
33% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Alice Boman
Who Knows
172 bpm • C Maj • 02:59 • -20.64db
13% Popularity • 19% Danceability • 5% Energy • 12% Liveness
66% Instrumentalness • 4% Positiveness
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Tiny Ruins
Bird in the Thyme
172 bpm • A# min • 03:49 • -19.4db
36% Popularity • 38% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Patrick Watson
Here Comes The River
173 bpm • A Maj • 04:13 • -13.73db
44% Popularity • 28% Danceability • 16% Energy • 11% Liveness
12% Instrumentalness • 26% Positiveness
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Fink
Not Everything Was Better In The Past
173 bpm • C# Maj • 05:30 • -17.46db
33% Popularity • 30% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
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Agnes Obel
It's Happening Again
173 bpm • A# Maj • 04:20 • -14.22db
50% Popularity • 14% Danceability • 31% Energy • 61% Liveness
39% Instrumentalness • 9% Positiveness
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Efterklang
Dreams Today
176 bpm • B Maj • 03:00 • -17db
37% Popularity • 52% Danceability • 37% Energy • 9% Liveness
89% Instrumentalness • 29% Positiveness
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Alice Boman
Hold On
172 bpm • F Maj • 03:00 • -16.39db
11% Popularity • 19% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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Bryce Dessner
Mercury
160 bpm • F Maj • 05:12 • -14.24db
38% Popularity • 46% Danceability • 30% Energy • 12% Liveness
71% Instrumentalness • 15% Positiveness
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Basia Bulat
Already Forgiven
160 bpm • E Maj • 03:19 • -9.14db
33% Popularity • 27% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Sufjan Stevens
The Only Thing
159 bpm • D# Maj • 04:44 • -19.59db
61% Popularity • 51% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 50% Positiveness
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Rozi Plain
Jogalong
158 bpm • F Maj • 03:57 • -13db
25% Popularity • 51% Danceability • 34% Energy • 13% Liveness
5% Instrumentalness • 31% Positiveness
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Keaton Henson
You
158 bpm • G# min • 04:42 • -14.48db
48% Popularity • 30% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Alice Boman
Waiting
172 bpm • G# Maj • 03:04 • -10db
45% Popularity • 22% Danceability • 33% Energy • 12% Liveness
13% Instrumentalness • 8% Positiveness
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Loney Dear
Harbours / Harbors
158 bpm • G# min • 04:35 • -9.4db
14% Popularity • 53% Danceability • 67% Energy • 15% Liveness
18% Instrumentalness • 55% Positiveness
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Feist
I Wish I Didn’t Miss You
158 bpm • C min • 04:18 • -9db
24% Popularity • 34% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ben Howard
Promise
157 bpm • D Maj • 06:24 • -15.74db
62% Popularity • 37% Danceability • 19% Energy • 36% Liveness
43% Instrumentalness • 18% Positiveness
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Efterklang
Monument
156 bpm • C min • 05:38 • -16.7db
23% Popularity • 50% Danceability • 39% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Coco
Empty Beach
180 bpm • F# min • 04:45 • -13.73db
38% Popularity • 39% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Alice Boman
Heartbeat
173 bpm • D Maj • 03:34 • -13db
31% Popularity • 28% Danceability • 38% Energy • 13% Liveness
50% Instrumentalness • 29% Positiveness
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Amanda Bergman
Sirens
181 bpm • G Maj • 03:57 • -11.04db
27% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Charlie Cunningham
Lines
156 bpm • F Maj • 02:51 • -13.24db
36% Popularity • 43% Danceability • 19% Energy • 8% Liveness
2% Instrumentalness • 13% Positiveness
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isaac gracie
reverie
155 bpm • G# Maj • 05:43 • -11.17db
48% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
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El Perro del Mar
From The Valley To The Stars
182 bpm • F Maj • 02:23 • -16.76db
27% Popularity • 29% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 9% Positiveness
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Ólafur Arnalds
Particles - Island Songs VI
183 bpm • G# Maj • 03:58 • -16.57db
47% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Alice Boman
On And On
176 bpm • G Maj • 03:21 • -14.83db
7% Popularity • 52% Danceability • 25% Energy • 10% Liveness
18% Instrumentalness • 53% Positiveness
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Loma
Shadow Relief
183 bpm • G# Maj • 04:49 • -12.52db
18% Popularity • 13% Danceability • 33% Energy • 11% Liveness
26% Instrumentalness • 6% Positiveness
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Baby Alpaca
Sea of Dreams
184 bpm • D Maj • 03:57 • -15db
34% Popularity • 64% Danceability • 22% Energy • 8% Liveness
21% Instrumentalness • 23% Positiveness
