Songs like want u back by joan
Based on a tempo of (+/- 10%) and a similar genre
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Hardcastle
Blue Sky
127 bpm • C# Maj • 02:39 • -5.3db
33% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Cherry Pools
Stop and Stare
127 bpm • D# Maj • 03:30 • -6db
17% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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joan
want u back
127 bpm • F min • 03:05 • -4.53db
27% Popularity • 67% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 67% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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milk.
A Little More
128 bpm • C# min • 04:20 • -10.54db
44% Popularity • 46% Danceability • 42% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
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Sub-Radio
Cool
128 bpm • D Maj • 03:27 • -5.05db
28% Popularity • 66% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 66% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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19&YOU
19&YOU
128 bpm • G# Maj • 02:55 • -5.75db
22% Popularity • 65% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 65% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Will Jay
Nights Like These
128 bpm • B Maj • 03:58 • -6db
36% Popularity • 65% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 65% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 42% Positiveness
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LOS LEO
Take Your Time
126 bpm • D Maj • 03:46 • -6db
25% Popularity • 75% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 75% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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joan
life death & everything between
127 bpm • A# Maj • 01:44 • -12.73db
17% Popularity • 35% Danceability • 38% Energy • 44% Liveness
17% Instrumentalness • 50% Positiveness
17% Popularity • 35% Danceability • 38% Energy • 44% Liveness
17% Instrumentalness • 50% Positiveness
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Hardcastle
Does Somebody Love You
128 bpm • A Maj • 03:17 • -4.84db
25% Popularity • 69% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 69% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Faime
Crash
128 bpm • A Maj • 02:38 • -7.79db
33% Popularity • 79% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 79% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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19&YOU
Loving Me
126 bpm • A Maj • 02:44 • -8.03db
21% Popularity • 78% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 78% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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GABE ISAAC
Cloud 9
128 bpm • E Maj • 03:37 • -10db
34% Popularity • 81% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 81% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Zach Benson
Kissing as the Cars Pass By
126 bpm • D Maj • 03:24 • -10.57db
36% Popularity • 73% Danceability • 38% Energy • 8% Liveness
6% Instrumentalness • 32% Positiveness
36% Popularity • 73% Danceability • 38% Energy • 8% Liveness
6% Instrumentalness • 32% Positiveness
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Phangs
Product of the 90S
129 bpm • F min • 03:10 • -4.08db
28% Popularity • 75% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 75% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Miki Ratsula
Missing June
125 bpm • F Maj • 02:52 • -9.01db
43% Popularity • 72% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 72% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Moody Joody
Lockeland
129 bpm • F Maj • 03:41 • -8.94db
16% Popularity • 78% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 78% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Project Orange
Ctrl + Esc
125 bpm • D# Maj • 03:18 • -8.22db
35% Popularity • 63% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
35% Popularity • 63% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
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POLYDRIVE
Not Me Anymore
125 bpm • C min • 03:22 • -9db
28% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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joan
not over you
125 bpm • A Maj • 03:10 • -8.82db
22% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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STRUAN
Go Out With My Friends
125 bpm • D# Maj • 03:58 • -7.15db
18% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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milk.
You&I.
125 bpm • C Maj • 04:16 • -8.67db
33% Popularity • 70% Danceability • 59% Energy • 23% Liveness
38% Instrumentalness • 54% Positiveness
33% Popularity • 70% Danceability • 59% Energy • 23% Liveness
38% Instrumentalness • 54% Positiveness
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Sherpa mc
Pop It V
130 bpm • D# Maj • 03:19 • -6.06db
0% Popularity • 64% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 64% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Blake Rose
Rollerblades
130 bpm • E Maj • 03:34 • -6db
38% Popularity • 50% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 50% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Brogan Pero
My Lover
124 bpm • A# Maj • 02:50 • -7.5db
36% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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joan
so done
125 bpm • A Maj • 02:54 • -5db
31% Popularity • 86% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 86% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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david hugo
Die Right Here
130 bpm • C# Maj • 02:07 • -4.14db
56% Popularity • 78% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
56% Popularity • 78% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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milk.
I Hate the Way You're Looking at Me (Lat...
130 bpm • G Maj • 03:29 • -8.19db
31% Popularity • 67% Danceability • 75% Energy • 8% Liveness
32% Instrumentalness • 31% Positiveness
31% Popularity • 67% Danceability • 75% Energy • 8% Liveness
32% Instrumentalness • 31% Positiveness
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Taylor Swift
I Can Do It With a Broken Heart
130 bpm • C Maj • 03:38 • -8.29db
82% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
82% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Fickle Friends
Pretty Great
130 bpm • C# Maj • 03:33 • -6db
39% Popularity • 80% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 80% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Conor Matthews
Anyone's But Mine
130 bpm • B Maj • 03:15 • -4.7db
32% Popularity • 55% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 55% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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flor
Big Shot
130 bpm • A Maj • 03:09 • -4.89db
36% Popularity • 54% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 54% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Before You Exit
Silence
124 bpm • G# Maj • 03:20 • -9.86db
47% Popularity • 93% Danceability • 52% Energy • 13% Liveness
19% Instrumentalness • 75% Positiveness
47% Popularity • 93% Danceability • 52% Energy • 13% Liveness
19% Instrumentalness • 75% Positiveness
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nodisco.
