Songs like Walk by Day, Fly by Night by The Reggae Boys
Based on a tempo of (+/- 10%) and a similar genre
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Joe The Boss
Teahouse from Emperor Rosko
131 bpm • F min • 03:21 • -8.49db
12% Popularity • 72% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 78% Positiveness
12% Popularity • 72% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 78% Positiveness
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The Reggae Boys
Walk by Day, Fly by Night
131 bpm • G Maj • 02:53 • -7.89db
0% Popularity • 89% Danceability • 67% Energy • 15% Liveness
4% Instrumentalness • 97% Positiveness
0% Popularity • 89% Danceability • 67% Energy • 15% Liveness
4% Instrumentalness • 97% Positiveness
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Eric Morris
Penny Reel-O
131 bpm • D# Maj • 02:30 • -6.56db
22% Popularity • 85% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
22% Popularity • 85% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Judy Mowatt
Emergency Call
131 bpm • C min • 03:09 • -5.37db
10% Popularity • 86% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 86% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Hippy Boys
Moon Walk
131 bpm • C Maj • 03:35 • -15.47db
14% Popularity • 92% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 88% Positiveness
14% Popularity • 92% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 88% Positiveness
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Lloyd Charmers
Soul Of England
130 bpm • C Maj • 02:32 • -8.83db
12% Popularity • 74% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 74% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Derrick Morgan
Moon Hop
132 bpm • C Maj • 03:09 • -9db
35% Popularity • 84% Danceability • 53% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
35% Popularity • 84% Danceability • 53% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
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The Dynamites
John Public (Tom Hark)
130 bpm • G Maj • 02:11 • -8.37db
18% Popularity • 68% Danceability • 62% Energy • 62% Liveness
18% Instrumentalness • 96% Positiveness
18% Popularity • 68% Danceability • 62% Energy • 62% Liveness
18% Instrumentalness • 96% Positiveness
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Winston Francis
Honey Don't Go
130 bpm • F# min • 02:08 • -9.45db
7% Popularity • 85% Danceability • 58% Energy • 24% Liveness
1% Instrumentalness • 91% Positiveness
7% Popularity • 85% Danceability • 58% Energy • 24% Liveness
1% Instrumentalness • 91% Positiveness
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Pat Kelly
How Long Will It Take
130 bpm • C Maj • 03:13 • -13db
34% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Don Drummond
Lucky Seven
130 bpm • D min • 02:52 • -5.11db
18% Popularity • 74% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
18% Popularity • 74% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
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Eric Morris
Penny Reel
130 bpm • D# Maj • 02:29 • -11db
18% Popularity • 87% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 87% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Hortense Ellis
Hell and Sorrow
132 bpm • A# min • 02:09 • -11db
27% Popularity • 84% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 84% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Lord Creator
Man To Man
130 bpm • A# Maj • 02:28 • -13db
11% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Ethiopians
Hong Kong Flu
129 bpm • D Maj • 02:18 • -8.98db
26% Popularity • 94% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 87% Positiveness
26% Popularity • 94% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 87% Positiveness
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Pat Kelly
Dark End Of The Street
132 bpm • C Maj • 03:19 • -12.38db
18% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Justin Hinds
Rub Up Push Up
129 bpm • D# min • 02:45 • -9db
24% Popularity • 84% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
24% Popularity • 84% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
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The Soulmates
Them A Laugh And A Kiki
129 bpm • F Maj • 02:34 • -10.62db
26% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
26% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
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The Pioneers
Battle of the Giants (UK Mix)
133 bpm • C# Maj • 01:57 • -12.1db
18% Popularity • 95% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 100% Positiveness
18% Popularity • 95% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 100% Positiveness