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S. Carey
Fire-scene
153 bpm • F Maj • 04:35 • -15db
34% Popularity • 50% Danceability • 28% Energy • 28% Liveness
11% Instrumentalness • 17% Positiveness
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Amanda Bergman
Flickering Lights
153 bpm • F# Maj • 04:15 • -8.7db
32% Popularity • 56% Danceability • 70% Energy • 10% Liveness
11% Instrumentalness • 42% Positiveness
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Yellow Ostrich
Fog
185 bpm • E Maj • 04:17 • -8.91db
17% Popularity • 11% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Alice Boman
In Circles
179 bpm • G Maj • 03:49 • -15db
8% Popularity • 25% Danceability • 24% Energy • 11% Liveness
35% Instrumentalness • 15% Positiveness
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Agnes Obel
Run Cried the Crawling
188 bpm • G# Maj • 04:26 • -14.84db
48% Popularity • 50% Danceability • 34% Energy • 10% Liveness
49% Instrumentalness • 35% Positiveness
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Matt Berninger
Walking on a String
151 bpm • B Maj • 04:09 • -11db
41% Popularity • 59% Danceability • 42% Energy • 7% Liveness
24% Instrumentalness • 47% Positiveness
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Fenne Lily
On Hold
150 bpm • C# min • 02:38 • -9.52db
29% Popularity • 59% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Cat Power
Stay
189 bpm • C Maj • 03:58 • -15.35db
51% Popularity • 31% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Astronauts
Slow Days
150 bpm • F# min • 06:03 • -17db
19% Popularity • 68% Danceability • 19% Energy • 12% Liveness
60% Instrumentalness • 54% Positiveness
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Daniel Martin Moore
How It Fades
148 bpm • F min • 04:00 • -15.64db
18% Popularity • 62% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 75% Positiveness
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Rhye
Sinful
148 bpm • D min • 04:03 • -11db
33% Popularity • 56% Danceability • 48% Energy • 7% Liveness
16% Instrumentalness • 36% Positiveness
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Britta Phillips
Drive
148 bpm • D# min • 04:44 • -10.21db
35% Popularity • 56% Danceability • 55% Energy • 13% Liveness
36% Instrumentalness • 40% Positiveness
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Laura Marling
Blackberry Stone
191 bpm • B min • 03:28 • -15.26db
40% Popularity • 26% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 33% Positiveness
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Erland Cooper
First of the Tide
147 bpm • C Maj • 03:36 • -17.01db
33% Popularity • 47% Danceability • 27% Energy • 42% Liveness
84% Instrumentalness • 20% Positiveness
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Patrick Watson
Broken
147 bpm • G Maj • 04:37 • -13.85db
38% Popularity • 38% Danceability • 14% Energy • 6% Liveness
3% Instrumentalness • 20% Positiveness
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Amanda Bergman
Desolation
146 bpm • F# Maj • 03:39 • -10db
23% Popularity • 38% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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ViVii
Savant
146 bpm • B min • 05:18 • -7.43db
35% Popularity • 48% Danceability • 77% Energy • 9% Liveness
43% Instrumentalness • 46% Positiveness
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Vagabon
Every Woman
146 bpm • G# min • 03:27 • -17.36db
30% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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S. Carey
Brassy Sun
145 bpm • C Maj • 03:36 • -18db
35% Popularity • 40% Danceability • 20% Energy • 9% Liveness
78% Instrumentalness • 9% Positiveness
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Nadia Reid
Te Aro
145 bpm • C min • 05:21 • -16.6db
15% Popularity • 30% Danceability • 9% Energy • 27% Liveness
35% Instrumentalness • 4% Positiveness
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Marlon Williams
Nobody Gets What They Want Anymore
146 bpm • E Maj • 04:59 • -8.15db
29% Popularity • 33% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Ada Lea
the party
144 bpm • C min • 02:55 • -16.22db
29% Popularity • 59% Danceability • 19% Energy • 48% Liveness
19% Instrumentalness • 24% Positiveness
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Amanda Bergman
Warmer Clouds
144 bpm • D Maj • 02:47 • -10db
21% Popularity • 34% Danceability • 42% Energy • 35% Liveness
2% Instrumentalness • 30% Positiveness
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Wye Oak
The Louder I Call, the Faster It Runs - ...
198 bpm • C Maj • 04:04 • -11.64db
31% Popularity • 56% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
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Soko
We Might Be Dead By Tomorrow
144 bpm • G Maj • 02:41 • -16.56db
53% Popularity • 39% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Miya Folick
Thingamajig
207 bpm • C Maj • 04:12 • -12db
35% Popularity • 32% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Waiting - PAL Remix