Songs like Wall Lovin' by Carner & Gregor
Based on a tempo of (+/- 10%) and a similar genre
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Carner & Gregor
Wall Lovin'
140 bpm • A Maj • 03:45 • -12.28db
14% Popularity • 62% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 62% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Analise Scarpaci
What The Hell
140 bpm • F# Maj • 03:16 • -6.86db
36% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Age of Madness
My First Enemy
140 bpm • C# min • 03:40 • -4.15db
19% Popularity • 44% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 44% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
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SMASH Cast
Don't Say Yes Until I Finish Talking (SM...
140 bpm • C# Maj • 02:42 • -6.72db
43% Popularity • 59% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 59% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
Opening: The New World
140 bpm • D# Maj • 05:18 • -7db
31% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Andy Mientus
Tarrytown
140 bpm • C Maj • 03:58 • -10db
9% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Kath Gotts
Don't Lose It
140 bpm • B min • 03:59 • -7.26db
14% Popularity • 37% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 37% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Anna Kendrick
A Part of That
140 bpm • F min • 04:00 • -8db
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Alex Wyse
Right Here
140 bpm • A Maj • 04:32 • -11.19db
8% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Rob Rokicki
Say Goodbye
139 bpm • A Maj • 04:12 • -8.36db
11% Popularity • 31% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 31% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Andy Mientus
The Man In The Middle
139 bpm • A Maj • 02:27 • -8db
12% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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StarKid Productions
If I Fail You
141 bpm • A Maj • 05:21 • -14db
32% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Ciara Renée
The Man I Know (Reprise)
139 bpm • C Maj • 02:29 • -11.99db
12% Popularity • 35% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 35% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Wonu Ogunfowora
Wallflower
141 bpm • F# Maj • 02:51 • -7db
24% Popularity • 66% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 66% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Sydney Farley
Life In Hate Nation
141 bpm • C Maj • 05:12 • -6.09db
11% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Newsies Original Broadway Cast
Brooklyn's Here
139 bpm • G Maj • 01:53 • -8.07db
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Andi Alhadeff
Lifesong
138 bpm • B min • 02:28 • -5.83db
7% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
'It's about one moment' (Transition)
142 bpm • B Maj • 01:33 • -6.96db
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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Andrew Durand
Mad About You
142 bpm • A Maj • 02:35 • -5db
24% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Lindsay Rider
In the Light
138 bpm • D min • 02:37 • -8db
13% Popularity • 31% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 31% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Krystina Alabado
Sam Failed Her Driver’s Test
138 bpm • A# min • 02:06 • -7.57db
18% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Georgia Stitt
Prepared
142 bpm • C Maj • 03:50 • -8.67db
10% Popularity • 42% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 42% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Will Reynolds
Sail On, Santa Maria!
137 bpm • G Maj • 03:05 • -10.13db
20% Popularity • 50% Danceability • 35% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 50% Danceability • 35% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Carner & Gregor
T.M.I.
137 bpm • D Maj • 03:49 • -14.32db
13% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Steven Pasquale
Steal with Style
143 bpm • D Maj • 03:10 • -6.15db
11% Popularity • 44% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 44% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Brian D'Arcy James
Finale: Children Will Listen
137 bpm • C Maj • 06:20 • -10.04db
34% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Krystina Alabado
Drive
143 bpm • F# Maj • 04:45 • -8.54db
18% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Meryl Streep
Changing Lives - Reprise
144 bpm • E min • 01:54 • -6.57db
28% Popularity • 48% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 48% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Carner & Gregor
Tie Me Up
137 bpm • E Maj • 04:56 • -10.48db
11% Popularity • 52% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 52% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 38% Positiveness
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Grey Henson
Where Do You Belong?
144 bpm • A# Maj • 04:53 • -5.41db
52% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
22% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Anna Kendrick
Climbing Uphill
136 bpm • E min • 03:29 • -8db
36% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Liam Pearce
Building Momentum
144 bpm • G# Maj • 02:48 • -7.27db
27% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Krystina Alabado
Freedom
144 bpm • E Maj • 06:39 • -7.03db
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Alex Brightman
Why Must We Tell Them Why?