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Dandy
Raining in My Heart
133 bpm • G min • 03:20 • -8.72db
14% Popularity • 63% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
14% Popularity • 63% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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The Kingstonians
Nice Nice
133 bpm • C Maj • 02:45 • -11.06db
17% Popularity • 88% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 99% Positiveness
17% Popularity • 88% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 99% Positiveness
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Pat Kelly
Dark End Of The Street
132 bpm • C Maj • 03:10 • -5.6db
16% Popularity • 81% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 81% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Tommy McCook
Riverton City
133 bpm • A min • 02:52 • -6.3db
14% Popularity • 44% Danceability • 81% Energy • 19% Liveness
91% Instrumentalness • 57% Positiveness
14% Popularity • 44% Danceability • 81% Energy • 19% Liveness
91% Instrumentalness • 57% Positiveness
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Christopher Hyman
The Ska Rhythm
133 bpm • A# Maj • 02:30 • -9.53db
8% Popularity • 80% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 80% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Derrick Morgan
A Night At The Hop
128 bpm • A Maj • 03:02 • -9.27db
10% Popularity • 88% Danceability • 44% Energy • 26% Liveness
9% Instrumentalness • 96% Positiveness
10% Popularity • 88% Danceability • 44% Energy • 26% Liveness
9% Instrumentalness • 96% Positiveness
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The Aggro Band
Sweet Like Candy
133 bpm • C# Maj • 03:42 • -10db
2% Popularity • 76% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
2% Popularity • 76% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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The Kingstonians
Singer Man
129 bpm • D Maj • 03:04 • -11.1db
23% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Bob Andy
You Don't Know
128 bpm • C Maj • 03:16 • -12.97db
28% Popularity • 86% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 86% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Count Sticky
Dry Acid
128 bpm • G# min • 02:54 • -11.35db
16% Popularity • 91% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
16% Popularity • 91% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
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Jackie Opel
Sit Down Servant
128 bpm • F# Maj • 02:12 • -8.76db
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Rico
Brixton Cat
134 bpm • F Maj • 02:37 • -8.67db
15% Popularity • 80% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 80% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Harry J Allstars
Spyrone
134 bpm • A# min • 02:12 • -9.61db
14% Popularity • 67% Danceability • 61% Energy • 35% Liveness
79% Instrumentalness • 91% Positiveness
14% Popularity • 67% Danceability • 61% Energy • 35% Liveness
79% Instrumentalness • 91% Positiveness
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The Kingstonians
The Clip
129 bpm • C Maj • 02:46 • -11.01db
18% Popularity • 90% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
18% Popularity • 90% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
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Justin Hinds & The Dominoes
Mother Banner
128 bpm • G Maj • 02:39 • -6.09db
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
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Pat Kelly
I Am Coming Home
134 bpm • B min • 03:47 • -7.34db
22% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Don Drummond
Confucious
128 bpm • D Maj • 02:52 • -5.97db
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
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Shenley Duffus
Rukumbine
128 bpm • G Maj • 02:40 • -4db
26% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Cornell Campbell
My Confession
134 bpm • C min • 02:50 • -5.13db
19% Popularity • 81% Danceability • 63% Energy • 7% Liveness
65% Instrumentalness • 87% Positiveness
19% Popularity • 81% Danceability • 63% Energy • 7% Liveness
65% Instrumentalness • 87% Positiveness
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Lloyd and Claudette
Queen of the World
135 bpm • A# Maj • 02:16 • -7.16db
29% Popularity • 85% Danceability • 68% Energy • 23% Liveness
12% Instrumentalness • 96% Positiveness
29% Popularity • 85% Danceability • 68% Energy • 23% Liveness
12% Instrumentalness • 96% Positiveness
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Justin Hinds & The Dominoes
The Ark
128 bpm • F Maj • 02:28 • -8.13db
15% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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The Hippy Boys