Unrelated
130 bpm • G# Maj • 03:19 • -8.24db
15% Popularity • 76% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 76% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
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almost monday
come on come on
124 bpm • F# min • 02:47 • -2.73db
45% Popularity • 74% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
45% Popularity • 74% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Phil Good
Everything's Good
124 bpm • G# Maj • 03:03 • -4.24db
47% Popularity • 88% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
47% Popularity • 88% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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The Aces
Going Home
124 bpm • A Maj • 03:55 • -8db
40% Popularity • 66% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 66% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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milk.
Treat Me
131 bpm • A# Maj • 03:16 • -5.81db
36% Popularity • 59% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 59% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Hotel Apache
IWD4U
123 bpm • F# min • 02:51 • -4.03db
31% Popularity • 65% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 65% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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nodisco.
Everything Happens!
131 bpm • B Maj • 03:06 • -4.51db
15% Popularity • 75% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 75% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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pink roses
giving it up
123 bpm • B Maj • 02:53 • -7.34db
10% Popularity • 70% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 70% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Yueku
Paradise
123 bpm • D Maj • 03:25 • -6.96db
32% Popularity • 68% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 68% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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remy
checked out
123 bpm • F Maj • 02:17 • -8.04db
45% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Ville
Driving
132 bpm • G# Maj • 04:36 • -9.57db
20% Popularity • 56% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 56% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Josie Dunne
POINT
132 bpm • C# Maj • 03:26 • -7.2db
25% Popularity • 85% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 85% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Cody Lovaas
Me, Myself
132 bpm • F# Maj • 03:23 • -6db
34% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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joan
don't say you love me
122 bpm • A# Maj • 02:44 • -8.99db
26% Popularity • 88% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 88% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Great Good Fine Ok
You Don’t Look at Me the Same
122 bpm • D Maj • 02:56 • -9db
37% Popularity • 72% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 72% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Lukey
PEACHSUN
122 bpm • B Maj • 03:37 • -7.77db
36% Popularity • 76% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 76% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Dylan Dunlap
Talk to You
122 bpm • G# min • 02:56 • -6db
41% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Valley
sucks to see you doing better
122 bpm • C# Maj • 03:45 • -8db
45% Popularity • 74% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 74% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Lostboycrow
Candy Wine
122 bpm • C# Maj • 03:03 • -4.76db
48% Popularity • 75% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
48% Popularity • 75% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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LAVE
Honey (I believe in us)
122 bpm • D# Maj • 02:55 • -5.78db
31% Popularity • 76% Danceability • 69% Energy • 8% Liveness
78% Instrumentalness • 84% Positiveness
31% Popularity • 76% Danceability • 69% Energy • 8% Liveness
78% Instrumentalness • 84% Positiveness
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Chris James
Close to the Fire
122 bpm • G# Maj • 02:44 • -7db
32% Popularity • 82% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 82% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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pink roses
hollywood
121 bpm • G Maj • 03:12 • -9.03db
17% Popularity • 62% Danceability • 63% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
17% Popularity • 62% Danceability • 63% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
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Jack Gray
I Got 3
121 bpm • D# Maj • 03:14 • -8db
47% Popularity • 78% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 78% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Hotel Apache
Covergirl
122 bpm • F# min • 03:05 • -10.4db
39% Popularity • 61% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 61% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Gatlin
Talking to Myself
121 bpm • G# Maj • 03:51 • -6.29db
47% Popularity • 76% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 76% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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LAVE
Notice
121 bpm • G# Maj • 03:26 • -7.15db
28% Popularity • 53% Danceability • 67% Energy • 15% Liveness
30% Instrumentalness • 32% Positiveness
28% Popularity • 53% Danceability • 67% Energy • 15% Liveness
30% Instrumentalness • 32% Positiveness
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HONNE
free love
134 bpm • A Maj • 03:29 • -8.2db
58% Popularity • 71% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 71% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Fern.