144 bpm • A min • 03:55 • -7.16db
30% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Alexandra Socha
Good Girl
136 bpm • A Maj • 02:36 • -5db
22% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Scott Alan
Please Don't Let Me Go (Live)
136 bpm • A Maj • 03:29 • -8.98db
10% Popularity • 28% Danceability • 64% Energy • 83% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 28% Danceability • 64% Energy • 83% Liveness
0% Instrumentalness • 15% Positiveness
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Cast Recording
Role of A Lifetime
144 bpm • D min • 03:33 • -12.13db
30% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Marcy
Alto's Lament
144 bpm • C Maj • 03:18 • -6db
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Hunter Bell
More Life
136 bpm • G Maj • 02:58 • -6db
13% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Christian Borle
Take It Like a Man
135 bpm • B Maj • 04:13 • -11db
45% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Holden William Hagelberger
On With the Show
145 bpm • A# Maj • 04:57 • -6.81db
14% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Will Reynolds
Moment to Moment
145 bpm • D Maj • 02:25 • -10.23db
13% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Jodie Steele
Yo Girl
135 bpm • C# Maj • 01:44 • -11db
39% Popularity • 63% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 63% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Miller
Lost
135 bpm • D Maj • 03:07 • -9db
13% Popularity • 77% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 77% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Neil Bartram
Relativity
135 bpm • A min • 03:56 • -8db
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Rob McClure
Ready Set, Not Yet
146 bpm • G Maj • 03:42 • -7.05db
50% Popularity • 66% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 66% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Diana Original Broadway Cast
The Main Event
146 bpm • A# Maj • 04:26 • -6.53db
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Erika Henningsen
I See Stars
146 bpm • A Maj • 03:48 • -4db
49% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Tammy Blanchard
Skid Row (Downtown)
134 bpm • A# Maj • 04:12 • -9db
40% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Louis Hobson
You Can Do Better Than Him
134 bpm • A Maj • 03:11 • -12.44db
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Alice Ripley
Bubble Boy
134 bpm • F Maj • 05:38 • -8db
9% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Derek Klena
My Petersburg
134 bpm • A Maj • 02:30 • -9db
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Neil Bartram
Person A
134 bpm • F Maj • 01:39 • -13.87db
19% Popularity • 76% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 76% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Bryce Pinkham
It's Not Like In The Movies
147 bpm • A Maj • 04:44 • -6.67db
18% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Sydney Parra
Shut up and Cheer
133 bpm • C Maj • 02:59 • -7db
20% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Erika Henningsen
Fearless
147 bpm • G Maj • 04:11 • -5.17db
48% Popularity • 36% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 36% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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Chris Miller
Spring Cleaning
133 bpm • F Maj • 03:02 • -7db
12% Popularity • 71% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 71% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Underberg
Finale
133 bpm • G# Maj • 03:50 • -5.52db
77% Popularity • 47% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
77% Popularity • 47% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Alex Brightman
Watch Your Step
148 bpm • F min • 02:31 • -12.19db
32% Popularity • 70% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 70% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Kooman & Dimond
I Think That He Likes Me
148 bpm • C Maj • 02:35 • -7.34db
30% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Celeste Rose
Before the Breakdown
148 bpm • C# Maj • 03:59 • -6.75db
25% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Diana Original Broadway Cast
The Worst Job In England
148 bpm • F Maj • 03:00 • -6.15db
25% Popularity • 74% Danceability • 70% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 74% Danceability • 70% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
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Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Between the Lines Original Cast
Happily Ever After Hour
148 bpm • G Maj • 03:28 • -8.47db
16% Popularity • 46% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 46% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
27% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Alice By Heart Original Cast Recording Company
Do You Think We Think You're Alice?
132 bpm • G# Maj • 01:18 • -10.86db
32% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Bob Martin
Bride's Lament
149 bpm • F Maj • 05:12 • -7.35db
27% Popularity • 50% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 50% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
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Andy Karl
Nobody Cares
132 bpm • G Maj • 05:13 • -5.32db
31% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Curt Mega
Spy Again
149 bpm • G# Maj • 04:31 • -14.04db
31% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Heidi Blickenstaff
After All of This and Everything
149 bpm • G# Maj • 03:22 • -12db
30% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
31% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Andy Karl
Day Two
132 bpm • D Maj • 04:26 • -8.2db
29% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Jeremy Jordan
The Legend Of Sleepy Hollow
131 bpm • F min • 03:38 • -7db
13% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Santino Fontana
Unstoppable
149 bpm • G Maj • 04:00 • -9.15db
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Kerry Butler
Barbara 2.0
149 bpm • G# Maj • 03:25 • -5.54db
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Original Cast of Amélie
World's Best Dad
150 bpm • D Maj • 02:19 • -7.05db
20% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jonathan Bailey
Getting Married Today
131 bpm • F# Maj • 04:19 • -13db
29% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Andy Karl
Day One
131 bpm • D Maj • 10:19 • -7.26db
31% Popularity • 48% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 48% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Diana Original Broadway Cast
The World Fell In Love
150 bpm • A# Maj • 03:36 • -8.85db
21% Popularity • 58% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 58% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Andrew Underberg
More Than Anything
131 bpm • F# Maj • 03:13 • -7.55db
77% Popularity • 49% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
77% Popularity • 49% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