African Zulu
127 bpm • C min • 02:33 • -12.98db
17% Popularity • 87% Danceability • 55% Energy • 13% Liveness
44% Instrumentalness • 91% Positiveness
17% Popularity • 87% Danceability • 55% Energy • 13% Liveness
44% Instrumentalness • 91% Positiveness
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Roy Richards
Contact
127 bpm • C Maj • 02:28 • -7.66db
14% Popularity • 89% Danceability • 81% Energy • 3% Liveness
68% Instrumentalness • 97% Positiveness
14% Popularity • 89% Danceability • 81% Energy • 3% Liveness
68% Instrumentalness • 97% Positiveness
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The Reggae Boys
Give Me Faith
127 bpm • C# Maj • 02:07 • -13.15db
0% Popularity • 70% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
0% Popularity • 70% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Hortense Ellis
My Last Date
127 bpm • C Maj • 02:16 • -9.21db
20% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
20% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
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The Ethiopians
Woman Capture Man
127 bpm • C Maj • 02:24 • -6.49db
22% Popularity • 88% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 88% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Justin Hinds & The Dominoes
Botheration
135 bpm • G Maj • 02:20 • -6.45db
15% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Baba Brooks Band
Girls Town Ska
127 bpm • D min • 02:50 • -4.21db
24% Popularity • 83% Danceability • 78% Energy • 9% Liveness
55% Instrumentalness • 97% Positiveness
24% Popularity • 83% Danceability • 78% Energy • 9% Liveness
55% Instrumentalness • 97% Positiveness
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The Hippy Boys
Challenge
135 bpm • C Maj • 03:34 • -15.29db
11% Popularity • 85% Danceability • 44% Energy • 8% Liveness
81% Instrumentalness • 84% Positiveness
11% Popularity • 85% Danceability • 44% Energy • 8% Liveness
81% Instrumentalness • 84% Positiveness
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The Pioneers
Poor Rameses
135 bpm • G Maj • 02:33 • -8.11db
18% Popularity • 86% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 86% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Hinds
Over The River
127 bpm • C Maj • 02:21 • -11.62db
30% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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The Reggae Boys
Ha Bah
127 bpm • C# Maj • 02:37 • -4.55db
0% Popularity • 88% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
0% Popularity • 88% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Lord Tanamo
Iron Bar
127 bpm • F Maj • 02:16 • -9.47db
26% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Lyn Taitt
Independence Ska (El Pussycat)
126 bpm • D# Maj • 02:35 • -6.15db
17% Popularity • 86% Danceability • 84% Energy • 30% Liveness
65% Instrumentalness • 97% Positiveness
17% Popularity • 86% Danceability • 84% Energy • 30% Liveness
65% Instrumentalness • 97% Positiveness
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The Tennors
Run Come
136 bpm • A# min • 02:34 • -7.76db
23% Popularity • 70% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 70% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Clancy Eccles
Sammy No Dead
126 bpm • D Maj • 01:49 • -11.53db
26% Popularity • 92% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 92% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Melodians
It's My Delight
126 bpm • G Maj • 03:17 • -12.55db
24% Popularity • 83% Danceability • 55% Energy • 29% Liveness
65% Instrumentalness • 93% Positiveness
24% Popularity • 83% Danceability • 55% Energy • 29% Liveness
65% Instrumentalness • 93% Positiveness
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The Reggae Boys
Dolly House on Fire
127 bpm • E Maj • 02:38 • -10.52db
7% Popularity • 79% Danceability • 55% Energy • 11% Liveness
31% Instrumentalness • 96% Positiveness
7% Popularity • 79% Danceability • 55% Energy • 11% Liveness
31% Instrumentalness • 96% Positiveness
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The Gaylads
There's a Fire
126 bpm • A# Maj • 02:12 • -13.67db
27% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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The Pioneers
Su Su Su
136 bpm • F# Maj • 02:15 • -10.57db
25% Popularity • 85% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 85% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Kingstonians
Your Love
126 bpm • C Maj • 03:02 • -11.76db
17% Popularity • 86% Danceability • 45% Energy • 8% Liveness
25% Instrumentalness • 96% Positiveness
17% Popularity • 86% Danceability • 45% Energy • 8% Liveness
25% Instrumentalness • 96% Positiveness