Only You
134 bpm • C# Maj • 03:41 • -9db
33% Popularity • 63% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 63% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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joan
right back
134 bpm • B Maj • 03:32 • -4.69db
22% Popularity • 86% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 86% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Hardcastle
Something I've Been Waiting On
120 bpm • F Maj • 03:10 • -4.84db
30% Popularity • 34% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 34% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Hotel Apache
Dialtone
120 bpm • A Maj • 03:44 • -8.84db
44% Popularity • 58% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 58% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Landon Conrath
Static
120 bpm • B Maj • 02:55 • -6db
46% Popularity • 85% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 85% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Public Library Commute
No One Like You
120 bpm • D Maj • 02:50 • -6db
44% Popularity • 71% Danceability • 62% Energy • 17% Liveness
65% Instrumentalness • 69% Positiveness
44% Popularity • 71% Danceability • 62% Energy • 17% Liveness
65% Instrumentalness • 69% Positiveness
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almost monday
don't say you're ordinary
120 bpm • C Maj • 02:59 • -4.93db
39% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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joan
take me on
120 bpm • G min • 03:30 • -6db
30% Popularity • 58% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 58% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Hardcastle
Mundane
120 bpm • F# Maj • 03:07 • -6.02db
40% Popularity • 60% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 60% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Hotel Apache
This Love Rightfully Belongs To Somebody...
120 bpm • A# Maj • 03:14 • -7db
31% Popularity • 66% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 66% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Griff
1,000,000 X Better
120 bpm • C Maj • 03:11 • -7.87db
48% Popularity • 75% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 75% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Finn Matthews
Beautiful Stranger
120 bpm • D Maj • 02:34 • -9.36db
28% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Cherry Pools
Turn You On
120 bpm • E Maj • 03:28 • -6db
39% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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milk.
In LA.
120 bpm • G Maj • 03:08 • -7.58db
31% Popularity • 65% Danceability • 65% Energy • 15% Liveness
10% Instrumentalness • 49% Positiveness
31% Popularity • 65% Danceability • 65% Energy • 15% Liveness
10% Instrumentalness • 49% Positiveness
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joan
want u back - spring
120 bpm • G min • 03:30 • -8.87db
16% Popularity • 70% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 70% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Devin Kennedy
Loose Change
120 bpm • B Maj • 02:43 • -14.7db
55% Popularity • 82% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 82% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Knox
Falling Over You
120 bpm • B Maj • 03:20 • -6.37db
29% Popularity • 67% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 67% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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push baby
thenineteenseventyfive
135 bpm • E Maj • 04:14 • -7db
42% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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lost spaces
boxset.girlfriend
120 bpm • B Maj • 03:32 • -8.2db
26% Popularity • 74% Danceability • 70% Energy • 42% Liveness
2% Instrumentalness • 46% Positiveness
26% Popularity • 74% Danceability • 70% Energy • 42% Liveness
2% Instrumentalness • 46% Positiveness
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Great Good Fine Ok
Someone To You
135 bpm • G Maj • 03:20 • -6.03db
39% Popularity • 80% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 80% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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joan
waiting on nothing
120 bpm • A# Maj • 04:07 • -10.13db
23% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Hotel Apache
If Heaven Was A Sound
135 bpm • C# Maj • 03:47 • -7.67db
34% Popularity • 68% Danceability • 77% Energy • 8% Liveness
57% Instrumentalness • 45% Positiveness
34% Popularity • 68% Danceability • 77% Energy • 8% Liveness
57% Instrumentalness • 45% Positiveness
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almost monday
this is growing up
135 bpm • A# min • 03:04 • -7db
38% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Millennial Club
summer nights
135 bpm • C# Maj • 03:33 • -8db
60% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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No Rome
All Up In My Head
135 bpm • G min • 03:51 • -6.71db
30% Popularity • 73% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 73% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Laureline
Everything Ends Up Ending
135 bpm • B Maj • 03:10 • -4.49db
17% Popularity • 46% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 46% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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VICTORS
Feel
119 bpm • D# Maj • 03:45 • -4.77db
27% Popularity • 55% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 55% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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HONNE
HEARTSONG
136 bpm • E Maj • 04:27 • -10.36db
37% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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vaultboy
rocket science
136 bpm • A# Maj • 02:32 • -8.01db
66% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
66% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Millennial Club
Give It Up
118 bpm • F min • 04:39 • -8.48db
30% Popularity • 61% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 61% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Catalina
Runaround
118 bpm • G min • 03:17 • -5.84db
35% Popularity • 59% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 59% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Laur Elle
you were in my dream
118 bpm • G# Maj • 03:26 • -7.74db
35% Popularity • 73% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 73% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Hardcastle
For a While
118 bpm • E Maj • 03:03 • -8.11db
18% Popularity • 61% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 61% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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The 1975
Happiness
118 bpm • B Maj • 05:03 • -5.04db
65% Popularity • 66% Danceability • 90% Energy • 20% Liveness
5% Instrumentalness • 86% Positiveness
65% Popularity • 66% Danceability • 90% Energy • 20% Liveness
5% Instrumentalness • 86% Positiveness
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Between Giants
Colors of Your Mood
118 bpm • C Maj • 03:27 • -8db
28% Popularity • 68% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 68% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Peter Fenn
Next to Me
118 bpm • F# min • 02:49 • -6.41db
37% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Knox
Habits
118 bpm • A min • 03:23 • -7.11db
15% Popularity • 67% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 67% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Conor Matthews
Forever Right Now
118 bpm • F Maj • 02:21 • -5db
58% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