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Chuck Josephs
I Don't Need Your Love
125 bpm • C# Maj • 02:51 • -10.3db
17% Popularity • 84% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
17% Popularity • 84% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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Desmond Baker
Rude Boy Gone A Jail
125 bpm • G# Maj • 02:45 • -5.92db
12% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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The Reggae Boys
Ba Ba
127 bpm • C# Maj • 02:37 • -4.56db
0% Popularity • 88% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
0% Popularity • 88% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Derrick Morgan
Don't Call Me Daddy
124 bpm • G Maj • 02:35 • -8.56db
18% Popularity • 84% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 84% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Pioneers
Bring Him Come
138 bpm • C# Maj • 02:22 • -7.47db
21% Popularity • 84% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 84% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Justin Hinds
Carry Go Bring Come
124 bpm • C Maj • 02:44 • -10.94db
37% Popularity • 80% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 80% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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King Stitt
Lee Van Cleef
124 bpm • C Maj • 02:55 • -11.23db
20% Popularity • 70% Danceability • 58% Energy • 27% Liveness
1% Instrumentalness • 80% Positiveness
20% Popularity • 70% Danceability • 58% Energy • 27% Liveness
1% Instrumentalness • 80% Positiveness
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Clancy Eccles
Dance Beat
139 bpm • G# Maj • 03:09 • -12.22db
15% Popularity • 79% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 79% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Reggae Boys
What Is This (Ba Ba)
125 bpm • C# Maj • 02:39 • -11.18db
14% Popularity • 95% Danceability • 64% Energy • 12% Liveness
7% Instrumentalness • 98% Positiveness
14% Popularity • 95% Danceability • 64% Energy • 12% Liveness
7% Instrumentalness • 98% Positiveness
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Tommy McCook & The Supersonics
Tribute to Rameses
139 bpm • C# Maj • 02:18 • -6db
9% Popularity • 78% Danceability • 54% Energy • 4% Liveness
70% Instrumentalness • 81% Positiveness
9% Popularity • 78% Danceability • 54% Energy • 4% Liveness
70% Instrumentalness • 81% Positiveness
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The Kingstonians
I'll Be Around
139 bpm • E Maj • 02:26 • -10.37db
13% Popularity • 68% Danceability • 55% Energy • 16% Liveness
5% Instrumentalness • 97% Positiveness
13% Popularity • 68% Danceability • 55% Energy • 16% Liveness
5% Instrumentalness • 97% Positiveness
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The Tennors
Baff Boom
123 bpm • C Maj • 03:02 • -11.16db
9% Popularity • 88% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 88% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Silvertones
True Confession
123 bpm • G Maj • 02:42 • -8.61db
23% Popularity • 81% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
23% Popularity • 81% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Clancy Eccles
Freedom
124 bpm • A# Maj • 02:39 • -11.34db
29% Popularity • 88% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 88% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Dandy
Reggae in Your Jeggae
139 bpm • D min • 02:57 • -7.41db
28% Popularity • 72% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 72% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Joe the Boss & Joe's All Stars
The Thief
139 bpm • C Maj • 02:35 • -9.33db
8% Popularity • 80% Danceability • 58% Energy • 15% Liveness
40% Instrumentalness • 88% Positiveness
8% Popularity • 80% Danceability • 58% Energy • 15% Liveness
40% Instrumentalness • 88% Positiveness
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The Slickers
Every Wolf
123 bpm • B Maj • 03:45 • -5.1db
27% Popularity • 85% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 85% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Harry J Allstars
Jack the Ripper
140 bpm • B min • 03:32 • -10.17db
16% Popularity • 72% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 97% Positiveness
16% Popularity • 72% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 97% Positiveness
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Lloyd Charmers
In the Spirit
140 bpm • B min • 02:48 • -10.35db
17% Popularity • 76% Danceability • 68% Energy • 16% Liveness
93% Instrumentalness • 94% Positiveness
17% Popularity • 76% Danceability • 68% Energy • 16% Liveness
93% Instrumentalness • 94% Positiveness
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Cuttings
Duck Soup
140 bpm • C min • 02:32 • -5.33db
14% Popularity • 86% Danceability • 81% Energy • 28% Liveness
9% Instrumentalness • 95% Positiveness
14% Popularity • 86% Danceability • 81% Energy • 28% Liveness
9% Instrumentalness • 95% Positiveness
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Boy Friday
Version Girl
123 bpm • A Maj • 03:03 • -8.47db
19% Popularity • 76% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 76% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Clancy Eccles
Ganja Free
140 bpm • F Maj • 02:56 • -11.29db
19% Popularity • 83% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 83% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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King Stitt
Oh Yeah
122 bpm • F Maj • 02:48 • -12.34db
11% Popularity • 84% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 84% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Rico
Jumping the Gun
140 bpm • F# Maj • 03:15 • -14.9db
14% Popularity • 74% Danceability • 27% Energy • 13% Liveness
3% Instrumentalness • 82% Positiveness
14% Popularity • 74% Danceability • 27% Energy • 13% Liveness
3% Instrumentalness • 82% Positiveness
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Owen Gray
Next Door Neighbour
123 bpm • C min • 02:28 • -10.15db
14% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Owen Silveras
Next Door Neighbour
122 bpm • A# Maj • 02:28 • -7.69db
18% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Stranger Cole
Everyday Tomorrow
122 bpm • F Maj • 02:34 • -11.64db
24% Popularity • 90% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 90% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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The Pioneers
Long Shot (Kick De Bucket)
122 bpm • G Maj • 02:50 • -8.97db
51% Popularity • 94% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 94% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
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Derrick Morgan
Feeling so Fine
122 bpm • G min • 02:42 • -11.14db
28% Popularity • 74% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 74% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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The Kingstonians
Come We Go Moonwalk
122 bpm • A Maj • 02:52 • -12.77db
27% Popularity • 82% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 98% Positiveness
27% Popularity • 82% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 98% Positiveness
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Owen Gray
Patricia
122 bpm • D# Maj • 02:53 • -7.23db
13% Popularity • 63% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 63% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Monty Morris
Beautiful Garden
122 bpm • D Maj • 03:05 • -11.16db
13% Popularity • 74% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 74% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Reggae Boys
Pupa Live On Eye Top
122 bpm • G# Maj • 02:42 • -11.07db
0% Popularity • 94% Danceability • 48% Energy • 5% Liveness
40% Instrumentalness • 98% Positiveness
0% Popularity • 94% Danceability • 48% Energy • 5% Liveness
40% Instrumentalness • 98% Positiveness
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Harry J Allstars
Down Side Up
141 bpm • A Maj • 02:58 • -11.6db
12% Popularity • 88% Danceability • 52% Energy • 10% Liveness
49% Instrumentalness • 78% Positiveness
12% Popularity • 88% Danceability • 52% Energy • 10% Liveness
49% Instrumentalness • 78% Positiveness
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Derrick & Patsy
I'm In a Jam
121 bpm • G min • 02:47 • -8.07db
11% Popularity • 73% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 73% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Count Sticky
Bigger Boss
121 bpm • C Maj • 02:33 • -6.64db
19% Popularity • 88% Danceability • 49% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
19% Popularity • 88% Danceability • 49% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
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Symarip Pyramid
Mosquito Bite
121 bpm • A# Maj • 02:39 • -9.4db
26% Popularity • 94% Danceability • 71% Energy • 5% Liveness
56% Instrumentalness • 98% Positiveness
26% Popularity • 94% Danceability • 71% Energy • 5% Liveness
56% Instrumentalness • 98% Positiveness
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Tommy McCook
Thunderball
121 bpm • F Maj • 02:51 • -8.48db
7% Popularity • 75% Danceability • 78% Energy • 9% Liveness
78% Instrumentalness • 98% Positiveness
7% Popularity • 75% Danceability • 78% Energy • 9% Liveness
78% Instrumentalness • 98% Positiveness
